It has been around since humans began to speak. The earliest forms of speculative fiction were likely mythological tales told around the campfire. Speculative fiction deals with the "What if?" scenarios imagined by dreamers and thinkers worldwide. Journeys to other worlds through the vast reaches of distant space; magical quests to free worlds enslaved by terrible beings; malevolent supernatural powers seeking to increase their spheres of influence across multiple dimensions and times; all of these fall into the realm of speculative fiction.
Speculative fiction as a category ranges from ancient works to cutting edge, paradigm-changing, and neotraditional works of the 21st century. It can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known. For example, Ancient Greekdramatists such as Euripides, whose play Medea (play) seemed to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure. The play Hippolytus, narratively introduced by Aphrodite, is suspected to have displeased contemporary audiences of the day because it portrayed Phaedra as too lusty.
During his time in Britain in the 1950s and 1960s, Newman worked first with ABC Weekend TV before moving across to the BBC in 1962, holding the role of Head of Drama with both organisations. During this phase of his career, he created the spy-fi series The Avengers and co-created the science-fiction series Doctor Who, as well as overseeing the production of groundbreaking social realist drama series such as Armchair Theatre and The Wednesday Play. (Full article...)
Remember that Jules Verne was a sort of Shakespeare of science fiction, and we would feel derelict if we did not give his stories in our columns.
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—T. O'Conor Sloane (1851–1940), "Discussions" Amazing Stories (January 1927). This quote is notable for being the first "modern use" of the term science fiction.[1]
Gustave Doré's depiction of Canto VII of Dante's Inferno, the first part of the Divine Comedy. Here, we see the fourth circle (out of nine) of Hell, in which hoarders and wasters are forced to move around giant bags of gold, similar to the mythological story of Sisyphus. Allegorically, the Divine Comedy represents the journey of the soul towards God, with the Inferno describing the recognition and rejection of sin. (POTD)
... that before beginning a career in animation, Jeff "Swampy" Marsh worked as a vice president of sales and marketing for a computer company, where he "freaked out" and decided to quit?
The magazine was moderately successful, though for most of its run it was not considered to be in the first tier of American science fiction magazines. It achieved its greatest success under editor Frederik Pohl, winning the Hugo Award for best professional magazine three years running from 1966 to 1968. If published many award-winning stories over its 22 years, including Robert A. Heinlein's novel The Moon Is a Harsh Mistress and Harlan Ellison's short story "I Have No Mouth and I Must Scream". The most prominent writer to make his first sale to If was Larry Niven, whose story "The Coldest Place" appeared in the December 1964 issue. (Full article...)
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