The new wave of British heavy metal began in the late 1970s and achieved international attention by the early 1980s. Encompassing diverse mainstream and underground styles, the music often infused 1970s heavy metal music with the intensity of punk rock to produce fast and aggressive songs. The do-it-yourself ethic of the new metal bands led to the spread of raw-sounding, self-produced recordings and a proliferation of independent record labels. Song lyrics were usually about escapist themes from mythology, fantasy, horror or the rock lifestyle. The movement involved mostly young, white, male musicians and fans of the heavy metal subculture, whose behavioural and visual codes were quickly adopted by metal fans worldwide after the spread of the music globally. The movement spawned perhaps a thousand bands, but only a few survived the rise of MTV and glam metal. Among them, Motörhead(singer pictured) and Saxon had considerable success, and Iron Maiden and Def Leppard became international stars. (Full article...)
... that the Sam Kee Building(pictured), recognized by Guinness World Records as the narrowest commercial building in the world, was built on a bet between two businessmen?
... that a group of 25 women disfigured by the atomic bombing of Hiroshima traveled to the United States in the 1950s to receive reconstructive surgery?
... that Mary Sheffield is the youngest elected member and the youngest president in the Detroit City Council's history?
... that fans speculated that Charli XCX wrote "Sympathy Is a Knife" about Taylor Swift and her relationship with Matty Healy?
The Monarch of the Glen is an oil-on-canvas painting of a red deer stag completed in 1851 by the English painter Sir Edwin Landseer. It was commissioned as part of a series of three panels to hang in the Palace of Westminster in London. As one of the most popular paintings throughout the 19th century, it sold widely in reproductions in steel engraving, and was finally bought by companies to use in advertising. The painting had become something of a cliché by the mid–20th century, as the "ultimate biscuit tin image of Scotland: a bulky stag set against the violet hills and watery skies of an isolated wilderness", according to the Sunday Herald. The work is now in the Scottish National Gallery in Edinburgh.
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