Draft:Ashfika Rahman

• Comment: A CoI here? See Draft talk:Ashfika Rahman. Hoary (talk) 01:08, 25 February 2025 (UTC)

• Comment: Let's consider one sample: Rahman’s work often seeks to amplify the voices of marginalized communities, using art as a platform for social change. Her focus on ethnic minorities in Bangladesh has drawn significant attention,... What she seeks to do is of minor encyclopedic value. If, in the opinion of photography critics/curators/historians/academics who are independent of her, she amplifies them, then please say so, of course specifying who these people are and where they say it. If her focus has drawn significant attention, well, once it had drawn their attention, what did the photography critics/curators/historians/academics say about it?
  "Article ( select listing):" is pointless. Consider each item that this now includes, in turn. Does it contain usable text? If it does, then summarize the text within the body of this draft, and of course attribute it. If it doesn't but it shows a nontrivial amount of AR's work, then put it in "External links", of course describing it. If it neither contains usable text nor a nontrivial quantity of AR's work, don't mention it. Hoary (talk) 00:56, 25 February 2025 (UTC)

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Ashfika Rahman
Ashfika Rahman, visual artist and educator
Nationality	Bangladeshi
Education	Ashfika Rahman studied photography in 2017 from Hochschule Hannover (University of Applied Sciences and Arts), Germany, and a Professional Photography Diploma in 2016 from Pathshala South Asian Media Academy, Bangladesh.
Website	https://www.ashfikarahman.com/

Ashfika Rahman (born 1988) is a Bangladeshi visual artist and educator whose multidisciplinary practice spans textiles, photography, video, text, and installation art. Her work addresses critical social issues such as violence, displacement, and the marginalization of indigenous communities, particularly women, ethnic minorities, and other disenfranchised groups in Bangladesh. Rahman’s works often blend documentary photography with art installations to create immersive experiences that provoke critical reflections on marginalized communities.

Early Life and Education

Ashfika Rahman was born in Bangladesh, where she developed an interest in visual storytelling. Her formal education from Pathshala South Asian Media Institute in Bangladesh and furthering her studies at Hochschule Hannover in Germany, which provided her with a foundation in both the technical and conceptual aspects of art. Rahman has been involved in various art and photography projects that explore themes of memory, trauma, and the impact of socio-political conflicts.

Artistic Practice

Rahman’s artistic practice spans photography, installation, and multimedia projects. One of her prominent works, "Files of the Disappeared," addresses the stories of individuals who have disappeared under the political turmoil in Bangladesh.

Rahman’s work often seeks to amplify the voices of marginalized communities, using art as a platform for social change. Her focus on ethnic minorities in Bangladesh has drawn significant attention, particularly in the context of her participation in international art events such as the Dhaka Art Summit. These platforms have allowed Rahman to share her narrative-driven approach with a global audience, emphasizing the power of art to reflect complex socio-political realities.

Notable Achievements

Rahman’s most notable recognition came in 2024 when she won the prestigious Future Generation Art Prize, which is awarded to artists whose work demonstrates innovation and impact. Her win was covered by prominent outlets worldwide Art News, ArtReview, and e-flux, which noted her ability to engage with critical issues through her artistic lens.

In addition to her individual exhibitions, Rahman’s works have been featured in prominent international art fairs and festivals, including Art Basel (2024), where her work on ethnic minority representation was showcased. This recognition places her within a growing wave of contemporary artists from Bangladesh, expanding the global dialogue on South Asian art and culture.

Themes and Influences

Rahman’s work is deeply influenced by her socio-political environment, particularly the struggles of marginalized groups in Bangladesh. Her projects often address themes such as gender inequality, ethnic identity, and the socio-political challenges faced by vulnerable communities. By blending photographic and installation techniques, Rahman brings attention to these important issues, aiming to inspire dialogue and change.

Exhibitions

Rahman’s works have been showcased at major international art venues, including:

2024:

• Busan Biennale, South Korea;
• Frieze London, United Kingdom;
• PinchukArtCentre, Ukraine.

Residencies

Ashfika Rahman has participated in several artist residencies, including:

• 2024–2025: Rijksakademie van Beeldende Kunsten, Netherlands.[1]

Article ( select listing):

https://www.artbasel.com/stories/ashfika-rahman-bangladesh-social-justice-ethnic-minorities

https://museemagazine.com/culture/tag/Ashfika+Rahman

https://ocula.com/magazine/features/in-bangladesh-the-dhaka-art-summit-blooms/

https://www.lensculture.com/articles/ashfika-rahman-files-of-the-disappeared

https://wsimag.com/art/67098-ashfika-rahman

https://lumix-festival.de/en/picture-series/project/ashfika-rahman/

http://www.newagebd.net/article/39204/ashfika-selected-for-joop-swart-master-class

https://dailyasianage.com/news/117662/1st-female-bd-photographer-in-joop-swart-masterclass

https://phmuseum.com/projects/rape-is-political