Measuring 380 by 580 centimetres (150 by 230 in), the first painting was completed in 1896, and presented to Patriarch Georgije later that year. Dissatisfied, the Patriarch asked Jovanović to adjust his work to conform with the Church's view of the migration. Though Jovanović made the changes relatively quickly, he could not render them in time for the painting to be displayed in Budapest, and it therefore had to be unveiled at the Archbishop's palace in Sremski Karlovci. Jovanović went on to complete a total of four versions of the painting, three of which survive. The first version is on display at the patriarchate building of the Serbian Orthodox Church in Belgrade, the second at the Pančevo Museum, and the fourth at Princess Ljubica's Residence, in Belgrade. Migration of the Serbs holds iconic status in Serbian popular culture, and several authors repute it to be one of Jovanović's finest achievements. (Full article...)
... that Džuvljarke written by Vera Kurtić includes interviews with members of the LGBT community in Serbia and concludes that Romani lesbian women are often "invisible"?
He joined the Serbian Army with the outbreak of the Balkan Wars, fought on the Serbian side during World War I and remained in active service until 1920, when he decided to pursue a career in politics. He joined the People's Radical Party that year and became regional deputy for the Smederevo District in 1930. In 1931, he was appointed to the position of Yugoslav Minister of Justice by King Alexander I but resigned following a disagreement between him and the king over the layout of the Yugoslav political system. Ljotić founded Zbor in 1935. The party received little support from the largely anti-German Serbian public and never won more than 1 percent of the vote in the 1935 and 1938 Yugoslav parliamentary elections. Ljotić was arrested in the run-up to the latter elections and briefly sent to an insane asylum after the authorities accused him of having a "religious mania". He voiced his opposition to the Cvetković–Maček Agreement in 1939 and his supporters reacted to it violently. Zbor was soon outlawed by the Yugoslav government, forcing Ljotić into hiding. He remained in hiding until April 1941, when the Axis powersinvaded Yugoslavia. Ljotić was later invited by the Germans to join the Serbian puppet government of Milan Aćimović and was offered the position of economic commissioner. He never took office, partly because he disliked the idea of playing a secondary role in the administration and partly because of his unpopularity. He resorted to indirectly exerting his influence over the Serbian puppet government through two of his closest associates whom the Germans had selected as commissioners. In September 1941, the Germans gave Ljotić permission to form the Serbian Volunteer Detachments, which were later renamed the Serbian Volunteer Corps (SDK). (Full article...)
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