Zemi Figures from Vere, Jamaica
| Zemi Figures from Vere | |
|---|---|
| Material | Wood |
| Size | 104 cm high in total (male figure) |
| Created | 15th-16th century |
| Present location | British Museum, London |
| Registration | Am1977,Q.1-3 |
The Zemi Figures from Vere, Jamaica (this area is situated in the modern parish of Clarendon)[1] are an important collection of pre-Columbian wooden figures found in the Carpenters Mountains in Jamaica in the late 18th century. They were originally made by the Taíno people and may have served as venerated objects that housed local spirits or deities. They now form part of the British Museum's collection.[2]
Discovery
[edit]The three figures were found by a surveyor in a cave near the settlement of Vere in the Carpenters Mountains in June 1792. They were exhibited for the first time at the Society of Antiquaries of London in 1799 by Isaac Alves Rebello.[3] The figures' subsequent provenance after this remains obscure before their acquisition by the British Museum.
Description
[edit]All three figures are carved from a tropical hardwood called guayacan (Guaiacum officinale L.). The surface of the sculptures were probably polished with pebbles to bring the resin to the surface and attain the black lustre. The largest figure (the head of which is illustrated here) represents a male spiritual being, with prominent genitalia and powerful limbs, demonstrating masculine strength and virility. The second figure, at 87 cm high slightly smaller than the male zemi, mixes human and animal characteristics. The head can be described as birdlike with a protruding beak and teeth made of inlaid shells, but the body is more human-like with male sexual organs. The third sculpture has an unusually wide face carved below a canopy, which was probably used for the ritual inhalation of a hallucinogenic substance called cahoba.[4]
Original purpose
[edit]As the Taíno's written record is in the form of petroglyphs (a type of Proto-writing) on which very little research has been done,[5] the purpose and role of these figures is based on records kept by the Spanish during the early colonial period. It appears that the Taíno actively sought contact with spiritual beings who were capable of performing many deeds on their behalf. The taking of hallucinogenic drugs seems to have been an important part of communicating with these deities. The ingredients of the substance called cahoba is thought to have been based on powdered tobacco but other additions including brine and lime have been proposed and hallucogins prepared from Anadenanthera peregrina.[6]
See also
[edit]References
[edit]- ^ "Clarendon Jamaica-The Third Largest Parish". Retrieved 20 December 2017.
- ^ Zemi figures, British Museum Collection, retrieved 15 December 2013
- ^ Allsworth-Jones, P. (2008). Pre-Columbian Jamaica ([Online-Ausg.]. ed.). Tuscaloosa: University of Alabama Press. p. 8. ISBN 978-0817354664.
- ^ Ancient American Art In Detail, British Museum Press, p 25
- ^ "Tainos Symbols and meanings in Puerto Rico | iCoquito.com". Archived from the original on 2016-08-12. Retrieved 2016-08-05.
- ^ Winter, Joseph C., ed. (2000). Tobacco use by Native North Americans : sacred smoke and silent killer. Norman: Univ. of Oklahoma Press. p. 56. ISBN 0806132620.
Further reading
[edit]- J.W. Fewkes, The aborigines of Porto Rico a (Bureau of American Ethnology, Washington, 1907)
- A. MacGregor (ed.), Sir Hans Sloane, collector, (London, The British Museum Press, 1994)