User:JudyWen/Vally Wieselthier: she/her, Austrian, 1895-1945/Bibliography

Bibliography: Vally Wieselthier

Vally was born in 1895 in Vienna and died in 1945 in New York. She went to Vienna’s Kunstgewerbeschule which is an institute of art and craft with recognized instructors such as Joseph Hoffmann, Michael Powolny, and Koloman Moser. In 1917, she was still a scholar. Joseph requested her to grind at the Wiener Werkstätte, which is a painting and design industrial and auction collection that was established in 1903 by Moser and Hoffman. Throughout and Afterward the First World Fighting more ladies were capable to gain entrance to Vienna’s Kunstgewerbeschule occupying the situations of males who struggled and deceased during the war. More ladies began to work with Werkstätte and they were given more responsibilities. In 1916, Vally started at the Künstlerwerkstätten which was formed by Werkstätte.

The young students many of which were female were given a studio space and resource to design portions for the Werkstätte. Vally who was to grind in porcelains had plenty of time and materials at the Werkstätte to build. The Werkstätte began to produce and design their porcelains in 1917. In 1922 Werkstätte's new management administrator Hasler decided to involve the performer’s on permanent pay. Vally decided to leave and start her workshop. In 1927, the Werkstätte’s purchased her studio and put her in control. Vally and her colleague ceramicists developed exclusive ornaments and attractive pieces.  Her grind was measured among the greatest unique and renowned of the 1920s and 1930s. Furthermore, her work was categorized by an unceremonious use of resources, open paint, and open adaption of outdated topics as well as forms.

Vally was involved in the 1925 Discussion Internationale des Arts Décoratifs et Industriels Modernes" (Global Show of Up-to-date Attractive Arts and Industrialised Enterprise) in Paris. In 1928 the Metropolitan Gallery of Drawing in New York her grind was included in the Global Show of Pottery Drawing. For the Werkstätte’s 25th celebration in 1928, she produced with Gudrun Baudisch the sculptural protection of its memorial newspaper. In 1929, she decided to move to New York City.

Early life

Vally was born on May 25, 1895, in Vienna. She is a daughter to Wieselthier Wilhelm who is a lawyer in Vienna and Rosa Wieselthier. His sisters are Helga Kende and Charlotte Weiss. He was raised in Neuthorgasse 13 in the First District of Vienna.

1914-1917: Career beginning

From 1914 she attended the Vienna School of Art and Craft initially the textile workshop. She also took the specialist class for painting where she was taught by Kolo Moser. In 1917, she transferred to the construction session by Josef Hoffmann (Megan, 2016). Moreover, in 1917, she joined the porcelains studio that was managed by Powolny (Verlag, 2018). She was inspired by the creative manager Dagobert Peche. Her job is subjugated by the liveliness she showed in the use of outdated methods and the open use of resources. The advanced articulateness in color and procedure of her pottery things donated significantly to the revitalization of the genus. Josef was both an instructor at the university and the manager of the Weiner Werkstatte identified the gifted students and acquired them over to be members of his organization.

1918-1921: Collaboration

Vally collaborated with other workshops such as Gmundner Keramik, Wekbund, and Friedrich and porcelain. In 1921, Vally decides to leave Weiner Werkstatte. She decides to venture on his own. She successfully sold her ceramic. After some time, Vally leaves the Jewish Congregation in Vienna (“Valerie Wieselthier”, 2018).

1922-1945: Workshop in Vienna

In 1922, Vally decides to starts her workshop in Vienna. She also continues to collaborate with other firms such as Weiner Werkstatte, Friedrich, and Lobmeyr in Vienna. In 1925, her ceramic sculpture was represented at the Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris. In 1927 Vally went back to Weiner Werkstatte to manage its ceramic studio. In 1928, Vally used most of her time in New York and decided to move permanently to New York in 1932. After opening her studio in New York she worked closely with Cowan Pottery in Cleveland and Sebring Company. She exercised a unique influence on the American ceramic tradition. In 1945 she died of cancer in New York.

Currently

Vally is a modern and impressive artist. Her work was featured in an exhibition at the Leopold Museum and Galerie bei der Albertina. Vally work is been offered at auctions various times with realized fees ranging from $60 to $69000 depending on the medium as well as the size of the artwork.

References

• Megan, B. (2016). Feminine Vessels: The Ceramic Sculpture of Vally Wieselthier. Questia.
• Verlag, B. (2018). Biography of Vally Wieselthier (1895–1945). De gruyter.
• Valerie Wieselthier (2018).