User:Felspar13/sandbox
- REDIRECT Narcisse Snake Pits
Narcisse Wildlife Management Area
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Latitude: 50.0167973539458 Longitude: -95.48196790815484
Latitude: 50.030208441488405 Longitude: -96.89040788316142 drop the frame-coordinates when on its own page.... frame-align
Alignment with respect to the page: left, center, or right; default is right
default height 200 px. default width 300 centers on frame coordinates should default center on wikidata for page topic zoom 1 - 19 larger closer List of protected areas of Manitoba
- Asessippi Provincial Park PP
- Atikaki Provincial Wilderness Park]] PP
- Bakers Narrows Provincial Park NO
- Beaudry Provincial Park PP
- Beaver Creek Provincial Park (Manitoba) NO
- Bell Lake Provincial Park NO
- Birch Point Provincial Park NO
- Birch Island Provincial Park PP
- Birds Hill Provincial Park PP
- Burge Lake Provincial Park NO
- Camp Morton Provincial Park NO
- Caribou River Provincial Park PP
- Clearwater Lake Provincial Park PP
- Criddle/Vane Homestead Provincial Park PP
- Duck Mountain Provincial Park (Manitoba) PP
- Duff Roblin Provincial Park PP
- Elk Island Provincial Park PP
- Fisher Bay Provincial Park PP
- Grand Beach Provincial Park PP
- Grass River Provincial Park PP
- Hecla/Grindstone Provincial Park PP
- Hnausa Beach Provincial Park NO
- Kettle Stones Provincial Park PP
- Lake St. George Provincial Park NO
- Lockport Provincial Heritage Park NA
- Lundar Beach Provincial Park No
- Manipogo Provincial Park No
- Manigotagan River Provincial Park PP
- Moose Lake Provincial Park, Manitoba No (disambiguation required for Moose Lake Provincial Park Alberta)
- Nopiming Provincial Park PP
- Norris Lake Provincial Park NO
- North Steeprock Lake Provincial Park No
- Nueltin Lake Provincial Park PP
- Numaykoos Lake Provincial Park PP
- Paint Lake Provincial Park No
- Patricia Beach Provincial Park No
- Pembina Valley Provincial Park PP
- Pinawa Dam Provincial Park PP
- Pisew Falls Provincial Park no
- Rainbow Beach Provincial Park no
- River Road Provincial Park PP
- Rivers Provincial Park PP
- Sand Lakes Provincial Park PP
- Spruce Woods Provincial Park PP
- St. Ambroise Beach Provincial Park no
- St. Malo Provincial Park no St. Malo Wildlife Management Area PP
- St. Norbert Provincial Park PP
- Stephenfield Provincial Park no
- Trappist Monastery Provincial Park PP
- Turtle Mountain Provincial Park PP
- Watchorn Provincial Park no
- Wekusko Falls Provincial Park no
- Whitefish Lake Provincial Park no
- Whiteshell Provincial Park PP
- William Lake Provincial Park no
- Winnipeg Beach Provincial Park no
- Zed Lake Provincial Park no
Canadian printmaking groups and collectives
This is a list of printmaking studios, collectives and associations, past and present, located in Canada.
Artists using printmaking techniques often group together to share access to presses and other specialized equipment. These shared working spaces encourage printmaking artists to form collegial groups to cooperate in publishing and exhibition activity. Some studios are simple equipment sharing arrangements for a small group of artists, others form around a skilled printer or publisher, while some become centers for promoting printmaking activity in their community.
If no wikipedia page yet exists, a brief note or link is added.
Valentin Gallery, Kittie Bruneau, Jewish Painters of Montreal
Ghitta Caiserman-Roth ([1] to November 25, 2005[2]) was a Canadian artist and art educator.
March 2, 1923Ghitta Caiserman-Roth | |
---|---|
Born | Ghitta Caiserman March 2, 1923 Montreal |
Died | November 25, 2005 Montreal | (aged 82)
Nationality | Canadian |
Other names | Pinsky, Ghitta Caiserman |
Occupation(s) | artist, art educator |
has distinguished herself for over 60 years as a figurative artist. Her paintings, etchings, lithographs and drawings, represented in over 100 public collections, reflect an ongoing concern with the human condition.
She studied with Alexander Bercovitch between 1931 and 1933, and at the age of 11 received an honourable mention at the Art Association of Montreal's Spring Exhibition. Caiserman attended Parson’s School of Design in New York City and from there the American Artists’ School, and the Art Students League where she studied with Harry Sternberg. In addition, she studied with Moses and Raphael Soyer at the New Art School.
In 1947 she and her then-husband Alfred Pinsky began the Montreal Artists School. In 1961-1962 Caiserman-Roth studied with Albert Dumouchel at the École des Beaux Arts in Montreal under a Canada Council Senior Fellowship.
In 1945, Caiserman married Alfred Pinsky and in 1954 gave birth to her daughter Käthe. The marriage ended in divorce in 1959. In 1962, she married Max Roth (1914–2001), an established architect.[3] She died in Montreal on 25 November 2005, having suffered for several years from Alzheimer's Disease.[4]
Caiserman-Roth's figurative work reflects her concern with composition, light and colour.
Over her career, Caiserman-Roth taught at Concordia University and the Saidye Bronfman Centre for the Arts in Montréal, Queen's University in Kingston, Ontario, Mount Allison University in Sackville, New Brunswick, and the Nova Scotia College of Art and Design in Halifax, Nova Scotia.
Caiserman-Roth was the winner of numerous awards, including the Canadian Centennial Medal, Canada Council Purchase Awards, and Best Graphic Image Award at the Ontario Society of Artists, and the O'Keefe prize. She was a member of the Royal Canadian Academy, the Conseil des artistes peintres du Québec, and the Conseil québecois de l’estampe
In 2000, Caiserman-Roth received a Governor General's Award in Visual and Media Arts for artistic achievement. The jury citation stated, "In addition to her untiring activity as a practicing artist, Ghitta Caiserman-Roth has played, and continues to play, a significant role as teacher, lecturer and mentor to numerous artists in Montreal and across Canada."[5]
Year | Title | Medium | Institution |
---|---|---|---|
1943 | La Résistance | etching | Musée national des beaux-arts du Québec[6] |
1943 | Night Shift | etching | National Gallery of Canada |
1944 | War Effort | lithograph | National Gallery of Canada |
1944 | Underground | lithograph | National Gallery of Canada |
1944 | Freedom, U.S.A. | lithograph | National Gallery of Canada |
1944 | Fledgling | lithograph | National Gallery of Canada |
1944 | Unconditional Surrender | lithograph | National Gallery of Canada |
1945 | Loading | oil on panel | National Gallery of Canada |
1946 | War Profiteer | lithograph | National Gallery of Canada |
1947 | Mademoiselle Coutu | gouache | Musée national des beaux-arts du Québec[7] |
1947 | War Dream | etching | National Gallery of Canada |
1948 | Mademoiselle Coutu | gouache | National Gallery of Canada |
1949 | Jesus Saves | etching | National Gallery of Canada |
1948 | Street Scene | oil on panel | National Gallery of Canada |
1949 | Politicians | etching | National Gallery of Canada |
1949 | Workman at Table | aquatint | National Gallery of Canada |
Further reading
[edit]Blazier, Wendy. Quebec in Hollywood : six Canadian artists : December 6, 1984-February 10, 1985, the Art and Culture Center of Hollywood, Hollywood, Florida. Hollywood, Florida : The Art and Culture Center of Hollywood, 1984.
Browns, Jonathan. The presence of absence : works by Ghitta Caiserman-Roth. Ottawa : Ottawa Art Gallery, 2000.
Caiserman-Roth, Ghitta; Lach, Friedhelm. Ghitta Caiserman-Roth: drawings and paintings. Montreal: 1988.
Caiserman-Roth, Ghitta; Cohen, Rhoda. Insights, discoveries, surprises drawing from the model. Montréal: McGill-Queen's University Press, 1993. ISBN 9780773509931
Caiserman-Roth, Ghitta. Ghitta Caiserman-Roth : a retrospective view = un aperçu rétrospectif, 1947-1980.. Montreal: Sir George Williams Art Galleries of Concordia University, 1981.
Caiserman-Roth, Ghitta. Québec prints. Montréal: Conseil québécois de l'estampe, 1990.
Gareau-Des Bois, Louise; Caiserman-Roth, Ghitta; Guillaume, Pierre; Nadeau, Luc; Beaulac, Mario. Pulsion = Pulse. Montréal : Editions Glyph, 1983.
Israël, Véronique. La problématique de la fonction sociale de l'art dans la production des années quarante de Ghitta Caiserman-Roth. Montréal: Université du Québec à Montréal, 1999.
Roegel, Joseph. Illustrations: Caiserman-Roth, Ghitta. Confessions of an Auschwitz number (A-18260) : poems. Montreal: Dawson College, 1972.
A folio of original reproductions : issue number 2, December 1951 : Andre Bieler, Ghitta Caiserman, Henri Masson, Henry Orenstein, Erma Sutcliffe.. Toronto : Federation of Canadian Artists, 1951.
Albert Dumouchel, un hommage: Albert Dumouchel; Friedhelm Lach; Jacques Dumouchel; Sylvia Ary; Luba Genush; Ronald Headland; Alan Itakura; Harry Mayerovitch; Ann McCall; Earl Preston; Walter Proscka; Ghitta Caiserman-Roth; Joanne Hewson Rees; Doreen Lindsay; Andrea Blanar. Montréal: Atelier Graphia 3710, 1983.
Four Canadians : Suzanne Bergeron, Ghitta Caiserman, Jacqueline Gilson, Monique Voyer ... 28th February - March 14th, 1958. Toronto: Art Gallery of Toronto. 1958
Spickett Caiserman. Ottawa: National Gallery of Canada, 1959.
References
[edit]- ^ "Caiserman-Roth, Ghitta". Artists in Canada. National Gallery of Canada. Retrieved 27 March 2015.
- ^ Andrus, D. F. "Ghitta Caiserman-Roth". The Canadian Encyclopedia. Historica Canada. Retrieved 27 March 2015.
- ^ Brown, Michael. "Ghitta Caiserman-Roth". Jewish Women: A Comprehensive Historical Encyclopedia. Jewish Women's Archive. Retrieved 28 March 2015.
- ^ "Ghitta Caiserman-Roth fonds". Archives Canada. Government of Canada. Retrieved 28 March 2015.
- ^ "2000 Winners". Governor General's Awards in Visual and Media Arts. Canada Council for the Arts. Retrieved 27 March 2015.
- ^ "La Résistance". Artefacts Canada. Government of Canada. Retrieved 28 March 2015.
- ^ "Mademoiselle Coutu". Artefacts Canada. Government of Canada. Retrieved 28 March 2015.
External links
[edit]double curly DEFAULTSORT:Caiserman-Roth, Ghitta double curly double straight Category:1923 births double straight double straight Category:2005 deaths double straight March 2, 1923[1] to November 25, 2005
First Last (born yyyy in )
Work
[edit]Legacy and honors
[edit]Further reading
[edit]References
[edit]External links
[edit]double curly DEFAULTSORT:Last, First double curly double straight Category:Living people double straight
Last, First
Works
[edit]Year | Group | Title | Medium | Institution | Link |
---|---|---|---|---|---|
1954 | drawing | untitled | pen and ink | Art Gallery of Ontario | |
1954 | drawing | Untitled (June 6) | pencil | Art Gallery of Ontario | |
1955 | drawing | Lady Examining her Magic and Protective Circle | graphite | Art Gallery of Ontario | |
1955 | drawing | The couple | pen and ink | Art Gallery of Ontario | |
1955 | drawing | untitled | pen and ink | Art Gallery of Ontario | |
1955 | drawing | War Between the Sexes | ink | The Robert McLaughlin Gallery | |
1955 | drawing | Winter conversation | graphite | Art Gallery of Ontario | |
1955 | drawing | Woman amusing herself | crayon | Art Gallery of Ontario | |
1956 | drawing | Chain | pen and ink | Art Gallery of Ontario | |
1956 | drawing | Lovers | pen and ink | Art Gallery of Ontario | |
1956 | drawing | Lovers (i) | pen and ink | Art Gallery of Ontario | |
1956 | drawing | Lovers (ii) | pen and ink | Art Gallery of Ontario | |
1956 | drawing | Lovers (iii) | pen and ink | Art Gallery of Ontario | |
1956 | drawing | Lovers (iv) | pen and ink | Art Gallery of Ontario | |
1956 | drawing | Picture Upset by the moon | pen and ink | Art Gallery of Ontario | |
1956 | drawing | Sleepers | pen and ink | Art Gallery of Ontario | |
1956 | drawing | untitled | pen and ink | Art Gallery of Ontario | |
1956 | drawing | Untitled (play) | pen and ink | Art Gallery of Ontario | |
1958 | drawing | The Lovers | pencil | London Regional Art and Historical Museums | |
1958 | drawing | Woman is a parasite | brush and ink | Art Gallery of Ontario | |
1958 | painting | Two People | oil on canvas | Art Gallery of Ontario | |
1959 | painting | Time Machine | oil on canvas | MacKenzie Art Gallery | |
1960 | assemblage | Spring Blues | oil, paper collage and mirror on canvas | National Gallery of Canada [1] | View |
1960 | painting | Summer Days and Nights | oil on canvas | Musée d'art contemporain de Montréal | |
1961 | assemblage | Summer Blues | mixed media collage | National Gallery of Canada[2] | View |
1961 | assemblage | Summer Blues - Ball | oil, paper on board | Agnes Etherington Art Centre | |
1961 | assemblage | Summer Blues - Rain[3] | collage, tempera on board | National Gallery of Canada | View |
1961 | assemblage | Summer Blues - The Kiss | Leonard & Bina Ellen Art Gallery, Concordia University | ||
1961 | drawing | Figures | pen and ink | Art Gallery of Ontario | |
1961 | drawing | The Lovers | graphite and chalk | National Gallery of Canada | |
1961 | drawing | The Lovers (14) | coloured pencil and chalk | Art Gallery of Ontario | |
1961 | drawing | The Lovers (15) | pencil and chalk | Art Gallery of Ontario | |
1961 | drawing | The Lovers (18) | pencil and chalk | Art Gallery of Ontario | |
1961 | drawing | The Lovers (23) | graphite | National Gallery of Canada | |
1961 | drawing | The Lovers (6) | pencil and chalk on paper | Art Gallery of Ontario | |
1961 | drawing | untitled | pencil and chalk | Art Gallery of Ontario | |
1961 | drawing | untitled | coloured pencil and pen and brush and ink | Art Gallery of Ontario | |
1961 | painting | Balling[4] | oil on canvas | National Gallery of Canada | View |
1961 | painting | Time Machine Series | oil on canvas | Art Gallery of Ontario | |
1962 | assemblage | Heart-on[5] | red electrical tape, chalk, crayon, and ink, with linen and wool on unstretched linen | National Gallery of Canada | View |
1962 | drawing | Lovers | graphite and chalk | Art Gallery of Ontario | |
1962 | drawing | Lovers (seated) | graphite and chalk | Art Gallery of Ontario | |
1962 | drawing | Red Fall | pen and ink | National Gallery of Canada | |
1962 | drawing | untitled | pen and ink | Art Gallery of Ontario | |
1963 | assemblage | Tie | metal thread, cloth, oil on canvas | Musée des beaux-arts de Montréal | |
1963 | drawing | Air Crash and Sailboat (study) | watercolour | Agnes Etherington Art Centre | |
1963 | drawing | Hands Film | graphite | National Gallery of Canada | |
1963 | painting | New Yak City | oil on canvas | Agnes Etherington Art Centre | |
1963 | painting | Sailboat Tragedy and Spare Part | oil on canvas | Vancouver Art Gallery | |
1963 | painting | Sailing on the Bay[6] | oil on canvas | National Gallery of Canada | View |
1963 | painting | Tragedy in the Air, or Plane Crash | oil on canvas | Vancouver Art Gallery | |
1964 | assemblage | Cooling Room II[7] | metal toy airplane, cloth, wire and metal, plastic boat, paper collage, ceramic cups with lipstick, and spoon, mounted in painted wooden case | National Gallery of Canada | View |
1964 | film | Patriotism | 16 mm film, 6 minutes | National Gallery of Canada | |
1964 | painting | Boat Tragedy | oil on canvas | Art Gallery of Ontario | |
1964 | painting | untitled (Young Couple)[8] | oil on canvas | National Gallery of Canada | View |
1965 | film | Water Sark | 16 mm film, 13:30 minutes | National Gallery of Canada | |
1965 | Toronto 20: Patriotism | ozalid on paper | Art Gallery of Greater Victoria | ||
1965 | Toronto 20: untitled | ozalid | Art Gallery of Ontario | ||
1965 | Toronto 20: untitled | Xerox | Agnes Etherington Art Centre | ||
1965 | untitled | ink | Edmonton Art Gallery | ||
1965 | untitled | lithograph | London Regional Art and Historical Museums | ||
1965 | untitled (Patriotism/By Cash Savings...)[9] | ozalid | National Gallery of Canada | View | |
1965 | untitled (Patriotism/By Cash Savings...) | ozalid | The Winnipeg Art Gallery | ||
1965 | untitled | ozalid | The Robert McLaughlin Gallery | ||
1965 | untitled | ozalid | Vancouver Art Gallery | ||
1965 | untitled | photocopy | Musée des beaux-arts de Montréal | ||
1965 | untitled | serigraph | MacKenzie Art Gallery | ||
1966 | assemblage | Larry's Recent Behaviour | plastic, cotton, photograph | Musée des beaux-arts de Montréal | |
1966 | assemblage | untitled[10] | quilted cotton | National Gallery of Canada | View |
1966 | assemblage | Stuffed Movie | plastic, metal, cloth, found objects, collage | Vancouver Art Gallery | |
1966 | painting | Double-Crash | oil on canvas | The Robert McLaughlin Gallery | |
1967 | assemblage | Confedspread[11] | quilted plastic and cloth | National Gallery of Canada | View |
1967 | assemblage | Puerco De Navidad | plastic, paper, found objects | Mendel Art Gallery | |
1968 | assemblage | Raison avant Passion | quilted cotton | National Gallery of Canada | |
1968 | assemblage | Reason over Passion[12] | quilted cotton | National Gallery of Canada | View |
1968 | film | 1933 | 16 mm film, 4 minutes | National Gallery of Canada | |
1968 | film | Catfood | 16 mm film, 14 minutes | National Gallery of Canada | |
1968 | film | Hand Tinting | 16 mm b/w hand-tinted film, 4 minutes | National Gallery of Canada | |
1968 | film | Rat Life and Diet in North America | 16 mm film, 14 minutes | National Gallery of Canada | |
1968 | film | Sailboat | 16 mm b/w film, 4 minutes | National Gallery of Canada | |
1968 | film | Sailboat | 16 mm b/w film, 4 minutes | Agnes Etherington Art Centre | |
1969 | film | Dripping Water | 16 mm b/w film, 10 minutes | National Gallery of Canada | |
1969 | film | Reason over Passion | 16 mm film, 90 minutes | National Gallery of Canada | |
1970 | assemblage | I Love Canada - J'aime Canada | quilted cotton and metal link chain | MacKenzie Art Gallery | |
1970 | assemblage | Man Has Reached Out and Touched the Tranquil Moon[13] | plastic, quilted cotton, wool, and talcum powder | National Gallery of Canada | View |
1970 | assemblage | O Canada | quilted cotton, polyester batting fill | Agnes Etherington Art Centre | |
1971 | assemblage | Arctic Day[14] | coloured pencil on quilted cloth cushions stuffed with dacron | National Gallery of Canada | View |
1971 | assemblage | Spring Tree | 16 cushions, grommets and cord | National Gallery of Canada | |
1971 | assemblage | The Water Quilt | fabric, embroidery thread, thread, metal grommets, braided rope, ink on fabric | Art Gallery of Ontario | |
1971 | assemblage | White Snow Goose of Canada | silk embroidery thread with gold and silver wire on fabric | Carleton University Art Gallery | |
1971 | assemblage | White Snow Goose Of Canada | silk embroidery thread with gold and silver wire on fabric | Confederation Centre Art Gallery & Museum | |
1971 | assemblage | White Snow Goose of Canada | silk embroidery thread with gold and silver wire on fabric | Mendel Art Gallery | |
1971 | drawing | Arctic Passion Cake | pen and ink | National Gallery of Canada | |
1971 | O Canada | lithograph | Agnes Etherington Art Centre | ||
1971 | O Canada | lithograph | Art Gallery of Nova Scotia | ||
1971 | O Canada | lithograph | Art Gallery of Ontario | ||
1971 | O Canada | lithograph | London Regional Art and Historical Museums | ||
1971 | O Canada | lithograph | MacKenzie Art Gallery[15] | View | |
1971 | O Canada | lithograph | Morris and Helen Belkin Art Gallery | ||
1971 | O Canada[16] | lithograph | National Gallery of Canada | View | |
1971 | O Canada | lithograph | Simon Fraser Gallery | ||
1971 | O Canada | lithograph | The Robert McLaughlin Gallery | ||
1971 | O Canada | lithograph | Vancouver Art Gallery | ||
1972 | assemblage | The Maple Leaf Forever | fabric | Art Gallery of Ontario[17] | View |
1972 | drawing | The First Bombing in English Canada | pen and ink | Art Gallery of Ontario | |
1972 | drawing | World Health Day Stamp, studies | mixed media | Agnes Etherington Art Centre | |
1972 | film | Pierre Vallières | 16 mm film, 30 minutes | National Gallery of Canada | |
1973 | assemblage | Laura Secord | quilted cotton stuffed with dacron | National Gallery of Canada | |
1973 | assemblage | Spring, 137 Summerhill Avenue | quilt | London Regional Art and Historical Museums | |
1973 | film | Solidarity | 16 mm film, 10 minutes | National Gallery of Canada | |
1973 | Facing North - Self Impression | lithograph | Carleton University Art Gallery | ||
1973 | Facing North - Self Impression | lithograph | London Regional Art and Historical Museums | ||
1973 | Facing North - Self Impression | lithograph | National Gallery of Canada | ||
1973 | Facing North - Self Impression | lithograph | Art Gallery of Ontario | ||
1973 | Squid Jiggin' Grounds | lithograph | Art Gallery of Ontario | ||
1973 | Squid Jiggin' Grounds | lithograph | London Regional Art and Historical Museums | ||
1973 | The Arctic Belongs to Itself | lithograph | Art Gallery of Ontario | ||
1973 | The Arctic Belongs to Itself | lithograph | London Regional Art and Historical Museums | ||
1976 | assemblage | untitled | acrylic | Art Gallery of Nova Scotia | |
1976 | film | The Far Shore | 35mm film, colour, sound, 105 min. | ||
1977 | Soroseelutu, Cape Dorset | lithograph | Art Gallery of Nova Scotia | ||
1977 | Soroseelutu, Cape Dorset | lithograph | The Winnipeg Art Gallery | ||
1978 | drawing | Courbant la lumière | graphite and coloured pencil | Musée des beaux-arts de Montréal | |
1978 | painting | Self Portrait | oil on canvas | Agnes Etherington Art Centre | |
1979 | drawing | Abandoned | graphite and coloured pencil | Musée des beaux-arts de Montréal | |
1979 | Soroseelutu, Artist of Cape Dorset | lithograph and silkscreen | Art Gallery of Ontario | ||
1979 | Soroseelutu, Artist of Cape Dorset | lithograph and silkscreen | The Winnipeg Art Gallery | ||
1979 | Soroseelutu, Artist of Cape Dorset | lithograph and silkscreen | Musée des beaux-arts de Montréal | ||
1980 | assemblage | untitled | tapestry | Confederation Centre Art Gallery & Museum | |
1980 | drawing | Bloom of Matter"Spring" | coloured pencil | Art Gallery of Ontario | |
1980 | drawing | Untitled (bather and lamb) | coloured pencil | Art Gallery of Ontario | |
1981 | drawing | The Birth of Perception | coloured pencil | National Gallery of Canada | |
1983 | painting | Artist on Fire | oil on canvas | The Robert McLaughlin Gallery | |
1983 | painting | Experiment with Life | oil on canvas | National Gallery of Canada | |
1983 | Artemis, folio of 10 | colour Xerox photocopies | Agnes Etherington Art Centre | ||
1984 | painting | Paint Phantom | oil on canvas | National Gallery of Canada | |
1984 | The Hind | lithograph | Agnes Etherington Art Centre | ||
1987 | painting | Veriditas | oil on canvas | National Gallery of Canada | |
1988 | painting | Alma | oil on canvas | Vancouver Art Gallery | |
1990 | painting | untitled (The Divorce) | oil on canvas | Agnes Etherington Art Centre | |
1991 | painting | Tom Thomson and The Goddess | watercolour, oil, graphite | The Robert McLaughlin Gallery | |
1992 | drawing | Her love is so strange | graphite, watercolour and ink marker | Art Gallery of Ontario | |
1992 | drawing | untitled | coloured pencil and ink marker | Art Gallery of Ontario |
Year | Group | Title | Medium | Institution! |
---|---|---|---|---|
drawing | Lovers with Curly hair | brush and ink | Art Gallery of Ontario | |
drawing | Toronto Rebirth | graphite and coloured pencil | The Market Gallery | |
drawing | Twilit record of Romantic Love | pen and ink | Art Gallery of Ontario | |
drawing | untitled | pencil | Art Gallery of Ontario | |
drawing | untitled | pencil | Art Gallery of Ontario | |
drawing | untitled | pencil and chalk | Art Gallery of Ontario | |
drawing | untitled | pencil and chalk | Art Gallery of Ontario | |
drawing | untitled | pencil and chalk | Art Gallery of Ontario | |
drawing | untitled | pencil and chalk | Art Gallery of Ontario | |
drawing | untitled | pencil and chalk | Art Gallery of Ontario | |
drawing | untitled | graphite and coloured pencil | Art Gallery of Ontario | |
drawing | untitled | ink | The Robert McLaughlin Gallery | |
drawing | untitled | pen and ink | Art Gallery of Ontario | |
drawing | untitled | pen and ink | Art Gallery of Ontario | |
drawing | untitled | pen and ink | Art Gallery of Ontario | |
drawing | untitled | pen and ink | Art Gallery of Ontario | |
drawing | untitled | pen and ink | Art Gallery of Ontario | |
drawing | untitled | pen and ink | Art Gallery of Ontario | |
drawing | untitled | pen and ink | Art Gallery of Ontario | |
drawing | untitled | pen and ink | Art Gallery of Ontario | |
drawing | untitled (2 figures embracing, swan) | ink | The Robert McLaughlin Gallery | |
drawing | untitled (702) | pencil | Art Gallery of Ontario | |
drawing | untitled (embracing lovers-recto, embracing lovers #2-verso) | graphite and brush and ink | Art Gallery of Ontario | |
drawing | untitled (lovers in a landscape) | pen and ink | Art Gallery of Ontario | |
drawing | untitled (lovers jumping) | pencil and chalk | Art Gallery of Ontario | |
drawing | untitled (lovers with dove) | pen and ink | Art Gallery of Ontario | |
drawing | untitled (lovers) | pen and ink | Art Gallery of Ontario | |
drawing | untitled (seated lovers) | graphite | Art Gallery of Ontario | |
drawing | untitled (sketch of Mike Snow) | graphite | Art Gallery of Ontario | |
drawing | untitled (Superman) | graphite and coloured pencil | Art Gallery of Ontario |
DRAFT Sheila Butler Sheila Butler (born 1938 in McKeesport, Pennsylvania)[18] is a Canadian artist and art educator. Her art practice and teaching are informed by collective work with other artists, especially related to feminist and aboriginal issues.[19] She has worked since 1969 with the Inuit artists of Baker Lake, Nunavut.[19] With Diane Whitehouse, she founded Mentoring Artists for Women's Art (MAWA).[20] Butler lives and works in Toronto.[20]
Early Life
[edit]As a child, Butler attended the free Saturday morning art classes offered by the Carnegie Institute to those recognized by their schools to have artistic promise.[18] In 1960 she graduated with a Bachelor of Fine Arts, with Honours, Major in Painting and Printmaking, from nearby Carnegie Mellon University, Pittsburgh.[18]
After graduation, Butler taught first in public schools: 1960/1961 at St. Johnsville Public School, St. Johnsville, New York and 1961/1962 at J.W. Eater Junior School, Rantoul, Illinois. In 1964, Butler travelled to Edinburgh, Scotland where she painted for a year, returning to Pittsburgh in 1965.[18]
Butler remained in Pittsburgh for the next four years. From 1966 to 1967, she taught Drawing and Art History at the Ivy School of Professional Art and from 1967 to 1969, she worked as an artist at Irene Pasinski Associates Industrial Design Studio.[18]
Baker Lake
[edit]My primary response (extremely vivid to me yet), when I first saw the drawings that had been tentatively produced, was that I just loved this work. I knew how good it was the moment I saw it. Subsequently, to experience the luxury of years of sitting down and hearing people actually talk about what the work represented, and why they made it, remains so valuable to me. That insight into another lifestyle, another viable and inspiring sense of values, is one of the greatest gifts I have ever had in my life.
— Sheila Butler, Art and Cold Cash: An Introduction[19]
1969 - 1972 Special Projects Officer, Baker Lake, Northwest Territories; developing Inuit print workshop 1971 - 1973 Director, Baker Lake Sewing Shop, Baker Lake, Northwest Territories; developing embroidered tapestries and garments with Inuit craftswomen 1973 - 1976 Fine Arts Consultant, Sanavik Eskimo Co-operative, Baker Lake, Northwest Territories Became a naturalized Canadian citizen in 1975 1978 Instructor, University of Manitoba, School of Art 1978-1979 Instructor, University of Winnipeg 1993 Masters of Arts, University of Western Ontario instructor University of Western Ontario retiring in 2004 and continuing as professor emerita.
Work
[edit]Butler's work very often begins with an image or a number of images that do not quite satisfy her. From these images, she then tries to derive others more to her liking. Then, with evidence of a number of such critically purified images in front of her, she constructs out of them a coherent whole. This process of vision and re-visioning allows, by accretion, the slow build-up of an armature of discarded assumptions about the figure upon which the final image convincingly rests....the meshing of the calligraphic with painterly elements provides a brilliant exposition of all that is best in Butler's work.
— Tom Lovatt, Multiplicity of Voices, a review[21]
Selected Exhibitions
[edit]Year | Exhibition |
---|---|
1967 | Regent House Gallery, Pittsburgh, PA[18] |
1969 | University of Pittsburgh, Pittsburgh, PA[18] |
1974 | Gallery III, School of Art, University of Manitoba[18] |
1977 | The Thomas Gallery, Winnipeg[18] |
1978 | Arthur Street Gallery, Winnipeg[18] |
1979 | Moosehead Press Show, Gallery Graphics, Ottawa[22] |
1980 | The Thomas Gallery, Winnipeg[18]
Art Gallery of Hamilton[18] |
1981 | Linear Variables,The Winnipeg Art Gallery, Winnipeg/MacKenzie Art Gallery, Regina[22] |
1982 | Printmakers82 Art Gallery of Ontario, Toronto[22]
Gallery Quan, Toronto[22] |
Public Collections
[edit]- Ball State University, Indiana[18]
- Great West Life Assurance Company, Winnipeg[18]
- Art Gallery of Hamilton[18]
- The Winnipeg Art Gallery[18]
- Canada Council Art Bank[18]
- Province of Manitoba[18]
Legacy and honors
[edit]Further reading
[edit]References
[edit]- ^ "Spring Blues". National Gallery of Canada. Retrieved 15 March 2015.
- ^ "Summer Blues". National Gallery of Canada. Retrieved 15 March 2015.
- ^ "Summer Blues - Rain". National Gallery of Canada. Retrieved 15 March 2015.
- ^ "Balling". National Gallery of Canada. Retrieved 15 March 2015.
- ^ "Heart-on". National Gallery of Canada. Retrieved 15 March 2015.
- ^ "Sailing on the Bay". National Gallery of Canada. Retrieved 15 March 2015.
- ^ "Cooling Room II". National Gallery of Canada. Retrieved 15 March 2015.
- ^ "Untitled (Young Couple)". National Gallery of Canada. Retrieved 15 March 2015.
- ^ "Untitled". National Gallery of Canada. Retrieved 15 March 2015.
- ^ "Untitled". National Gallery of Canada. Retrieved 15 March 2015.
- ^ "Confedspread". National Gallery of Canada. Retrieved 15 March 2015.
- ^ "Reason over Passion". National Gallery of Canada. Retrieved 15 March 2015.
- ^ "Man Has Reached Out and Touched the Tranquil Moon". National Gallery of Canada. Retrieved 15 March 2015.
- ^ "Arctic Day". National Gallery of Canada. Retrieved 15 March 2015.
- ^ "Joyce Wieland - O Canada". ARTSask. Retrieved 18 March 2015.
- ^ "O Canada". National Gallery of Canada. Retrieved 15 March 2015.
- ^ "Celebrating Womens' Achievements". Library and Archives Canada. Government of Canada. Retrieved 18 March 2015.
- ^ a b c d e f g h i j k l m n o p q r Winnipeg Art Gallery (1981). Sheila Butler: Recent Paintings. Winnipeg Art Gallery. ISBN 0-88915-091-5.
- ^ a b c Art and Cold Cash. Toronto: YYZBOOKS. 2009. ISBN 978-0-920397-53-4.
- ^ a b "Visiting Artist Talk". Mentoring Artists for Women's Art. Retrieved 12 March 2015.
- ^ Lovatt, Tom (June 1987). "Multiplicity of Voices, an exhibition curated by Sigrid dahle, Plug-In and Gallery 1.1.1, March 1987, review". Border Crossings. 6 (3). Winnipeg Manitoba: Arts Manitoba Publications Inc: 49. ISSN 0831-2559.
- ^ a b c d Winnipeg Art Gallery (1987). 1987 : contemporary art in Manitoba. Winnipeg Art Gallery. ISBN 0-88915-136-9.
External links
[edit]double curly DEFAULTSORT:Butler, Sheila double curly double straight Category:Living people double straight
- 88
Frederick Sproston Challener (1869–1959) http://www.mhs.mb.ca/docs/mb_history/42/challenermurals.shtml http://www.archeion.ca/frederick-s-challener-collection;rad http://www.northshorecanadianart.com/FrederickChallener.htm http://dotydocs.theatreinlondon.ca/Archives/grand/mural.htm http://www.ago.net/assets/files/pdf/special_collections/SC013.pdf
Alexander Musgrove (1882-1952) http://www.mhs.mb.ca/docs/people/musgrove_aj.shtml http://www.mayberryfineart.com/artist/alex__musgrove http://wpgsketch.tripod.com/historical.html
Charles Gardet (1863–1939)Georges Gardet? wikipedia entry http://www.historicplaces.ca/en/pages/41_legislatures.aspx
NEWTON, Alison Houston Lockerbie (Born Leith, Edinburgh, Scotland, 1890 - Died Toronto, Ontario, 1967)
http://cwahi.concordia.ca/sources/artists/displayArtist.php?ID_artist=3726
Cape Dorset 1959
- Shekoaloak Akesuk, ca 1940-1959
- Young Woman (stonecut)[1]
- Kenojuak Ashevak, 1927-2013
- Rabbit Eating Seaweed (sealskin stencil)
- Oshaweetuk Ipeelee, 1923-2005
- Eskimo Legend: Owl, Fox and Hare/Owl, Fox and Hare Legend (sealskin stencil)
- Four Muskoxen (sealskin stencil)
- Mungitok Kellypalik, 1940-
- Arctic Gull (sealskin stencil)
- Blue Geese on Snow (sealskin stencil)
- Canada Geese (stonecut)
- Man Carried to the Moon (stonecut)
- Thoughts of Birds (stonecut)
- Iyola Kingwatsiak, 1933-2000
- Arctic Rock Cod (sealskin stencil)
- Snowy Owls and Egg (stonecut)
- Kunu, 1923-1966
- Girl with Skin Line (stonecut),
- Niviaksiak, 1908-1959
- Arctic Gulls (sealskin stencil)
- Bear Hunter on Sea Ice (stonecut)
- Caribou, Winter Light (sealskin stencil)
- Eskimo Summer Tent (sealskin stencil)
- Eskimos Fishing Through Ice/Eskimo Fishing... (sealskin stencil)
- Hunter with Bear (sealskin stencil)
- Man Hunting at Seal Hole in Ice (sealskin stencil)
- Polar Bear and Cub in Ice (sealskin stencil)
Cape Dorset Printmakers
[edit]- Alashua Aningmiuq (1914 - 1972)[2]
- Kenojuak Ashevak
- Mayoreak Ashoona (b. 1946)
- Pitseolak Ashoona
- Kingmeata Etidlooie (1915 - 1989)
- Echalook Goo (1914 - 1989)
- Anna Kingwatsiuk (1911 - 1971)
- Anirnik Oshuitoq (1902 - 1983)
- Ningeeuga Oshuitoq (1918 - 1980)
- Parr
- Eleeshushe Parr (1896 - 1975)
- Paunichea (1920 - 1968)
- Sheouak Petaulassie (1923 - 1961)
- Ulayu Pingwartok (1904 - 1978)
- Kananginak Pootoogook
- Aoudlat Pudlat (b 1951)
- Innukjuakju Pudlat (1913 - 1972) Pudlo spent his childhood in several camps on Baffin and on Coates and Southampton Islands in northern Hudson's Bay. Widdowed twice, he married his third wife, Inukjuakjuk, in the late 1940s. They lived at his brother's camp, at Kamajuk until an injury forced Pudlo and his wife into Cape Dorset. When he recovered, he and his wife moved to a nearby camp, Qeatuk, where he and his wife began to draw and carve.In the late 1960s, Pudlo and Inukjuakjuk moved to Cape Dorset, and Inukjuakjuk died in 1972.
- Mary Pudlat (1923 - 2001) Mary was born in Arctic Quebec, and migrated to Cape Dorset in the early 1940s, on Peter Pitseolak's boat, during one of his trips back from Northern Quebec. After settling in Cape Dorset, she married Samuellie Pudlat, who was a widower with two young children. They lived in several camps around Cape Dorset until Samuellie gained full-time work at the Co-operative in 1960. Once they moved into town permanently, Mary began to draw and her first work was published in 1966. She was also highly regarded in Cape Dorset as an accomplished seamstress.[3]
- Oschoochiak Pudlat (b. 1908) Before moving to Cape Dorset in the early 1960s, Oschoochiak spent several years living in Peter Pitseolak's camp, Keakto. After his wife, Kanakpellik died, he was responsible for raising a rather large family. Oschoochiak began to draw in 1980, when he was During the 80's, Pudlo resided in Cape Dorset, and was an active member of the Anglican congregation. His brothers were Pudlo Pudlat, Jaw (sculpter) and Simeonie Pudlat. [3]
- Pudlo Pudlat
- Mary Qayuaryuk (1908 - 1982)
- Lucy Qinnuayuak (1915 - 1982)
- Kakulu Saggiaktok (b. 1940)
- Pitaloosie Saila (b. 1942)
- Angotigolu Teevee (1910 - 1967)
- Jamasie Teevee (b 1910) Jamasie began to draw in the early 1960s while living in an camp on the coast of southern Baffin Island. In the early days of his drawings, he concentrated mainly on a technique called copper engraving, and his efforts took him back and forth between the camp, and the coop at Cape Dorset, in order to obtain the necessary supplies. Many of his engravings were published in the 1960s and early 1970s and depicted traditional life, in the camps alongside the shores of Baffin. Later on in life, Jamasie began drawing on paper, using graphite and coloured pencils, in addition to felt-tip pens. His art is generally of precise, simple lines. A limited edition of six of his works was produced in 1980, commissioned by Theo Waddington, Inc.[3]
- Ikayukta Tunnillie (1911 - 1980)
- ^ "Young Woman". Impress, Prints, Artists and Ideas. Glenbow Museum. Retrieved 3 September 2013.
- ^ "ANINGMIUQ, Alashua". Canadian Women Artists History Initiative. Canadian Women Artists History Initiative. Retrieved 2 September 2013.
{{cite web}}
: Check|url=
value (help) - ^ a b c Alsop, Jennifer. "History of Cape Dorset and the West Baffin Co-operative (Draft)". The Co-operative Learning Centre. University of Victoria. Retrieved 2 September 2013.
http://www.civilization.ca/capedorsetprints/
Pangnirtung AKULUKJUK, Malaya (1915 - 1995) ANDREWS, Sybil (1898 - 1992) ANGLISS, Katherine Margaret (Kay) (1923 - 2004) ARMINGTON, Caroline (1875 - 1939) BANNERMAN, Frances Jones (1855 - 1940) BULLER, Cecil Tremayne (1888 - 1973) * CAISERMAN-ROTH, Ghitta (1923 - 2005) COOMBS, Edith Grace (1890 - 1986) CRYDERMAN, Mackie (Vera MacIntyre) (1896? - 1969) DAVISON, Betty (1909 - 2000) DAY, Katherine (1889 - 1976) DIESING, Freda (1925 - 2002) DUMOUCHEL, Suzanne Beaudoin (1920 - ) DUNCAN, Alma Mary (1917 - 2004) FILER, Mary Harris (1920 - ) *FITZGIBBON, Agnes Dunbar Moodie (1833 - 1913) *FORBES, Elizabeth Armstrong (1859 - 1912) GENUSH, Luba (1924 - ) * GOODWIN, Betty (1923 - 2008) * GRAHAM, K. M. (Kathleen Margaret) (1913 - 2008) GRAYSON, Vaughan (Ellen, Kirk, Mann) (1894 - 1995) *HAHN, Sylvia (1911 - 2001) HALL, Mary G. (? - ?) HOUSSER, Yvonne McKague (1897 - 1996) HUDON-BEAULAC, Simone Marie Yvette (1905 - 1984) Baker Lake ITTULUKATNAK, Martha (1912 - 1981) KAHANE, Anne (1924 - ) Holman KALVAK, Helen (1901 - 1984) KERWIN, Claire (1919 - 2005) LAUTERMAN, Dinah (1900 - 1945) LEFORT, Agnès (1895 - 1973) MARTIN, Bernice Fenwick (1902 - 1999) MCKIEL, Christian (1889 - 1978) McNAUGHT, Euphemia (1902 - 2002) Povungnituk MIKPIGA, Annie (1900 - 1984) * MILLER, Maria E. Morris (1813 - 1875) Holman NANOGAK, Agnes (1925 - 2001) NEWTON, Alison Houston Lockerbie (1890 - 1967) Povungnituk NOVALINGA, Akenesie (1910 - 1987) Indian' Group of Seven ODJIG, Daphne (1919 - ) Baker Lake OONARK, Jessie (1906 - 1985) (start) Povungnituk PAMIU, Siasi Atitu (ca 1896 - 1983) Povungnituk QINUAJUA, Sarah Joe (1917 - 1986) RANEY, Suzanne Bryant (1918 - ) SADOWSKA, Krystyna (1912 - 1994) SCHNEIDER, Mary (1900 - 1992) SEATH, Ethel (1879 - 1963) SHELTON, Margaret Dorothy (1915 - 1984) SHORE, Henrietta (1880 - 1963) Povungnituk SIUPIK, Maggie (1916 - 1984) STADELBAUER, Helen (1910 - 2006) STEINHOUSE, Tobie (1925 - ) STEVENS, Dorothy (1888 - 1966) Baker Lake TUU'LUQ, Marion (1910 - 2002) WILLIAMSON, B. L. (1916 - 2003) * WRINCH, Mary E. (1877 - 1969) ZIEGLER, Anne Jaffray (1896 - 1981)