Empire n.209 , November 2006, p.165-174, English, illus
In association with BMW Empire magazine selects seven of the best filmmakers and the film/scene that is their defining movie moment.
DE SEMLYEN, Nick: Unknown icons: 'I was Frank the Bunny!'
Empire n.208 , October 2006, p.124-128, English, illus
Interviews with supporting actors and actresses who starred in some of the most memorable moments from famous films.
NEWMAN, Kim: Torture garden
Sight and Sound (0037-4806) v.16 n.6 , June 2006, p.28-31, English, illus
Examines Eli Roth's tied-to-chair torture film HOSTEL as a metaphor to American ignorance to the world & its resentment In a sidebar, looks at five torture scenes from BLACK CAT, MARATHON, RESERVOIR DOGS, AUDITION, SAVE THE GREEN PLANET.
201 Greatest movies of all time
Empire n.201 , March 2006, p.77-88,90-101, English, illus
A listing of the top two hundred and one films as chosen by the reader's of Empire magazine. With comments by actors and filmmaker's.
The soundtrack of our lives
Empire n.200 , February 2006, p.140-141, English, illus
To celebrate its 200th issue Empire select their favourite songs from film soundtracks covering the period of its 200 issues.
BRETT, Anwar: Reservoir Dogs
Film Review (0957-1809) v.Spec. n.59 , August 2005, p.60-64,66,68, English, illus
Examines RESERVOIR DOGS as an example of Quentin Tarantino's creativity influenced by his cinematic literacy.
NEWMAN, Kim: The 10 Worst Movie Masterplans
Empire n.191 , May 2005, p.70-71, English, illus
Listing of films considered to have plots, where plans (usually criminal), have failed.
BRAUND, Simon: The 10 Greatest Ensemble Casts
Empire n.189 , March 2005, p.70-71, English, illus
Listing of ten films believed to have the best ensemble cast. Including reasons why the films made the list.
The 10 Best Ever Screenplays
Empire n.186 , December 2004, p.72-73, English, illus
LEYLAND, Matthew: Home movies: reviews
Sight and Sound (0037-4806) v.14 n.8 , August 2004, p.77-78, English
KENNEDY, Colin: Remote control: rwd
Empire n.181 , July 2004, p.155, English, illus
FREER, Ian [...et al]: The 15 most influential films of our lifetime
Empire n.180 , June 2004, p.125, English, illus
Cited by Empire magazine as 'one of the 15 most influential films of our lifetime'.
FFW
Empire n.180 , June 2004, p.144, English, illus
WEINBERGER, Stephen: It's not easy being Pink: Tarantino's ultimate professional
Literature/Film Quarterly (0090-4260) v.32 n.1 , April 2004, p.46-50, English
Suggests that Mr Pink from RESERVOIR DOGS is the most professional of all the characters, without any trace of humanity.
GOODRIDGE, Mike: Reviews
Screen International (0307-4617) n.1424 , 10 October 2003, p.25, English, illus
Review for Tarantino's KILL BILL, and articles giving the likelihood of box office success in Asia, and a chart showing global box office for RESERVOIR DOGS, PULP FICTION and JACKIE BROWN.
Quentin Tarantino special
Film Review (0957-1809) v.Spec. n.48 , October 2003, p.[whole issue], English, illus
A special issue on Quentin Tarantino covering KILL BILL, RESERVOIR DOGS, PULP FICTION, JACKIE BROWN, TRUE ROMANCE. Includes comments by Oliver Stone and Tarantino on NATURAL BORN KILLERS and an article on FROM DUSK TILL DAWN.
The top 30 pychos
Film Review (0957-1809) v.Spec. n.42 , October 2002, p.27-57, English, illus
A countdown on the 30 most psychotic characters in cinema, including Mr Blonde in RESERVOIR DOGS.
COLLINS, Andrew: The reel story behind...Reservoir Dogs.
Radio Times v.311 n.4055 , 17 November 2001, p.59, English
Short article giving background information about the production of the film.
[IN]: DVD
Empire n.139 , January 2001, p.139, English
LEIGH, Danny; MacNAB, Geoffrey: Home movies
Sight and Sound (0037-4806) v.11 n.1 , January 2001, p.65, English, illus
Radio Times v.301 n.3920 , 03 April 1999, p.59, English, illus
Brief review.
DOUGLAS, Torin: Does this film go too far?
Radio Times v.294 n.3826 , 31 May 1997, p.49, English, illus
Discusses the transmission of the film uncut on C4
DEEMER, Charles: A Tarantino script: the screenplays of Quentin Tarantino
An examination of Quentin Tarantino's writing technique through a study of six scripts, TRUE ROMANCE, NATURAL BORN KILLERS, FROM DUSK TILL DAWN, RESERVOIR DOGS, PULP FICTION and FOUR ROOMS.
VACHAUD, Laurent et al: Le néo-polar américain
Positif (0048-4911) n.420 , February 1996, p.76-108, French, illus
On the emergence of the 'neo-thriller' in US films comparing it with 'neo-noir' mentioning USUAL SUSPECTS (interview with Bryan Singer) SEVEN (interview with David Fincher) RESERVOIR DOGS, GRIFTERS (interview with Stephen Frears).
TARANTINO, Quentin: It's cool to be banned
Index on Censorship (0306-4220) v.24 n.6 , November 1995, p.56-58, English, illus
Excerpts from a 'Kaleidoscope' radio interview in which Tarantino comments on PULP FICTION and RESERVIOR DOGS, and how banning the video in the UK proved beneficial.
WESTBROOK, Caroline: Front desk news
Empire n.75 , September 1995, p.10, English
Note on the contents of RESERVOIR DOGS (1992) limited edition box sets.
KERMODE, Mark and MACNAB, Geoffrey: Video
Sight and Sound (0037-4806) v.5 n.7 , July 1995, p.58, English, illus
Review of video release.
Front desk clips: reservoir bunnies?
Empire n.73 , July 1995, p.20, English, illus
Excerpts from the censored version of the script of Quentin Tarantino's RESERVOIR DOGS published in Perth, Australia.
THOMAS, Philip: Videos to rent
Empire n.73 , July 1995, p.124, English, illus
Video-release review.
Channel 4 Dogs have their day
Broadcast , 23 June 1995, p.3, English
RESERVOIR DOGS will be screened by Channel 4 in 1996 now that the BBFC have cleared it for video relaease.
60,000 Dogs roam the UK
Screen International (0307-4617) n.1011 , 09 June 1995, p.8, English
Note on the video release
Front desk news: let's go back to work
Empire n.71 , May 1995, p.12, English, illus
Short article on the likelihood of a re-release in the States of a director's cut of RESERVOIR DOGS (1992).
PACE, William R.: Writing for low-budget feature films...
Creative Screenwriting (1084-8665) v.2 n.1 , April 1995, p.76-92, English
RESERVOIR DOGS screenplay was originally written for a budget of $50,000. Looks at how financial restriction helps Tarantino to either ignore or subvert accepted narrative structure, pulling everything together through dialogue.
STEIN, Michael Eric: The new violence or twenty years of violence in films...Pt.2
Films in Review (0015-1688) v.46 n.3/4 , March 1995, p.14-21, English, illus
Part two of an article analysing the intent of violence in recent American movies, with particular reference to TERMINATOR (1984), LETHAL WEAPON (1987), ROBOCOP (1987), RESERVOIR DOGS (1992), TRUE ROMANCE (1993), KALIFORNIA ('93)
Mr. Black: Resercoir dogs: Let's go to work again!
Invasion n.11 , January 1995, p.4,5, English
On the production, particularly Harvey Keitel's involvement and short feature on each of the main characters / actors
JONES, Darren
Invasion n.11 , January 1995, p.92,93, English, illus
video note
Macaulay, Scott: Producing pulp
Filmmaker (1063-8954) v.2 n.4 , July 1994, p.16,61, English, illus
Lawrence Bender and Stacey Sher, the producers of Quentin Taratino's PULP FICTION, talk about the difficulties of working on independent films, both refer to RESERVOIR DOGS.
SMITH, Gavin: When you know you're in good hands
Film Comment (0015-119X) v.30 n.4 , July 1994, p.32-36,38,40-43, English, illus
Interview with Quentin Tarantino about RESERVOIR DOGS and PULP FICTION, discussing particular scenes and the work experience with the actors
COLLIS, Clark: Mad Dogs and Englishmen
Empire n.58 , April 1994, p.20, English, illus
article about fans who dress up as members of the film RESEVOIR DOGS.
FULLER, Graham: Brit movies get big, brash and american
Interview (0149-8932) v.24 n.4 , April 1994, p.74, English, illus
Graham Fuller argues that the new wave of British directors has been influenced by watching commercial American fare, citing SHOPPING and THE YOUNG AMERICANS as prime examples.
Q & A
Empire n.56 , February 1994, p.38, English
Letter and answer about the possible screening of RESERVOIR DOGS on Channel 4, even though the film has not been allowed a video release.
DAWSON, Jeff: Eddie Bunker: Criminal Mastermind to the Movie Industry
Empire n.55 , January 1994, p.43-44, English, illus
Interview with ex-con Eddie Bunker about his work as a scriptwriter and actor on various films, including RESERVOIR DOGS and AMERICAN HEART.
TSALAMANDRIS, Con: Warehouse of Games
Metro (0312-2654) n.96 , December 1993, p.3-9, English, illus
An in-depth analysis of RESERVOIR DOGS, including comments on the narrative structure, the revisionist content, and the treatment of masculinity.
DAWSON, Jeff: My Life As A Dog...
Empire n.53 , November 1993, p.107, English, illus
List of the similarities between CITY ON FIRE and RESERVOIR DOGS.
CAPUTO, Raffaele: Reservoir Dogs
Cinema Papers n.94 , August 1993, p.28-32, English, illus
Interview with Steve Buscemi about his acting background and his role in RESERVOIR DOGS.
Man Bites Dogs
Empire n.48 , June 1993, p.7, English, illus
The video releases of RESERVOIR DOGS and BAD LIEUTENANT have been delayed because of classification problems.
CHARLTON, Susan
Cinema Papers n.93 , May 1993, p.50, English, illus
BATEMAN, Louise: Dogs impounded as BBFC shows teeth
Screen International (0307-4617) n.901 , 02 April 1993, p.6, English, illus
On the current debate about screen violence in The BAD LIEUTENANT and RESERVOIR DOGS which are currently under scrutiny by the BBFC, awaiting certificates for home video distribution
The Magic Bullet Theory
Empire n.46 , April 1993, p.16, English, illus
Light hearted article theorising over who shot Nice Guy Eddie.
DUANE, Paul
Film Ireland (0791-5729) n.34 , April 1993, p.27-28, English, illus
HILFERTY, Robert
Cinéaste v.19 n.4 , March 1993, p.79-81, English, illus
DAWSON, Jeff: New Films
Empire n.44 , February 1993, p.23, English, illus
DAWSON, Jeff: Let's go to work...
Empire n.44 , February 1993, p.50-54, English, illus
Quentin Tarantino talks about RESERVOIR DOGS and his reasons for choosing to write a heist movie.
Screen International (0307-4617) n.890 , 15 January 1993, p.1, English, illus
Note of the film's success at the box office in London
JONES, Alan
StarBurst (0955-114X) n.173 , January 1993, p.44, English, illus
Credits. Review.
NEWMAN, Kim
Sight and Sound (0037-4806) v.3 n.1 , January 1993, p.51-52, English, illus
RYAN, James: Unleashing 'Reservoir Dogs'
Premiere (0894-9263) v.6 n.5 , January 1993, p.36, English, illus
Comments from Quentin Tarantino about RESERVOIR DOGS, plus photographs from the US premiere.
TAUBIN, Amy: The men's room
Sight and Sound (0037-4806) v.2 n.8 , December 1992, p.2-4, English, illus
Discussion of the structure of RESERVOIR DOGS and the use of violence in the film.
TAUBIN, Amy
Sight and Sound (0037-4806) v.2 n.8 , December 1992, p.4, English, illus
Tim Roth talks about RESERVOIR DOGS, and the issue of class in film.
PIZZALLO, Stephen: From rags to reservoir Dogs.
American Cinematographer (0002-7928) v.73 n.11 , November 1992, p.62-68, English, illus
The cinematographic work of Andrzej Sekula on RESERVOIR DOGS is discussed.
DE LA FUENTE, Anna Marie: 'Dogs' walks tall at fantasy fest
Hollywood Reporter (0018-3660) v.324 n.12 , 13 October 1992, p.4,47, English
RESERVOIR DOGS has won 2 awards at the Sitges Fantasy Film Festival.
Various: The 12 Greats of Christmas
Premiere (0894-9263) v.6 n.2 , October 1992, p.105, English
Note, in a preview of the films written and directed by the same person and released in the Autumn of 1992-3
DE BRUYN, Olivier and CIMENT, Michel and NIOGRET, Hubert: L'Actualité; Quentin Tarantino
Positif (0048-4911) n.379 , September 1992, p.25-35, French, illus
Article discussing RESERVOIR DOGS and an interview with Quentin Tarantino about his life and the film.
HOBERMAN, J.: Back on the Wild Side
Premiere (0894-9263) v.5 n.12 , August 1992, p.31-32, English, illus
Article about the influence of Martin Scorsese on new directors Quentin Tarantino (RESERVOIR DOGS) and Nick Gomez (LAWS OF GRAVITY)
KLADY, Leonard
Screen International (0307-4617) n.854 , 24 April 1992, p.16, English, illus
McCARTHY Todd
Variety (0042-2738) , 27 January 1992, p.52, English
Detailed review and credits.
Hollywood Reporter (0018-3660) v.319 n.13 , 17 September 1991, p.9, English
Screen International (0307-4617) n.819 , 09 August 1991, p.31, English
Hollywood Reporter (0018-3660) v.318 n.18 , 16 July 1991, p.25, English
Screen International (0307-4617) n.789 , 11 January 1991, p.17, English
