Talk:Cuneiform Records
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WP:NOTWEBHOST, unsourced but for label website
[edit]The following is unsourced or sourced only to the label website, and was moved here per WP:PRESERVE. Per WP:BURDEN please do not restore without finding independent, reliable sources, checking the content against them, and citing them, and ensuring that this content has appropriate WP:WEIGHT in the article overall. Jytdog (talk) 22:11, 30 July 2017 (UTC)
- Catalog
No. | Year | Artist(s) | Title | Format | Notes |
---|---|---|---|---|---|
Rune 001 | 1984 | R. Stevie Moore | What's the Point?!! | LP | |
Rune 002 | 1984 | However | Calling | LP | |
Rune 003 | 1985 | Present | Le Poison Qui Rend Fou | LP | |
Rune 004 | 1985 | David Borden/New Mother Mallard Band | Anatidae | LP | |
Rune 005 | 1985 | The Muffins | Open City | LP | |
Rune 006 | 1986 | PFS | Illustrative Problems | LP | |
Rune 007 | 1986 | Piero Milesi | The Nuclear Observatory of Dr. Nanof | LP | |
Rune 008 | 1987 | Doctor Nerve | Armed Observation | LP | |
Rune 009 | 1987 | Univers Zero | Heatwave | LP | |
Rune 010 | 1988 | David Borden/Mother Mallard | Migration | LP | |
Rune 011 | 1987 | Phil Miller | Cutting Both Ways | LP | |
Rune 012 | 08 Jun 2000 | Curlew | Live in Berlin | LP, CD, DL | |
Rune 013 | 1988 | Mikel Rouse Broken Consort | A Lincoln Portrait | LP | |
Rune 014 | 1988 | Miriodor | Miriodor | LP | |
Rune 015 | 1988 | Univers Zero | Uzed | LP | |
Rune 016 | 01 Jan 1988 | Mother Mallard's Portable Masterpiece Company | The Continuing Story of Counterpoint, Parts 9-12 | LP, CD, DL | |
Rune 017 | 1989 | Present | Triskaidekaphobie/Le Poison Qui Rend Fou | LP | |
Rune 018 | 1989 | Piero Milesi & Daniel Bacalov | La Camera Astratta | LP | |
Rune 019 | 01 Jan 1989 | Birdsongs of the Mesozoic | Faultline | LP, CD, DL | |
Rune 020 | 1989 | Univers Zero | 1313 | LP | |
Rune 021 | 01 Jan 1990 | David Borden/Mother Mallard | The Continuing Story of Counterpoint, Parts 5–8 | LP, CD, DL | |
Rune 022 | 1990 | PFS | 279 | CD | PFS was an offshoot band from Cartoon |
Rune 023 | 1990 | Peter Frohmader | Macrocosm | CD | |
Rune 024 | 1990 | U Totem | U Totem | CD | |
Rune 025 | 1990 | Forever Einstein | Artificial Horizon | CD | |
Rune 026 | 1991 | Doctor Nerve | Beta 14 OK | CD | |
Rune 027 | 16 Jan 1992 | Curlew | Bee | CD, DL | |
Rune 028 | 01 Jan 1991 | David Borden/Mother Mallard | The Continuing Story of Counterpoint, Parts 1–4, 8 | CD, DL | |
Rune 029 | 1991 | Univers Zero | Heresie | CD | |
Rune 030 | 1991 | Richard Pinhas | Chronolyse | CD | |
Rune 031 | 1991 | Richard Pinhas | East West | CD | |
Rune 032 | 1991 | Miriodor | 3e Avertissement/3rd Warning | CD | |
Rune 033 | 1991 | Daniel Denis | Sirius and the Ghosts | CD | |
Rune 034 | 1991 | Phil Miller | Digging In | CD | |
Rune 035 | 01 Jan 1992 | Birdsongs of the Mesozoic | Pyroclastics | CD, DL | |
Rune 036 | 1992 | Richard Pinhas | L'Ethique | CD | |
Rune 037 | 1992 | Heldon | Heldon II / Allez Teia | CD | |
Rune 038 | 22 Jan 1992 | Doctor Nerve | Armed Observation / Out To Bomb Fresh Kings | CD, DL | |
Rune 039 | 1992 | Univers Zero | Ceux du dehors | CD | |
Rune 040 | 1992 | Richard Pinhas | DWW | CD | |
Rune 041 | 1992 | Forever Einstein | Opportunity Crosses The Bridge | CD | |
Rune 042 | 1992 | Mujician | The Journey | CD | |
Rune 043 | 1992 | Heldon | Interface | CD | |
Rune 044 | 1992 | Richard Pinhas | Iceland | CD | |
Rune 045 | 1992 | Henry Kaiser | Lemon Fish Tweezer | CD | |
Rune 046 | 01 Jan 1993 | Chainsaw Jazz | Disconcerto | CD, DL | |
Rune 047 | 1992 | Curlew | The Hardwood | VHS | |
Rune 048 | 1993 | Kombinat M | Hybrid Beat | CD | |
Rune 049 | 1993 | Daniel Denis | Les eaux troubles | CD | |
Rune 050 | 1993 | Curlew with Amy Denio | A Beautiful Western Saddle | CD | |
Rune 051 | 1993 | Heldon | Electronic Guerilla | CD | |
Rune 052 | 1993 | Heldon | It's Always Rock and Roll | CD | |
Rune 053 | 1993 | Heldon | Stand By | CD | |
Rune 054 | 1993 | Philharmonie | Les Elephants Carillionneurs | CD | |
Rune 055 | 29 Mar 1995 | Birdsongs of the Mesozoic | The Fossil Record 1980-1987 | CD, DL | |
Rune 056 | 1994 | Virgil Moorefield | Distractions on the Way to the King's Party | CD | |
Rune 057 | 01 Jan 1994 | George Cartwright | Dot | CD, DL | |
Rune 058 | 29 Mar 1995 | David Borden | Places, Times & People | CD, DL | |
Rune 059 | 1994 | Peter Frohmader | Cycle of Eternity | CD | |
Rune 060 | 1994 | Heldon | Heldon IV: Agneta Nilsson | CD | |
Rune 061 | 1994 | Richard Pinhas | Rhizosphere / Live Paris 1982 | CD | |
Rune 062 | 1994 | Mujician | Poem About the Hero | CD | |
Rune 063 | 1994 | Piero Milesi | Modi | CD | |
Rune 064 | 1994 | Philharmonie | Nord | CD | |
Rune 065 | 1994 | Heldon | Un Reve Sans Consequence Speciale | CD | |
Rune 066 | 1994 | U Totem | Strange Attractors | CD | |
Rune 067 | 1995 | Hugh Hopper Band | Carousel | CD | |
Rune 068 | 1995 | Forrest Fang | Folklore | CD | |
Rune 069 | 01 Mar 1995 | Birdsongs of the Mesozoic | Dancing on A'a | CD, DL | |
Rune 070 | 5 May 1995 | Doctor Nerve | Skin | CD, DL | |
Rune 071 | 5 May 1995 | Blast | Wire Stitched Ears | CD, DL | |
Rune 072 | 1995 | The Siamese Stepbrothers | The Siamese Stepbrothers | CD | |
Rune 073 | 1995 | Happy Family | Happy Family | CD | |
Rune 074 | 1995 | Volapük | Le Feu du Tigre | CD | |
Rune 075 | 1995 | various artists | Unsettled Scores (disc 1) | CD | Cuneiform artists cover other Cuneiform artists |
Rune 076 | 1995 | various artists | Unsettled Scores (disc 2) | CD | |
Rune 077 | 1995 | Hugh Hopper/Alan Gowen | Two Rainbows Daily | CD | |
Rune 078 | 1996 | Miriodor | Jongleries Elastiques | CD | |
Rune 079 | 1996 | C.W. Vrtacek | Silent Heaven | CD | |
Rune 080 | 13 Feb 1996 | Curlew | Paradise | CD, DL | |
Rune 081 | 1996 | Rattlemouth | Walking a Full Moon Dog | CD | |
Rune 082 | 1996 | Mujician | Birdman | CD | |
Rune 083 | 01 Jun 1995 | Elton Dean Quintet | Silent Knowledge | CD, DL | |
Rune 084 | 1996 | Philharmonie | Rage | CD | |
Rune 085 | 1996 | 5uu's | Point of Views | CD | |
Rune 086 | 23 Oct 1996 | Raoul Björkenheim & Krakatau | Ritual | CD, DL | |
Rune 087 | 1996 | Present | Live! | CD | |
Rune 088 | 1996 | Doctor Nerve | Every Screaming Ear | CD | |
Rune 089 | 1996 | Gary Windo | His Master's Bones | CD | |
Rune 090 | 1996 | Soft Machine | Spaced | CD | |
Rune 091 | 21 Jan 1997 | Boud Deun | Astronomy Made Easy | CD, DL | |
Rune 092 | 16 Sep 1997 | Elton Dean, Paul Dunmall, Tony Levin, Paul Rogers, Roswell Rudd, Keith Tippett | Bladik | CD, DL | |
Rune 093 | 1997 | Happy Family | Toscco | CD | |
Rune 094 | 1997 | Volapük | Slang! | CD | |
Rune 095 | 16 Sep 1997 | Blast | Stringy Rugs | CD, DL | |
Rune 096 | 16 Sep 1997 | Boom | One Hour Talisman | CD, DL | |
Rune 097 | 1997 | Otolithen | S.O.D. | CD | |
Rune 098 | 1997 | Forrest Fang | The Blind Messenger | CD | |
Rune 099 | 16 Sep 1997 | Djam Karet | The Devouring | CD, DL | |
Rune 100 | 1998 | Soft Machine | Virtually | CD | |
Rune 101 | 1998 | Rattlemouth | Fist Full of Iffy | CD | |
Rune 102 | 1998 | Mujician | Colours Fulfilled | CD | |
Rune 103 | 08 Sep 1998 | Elton Dean | Just Us | CD, DL | |
Rune 104 | 1998 | Hugh Hopper | 1984 | CD | |
Rune 105 | 27 Jan 1998 | Curlew | Fabulous Drop | CD, DL | |
Rune 106 | 1998 | Forever Einstein | One Thing After Another | CD | |
Rune 107 | 1998 | Present | Certitudes | CD | |
Rune 108 | 1998 | Miriodor | Rencontres | CD | |
Rune 109 | 1999 | Mother Mallard's Portable Masterpiece Company | 1970-1973 | CD | |
Rune 110 | 1999 | Hughscore | Delta Flora | CD | |
Rune 111 | 01 Sep 1998 | Boud Deun | The Stolen Bicycle | CD, DL | |
Rune 112 | 18 Jan 1999 | Paul Dunmall Octet | Bebop Starburst | CD, DL | |
Rune 113 | 1998 | Thinking Plague | In Extremis | CD | |
Rune 114 | 10 Sep 1998 | Guigou Chenevier | Les Rumeurs de la Ville | CD, DL | |
Rune 115 | 22 Sep 1999 | Delivery | Fools Meeting | CD, DL | originally released 1970 |
Rune 116 | 1999 | Motor Totemist Guild | City of Mirrors | CD | |
Rune 117 | 1999 | Fred Frith/Henry Kaiser | Friends & Enemies (disc 1) | CD | |
Rune 118 | 1999 | Fred Frith/Henry Kaiser | Friends & Enemies (disc 2) | CD | |
Rune 119 | 22 Sep 1999 | Djam Karet | Live at Orion | CD, DL | |
Rune 120 | 1999 | Univers Zero | The Hard Quest | CD | |
Rune 121 | 1999 | Von Zamla | 1983 | CD | |
Rune 122 | 1999 | The Hosemobile | What Can & Can't Go On | CD | |
Rune 123 | 1999 | Peter Frohmader/Richard Pinhas | Fossil Culture | CD | |
Rune 124 | 1998 | Philharmonie | The Last Word Le Dernier Mot | CD | |
Rune 125 | 22 Sep 1999 | Blast | A Sophisticated Face | CD, DL | |
Rune 126 | 16 May 2000 | Doctor Nerve with the Sirius String Quartet | Ereia | CD, DL | |
Rune 127 | 18 Jan 2000 | George Cartwright/Amy Denio/Paul Haines | The Memphis Years: Terminal Moraine | CD, DL | |
Rune 128 | 17 Jan 2000 | Djam Karet | Burning the Hard City | CD, DL | originally released 1991 |
Rune 129 | 17 Jan 2000 | Djam Karet | Suspension & Displacement | CD, DL | originally released 1991 |
Rune 130 | 2000 | Soft Machine | Noisette | CD | |
Rune 131 | 2000 | Schizotrope | The Life & Death of Marie Zorn | CD | |
Rune 132 | 2000 | Rich Woodson's Ellipsis | Control & Resistance | CD | |
Rune 133 | 2000 | Piero Milesi | Within Himself | CD | |
Rune 134 | 2000 | Volapük | Polyglot | CD | |
Rune 135 | 2000 | Dave Kerman with 5uu's | Regarding Purgatories | CD | |
Rune 136 | 2000 | Forever Einstein | Down With Gravity | CD | |
Rune 137 | 19 Sep 2000 | Birdsongs of the Mesozoic | Petrophonics | CD, DL | |
Rune 138 | 19 Sep 2000 | The Danubians | The Danubians | CD, DL | |
Rune 139 | 16 May 2000 | Djam Karet | Reflections from the Firepool | CD, DL | originally released 1989 |
Rune 140 | 2000 | Gilgamesh | Arriving Twice | CD | |
Rune 141 | 2000 | Thinking Plague | Early Plague Years | CD | |
Rune 142 | 22 May 2001 | Paul Dunmall Octet | The Great Divide | CD, DL | |
Rune 143 | 15 Jan 2001 | Elton Dean | Moorsong | CD, DL | |
Rune 144 | 15 Jan 2001 | Robert Creeley, Chris Massey, Steve Swallow, David CasT, David Torn | Have We Told You All You'd Thought To Know? | CD, DL | |
Rune 145 | 2001 | National Health | Playtime | CD | |
Rune 146 | 2001 | Hamster Theatre | Carnival Detournement | CD | |
Rune 147 | 2001 | Mother Mallard's Portable Masterpiece Company | Like A Duck To Water | CD | |
Rune 148 | 2001 | Miriodor | Mekano | CD | |
Rune 149 | 22 May 2001 | Djam Karet | New Dark Age | CD, DL | |
Rune 150 | 2001 | Matching Mole | Smoke Signals | CD | |
Rune 151 | 2001 | The Stick Men | Insatiable | CD | |
Rune 152 | 03 Aug 2001 | Chris McGregor's Brotherhood of Breath | Travelling Somewhere | CD, DL | |
Rune 153 | 2001 | Picchio dal Pozzo | Camere Zimmer Rooms | CD | |
Rune 154 | 2001 | NeBeLNeST | NoVa eXPReSS | CD | |
Rune 155 | 2001 | Univers Zero | Crawling Wind | CD | |
Rune 156 | 18 Sep 2001 | Raoul Björkenheim | Apocalypso | CD, DL | |
Rune 157 | 29 Jan 2002 | Curlew | Meet The Curlews! | CD, DL | |
Rune 158 | 2002 | Dave Kerman with 5uu's | Abandonship | CD | |
Rune 159 | 7 May 2002 | Deus ex Machina | Cinque | CD, DL | |
Rune 160 | 2002 | Arkham | Arkham | CD | |
Rune 161 | 2002 | The Muffins | Bandwidth | CD | |
Rune 162 | 2002 | Mujician | Spacetime | CD | |
Rune 163 | 2002 | various artists | 156 Strings | CD | |
Rune 164 | 2002 | Sotos | Platypus | CD | |
Rune 165 | 2002 | Univers Zero | Rhythmix | CD | |
Rune 166 | 2002 | Richard Pinhas | Event and Repetitions | CD | |
Rune 167 | 17 Sep 2002 | Curlew | North America | CD, DL | |
Rune 168 | 2003 | Krakatoa | We Are the Rowboats | CD | |
Rune 169 | 6 May 2003 | Djam Karet | A Night for Baku | CD, DL | |
Rune 170 | 2002 | Soft Machine | Backwards | CD | |
Rune 171 | 2002 | Proto-Kaw | Early Recordings from Kansas 1971-1973 | CD | |
Rune 172 | 2002 | Matching Mole | March | CD | |
Rune 173 | 2003 | Nucleus | Live in Bremen (disc 1) | CD | |
Rune 174 | 2003 | Nucleus | Live in Bremen (disc 2) | CD | |
Rune 175 | 2003 | Robert Wyatt | Solar Flares Burn For You | CD | |
Rune 176 | 6 May 2003 | Bone | Uses Wrist Grab | CD, DL | Hugh Hopper, Nick Didkovsky & John Roulat |
Rune 177 | 16 Sep 2003 | Curlew | Mercury | CD, DL | |
Rune 178 | 2003 | Larval | Obedience | CD | |
Rune 179 | 16 Sep 2003 | Birdsongs of the Mesozoic | The Iridium Controversy | CD, DL | |
Rune 180 | 2003 | Thinking Plague | A History of Madness | CD | |
Rune 181 | 2003 | In Cahoots | All That | CD | |
Rune 182 | 13 Jan 2004 | Chris McGregor's Brotherhood of Breath | Bremen to Bridgewater (disc 1) | CD, DL | |
Rune 183 | 13 Jan 2004 | Chris McGregor's Brotherhood of Breath | Bremen to Bridgewater (disc 2) | CD, DL | |
Rune 184 | 2004 | Guapo | Five Suns | CD | |
Rune 185 | 13 Jan 2004 | Ahvak | Ahvak | CD, DL | |
Rune 186 | 2004 | Richard Pinhas | Tranzition | CD | |
Rune 187 | 13 Jan 2004 | The Claudia Quintet | I, Claudia | CD, DL | |
Rune 188 | 2004 | University of Errors | Jet Propelled Photographs | CD | |
Rune 189 | 2004 | Gary Windo | Anglo American | CD | |
Rune 190 | 2004 | Univers Zero | Implosion | CD | |
Rune 191 | 2004 | Henry Kaiser & Wadada Leo Smith: Yo Miles! | Sky Garden (disc 1) | CD | |
Rune 192 | 2004 | Henry Kaiser & Wadada Leo Smith: Yo Miles! | Sky Garden (disc 2) | CD | |
Rune 193 | 2004 | Pip Pyle's Bash | Belle Illusion | CD | |
Rune 194 | 2004 | Far Corner | Far Corner | CD | |
Rune 195 | 2004 | Soft Machine | Live In Paris May 2nd 1972 (disc 1) | CD | |
Rune 196 | 2004 | Soft Machine | Live In Paris May 2nd 1972 (disc 2) | CD | |
Rune 197 | 2004 | Yang | A Complex Nature | CD | |
Rune 198 | 2004 | Richard Leo Johnson Trio | Poetry of Appliance | CD | |
Rune 199 | 21 Sep 2004 | The Muffins | Double Negative | CD, DL | |
Rune 200 | 2005 | John Surman | Way Back When | CD | |
Rune 201 | 2005 | Henry Kaiser & Wadada Leo Smith: Yo Miles! | Upriver (disc 1) | CD | |
Rune 202 | 2005 | Henry Kaiser & Wadada Leo Smith: Yo Miles! | Upriver (disc 2) | CD | |
Rune 203 | 21 Sep 2004 | Paul Dunmall Moksha Big Band | I Wish You Peace | CD, DL | |
Rune 204 | 2005 | Alec K. Redfearn and The Eyesores | The Quiet Room | CD | |
Rune 205 | 2005 | Fast 'N' Bulbous | Pork Chop Blue Around The Rind | CD | |
Rune 206 | 2005 | Forever Einstein | Racket Science | CD | |
Rune 207 | 2005 | Present | A Great Inhumane Adventure | CD | |
Rune 208 | 2005 | Miriodor | Parade (disc 1) | CD | |
Rune 209 | 2005 | Miriodor | Live at NEARFest (disc 2) | CD | |
Rune 210 | 2005 | Machine and the Synergetic Nuts | Leap Second Neutral | CD | |
Rune 211 | 2005 | Radio Massacre International | Emissaries (disc 1) | CD | |
Rune 212 | 2005 | Radio Massacre International | Emissaries (disc 2) | CD | |
Rune 213 | 10 May 2005 | Graham Collier | Workpoints (disc 1) | CD, DL | |
Rune 214 | 10 May 2005 | Graham Collier | Workpoints (disc 2) | CD, DL | |
Rune 215 | 2005 | Mats/Morgan Band | Thanks For Flying With Us | CD | |
Rune 216 | 2005 | NDIO | Airback | CD | Hugh Hopper guests |
Rune 217 | 11 Oct 2005 | The Claudia Quintet | Semi-Formal | CD, DL | |
Rune 218 | 2005 | Forgas Band Phenomena | Soleil 12 | CD | |
Rune 219 | 20 Sep 2005 | Djam Karet | Recollection Harvest | CD, DL | |
Rune 220 | 2006 | Univers Zero | Live | CD | |
Rune 221 | 31 Jan 2006 | Ahleuchatistas | What You Will | CD, DL | |
Rune 222 | 2006 | Richard Leo Johnson | The Legend of Vernon McAlister | CD | |
Rune 223 | 2006 | Ray Russell | Goodbye Svengali | CD | |
Rune 224 | 2006 | Zaar | Zaar | CD | |
Rune 225 | 2006 | The Ed Palermo Big Band | Take Your Clothes Off When You Dance | CD | feat. music of Frank Zappa |
Rune 226 | 2006 | Hamster Theatre | The Public Execution of Mister Personality (disc 1) | CD | |
Rune 227 | 2006 | Hamster Theatre | Quasi Day Room: Live at the Moore Theatre (disc 2) | CD | live at Progman Cometh 2002 |
Rune 228 | 2006 | Richard Pinhas | Metatron (disc 1) | CD | |
Rune 229 | 2006 | Richard Pinhas | Metatron (disc 2) | CD | |
Rune 230 | 2006 | Soft Machine | Grides (disc 1) | CD | recorded 25 October 1970 |
Rune 231 | 2006 | Soft Machine | Grides (disc 2) | DVD | filmed 23 March 1971 |
Rune 232 | 2006 | Mujician | There's No Going Back Now | CD | |
Rune 233 | 2006 | Harry Miller's Isipingo | Which Way Now | CD | |
Rune 234 | 2006 | NeBeLNeST | ZePTO | CD | |
Rune 235 | 2006 | Soft Machine | Middle Earth Masters | CD | |
Rune 236 | 2006 | The Microscopic Septet | Seven Men in Neckties (disc 1) | CD | |
Rune 237 | 2006 | The Microscopic Septet | Seven Men in Neckties (disc 2) | CD | |
Rune 238 | 2006 | The Microscopic Septet | Surreal Swing (disc 1) | CD | |
Rune 239 | 2006 | The Microscopic Septet | Surreal Swing (disc 2) | CD | |
Rune 240 | 2007 | Hugh Hopper | Hopper Tunity Box | CD, DL | |
Rune 241 | 19 Sep 2006 | Birdsongs of the Mesozoic with Oral Moses | Extreme Spirituals | CD, DL | |
Rune 242 | 2007 | The Mahavishnu Project | Return To The Emerald Beyond (disc 1) | CD | |
Rune 243 | 2007 | The Mahavishnu Project | Return To The Emerald Beyond (disc 2) | CD | |
Rune 244 | 2007 | Alec K. Redfearn and The Eyesores | The Blind Spot | CD | |
Rune 245 | 2007 | Upsilon Acrux | Galapagos Momentum | CD | |
Rune 246 | 2006 | Far Corner | Endangered | CD | |
Rune 247 | 05 Jun 2007 | The Claudia Quintet | For | CD, DL | |
Rune 248 | 2007 | Larval/Bill Brovold | Surviving Death/Alive Why? (disc 1) | CD | |
Rune 249 | 2007 | Larval/Bill Brovold | Surviving Death/Alive Why? (disc 2) | CD | |
Rune 250 | 2007 | Steve Lacy Roswell Rudd Quartet | Early and Late (disc 1) | CD | |
Rune 251 | 2007 | Steve Lacy Roswell Rudd Quartet | Early and Late (disc 2) | CD | |
Rune 252 | 16 Jan 2007 | Graham Collier | Hoarded Dreams | CD, DL | |
Rune 253 | 2007 | Steve Miller/Lol Coxhill | Coxhill/Miller Miller/Coxhill (disc 1) | CD | |
Rune 254 | 2007 | Steve Miller/Lol Coxhill | The Story So Far..Oh Really? (disc 2) | CD | |
Rune 255 | 2007 | Vinny Golia, Aurora Josephson, Henry Kaiser, Mike Keneally, Joe Morris, Damon Smith, Weasel Walter | Healing Force: The Songs of Albert Ayler | CD | |
Rune 256 | 2007 | Radio Massacre International | Rain Falls in Grey | CD | |
Rune 257 | 2007 | Time of Orchids | Namesake Caution | CD | |
Rune 258 | 2007 | Richard Leo Johnson & Gregg Bendian | Who Knew Charlie Shoe? | CD | |
Rune 259 | 30 Sep 2008 | Deus ex Machina | Imparis (disc 1) | CD, DL | |
Rune 260 | 30 Sep 2008 | Deus ex Machina | Imparis (disc 2) | CD, DL | |
Rune 261 | 18 Sep 2007 | Ahleuchatistas | Even In the Midst... | CD, DL | |
Rune 262 | 29 Jan 2008 | Chris McGregor's Brotherhood of Breath | Eclipse At Dawn | CD, DL | |
Rune 263 | 13 May 2008 | Cosmologic | Eyes In The Back of My Head | CD, DL | |
Rune 264 | 29 Jan 2008 | Beat Circus | Dreamland | CD, DL | |
Rune 265 | 2008 | Mats/Morgan Band | Heat Beats Live + Tourbook 1991-2007 (disc 1) | CD | |
Rune 266 | 2008 | Mats/Morgan Band | Heat Beats Live + Tourbook 1991-2007 (disc 2) | CD | |
Rune 267 | 2008 | Mats/Morgan Band | Trends and Other Diseases | CD | |
Rune 268 | 2008 | Planeta Imaginario | Biomasa | CD | |
Rune 269 | 2008 | Revolutionary Snake Ensemble | Forked Tongue | CD | |
Rune 270 | 2008 | Wadada Leo Smith's Golden Quartet | Tabligh | CD | |
Rune 271 | 2008 | Lars Hollmer | Viandra | CD | |
Rune 272 | 2008 | The Microscopic Septet | Lobster Leaps In | CD | |
Rune 273 | 2008 | Isotope | Golden Section | CD | |
Rune 274 | 30 Sep 2008 | Birdsongs of the Mesozoic | Dawn of the Cycads (disc 1) | CD, DL | |
Rune 275 | 30 Sep 2008 | Birdsongs of the Mesozoic | Dawn of the Cycads (disc 2) | CD, DL | |
Rune 276 | 20 Jan 2009 | Cheer-Accident | Fears Draws Misfortune | CD, DL | |
Rune 277 | 2009 | Fast 'N' Bulbous | Waxed Oop | CD | |
Rune 278 | 2009 | Richard Pinhas & Merzbow | Keio Line (disc 1) | CD | |
Rune 279 | 2009 | Richard Pinhas & Merzbow | Keio Line (disc 2) | CD | |
Rune 280 | 2009 | Univers Zero | Relaps (Archives 1984-1986) | CD | |
Rune 281 | 2009 | Gutbucket | A Modest Proposal | CD | |
Rune 282 | 2009 | Forgas Band Phenomena | L'axe du fou/Axis of Madness | CD | |
Rune 283 | 2009 | Led Bib | Sensible Shoes | CD | |
Rune 284 | 2009 | Upsilon Acrux | Radian Futura | CD | |
Rune 285 | 2009 | The Ed Palermo Big Band | Eddy Loves Frank | CD | |
Rune 286 | 2009 | Positive Catastrophe | Garabatos Volume One | CD | |
Rune 287 | 2009 | Zevious | After The Air Raid | CD | |
Rune 288 | 2009 | Miriodor | Avanti | CD | |
Rune 289 | 06 Oct 2009 | Ergo | Multitude, Solitude | CD, DL | |
Rune 290 | 2009 | Wadada Leo Smith | Spiritual Dimensions (disc 1) | CD | |
Rune 291 | 2009 | Wadada Leo Smith | Spiritual Dimensions (disc 2) | CD | |
Rune 292 | 29 Sep 2009 | Jason Adasiewicz's Rolldown | Varmint | CD, LP, DL | ex-Living By Lanterns |
Rune 293 | 02 Feb 2010 | Brown vs. Brown | Odds and Unevens | CD, DL | |
Rune 294 | 01 Mar 2009 | Beat Circus | Boy From Black Mountain | CD, DL | |
Rune 295 | 2010 | Univers Zero | Clivages | CD | |
Rune 296 | 2010 | Ideal Bread | Transmit Vol.2 The Music of Steve Lacy | CD | |
Rune 297 | 26 Jan 2010 | Algernon | Ghost Surveillance | CD, DL | |
Rune 298 | 2010 | Radio Massacre International | Time & Motion (disc 1) | CD | |
Rune 299 | 2010 | Radio Massacre International | Time & Motion (disc 2) | CD | |
Rune 300 | 2010 | New York Art Quartet | Old Stuff | CD | |
Rune 301 | 2010 | Mats/Morgan Band | The Music or the Money? (disc 1) | CD | |
Rune 302 | 2010 | Mats/Morgan Band | The Music or the Money? (disc 2) | CD | |
Rune 303 | 18 May 2010 | Curlew | A Beautiful Western Saddle | CD + DVD, DL | |
Rune 304 | 2010 | Curlew | The Hardwood | CD | |
Rune 305 | 2010 | Soft Machine | NDR Jazz Workshop (disc 1) | CD | recorded May 17, 1973 |
Rune 306 | 2010 | Soft Machine | NDR Jazz Workshop (disc 2) | DVD | |
Rune 307 | 18 May 2010 | The Claudia Quintet with Gary Versace | Royal Toast | CD, DL | |
Rune 308 | 2010 | Richard Pinhas | Metal/Crystal (disc 1) | CD | |
Rune 309 | 2010 | Richard Pinhas | Metal/Crystal (disc 2) | CD | |
Rune 310 | 2010 | The Microscopic Septet | Friday the 13th: The Micros Play Monk | CD | |
Rune 311 | 2010 | Jason Robinson | The Two Faces of Janus | CD | |
Rune 312 | 2010 | Uz Jsme Doma | Jeskyne (Caves) | CD | |
Rune 313 | 2010 | Univers Zero | Heresie | CD | |
Rune 314 | 2011 | Led Bib | Bring Your Own | CD | |
Rune 315 | 2011 | John Surman | Flashpoint: NDR Workshop (disc 1) | CD | |
Rune 316 | 2011 | John Surman | Flashpoint: NDR Workshop (disc 2) | DVD | |
Rune 317 | 25 Jan 2011 | Carlos DeRosa's Cross-fade | Brain Dance | CD, DL | |
Rune 318 | 2011 | Planeta Imaginario | Optical Delusions | CD | |
Rune 319 | 2011 | Gösta Berlings Saga | Glue Works | CD | |
Rune 320 | 2011 | Thinking Plague | Decline and Fall | CD | |
Rune 321 | 2011 | Gutbucket | Flock | CD | |
Rune 322 | 2011 | Michael Gibbs & The NDR Bigband | Back in the Days | CD | |
Rune 323 | 27 Sep 2011 | Dead Cat Bounce | Chance Episodes | CD. DL | |
Rune 324 | 31 May 2011 | Afuche | Highly Publicized Digital Boxing Match | CD, DL | |
Rune 325 | 2011 | São Paulo Underground | Tres Cabecas Loucuras | CD | |
Rune 326 | 31 May 2011 | Cheer-Accident | No Ifs Ands or Dogs | CD, DL | |
Rune 327 | 11 Oct 2011 | The Claudia Quintet | What Is the Beautiful? | CD, DL | |
Rune 328 | 2011 | Richard Pinhas & Merzbow | Rhizome | CD | |
Rune 329 | 2011 | Richard Pinhas & Merzbow | Paris 2008 | CD | |
Rune 330 | 2011 | Wadada Leo Smith's Organic | Heart's Reflections (disc 1) | CD | |
Rune 331 | 2011 | Wadada Leo Smith's Organic | Heart's Reflections (disc 2) | CD | |
Rune 332 | 2011 | Forgas Band Phenomena | Acte V (disc 1) | CD | |
Rune 333 | 2011 | Forgas Band Phenomena | Acte V (disc 2) | CD | |
Rune 334 | 2011 | Joel Harrison, Lorenzo Feliciati, Cuong Vu, Roy Powell, Dan Weiss | Holy Abyss | CD | |
Rune 335 | 2011 | Bill Laswell/Raoul Björkenheim/Morgan Ågren | Blixt | CD | |
Rune 336 | 2011 | Positive Catastrophe | Dibrujo, Dibrujo, Dibrujo | CD | |
Rune 337 | 2011 | Mats/Morgan Band | Live | CD | |
Rune 338 | 2012 | Janel & Anthony | Where Is Home | CD | |
Rune 339 | 14 Feb 2012 | Ergo | If Not Inertia | CD, DL | |
Rune 340 | 2012 | Lars Hollmer | With Floury Hand (disc 1) | CD | |
Rune 341 | 2012 | Lars Hollmer | With Floury Hand (disc 2) | CD | |
Rune 342 | 2012 | Pixel | Reminder | CD | |
Rune 343 | 2012 | Steve Moore | Light Echoes | CD | |
Rune 344 | 2012 | Alec K. Redfearn and The Eyesores | Sister Death | CD | |
Rune 345 | 2012 | Living By Lanterns | New Myth/Old Science | CD | |
Rune 346 | 2012 | Jason Robinson, JD Parran, Marty Ehrlich, Marcus Rojas, Bill Lowe, Liberty Ellman, Drew Gress, George Schuller, Ches Smith | Symmetry | CD | |
Rune 347 | 25 Sep 2012 | Ahleuchatistas | Heads Full of Poison | CD, DL | |
Rune 348 | 2012 | Christian Marclay, Toshio Kajiwara, DJ Olive | 21 September 2002 Hirshhorn Museum | CD | |
Rune 349 | 2013 | Rob Mazurek Octet | Skull Sessions | CD | |
Rune 350 | 2013 | Wadada Leo Smith | Ten Freedom Summers (disc 1) | CD | |
Rune 351 | 2013 | Wadada Leo Smith | Ten Freedom Summers (disc 2) | CD | |
Rune 352 | 2013 | Wadada Leo Smith | Ten Freedom Summers (disc 3) | CD | |
Rune 353 | 2013 | Wadada Leo Smith | Ten Freedom Summers (disc 4) | CD | |
Rune 354 | 2013 | Guapo | History of the Visitation (disc 1) | CD | |
Rune 355 | 2013 | Guapo | History of the Visitation (disc 2) | CD | |
Rune 356 | 2013 | Curtis Hasselbring | Number Stations | CD, DL | |
Rune 357 | 2013 | Dylan Rand, Sand | Sky Bleached | CD, DL | |
Rune 358 | 2013 | Kandinsky Effect | Synesthesia | CD, DL | |
Rune 359 | 04 Jun 2013 | São Paulo Underground | Beija Flors Velho e Sujo | LP, CD, DL | |
Rune 360 | 2013 | S.O.S. | Looking For The Next One (disc 1) | CD, DL | |
Rune 361 | 2013 | S.O.S. | Looking For The Next One (disc 2) | CD, DL | |
Rune 362 | 2013 | Mats/Morgan Band | Radio Da Da/The Teenage Tapes (disc 1) | CD, DL | |
Rune 363 | 2013 | Mats/Morgan Band | Radio Da Da/The Teenage Tapes (disc 2) | CD, DL | |
Rune 364 | 04 Jun 2013 | Blue Cranes | Swim | CD, LP, DL | |
Rune 365 | 21 Jan 2014 | Mary Halvorson, Michael Formanek, Tomas Fujiwara | Thumbscrew | CD, DL | |
Rune 366 | 2013 | Richard Pinhas | Desolation Row | CD, DL | |
Rune 367 | 2013 | Zevious | Passing Through the Wall | CD, DL | |
Rune 368 | 2013 | Miriodor | Cobra Fakir | LP, CD, DL | |
Rune 369 | 08 Oct 2013 | Chrome Hoof | Chrome Black Gold | LP, CD, DL | |
Rune 370 | 27 May 2014 | The Microscopic Septet | Manhattan Moonrise | CD, DL | |
Rune 371 | 2013 | Tatvamasi | Parts of the Entirety | CD, DL | |
Rune 372 | 08 Oct 2013 | Pixel | We Are All Small Pixels | CD, DL | |
Rune 373 | 21 Jan 2014 | Raoul Björkenheim/eCsTaSy | eCsTaSy | CD, DL | |
Rune 374 | 21 Jan 2014 | Sonar | Static Motion | CD, DL | |
Rune 375 | 08 Oct 2013 | Robert Wyatt | 68 | LP, CD, DL | |
Rune 376 | 14 Oct 2014 | The Cellar and Point | Ambit | CD, DL | |
Rune 377 | 24 Sep 2013 | The Claudia Quintet | September | CD, DL | |
Rune 378 | 13 May 2014 | Led Bib | The People in Your Neighborhood | CD, DL | |
Rune 379 | 13 May 2014 | Led Bib | The Good Egg | LP, CD, DL | |
Rune 380 | 04 Feb 2014 | The Ed Palermo Big Band | Oh No! Not Jazz!! (disc 1) | CD, DL | |
Rune 381 | 04 Feb 2014 | The Ed Palermo Big Band | Oh No! Not Jazz!! (disc 2) | CD, DL | |
Rune 382 | 04 Feb 2014 | Present | Triskaidekaphobie | CD, DL | |
Rune 383 | 04 Feb 2014 | Present | Le Poison Qui Rend Fou (disc 1) | CD, DL | |
Rune 384 | 04 Feb 2014 | Present | Le Poison Qui Rend Fou (disc 2) | CD, DL | |
Rune 385 | 27 May 2014 | Mats/Morgan Band | [Schack Tati] | CD, DL | |
Rune 386 | 13 May 2014 | Ideal Bread | Beating the Teens (disc 1) | CD, DL | |
Rune 387 | 13 May 2014 | Ideal Bread | Beating the Teens (disc 2) | CD, DL | |
Rune 388 | 27 May 2014 | Richard Pinhas & Oren Ambarchi | Tikkun (disc 1) | CD, DL | |
Rune 389 | 27 May 2014 | Richard Pinhas & Oren Ambarchi | Tikkun (disc 2) | DVD | |
Rune 390 | 13 May 2014 | Joel Harrison | Mother Stump | CD, DL | |
Rune 391 | 27 May 2014 | Richard Pinhas & Yoshida Tatsuya | Welcome in the Void | CD, DL | |
Rune 392 | Mike Osborne | 'Dawn' | CD, DL | ||
Rune 393 | Happy Family | Minimal Gods | CD | ||
Rune 394 | Jonathan Badger | Verse | CD, LP | ||
Rune 395 | Soft Machine | Switzerland 1974 (disc 1) | CD | ||
Rune 396 | Soft Machine | Switzerland 1974 (disc 2) | DVD | ||
Rune 397 | Dylan Ryan/Sand | Circa | CD | ||
Rune 398 | Anthony Pirog/Michael Formanek/Ches Smith | Palo Colorado Dream | CD | ||
Rune 399 | Rob Mazurek/Black Cube SP | Return The Tides: Ascension Suite & Holy Ghost | CD, LP | featuring members of São Paulo Underground | |
Rune 400 | Michael Gibbs/NDR Bigband | Play A Bill Frisell Setlist | CD | ||
Rune 401 | Michael Gibbs/NDR Bigband | In My View | CD | ||
Rune 402 | Schnellertollermeier | X | CD | ||
Rune 403 | Henry Kaiser/Ray Russell | The Celestial Squid | CD | ||
Rune 404 | Guapo | Obscure Knowledge | CD, LP | ||
Rune 405 | Gary Lucas | Music from the Max Fleischer Cartoons | CD | ||
Rune 406 | Adam Rudolph/GO: Organic Guitar Orchestra | Turning Toward The Light | CD | ||
Rune 407 | Thinking Plague | In This Life | CD | 25th anniversary remaster | |
Rune 408 | The Kandinsky Effect | Sonambulist | CD | ||
Rune 409 | Rob Mazurek, Exploding Star Orchestra | Galactic Parables, Volume 1 (disc 1) | CD | ||
Rune 410 | Rob Mazurek, Exploding Star Orchestra | Galactic Parables, Volume 1 (disc 2) | CD | ||
Rune 411 | Le Rex | Wild Man | |||
Rune 412 | Pixel | Golden Years | CD, LP | ||
Rune 413 | Raoul Björkenheim/Ecstasy | Out Of The Blue | CD | ||
Rune 414 | Sonar | Black Light | CD, LP | ||
Rune 415 | Thumbscrew: Mary Halvorson/Michael Formanek/Tomas Fujiwara | Convalaria | CD | ||
Rune 416 | Empirical | Connection | CD | ||
Rune 417 | 20 May, 2016 | Bent Knee | Say So | CD, DL | |
Rune 418 | Naima | Bye | CD, LP | ||
Rune 419 | Ergo | As Subtle As Tomorrow | CD | ||
Rune 420 | The Ed Palermo Big Band | One Child Left Behind | CD | ||
Rune 421 | Thinking Plague | Hoping Against Hope | CD | ||
Rune 422 | I.P.A. | I Just Did Say Something | CD | ||
Rune 423 | São Paulo Underground | Cantos Invisiveis | CD | ||
Rune 424 | Rez Abbasi/Junction | Behind The Vibration | CD | ||
Rune 425 | Microscopic Septet | Been Up So Long It Looks Like Down To Me: The Micros Play The Blues | CD | ||
Rune 426 | Richard Pinhas/Barry Cleveland/Michael Manring/Celso Alberti | Mu | CD | ||
Rune 427 | The Claudia Quintet | Super Petite | CD | ||
Rune 428 | Chicago/London Underground | A Night Walking Through Mirrors | CD | featuring Rob Mazurek | |
Rune 429 | Deus Ex Machina | Devoto | CD | ||
Rune 430 | Wadada Leo Smith | America's National Parks (disc 1) | CD | ||
Rune 431 | Wadada Leo Smith | America's National Parks (disc 2) | CD | ||
Rune 432 | Richard Pinhas/Tatsuya Yoshida/Masami Akita (Merzbow) | Process and Reality | CD | ||
Rune 433 | The Great Harry Hillman | Tilt | CD | ||
Rune 434 | Bubblemath | Edit Peptide | CD | ||
Rune 435 | The Ed Palermo Big Band | The Great Un-American Songbook Volumes I & II (disc 1) | CD | ||
Rune 436 | The Ed Palermo Big Band | The Great Un-American Songbook Volumes I & II (disc 2) | CD | ||
Rune 437 | |||||
Rune 438 | Miriodor | Signal 9 | CD | ||
Rune 439 | |||||
Rune 440 | |||||
Rune 441 | |||||
Rune 442 | |||||
Rune 443 | |||||
Rune 444 | |||||
Rune 445 | |||||
Rune 446 | Cheer Accident | Putting Off Death | CD, LP | ||
Rune 447 | |||||
Rune 448 | |||||
Rune 449 | |||||
Rune 450 | |||||
Rune 451 | |||||
Rune 452 | |||||
Rune 453 | |||||
Rune 454 | |||||
Rune 455 | |||||
Rune 456 |
Archival releases
[edit]Note: The first few reissues came out as "Wayside Music Archive Series" releases
No. | Year | Artist(s) | Title | Format | Notes |
---|---|---|---|---|---|
55001/WMAS1 | 1990 | Happy The Man | 3rd: Better Late... | CD | recorded 1979 |
55001/WMAS2 | 01 Jan 1990 | Doctor Nerve | Did Sprinting Die? | CD, DL | live 6/14/1989 |
55003/WMAS3 | 1990 | Happy The Man | Beginnings | CD | recorded 1974 & 1975 |
55004/WMAS4 | 1990 | The Muffins | Manna/Mirage | CD | originally released 1978 |
55005 | 01 Jan 1994 | Cartoon | Sortie | CD, DL | reissues Cartoon (1981) and Music from Left Field (1983) |
55006/WMAS6 | 1991 | Hugh Hopper Band | Meccano Pelorus | CD | recorded 1987 & 1989 |
55007 | 1993 | The Muffins | Chronometers | CD | recorded 1975 & 76 |
55008 | 1993 | Grits | As The World Grits | CD | recorded 1970-1975 |
55009 | 1995 | Steve Tibbetts | Steve Tibbetts | CD | originally released 1977 |
55010 | 1994 | The Muffins | Open City | CD | originally released 1985 |
55011 | 1993 | various artists | Transforms: The Nerve Events Project | CD | 25 artists compose using samples from Doctor Nerve's Beta 14 OK release |
55012 | 1997 | Grits | Rare Birds | CD | recorded 1976 |
55013 | 1996 | The Muffins | <185> | CD | originally released 1981 |
55014 | 1997 | Happy The Man | Live | CD | recorded July 1, 1978 at The Cellar Door, Washington DC and October 8, 1978 at Louie's Rock City, Bailey's Crossroads, VA |
55015 | 1999 | Happy The Man | Death's Crown | CD | recorded in 1974 & 1976 |
Rune 1313 | 2008 | Univers Zero | Univers Zero (1313) | CD | originally released 1977 |
Samplers
[edit]No. | Year | Artist(s) | Title | Format |
---|---|---|---|---|
9001 | 2000 | various artists | Canterbury & Beyond: Selected Runes | CD |
9002 | 2002 | various artists | An Introduction to Cuneiform Records: Selections from All of Our 2002 Releases and More | CD |
Promo 1 | 2003 | various artists | Cuneiform Records Promo No.1 | CD |
Promo 2 | 2004 | various artists | Cuneiform Progressive 2 | CD |
Promo 3 | 2005 | various artists | Cuneiform Records Sampler 3 | CD |
Sampler 1 | 2006 | various artists | Wayside Sampler | CD |
Sampler 2 | 2007 | various artists | Wayside Sampler #2 | CD |
Sampler 3 | 2007 | various artists | Wayside Sampler #3 | CD |
Sampler 4 | 2008 | various artists | Wayside Sampler #4 | CD |
Sampler 5 | 2008 | various artists | Wayside Sampler #5 | CD |
Sampler 6 | 2009 | various artists | Wayside Sampler #6 | CD |
- Artists
Artists who have released albums or reissues on the label:[2]
- Rez Abbasi
- Afuche
- Morgan Ågren
- Ahleuchatistas
- Ahvak
- Arkham
- Jonathan Badger
- Beat Circus
- Bent Knee
- Birdsongs Of The Mesozoic
- Raoul Björkenheim
- Blast
- Blixt (Bill Laswell, Raoul Björkenheim, Morgan Ågren)
- Blue Cranes
- Bone
- Boom
- David Borden / Mother Mallard's Portable Masterpiece Company
- Boud Deun
- Chris McGregor's Brotherhood of Breath
- Bubblemath
- Cartoon
- George Cartwright
- The Cellar and Point
- Chainsaw Jazz
- Cheer-Accident
- Guigou Chenevier
- Chrome Hoof
- The Claudia Quintet
- Graham Collier
- Cosmologic
- Robert Creeley
- Curlew
- The Danubians
- Carlo De Rosa's Cross-Fade
- Dead Cat Bounce
- Elton Dean
- Delivery
- Daniel Denis
- Deus ex Machina
- Djam Karet
- Doctor Nerve
- Paul Dunmall Octet
- Empirical
- Ergo
- Exploding Star Orchestra
- Forrest Fang
- Far Corner
- Fast 'N' Bulbous
- Forever Einstein
- Forgas Band Phenomena
- Michael Formanek
- Fred Frith / Henry Kaiser
- Peter Frohmader
- Michael Gibbs
- Gilgamesh
- The Great Harry Hillman
- Grits
- Gösta Berlings Saga
- Guapo
- Gutbucket
- Mary Halvorson
- Hamster Theatre
- Happy Family
- Happy the Man
- Joel Harrison
- Curtis Hasselbring
- Healing Force
- Heldon
- The Great Harry Hillman
- Lars Hollmer
- Hugh Hopper
- The Hosemobile
- Hughscore
- Ideal Bread
- I.P.A.
- Harry Miller 's Isipingo
- Isotope
- Janel and Anthony
- Richard Leo Johnson
- Henry Kaiser
- Dave Kerman / 5uu's
- The Kandinsky Effect
- Kombinat M
- Krakatoa
- Steve Lacy - Roswell Rudd Quartet
- Bill Brovold's Larval
- Bill Laswell
- Le Rex
- Led Bib
- Living By Lanterns (co-led by Jason Adasiewicz and Mike Reed)
- Gary Lucas' Fleischerei, featuring Sarah Stiles
- Machine and the Synergetic Nuts
- The Mahavishnu Project
- Christian Marclay / Toshio Kajiwara / DJ Olive: djTRIO
- Rob Mazurek
- Matching Mole
- Mats/Morgan Band
- The Microscopic Septet
- Piero Milesi
- Phil Miller / In Cahoots
- Steve Miller / Lol Coxhill
- Miriodor
- Steve Moore
- Virgil Moorefield
- Motor Totemist Guild
- The Muffins
- Mujician
- Naima
- National Health
- NDIO
- NeBeLNeST
- Nucleus
- Mike Osborne
- Otolithen
- Ed Palermo Big Band
- PFS
- Philharmonie
- Picchio dal Pozzo
- Richard Pinhas
- Anthony Pirog
- Pixel
- Planeta Imaginario
- Positive Catastrophe
- Present
- Proto-Kaw
- Pip Pyle's Bash!
- Radio Massacre International
- Rattlemouth
- Alec K. Redfearn & The Eyesores
- Revolutionary Snake Ensemble
- Jason Robinson
- Adam Rudolph / Go: Organic Guitar Orchestra
- Ray Russell
- Dylan Ryan / Sand
- São Paulo Underground
- Schnellertollermeier
- Siamese Stepbrothers
- Wadada Leo Smith
- Soft Machine
- SONAR
- S.O.S. (Alan Skidmore, Mike Osborne, John Surman)
- Sotos
- Stick Men
- John Surman
- Tatvamasi
- Thinking Plague
- Thumbscrew: Mary Halvorson, Michael Formanek, Tomas Fujiwara
- Steve Tibbetts
- Time of Orchids
- U Totem
- Univers Zero
- University of Errors
- Upsilon Acrux
- Uz Jsme Doma
- Volapük
- Von Zamla
- C. W. Vrtacek
- Gary Windo
- Rich Woodson's Ellipsis
- Robert Wyatt
- Yang
- Zaar
- References
References
- ^ Hidden Hills
- ^ "ARTISTS | CUNEIFORM RECORDS". cuneiformrecords.com. Retrieved 9 August 2016.
discussion
[edit]I fail to see how a list of artists is adjudged to be unencyclopedic. What artists the label releases is essential to even a basic understanding of what the label is and does, and is standard practice on virtually every existing label article. Why the exception here? Chubbles (talk) 22:14, 30 July 2017 (UTC)
- WP:PROMO, which is policy, says
Information about companies and products must be written in an objective and unbiased style, free of puffery. All article topics must be verifiable with independent, third-party sources, so articles about very small "garage" or local companies are typically unacceptable. Wikipedia articles about a company or organization are not an extension of their website or other social media marketing efforts. External links to commercial organizations are acceptable if they identify notable organizations which are the topic of the article. Wikipedia neither endorses organizations nor runs affiliate programs. See also Wikipedia:Notability (organizations and companies) for guidelines on corporate notability. Those promoting causes or events, or issuing public service announcements, even if noncommercial, should use a forum other than Wikipedia to do so. Contributors must disclose any payments they receive for editing Wikipedia. See also Wikipedia:Conflict of interest.
- Please note the bolded part -- Wikipedia articles about a company or organization are not an extension of their website.
- What we do here is describe, in an encyclopedic manner. Another part of the WP:NOT policy is that WP is not WP:NOTCATALOG. -- Jytdog (talk) 22:15, 30 July 2017 (UTC)
- That is not an explanation. A list of artists is not an extension of the label's website. (We can remove the link if it irks you, and place it where it belongs, in an external links section). It is inherently encyclopedic information about the label. Chubbles (talk) 22:17, 30 July 2017 (UTC)
- It is an exact answer. The content above is a catalog - this is stuff for the label's website. Describing the kinds or artists they publish is the kind of thing we do here, not listing all of them or every record they released. Please do read WP:NOT. Jytdog (talk) 22:19, 30 July 2017 (UTC)
- Let's pretend I'm familiar with WP:NOT now, since, even if I had never read it before after ten years on the site, I have been pointed to it several times already in this conversation. The full list of albums might conceivably contravene WP:NOTCATALOG, though we do have (near-)full discographical catalogues for some important labels; I will not argue here that Cuneiform is that important. A full list of artists is a succinct, bounded, relevant list which provides direct and neutral information about the label and the cultural milieu in which it is situated. It does not contravene WP:NOTCATALOG point 1 (not loosely associated with the label), points 2 or 3 (not relevant), point 4 (not a schedule of releases, as it includes current and past artists, and is not trivial, like including every record store where the label's records are for sale), point 5 (no sales information included), point 6 (not relevant), or point 7 (the list's context is appropriate since it constitutes the primary activity which makes the label notable - releasing albums by important bands). A description of the kinds of artists is a start and should of course be done, but it is not sufficient to encyclopedically capture the full range of the label's activities. Chubbles (talk) 22:33, 30 July 2017 (UTC)
- That is kind of interesting wikilawyery argument ... but the spirit of the thing! This just turns this page in Wikipedia into a host for this page of the Cuneiform website. That is not what WP is for. I understand there are wide swaths of WP that have turned into fancruft where people do what they can instead of what they should do, which is provide enduring encyclopedic knowledge.. not catalog listings. I am thinking of nominating this for deletion in any case. If this label is so trivial that all we do is to copy their website, it doesn't belong here. Jytdog (talk) 23:10, 30 July 2017 (UTC)
- On the contrary, I think the list is very much in the spirit of the website. (I was making sure I was understanding your concerns, point by point.) The list allows you to click through to the artist pages, of which we have dozens, and gives a much more robust sense of what musical scenes the label has fostered than a short list of musical genres can do. That is important and enduring work (well, hopefully enduring, assuming the article is not nommed for deletion. Silly me, I returned The ultimate guide to independent record labels and artists : an A-to-Z source of great music by Norman Schreiber, Pharos, 1992, to the library not long ago, before adding its entry on Cuneiform here.) Since we are WP:NOTPAPER, the length of the list is irrelevant; the chief crime here seems to be that the label has managed not to go out of business yet (some 35 years in) and has done us the service of keeping a comprehensive list on its own website, something few other labels ever do (which is why discography is an academic discipline and was a nightmarish task for the amateurs who took it up before the academy did). Chubbles (talk) 23:27, 30 July 2017 (UTC)
- I was waiting to see if an AfD would, in fact, materialize; not sure if you are still considering it. I regard it as somewhat bad form to gut an article of its content and then nominate a stub, but so far as I know I am alone in that sensibility, as I have seen it often at AfD. Nevertheless, the value of the removed artist list is still at issue (I will leave the discographical information for some other time and, perhaps, some other person). Chubbles (talk) 23:34, 1 August 2017 (UTC)
- Yeah I said I am thinking about it. Since we don't agree about what WP is and is not (this is a pretty fundamental policy difference) we should probably pursue some sort of DR. RfC? Jytdog (talk) 02:28, 2 August 2017 (UTC)
- If you take the list of artists - lists of artists signed to a record label, in general - as inherently unencyclopedic, then yes, an RfC is probably a good idea (or a discussion at Wikiproject Music or some such). I'll be on vacation starting tonight for the next week-plus, with rather infrequent sign-in likelihood, so if there is an AfD I may be somewhat slow to participate. Chubbles (talk) 20:49, 2 August 2017 (UTC)
- Let's start with the RfC. Shall we ask for comment only on the list of artists, or the catalog as well? Jytdog (talk) 21:15, 2 August 2017 (UTC)
- I think you are fundamentally misunderstanding the nature of the Cuneiform catalog here: the point is, this information *IS NOT* available on Cuneiform's website, and I had to collate data from a dozen or more sources to pull together the table. Even the label's founder, Steven Feigenbaum, could not help me create the table. I agree, the "list of artists" (created by somebody else, I might add) is duplicated on the website and I'd be okay with dropping that, if you think the bits are best saved. But the catalog l;isting falls right in line with many many similar Wikipedia catalog listings of small independent labels (viz. ECM, Obscure, etc.) so I don't see why Cuneiform is being singled out for deletion simply because it's not your style of music, perhaps?Rcarlberg (talk)
- Incidentally, you threaten to delete the whole listing for notability but this has been discussed before (Articles_for_deletion/Cuneiform_Records) and I thought settled. Must every new editor start fresh with no history?Rcarlberg (talk) 02:32, 3 August 2017 (UTC)
- I think you are fundamentally misunderstanding the nature of the Cuneiform catalog here: the point is, this information *IS NOT* available on Cuneiform's website, and I had to collate data from a dozen or more sources to pull together the table. Even the label's founder, Steven Feigenbaum, could not help me create the table. I agree, the "list of artists" (created by somebody else, I might add) is duplicated on the website and I'd be okay with dropping that, if you think the bits are best saved. But the catalog l;isting falls right in line with many many similar Wikipedia catalog listings of small independent labels (viz. ECM, Obscure, etc.) so I don't see why Cuneiform is being singled out for deletion simply because it's not your style of music, perhaps?Rcarlberg (talk)
- Let's start with the RfC. Shall we ask for comment only on the list of artists, or the catalog as well? Jytdog (talk) 21:15, 2 August 2017 (UTC)
- If you take the list of artists - lists of artists signed to a record label, in general - as inherently unencyclopedic, then yes, an RfC is probably a good idea (or a discussion at Wikiproject Music or some such). I'll be on vacation starting tonight for the next week-plus, with rather infrequent sign-in likelihood, so if there is an AfD I may be somewhat slow to participate. Chubbles (talk) 20:49, 2 August 2017 (UTC)
- Yeah I said I am thinking about it. Since we don't agree about what WP is and is not (this is a pretty fundamental policy difference) we should probably pursue some sort of DR. RfC? Jytdog (talk) 02:28, 2 August 2017 (UTC)
- That is kind of interesting wikilawyery argument ... but the spirit of the thing! This just turns this page in Wikipedia into a host for this page of the Cuneiform website. That is not what WP is for. I understand there are wide swaths of WP that have turned into fancruft where people do what they can instead of what they should do, which is provide enduring encyclopedic knowledge.. not catalog listings. I am thinking of nominating this for deletion in any case. If this label is so trivial that all we do is to copy their website, it doesn't belong here. Jytdog (talk) 23:10, 30 July 2017 (UTC)
- Let's pretend I'm familiar with WP:NOT now, since, even if I had never read it before after ten years on the site, I have been pointed to it several times already in this conversation. The full list of albums might conceivably contravene WP:NOTCATALOG, though we do have (near-)full discographical catalogues for some important labels; I will not argue here that Cuneiform is that important. A full list of artists is a succinct, bounded, relevant list which provides direct and neutral information about the label and the cultural milieu in which it is situated. It does not contravene WP:NOTCATALOG point 1 (not loosely associated with the label), points 2 or 3 (not relevant), point 4 (not a schedule of releases, as it includes current and past artists, and is not trivial, like including every record store where the label's records are for sale), point 5 (no sales information included), point 6 (not relevant), or point 7 (the list's context is appropriate since it constitutes the primary activity which makes the label notable - releasing albums by important bands). A description of the kinds of artists is a start and should of course be done, but it is not sufficient to encyclopedically capture the full range of the label's activities. Chubbles (talk) 22:33, 30 July 2017 (UTC)
- It is an exact answer. The content above is a catalog - this is stuff for the label's website. Describing the kinds or artists they publish is the kind of thing we do here, not listing all of them or every record they released. Please do read WP:NOT. Jytdog (talk) 22:19, 30 July 2017 (UTC)
- That is not an explanation. A list of artists is not an extension of the label's website. (We can remove the link if it irks you, and place it where it belongs, in an external links section). It is inherently encyclopedic information about the label. Chubbles (talk) 22:17, 30 July 2017 (UTC)
the last AfD was 8 years ago. Things are different now and there is less tolerance for marginally notable articles that are plagued with promotionalism. It is not a threat; it is just that rather than dealing with the timesuck of fans (or companies) who hijack pages and will not even follow DR, the trend has been to delete them. Wikipedia is not a fansite or a proxy for the label. As I said we can do an RfC if that is what it takes but if you will not do that, then an AfD is the way to go. Jytdog (talk) 05:09, 3 August 2017 (UTC)
- Is this your personal opinion, or can you point me to something that documents it?Rcarlberg (talk) 11:38, 3 August 2017 (UTC)
- The characterization of the label as "marginally notable" is untenable - Cuneiform is one of the more noteworthy avant-garde labels in the business, which generates its own coverage in addition to that of its roster (e.g., Washington City Paper ([1]), Brooklyn Vegan ([2], [3]), Takoma Voice ([4]).) Any article acts as promotion; Disney's article is promotional - it cannot but be promotional, because of Wikipedia's reach and prominence. However, it is also encyclopedic. So, too, with, at minimum, a basic list of artists the label carries; whatever promotional effect this incidentally carries is outweighed by its basic functionality as encyclopedic and relevant information. (The catalogue does this, too - but one fight at a time, as far as I'm concerned.) I don't listen to Cuneiform artists - much too outre for my plebeian tastes - but I recognize the important informational function that pages such as this (or, what this page was until a few days ago) serve to those interested in the music the label carries. Why do you insist on denigrating this as fancruft? Chubbles (talk) 14:31, 3 August 2017 (UTC)
- Are we going to have an RfC to resolve the lists or not? Chubbles wants to keep the artist list, Rcarlbarg has argued to keep the list of records and has acknowledged that the compilation exists only here and is his act of WP:OR). Both, or one of them? Jytdog (talk) 15:24, 3 August 2017 (UTC)
- Hey, is there any way with Wikipedia articles to see how many views they've had? That might tell you if the Cuneiform Records page is getting used or not.Rcarlberg (talk) 20:39, 3 August 2017 (UTC)
- yes: [5] — Preceding unsigned comment added by 173.15.229.22 (talk) 00:35, 6 August 2017 (UTC)
- By the way, classifying my article as "original research" is totally inaccurate. What I did was collate online resources -- which is the bread & butter of Wikipedia. I did not <ref> every time I found information because that would be unreadable and unnecessary, especially for online data which is not likely to be disputable.Rcarlberg (talk) 20:43, 3 August 2017 (UTC)
- I didn't say anything about "your" article, I talked about the content you added. And please do read WP:OR. We don't build new things here - we summarize existing things.
- I will just go ahead and launch the RfC. Jytdog (talk) 20:47, 3 August 2017 (UTC)
- I didn't say anything about "your" article, I talked about the content you added. And please do read WP:OR. We don't build new things here - we summarize existing things.
- Hey, is there any way with Wikipedia articles to see how many views they've had? That might tell you if the Cuneiform Records page is getting used or not.Rcarlberg (talk) 20:39, 3 August 2017 (UTC)
- Are we going to have an RfC to resolve the lists or not? Chubbles wants to keep the artist list, Rcarlbarg has argued to keep the list of records and has acknowledged that the compilation exists only here and is his act of WP:OR). Both, or one of them? Jytdog (talk) 15:24, 3 August 2017 (UTC)
RfC - Catalogs of artists and releases for record label
[edit]On the talk page above, you will find tables of a) artists that release through this record label and b) a list of releases.
Should these be in the article? Jytdog (talk) 20:50, 3 August 2017 (UTC)
!votes
[edit]- Neither list should be in the article. This page has been hijacked to serve as a proxy for the record label website on the one hand, a personal webproxy for the other in which had editor has built a catalog that apparently only exists here. This is not encyclopedic content and Wikipedia is not a catalog. Relevant policies are WP:OR, WP:PROMO, WP:NOTWEBHOST, and WP:NOTCATALOG. Wikipedia of course can be used this way, but it shouldn't be. Jytdog (talk) 20:53, 3 August 2017 (UTC)
- I vote both stay. You can't have it both ways -- either Wikipedia presents information that isn't reproduced elsewhere, or "We don't build new things here - we summarize existing things." These statements are mutually incompatible.Rcarlberg (talk) 20:57, 3 August 2017 (UTC)
- Remove catalog, prosify artists. I came here from the RfC notice, but I first became aware of the discussion because I watchlist Jytdog's talkpage. It seems to me that the relevant guidance is at WP:LWA, MOS:EMBED, and WP:LSC. I think that the catalog goes way beyond the style guidelines in terms of its sheer length, and because there appears to be no selection criteria beyond simply being issued by the company. Consequently, it looks like a catalog of what they sell, even if it is not actually copied from their sales list, and that goes against the spirit of WP:NOTADVERT. In looking at the page edit history, I see that the version before the catalog was added is this. I think that it is appropriate for the page to include artists who record for the label, although I don't think that we should list every single one. It might make sense to only include those who are notable enough to have bio pages, and it would be better if the information were presented in prose-paragraph form, instead of as a list. Again, I am basing this on WP:LWA, MOS:EMBED, and WP:LSC. --Tryptofish (talk) 01:55, 4 August 2017 (UTC)
- The prosifying idea is one I hadn't heard before, and it seems as if it may make the artist list less usable, though it might have the advantage of adding more context about what the artists are like. But for a label like Cuneiform, you're talking about artists that often cut across genre and style lines, which makes putting them into neat boxes for a prose summary ("x-genre artists like A, B, C, y-genre artists like D, E, F, etc.") much more difficult. Such a prose summary might become unwieldy, and a simple flat list (as is common on most record label pages at current) is something I, at least, find much more user-friendly (but please weigh in, others who use such lists). As for which artists are included, I have long held that a full list of artists is encyclopedic; WP:NNC suggests that notability does not apply to content within articles, and the list is bounded, finite, and informative (though long for such a longstanding label) - though of course this does not suggest that every artist in the list should have an article written, nor that adding to this page voluminous information about artists with no article would be a good idea. Chubbles (talk) 05:33, 4 August 2017 (UTC)
- Because there is a similar response below in the discussion section, I'll reply to both of you there. --Tryptofish (talk) 20:42, 4 August 2017 (UTC)
- The prosifying idea is one I hadn't heard before, and it seems as if it may make the artist list less usable, though it might have the advantage of adding more context about what the artists are like. But for a label like Cuneiform, you're talking about artists that often cut across genre and style lines, which makes putting them into neat boxes for a prose summary ("x-genre artists like A, B, C, y-genre artists like D, E, F, etc.") much more difficult. Such a prose summary might become unwieldy, and a simple flat list (as is common on most record label pages at current) is something I, at least, find much more user-friendly (but please weigh in, others who use such lists). As for which artists are included, I have long held that a full list of artists is encyclopedic; WP:NNC suggests that notability does not apply to content within articles, and the list is bounded, finite, and informative (though long for such a longstanding label) - though of course this does not suggest that every artist in the list should have an article written, nor that adding to this page voluminous information about artists with no article would be a good idea. Chubbles (talk) 05:33, 4 August 2017 (UTC)
- Keep somewhere. It doesn't much matter if they're on this article's page or in a separate article (on Wikipedia, not data), linked to in the usual way from this article. An "editor has built a catalog that apparently only exists here": congratulations to that editor! Great work! That's a wonderful service for an encyclopedia to offer. It's obviously not original research; it's taking information that's publicly available and collating it: collation, not OR. Promo, webhost, etc: how could any list of commercial products be created if that were to be a reason for removal? There must be thousands of such articles on here (discographies, books published, films released, video games released...). Here's a list from 60secs of searching for Wikipedia articles with a discog like the one here: Verve Records discography, Apple Records discography, List of Taurus Records albums, Hollywood Records discography, Cash Money Records discography. There are also plenty of articles that have the discography as part of the label/company's article. In other words, this is a well-established and accepted practice. EddieHugh (talk) 21:26, 17 August 2017 (UTC)
- Keep in separate article, apologies for being late to the party. And I would only mention the most notable artists here, no extended list. Wwwhatsup (talk) 02:56, 4 September 2017 (UTC)
discussion
[edit]- Rcarlberg - yep, this is exactly why OR and NOT exist (especially NOT). You might want to put the catalog you built in Wikidata. They love that sort of thing. Jytdog (talk) 21:13, 3 August 2017 (UTC)
- Jytdog - will you be deleting http://en.wiki.x.io/wiki/List_of_ECM_Records_albums as well then?Rcarlberg (talk) 21:57, 3 August 2017 (UTC)
- That response is typical advocacy and what we call WP:POINTY. Jytdog (talk) 21:25, 3 August 2017 (UTC)
- Are you claiming there's no bias in your RfC?Rcarlberg (talk) 21:56, 3 August 2017 (UTC)
- Wild claims of bias are another thing that advocates do when their policy-violating content is challenged. I have work to do here and in the RW and will not respond here further. Jytdog (talk) 22:05, 3 August 2017 (UTC)
- Not exactly sure what makes my claim of bias "wild," when you want to unilaterally overturn an 8-year old editorial decision and delete a catalog which is nearly identical to another popular and long-standing catalog, and the only "policy" you point to as justification states (essentially) "The world isn't fair. Deal with it."Rcarlberg (talk) 14:19, 4 August 2017 (UTC)
- Wild claims of bias are another thing that advocates do when their policy-violating content is challenged. I have work to do here and in the RW and will not respond here further. Jytdog (talk) 22:05, 3 August 2017 (UTC)
- Are you claiming there's no bias in your RfC?Rcarlberg (talk) 21:56, 3 August 2017 (UTC)
- Tryptofish - I don't think making a prose list of artists on Cuneiform will work. For one, there are almost 160 of them, second most of them have their own Wiki articles, and third it's impossible to describe instrumental music in words. Cuneiform is one of those rare record labels (like ECM, Obscure, Impulse, Cinema, Blue Note, etc.) where the label identity unifies the artists; where if you like one release you are likely to enjoy other releases and other artists on the same label. Cuneiform's own website promotes current releases, but as a small independent label not everything is kept in print. The substantial used market for out-of-print releases is of no concern to the label, so they do nothing to document them. I always found this frustrating, so I took it upon myself to collate the release history from dozens of sources (Amazon, Discogs, Bandcamp, AllMusic, Wayside, and so forth) and present it in a sortable table making it easy to, for instance, see how many releases are available from each artist. I've gotten a lot of positive feedback from other Cuneiform listeners (we're a small but tightknit group). I see this sort of information (organized, collated, made searchable) as the best use of Wikipedia. In my viewpoint -- admittedly biased -- editors should concern themselves with removing questionable or biased or advocacy entries, and leave "pure" data to the SMEs (subject matter experts).Rcarlberg (talk) 16:01, 4 August 2017 (UTC)
- Replying both to you and to Chubbles, I'll start with a general comment that it will be helpful to hear what other uninvolved editors will say during the course of this RfC. There are various options that I think could work for figuring how a prose description would work. I agree that it would work poorly to try to write about every musical genre. However, I see that some artists have made their original releases on this label, whereas others have been reissues. So one approach would be something approximately like: "In the early days of the label, [names] were some of the artists who first recorded for Cuneiform. Later, [names] also premiered on this label. Other artists, including [names], have had reissues issued by Cuneiform." You could of course expand that if there is more to do with early-versus-later. You might even organize it by decade. You could then have something approximately like: "These assorted musicians have characterized Cuneiform's position as a provider of [description]. In addition, other artists who have recorded for the label include [names]." In this way, you can actually contain many artists' names in the prose, and you are helping readers understand Cuneiform as a company. As for the best use of Wikipedia, it isn't really serving as a supplemental source of information for buyers, per WP:NOTADVERT. Rather, it is providing readers with an understanding of what the company is and how it works, as an encyclopedia rather than as a fan site. As for the notability issues, of course WP:NNC applies, but WP:CSC is more to the point here: lists typically are subject to selection criteria and would either have only notable entries or only non-notable ones, and complete lists containing both need to be kept short. Here, as an embedded list, it makes sense to focus on notable artists. However, you have another option as well. As with the example of ECM just above, you could omit the list from this page, and instead have a separate page with a standalone list (but that list would have to satisfy stricter notability requirements – if, like ECM, that would work, it would be a good option, and if the ECM list is notable but a Cuneiform list would not be, that should be telling you something.) WP:LWA and MOS:EMBED should be helpful in deciding between an embedded list and a standalone page. --Tryptofish (talk) 21:09, 4 August 2017 (UTC)
- If moving the list (and, perhaps, the catalog, as well) to a standalone article is a solution other parties can agree to, I have no qualms there; where the information is located is neither here nor there as far as I'm concerned, but the rub seems instead to be over whether the information contained in the artist list and/or the catalog list ought to be on any page. Chubbles (talk) 03:36, 5 August 2017 (UTC)
- I agree. The problem here is that notability seems to be entirely in the eye of the beholder. Who's to say the next editor with a Napoleon complex won't make the same decision again, another 8 years down the road?Rcarlberg (talk) 16:31, 5 August 2017 (UTC)
- Incidentally at one point I had made the table hidden, as a compromise to the "separate page" option. That got deleted without discussion too.Rcarlberg (talk) 16:37, 5 August 2017 (UTC)
- I have three suggestions. (1) If the move to a standalone list sounds like a good idea, great, go ahead with that. (2) If not, wait and see what other feedback comes from this RfC. (3) Take back that comment about a Napoleon complex. --Tryptofish (talk) 22:31, 5 August 2017 (UTC)
- If moving the list (and, perhaps, the catalog, as well) to a standalone article is a solution other parties can agree to, I have no qualms there; where the information is located is neither here nor there as far as I'm concerned, but the rub seems instead to be over whether the information contained in the artist list and/or the catalog list ought to be on any page. Chubbles (talk) 03:36, 5 August 2017 (UTC)
- Replying both to you and to Chubbles, I'll start with a general comment that it will be helpful to hear what other uninvolved editors will say during the course of this RfC. There are various options that I think could work for figuring how a prose description would work. I agree that it would work poorly to try to write about every musical genre. However, I see that some artists have made their original releases on this label, whereas others have been reissues. So one approach would be something approximately like: "In the early days of the label, [names] were some of the artists who first recorded for Cuneiform. Later, [names] also premiered on this label. Other artists, including [names], have had reissues issued by Cuneiform." You could of course expand that if there is more to do with early-versus-later. You might even organize it by decade. You could then have something approximately like: "These assorted musicians have characterized Cuneiform's position as a provider of [description]. In addition, other artists who have recorded for the label include [names]." In this way, you can actually contain many artists' names in the prose, and you are helping readers understand Cuneiform as a company. As for the best use of Wikipedia, it isn't really serving as a supplemental source of information for buyers, per WP:NOTADVERT. Rather, it is providing readers with an understanding of what the company is and how it works, as an encyclopedia rather than as a fan site. As for the notability issues, of course WP:NNC applies, but WP:CSC is more to the point here: lists typically are subject to selection criteria and would either have only notable entries or only non-notable ones, and complete lists containing both need to be kept short. Here, as an embedded list, it makes sense to focus on notable artists. However, you have another option as well. As with the example of ECM just above, you could omit the list from this page, and instead have a separate page with a standalone list (but that list would have to satisfy stricter notability requirements – if, like ECM, that would work, it would be a good option, and if the ECM list is notable but a Cuneiform list would not be, that should be telling you something.) WP:LWA and MOS:EMBED should be helpful in deciding between an embedded list and a standalone page. --Tryptofish (talk) 21:09, 4 August 2017 (UTC)
Done. Don't make me regret it, or I won't take back the Napoleon crack :) Rcarlberg (talk) 03:38, 6 August 2017 (UTC)
- I take it that the issue of what goes on this page is resolved? Jytdog (talk) 08:24, 6 August 2017 (UTC)
- I don't think so yet, Jytdog, others may yet want to comment. (such as myself, I want to look further into this). If we're commenting on record labels in general, it should probably be noted that what works for this label (Cuneiform) may not be appropriate for other labels, say Paramount Records. 78.26 (spin me / revolutions) 13:30, 7 August 2017 (UTC)
- keep both or keep list of artists and move discography to Wikidata or it's really complicated. To start, has WikiProject Discographies been notified? They usually deal with artist discographies, not label discographies, but I think their input would be relevant. I'll try, promise, to organize my thoughts on this, but they're all over the place. Thought the first: We need to be careful about what we consider encyclopedic. Discussions around these types these arguments often are based on [[WP:ILIKEIT] or WP:IDL. I often see people argue to remove this information because they have no interest in the topic, and can't see how it is useful to anyone. I've undoubtedly, and may be here, fall into the opposite side because I have been collecting music and researching it my entire life, and can't tell you the number of times I've wished someone had done what the editors of this article have, which is to piece together information while it is still available, instead of 40 years later when information that was available is now long-gone. To me this is encyclopedic information, because it informs me of what the label issued, and the sequence in which it was issued. This information helps me understand the role the label had in shaping musical culture or sub-culture. Thought the second: Lists of the sort can be tricky. How can List of Walt Disney and Buena Vista video releases (since Disney is already a target here) be anything other than promotional? And again I'm really biased here. If I see a list of released of some web-only label from the last 2 years, I immediately think "delete as advertising", but were I to see a list of Grey Gull Records releases I'd think "Ain't Wikipedia Grand!?" Thought the third: Length is important. Do we really want a list of the hundreds of thousands of releases put out just by the US Columbia Records? So if a label had a short but notable history (Black Swan Records for instance) then perhaps a label discography would be helpful, but the aforementioned Columbia listing would be ridiculously cumbersome. This list doesn't seem too cumbersome, and it is nice that the two series have been separated. It makes sense to hat them, so that the article's appearance isn't overwhelmed by the list. I'm also fine with moving the information to WikiData, as long as that information is conspicuously linked to from this article. Thought the fourth: In general, I'd prefer to link to a discography website (under "external links") if it contains the information. However, none of the big three numerical listing websites list this label, not would they as it is too recent for them. It would best fit at Both Sides Now, but as there are CD-only releases that site would never include this information. If the complete information is at the label's website, then the "official site" link would be fine. In this case, there is a lot of out-of-print information not found on the company's current website, useful information for a music collector/researcher. I may have more "thoughts" later. If you've waded through all this, consider yourself warned! 78.26 (spin me / revolutions) 17:03, 7 August 2017 (UTC)
- As you think further, I'd be very interested in your thoughts about keeping embedded lists here at this page, versus splitting the lists out to standalone list pages. --Tryptofish (talk) 18:16, 7 August 2017 (UTC)
- So, the RfC time period having passed, it seems like we are all more or less happy with the catalog being farmed out to a stand-alone page. I would like to restore the basic artist list here, with a section hatnote to the catalog article, if there is reasonably secure consensus that the artist list is also worth keeping. Chubbles (talk) 17:04, 3 September 2017 (UTC)
- There is no consensus to restore the artist list. If the album list is split out, it will need content and sources added, showing that it meets WP:LISTN (which may be totally possible). But if that is not done, I will nominate it for deletion. Jytdog (talk) 00:43, 4 September 2017 (UTC)
Nothing to do with above - for potential article improvement
[edit][6] [7] [8] 78.26 (spin me / revolutions) 16:19, 7 August 2017 (UTC)