Talk:Barbara Allen (song)

Use of the ballad in "A Christmas Carol"

In the 1951 version of "A Christmas Carol" (released as "Scrooge" in England) starring Alastair Sim, the film uses the tune in two scenes: first when introducing Scrooge's beloved sister, Fan, and again when Scrooge visits Fan's son for Christmas dinner. Richard Adddinsell, who scored the movie, may have selected the Ballad of Barbara Allen solely for it's tune. But perhaps he knew the text well enough to have thought it a fitting symbol for the theme of penitence that marks Dicken's A Christmas Carol.

Version

The verse should not be here. A link to external sources, or a WikiSource copy, should contain that information. Goldfritha 16:47, 2 July 2006 (UTC)

This six-year-old comment is absolutely correct. The article links to the Child variations of the lyrics via Wikisource; there is no good reason to have a complete set of lyrics here -- it unjustifiably inflates the length of the article. If the verses were broken down analytically like in the Old Dan Tucker article, their inclusion may be merited. Otherwise, Wikipedia is not a lyrics database. Memtgs (talk) 19:54, 16 January 2013 (UTC)

Diary reference

The article says:

The first known reference to the song has been found in a 1666 diary.

The liner notes to The Everly Brothers' album Songs Our Daddy Taught Us (which includes 'Barbara Allen') state that this was, in fact, Samuel Pepys' diary. Can anyone verify this? If it's correct, Pepys should probably be mentioned by name. --Perodicticus 21:44, 3 February 2007 (UTC)

Edited to do this, with a link to the Gutenberg text. Mhardcastle 21:42, 15 March 2007 (UTC)

Added reference to the standard modern critical edition of Pepys Diary. However the entire article appears to be un-sourced and unverifiable: for example Child, Vol II,Part 3, 1885, p. 276 gives Ramsey’s Miscellany (1740) as the first printing -- this article 1780 without source or citation. Someone who knows the subject should go over the text thoroughly and provide citations to the relevant current literature.

Feminist Criticism?

Is there no feminist criticism of this song. While the version in the article gives no motive for Barbara Allen's treatment of the man, modern versions do. The middle of the ballad often goes like this:

I am sick and very sick, And death in me is swelling. No better, no better I never shall be. If I can't have Barbara Allen.

Yes, you're sick and very sick And death is in you dwelling. No better, no better you never shall be For you shan't have Barbara Allen.

Do you recall that winter's night (alt: Do you recall in younder town) When we were at the tavern, You danced a round with the maidens fair (alt: You drank a toast to the lasses there) But you slighted Barbara Allen.

I'm not a feminist literary critic but I can't be the first person to take umbrage of the fact that William (or Jimmy) wishes to possess (from the song to "have") a woman he had slighted--and the portrayal of Barbara Allen for not giving herself to him as being "hard hearted". 74.129.2.63 (talk) 22:01, 4 June 2009 (UTC)

I don't understand. You say "modern versions" have him slighting her, but then you say it's in the middle of the ballad. Is it in the original ballad or not? BillMasen (talk) 23:43, 4 June 2009 (UTC)

When discussing "Barbara Allen" it's not really possible to refer to the "original version" because we do not know exactly when or where this ballad originated. There are many different printed and recorded versions, some longer and some shorter, some older and some more recent but we can not regard one of those as being the "true" version, they are all equally valid.

Some versions of the ballad say that the young man slighted Barbara first. Other versions say that Barbara believed that he slighted her first but the young man tells her on his deathbed that she was mistaken. I referred to that in the article.

I don't know if a published writer has ever criticized "Barbara Allen" from a feminist perspective but I would agree that it's quite possible. If anybody can find such a work, I think it would be appropriate to add that information.Simon Peter Hughes (talk) 08:04, 10 June 2009 (UTC)

Removing list of renditions

What is the purpose of such an exhaustive list of "Barbara Allen" renditions? It seems an unusually long table possessing limited utility, and moreover, it is entirely unreferenced. I am considering removing it, but imagine someone has put a great deal of time and thought into compiling such a thing. So, what are the reasons for keeping it? Memtgs (talk) 20:01, 16 January 2013 (UTC)

I would tend to agree. Initially there was an ever-growing narrative list of recordings. Now, in addition to that, we have a tabular list of recordings. An encyclopedia article should not be a catalog of every example of the topic. I think the lists do nothing for the article. Eastcote (talk) 02:45, 18 January 2013 (UTC)

Once again I have removed an accumulated list of covers of this widely-performed song. I have cleaned up this section before and will continue to do so for renditions which are unsourced and/or not notable, using [WP:COVERSONG] and [WP:NSONG] as guidelines. If someone wants to create a separate table or article for renditions of Barbara Allen, I'd love to lend a hand; but in its current form, this list is unnecessary. Rationale for removals this time is as follows:

• Johnny Cash - no citation, possibly synthesized interpretation of his rendition, does not appear to fulfill [WP:NSONG].
• Jerry Reed - not discussed by a secondary source (track listing is unacceptable), does not appear to fulfill [WP:NSONG].
• John Weslet Harding - no citation, does not appear to fulfill [WP:NSONG].
• Frank Turner - no citation, does not appear to fulfill [WP:NSONG].
• Les Barker - citation does not mention Barbara Allen (see [WP:NOR]) but rather appears to focus on the rose-briar motif and other themes in broadside ballads.
• Billie Armstrong and Norah Jones - no citation, does not appear to fulfill [WP:NSONG].
• Meg Baird - no citation, does not appear to fulfill [WP:NSONG].

I have also added a comment in the source to keep in mind the notability and verifiability of covers. I have maintained the mention of folk revivalists as I think they are important for preserving the song as it is known today; I will look for sources to support this in the near future. Memtgs (talk | contribs) @ 16:57, 3-03-2014 UTC 16:57, 3 March 2014 (UTC)

I agree with the removal. Lists do nothing to inform about the song itself. Unless there is something specifically noteworthy about a particular rendition, it is just "so-and-so sang it, too", which tells us nothing. Eastcote (talk) 02:17, 4 March 2014 (UTC)

Explanation of overhaul

1. Moved alternative titles to a new "Variations" section. Changed title in introduction paragraph from "The Ballad of Barbara Allen" to plain old "Barbara Allen", the lowest common denominator. Most modern literature refers to it as such, there is no need to expand the title in an anachronistic or romantic fashion -- and even one were to do that, Coffin and Child would prescribe the gay title of "Bonny Barbara Allen". Added citations for alternative titles.
2. Revised story synopsis, making language more concise and adding new sources (Child and Coffin).
3. Per WP:SONGCOVER, I have removed all references to modern renditions of the song which lacked both (1) additional commentary justifying their inclusion in the article and (2) a citation. All others remain intact, with some "citation needed" tags added. I have also re-named the section to better reflect its content.
4. Removed list of recordings. See above conversation on talk page for more information. — Preceding unsigned comment added by Memtgs (talk • contribs) 03:58, 19 January 2013 (UTC)

Link to earliest surviving broadside?

I'm involved in the English Broadside Ballad Archive project, and we have a digital facsimile, transcription, recording, and citation of the first extant broadside printing this ballad (1675-1696); seems like it might be a useful link to include (but I don't want to violate conflict-of-interest). The ballad itself is held by the British Library, in its Roxburghe collection. Our resource is here: http://ebba.english.ucsb.edu/ballad/30145/image. Thanks! MeganPB (talk) 17:33, 15 September 2013 (UTC)

Wonderful! I have seen this printing before and thought of including an image of it in the main article, but am unsure of the copyright status of the digital facsimile. Is there any way we could incorporate it into the body, with proper attribution? Memtgs (talk | contribs) @ 20:57, 18-09-2013 UTC 20:57, 18 September 2013 (UTC)

Great! I'm fuzzy on copyright issues. Here's our use policy statement: "EBBA is open access. All materials are available for use online free of charge...EBBA grants no rights to reproduction of its images." (http://ebba.english.ucsb.edu/page/use-policy). Is use on another site "reproduction"? This certainly applies to print reproduction. MeganPB (talk) 23:34, 25 September 2013 (UTC)

I imagine it probably does constitute reproduction -- a pity, but I'd rather not risk it. In any case, I've added the citation to the article's external links. Thanks for the heads-up! Memtgs (talk | contribs) @ 16:23, 26-09-2013 UTC 16:23, 26 September 2013 (UTC)

Shouldn't this article contain the lyrics?

This article is also read by non English native speakers, the lyrics of the song are important for those who want to understand the song, reading and listening it.

Could someone please write the lyrics. If this were a deeper article, it could include several variants of the lyrics, commenting where each variant is singed and how it evolved. One do not expects an ethnomusicologyst treatise to be written by volunteer wikipedians, but some work in that direction could improve this entry and in similar entries. — Preceding unsigned comment added by 189.178.73.8 (talk) 08:18, 30 November 2014 (UTC)

The difficulty is that there is no definitive set of lyrics. Francis Child, Thomas Percy, the Lomaxes, and any other ethnomusicologist you could think of collecting in an English-speaking region all found multiple variations of different cultural significances. I'll throw something up for the moment, but given the importance of the ballad, an ethnographic treatise may not be out of order. Memtgs (talk | contribs) @ 14:35, 30-11-2014 UTC 14:35, 30 November 2014 (UTC)

English song

Barbara Allen is an English song. To say that it was "originating in England and Scotland" cannot be correct. Furthermore, why add "which immigrants introduced to the United States, where it became a popular folk song"? It was a popular song in England and Scotland long before it became popular in the USA. The current wording is very American-centric.101.98.161.149 (talk) 02:03, 9 May 2015 (UTC)

It is generally accepted to be Scottish although there is no definite proof. It is especially popular in the areas where Scottish and Scots/Irish settlers made their homes. Amongst "Hillbillies" the song was preserved and is still played. Acorn897 (talk) 18:06, 18 June 2017 (UTC)

Briar reference

I recently removed the italicized portion of this text from the disambiguation page, Briar:

• In Barbara Allen, a well-known folk ballad, the title character is identified with a briar in some versions: for instance, Joan Baez's 1961 version has "Out of Sweet William's heart, there grew a rose, out of Barbara Allen's, a briar."<ref>{{cite web|last1=Joan|first1=Baez|title=Barbara Allen|url=http://www.youtube.com/watch?v=NqHJ4V893e0|accessdate=16 January 2015}}</ref>

It is beyond hte scope of a disambiguation page; I don't know if it merits mention here. Cheers! bd2412 T 14:35, 5 August 2015 (UTC)

Origins

Raph states specifically that "the folk song originated in Scotland", so the source could not more directly concern its origins. The IP's assertion that the song originated in England purely because of its inclusion in a book with "English" in the title (google search "Barbara Allen English") is WP:SYNTH at the most charitable. Percy includes the song but does not discuss its origins. A cursory look at the index of songs in Percy, and its preface, indicates that it is replete with Scots songs, as well as songs of other origin: as Percy put it himself "the beautiful Scottish poems, with which this little miscellany is enriched". See Reliques of Ancient English Poetry regarding the prominence of border ballads in general in the work. The song's great popularity in England, as well as various other English-speaking countries, makes it in that sense (also) English, hence other sources in the article discussing its place in the English canon but that is a different matter to the question of actual origin. Mutt Lunker (talk) 10:04, 6 February 2016 (UTC)

No, actually in the field of musicology the song is almost always classed as being of English origins rather than Scottish origins. There are a seemingly infinite number of works on this issue. At the most you can find one (non-scholarly) claim that it's origins are Scottish.

— Preceding unsigned comment added by 23.241.194.45 (talk) 00:27, 7 February 2016 (UTC)

References

You have blatantly misrepresented Raph by changing the quote "This folk song originated in Scotland and dates back at least to the beginning of the seventeenth century" so that "England" replaces "Scotland". That is plainly bad faith and thus vandalous. I thus assume you are being similarly dishonest about your other sources.

(For what it is worth, do the sources actually discuss the origin of the song rather than just referring to it as English? After your previous dubious citation, your deceitful alteration of another and your new similarly dubious search terms "Barabara Allen" "from England" I am not willing to accept that they do so, certainly not without seeing the full quote from each of these sources on the matter, if they even discuss it. The only one you link just refers to it as English. I can find no such thing in Percy though you may have a different volume or edition in mind. Many songs and tunes take off in a place and are thus often regarded as being from there but that is not the same thing as its origin. "Flowers of Edinburgh" may be Irish despite its name and popularity in Scotland. "The Parting Glass" is usually regarded as Irish because of its popularity there, likewise "Danny Boy"; the first probably did not originate there, the second certainly did not.)

Anyway here is a highly reliable source which does specifically discuss the songs origin and that Pepys mention is the earliest. Mutt Lunker (talk) 01:40, 7 February 2016 (UTC)

Changing that source was an error, I was attempting to edit the article, it appeared in sentence form in the text on the edit page. The rest of my sources are easily verifiable and your assumptions (as you call them) are unwarranted. Your name calling "deceitful" etc, are uncalled for and clearly indicate that your edits are in bad faith. — Preceding unsigned comment added by 23.241.194.45 (talk) 01:50, 7 February 2016 (UTC)

First of all a BBC article is not a reliable source, but even if it were, the BBC article you cited says only that given their (highly subjective) sources (which themselves place the origins in NORTHERN ENGLAND) it "suggests a" scottish origin. There are far too many problems with this to include it matter-of-factly in this article. — Preceding unsigned comment added by 23.241.194.45 (talk) 01:56, 7 February 2016 (UTC)

Per WP:BRD, you have made bold changes, they have been reverted so discuss them here unless and until a consensus to implement the edit has been reached. Mutt Lunker (talk) 01:59, 7 February 2016 (UTC)

I have and I will continue to do so. Please be aware of the following rules: http://en.wiki.x.io/wiki/Wikipedia:Edit_warring#The_three-revert_rule — Preceding unsigned comment added by 23.241.194.45 (talk) 02:01, 7 February 2016 (UTC)

This does not apply to the reverison of vandalism, such as the intentional introduction of factual errors. Mutt Lunker (talk) 02:08, 7 February 2016 (UTC)

If that your sources do say what you indicate is easily verifiable, quote them as requested. Even if you did mistakenly misrepresent a source, you are hardly proving reliable.

The BBC is not a reliable source!? Even if there are "too many problems with" the BBC article, what about your vague collation of WP:SYNTH? Mutt Lunker (talk) 02:06, 7 February 2016 (UTC)

What you did was not revert vandalism and what I added were not factual errors, my sources all class Barbara Allen as being an "English song", an "English folk song" or a song of "English origins". One of them acknowledges that the Scottish "also claim the song" but that's the extent of that claims validity. No, the BBC article is not a reliable source per wikipedia standards. Lastly, what I did is not WP:SYNTH, each source, individually, contains the information I cited. They are not the only sources which do, I could post something like a thousand more, but after half a dozen of reliable sources, I think that would be redundant. What you did DOES meet the definition of edit warring, precisely because what I posted was not vandalism, you're attempts to classify it as such are underhanded. Please adhere to wikipedia's rules, which I see you have just violated again. — Preceding unsigned comment added by 23.241.194.45 (talk) 02:42, 7 February 2016 (UTC)

Please provide quotes as requested. Lots of books (correctly or incorrectly) noting that the song is English does not indicate an actual discussion of the origin. Removal of maintenance templates without the issues having been addressed is, also, classed as disruptive behaviour and open to sanction. Mutt Lunker (talk) 02:58, 7 February 2016 (UTC)

Additional Sources verifying the English origins of this song:

Before the Folk-Song Society: Lucy Broadwood and English Folk Song, 1884–97 E. David Gregory Folk Music Journal Vol. 9, No. 3 (2008), pp. 372-414 Barbara Allen is addressed on page 382 as explicitly "English". No mention of Scotland. Specifically described as an "English vernacular song"

Reviewed Work: Barbara Allen by Andre J. Thomas Review by: Brett Scott The Choral Journal Vol. 46, No. 12 (JUNE 2006), p. 114 Published by: American Choral Directors Association Barbara Allen is described once again as an "English folk song" with no mention made of Scotland.

Here is one that analyzes the song in depth as describes it's tune as being "English". Not a single mention of Scotland. Gammon, V. , & Portman, E. (2013). Five-time in english traditional song. Folk Music Journal, 10(3), 319-346. Barbara Allen is analyzed on page 330

The field of musicology overwhelmingly classes the song as English, only non-academic sources class it as Scottish. This entire debate is based on valuing what amounts to pop-culture nonsense over academic consensus. 23.241.194.45 (talk) 06:31, 8 February 2016 (UTC)

All of these are peer-reviewed academic sources, whereas the edits by Mutt Lunker and now Drmies would have these be outweighed by one sentence from an inaccurate BBC article, a book on the Irish potato famine that is NOT about musicology, and I don't have access to this particular book so I can't comment on the ostensibly relevant quote, but it is from a different field than that which pertains to the article. (Arthur Gribben, ed., The Great Famine and the Irish Diaspora in America, University of Massachusetts Press (March 1, 1999), pg. 112.) and lastly by a non-academic songbook from the 1980s which is not peer-reviewed and was published privately. Frankly I think the disparity in validity here is absurd.23.241.194.45 (talk) 06:44, 8 February 2016 (UTC)

So no discussion of actual origin in any of your sources then.

To repeat, the song is English in the sense that it has been notably very popular in the English canon of song for centuries, spawning myriad versions, and appearing in numerous broadsheets and collections of English song. My own not-a-reliable-source impression is that, in recent times at least, it seems more in currency in England than in Scotland. That it entered, developed and became one of the more prominent songs in one country and is at the core of its folk song repertoire makes it very much a song of that country, hence common reference to it as such, per your sources. It just so happens that it, apparently, began its existence elsewhere, according to all available sources we have uncovered which specifically deal with origin. There are numerous similar examples of songs reaching prominence outside their place of origin. Classing it as English is one thing; stating it originated in England quite another. Mutt Lunker (talk) 15:36, 8 February 2016 (UTC)

This whole discussion is a bit useless, really. The Child ballads are commonly classified as Anglo-Scottish (David Atkinson is a certified expert), and in older scholarship the term "English" seems to be used pretty loosely and, as Mutt Lunker indicates, frequently points at the language rather than at the provenance. Do we need to point out that these ballads were floating around long before they were ever written down? Pepys referred to the tune already (as a "little Scotch song") in 1666, but Child, who calls it a "Scottish ballad", gets it from a 1740 collection. Bob Halli doesn't even seem interested in the actual provenance. And may I add that musicologists, for all their expertise, aren't necessarily experts in oral traditions? And if we want academic sources--well, this mention of "the Scottish ballad" is pretty impeccable, I think.

In other words, while this doesn't need to be fought over since it's not that important, there is really no good reason at all to call it English if that means excluding its likely Scottish heritage. Drmies (talk) 16:08, 8 February 2016 (UTC)

I'd agree that it not being definitively English is probably the most notable point and Anglo-Scottish seems a pretty good handle for the overall continuum, particularly so for Border ballads, with versions of songs spreading widely throughout it and often evolving considerably, whatever the point of origin. The citation from Childe particularly would be worthing adding to the article, maybe Ritchie/Orr too and the others. Mutt Lunker (talk) 17:18, 8 February 2016 (UTC)

The sources linked in the article do not appear to be very legitimate. Are there any academic sources stating the case for the alleged "Scottishness" of the song? Because so far the case for this seems to be very weak. Based on what's here on the talk page I would suggest changing the claim that the song is Scottish, clearly this is somewhat contentious, but the sources provided by Mutt Lunker don't seem reliable and the corresponding claims don't seem legitimate.130.182.24.89 (talk) 23:52, 9 February 2016 (UTC)

Also Mutt Lunker claims that a reference from Fiona Ritchie and Doug Orr is "impeccable". Neither of them are musicologists. The argument posited above seems to want to discard people who are actually experts in the relevant field, and add exalt people from other fields as being beyond question (in this case the other field is history, which while great, is not what's being discussed) Fiona Ritchie and Doug Orr are clearly inaccurate in this isolated remark.130.182.24.89 (talk) 00:00, 10 February 2016 (UTC)

Er, can you clarify if you are just repeating yourself now or trying to convince us you are another user with an identical style and competency level? There's only so far that AGF can be stretched. Familiarise yourself with WP:SOCKPUPPET immediately.

I am not User:Drmies, or a sock thereof as you are possibly implying. Mutt Lunker (talk) 00:12, 10 February 2016 (UTC)

Ok, so you are editing the article as before, having been warned at ANI that you only narrowly escaped a block, implying that you are in fact attempting to convince us that you are another user. You should revert pronto and apologise. Mutt Lunker (talk) 00:31, 10 February 2016 (UTC)

"English" is both a nationality and a language (some Scots will even go so far, sometimes, as to admit to speaking English). Pepys said that "Barbara Allen" was a Scotch song. Anyone who wants to claim it as an English song has to go behind that evidence.

WP:OR warning! IMO (1) the song's origin is either Northumbrian or Lowland Scottish, and (2) most likely both.

The Child text is littered with north-east English and south Scottish dialect words and references: "hooly", "gin", "dinna", "bonny", "ae", "frae", to name a few. Use them south of the River Tees, and expect both incomprehension and strange looks. Also, "briar". In those northern areas, it means a wild rose, which fits the songtext exactly. Further south in England, "briar" is what you make pipes from – i.e. heath or heather roots from the Mediterranean.

The song also mentions "West Country" and "Highland", which are in context exclusively Scottish. In England today, "West Country" means south-west England.

To anyone with ears, "Barbara Allen" is a Border ballad both lyrically and musically. I would accept an attribution of dual English and Scottish origin, or of Scottish origin; but never of purely English origin. (FWIW I'm English with Scottish ancestry.)

If anyone wants to reenact Chevy Chase, count me out. Narky Blert (talk) 00:15, 25 March 2016 (UTC)

This battling across the border is exactly the context in which this song originated. There needs to be some consensus reached over how this song should be described, and I vote for "Anglo-Scottish". Over the past few hundred years there have been "experts" who have described it as one or the other, and it is probably both. Eastcote (talk) 00:57, 25 March 2016 (UTC)

I support "Anglo-Scottish". The term relates well to the Borders. Narky Blert (talk) 10:20, 25 March 2016 (UTC)

A very interesting example of the limits of knowledge and logic. The problem is that the evidence is insufficient to reach a definite conclusion. The undisputed facts are that the song is written in the English language, and in the earliest reference to it (in London) in 1666 it is described as a 'Scotch' song. Its text uses some northern English or Scottish words. Thus it may have been Scottish, or English. There is no way to tell. Perhaps it was written in Edinburgh, or perhaps it was written in London in the Scottish style to celebrate the recent return of the the Stuart dynasty. We simply cannot know the answer. All one can do is factually describe it as 'a British song first noted in London in 1666 and described then as being 'Scotch'. Cassandrathesceptic (talk) 16:14, 29 March 2016 (UTC)

Allen or Allan?

Can someone explain why although all titles listed in the article read "Allen", the quoted lyrics read "Allan" (with two as instead of one)? This is not explained anywhere in the article and I can't readily find a viewable citation listed for this discrepancy. Softlavender (talk) 03:03, 21 May 2016 (UTC)

Barbary/Barbara, Allen/Allan/Ellen, and all combinations thereof are used variously with the numerous titles not always restricted to the character's name. Child's two versions are entitled "Bonny Barbara Allan" and "Barbara Allen's Cruelty" but he refers to other title variants. I'd guess the "Barbara Allen" combination may be the most common rendering but I don't know and any quotations should be per the spelling used therein. With such songs being spread and sustained orally it would be more of a surprise if there were consistency in the title. Mutt Lunker (talk) 09:47, 21 May 2016 (UTC)

I recommend that the lyrics in this article be changed to match the mentions in the article text -- that is, "Allen". Otherwise, it's a jarring discrepancy that looks like a typo. Softlavender (talk) 10:02, 21 May 2016 (UTC)

Consistency of generic mentions in the article text is desirable but I very fundamentally disagree with the notion of misrepresenting quotations, be they lyrics or otherwise, to attain a spurious standardisation of spelling. It is not a modern copyrighted pop song with one definitive, published title and attributed author/composer. Perhaps a mention of the various titles and spelling in the lede or a section in the article would be worthwhile but falsely indicating a consistency of spelling and title in a quoted context would be misguided and wrong. Mutt Lunker (talk) 10:44, 21 May 2016 (UTC)

I would echo Mutt's sentiments and add that in the "Common variations" section, several alternate spellings and titles are already given. I have just bolded them to add emphasis. LadyofShalott 17:31, 21 May 2016 (UTC)

Well spotted. Mutt Lunker (talk) 17:51, 21 May 2016 (UTC)

Same surname. I wouldn't be surprised if "Barbara Alan" were around too.

The title of the article is relatively unimportant; so long as anyone can find it. What is important, is that sources should be quoted exactly and not "improved" to "correct" the spelling. Narky Blert (talk) 23:00, 22 May 2016 (UTC)

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Ann Tremellan

The Cornish band Dalla has a variant of 'Barbara Allen' under the title 'Ann Tremellan':

https://www.youtube.com/watch?v=phpvylKuMM8

It appears on their album 'Cribbar' (2010).

I don't know if it warrants inclusion in the article, but I thought I'd mention it in case someone wanted to add it. I don't feel confident to do so myself without first posting here.