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Rise of the Guardians (soundtrack)

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Rise of the Guardians: Music From The Motion Picture
Film score by
Alexandre Desplat
ReleasedNovember 13, 2012 (2012-11-13)
RecordedJune–September 2012
VenueLondon
Studio
GenreFilm score
Length67:47
LabelVarèse Sarabande
ProducerAlexandre Desplat
Alexandre Desplat chronology
Argo
(2012) 		Rise of the Guardians
(2012) 		Zero Dark Thirty
(2012)

Rise of the Guardians: Music From The Motion Picture is the score album to the 2012 of the same name, composed by Alexandre Desplat. The film marked Desplat's maiden score for a computer-animated film as well as his DreamWorks' film, not to be scored by or have any involvement from either Hans Zimmer or his Remote Control Productions family of composers.[a] The score was recorded at Abbey Road Studios and AIR Studios in London and features collaborations with London Symphony Orchestra (conducted by Desplat) and London Voices performing. In addition to Desplat's score, an original song "Still Dream" written by the film's screenwriter David Lindsay-Abaire and performed by soprano singer Renée Fleming, was featured in the film's end credits. Both Desplat's score and Fleming's original song was included in the film's score album, released by Varèse Sarabande on November 13, 2012 and received positive response praising Desplat's compositions.

Development

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"For me, Rise of the Guardians is actually a live action film. When you see it in 3D it actually takes you into a real world. The cinematography, the light, the way the actors play their roles... I thought I was watching a live action film; very quickly you forget its animation. Technically, of course with animation, there is more music, you need to fill the gaps. But for the most part it was very similar to a live action film."

— Desplat on the differences between scoring an animated film over live-action film.

Ramsey admired Desplat's work since Birth (2004), and wanted to work with him in his film. Desplat was then suggested by the creative head of DreamWorks Animation, Bill Damaschke after being considered for several of the projects.[1] The music of Rise of the Guardians is "actually rather complex", where "there are clear lines you can follow, and melodies you can hum along to, but the orchestration is rather sophisticated". He referenced Mysterious Island (1961) as an example in which "the music was accessible but extremely demanding", and John Williams scores for Star Wars and Indiana Jones franchises were "sophisticated, complex, dissonant", but watched by all age groups.[2][3]

Desplat called that "there is so much in this film, so many influences, and so much beauty in the way the camera moves. It's really a mix of many things", adding that the film influences from fine art, video art, literature and music. He praised Ramsey's vision, recalling that he brought a book for Gerhard Richter for referencing the film, when Desplat was set to begin film's music. Though the characters were incorporated from folklore and fairy tales, he did not influence from folk music in the period, but created new music for the characters. For Alec Baldwin, who plays Nicholas St. North (Santa Claus), Desplat felt that his vocals were one of the strong aspects for the film, which resulted him using a Russian instrument while riding a sleigh, hence he became a "Russian Santa Claus".[3] Igor Stravinsky's "Firebird Suite" was integrated whenever North appears in the film.[3]

"The delicacy and the subtlety of what he does, and the uniqueness of his orchestrations and arrangements I thought would be perfect for the movie. It’s a big superhero epic, basically, but I was afraid that was all the music would be: another regurgitated rehash of that same old thing. What Alexandre brings is so much more unique, fine tuned and delicate. He also really embraced the fun of the movie. There are sequences in there that are almost Warner Bros cartoons. Alexandre is a really funny guy, with an impish sense of humour. He loved it, and jumped right into it."

— Ramsey on Desplat's involvement and his work in the film.

While recording the film's music, Ramsey used to whistle few themes while scoring the album, as "he grew up in a household with a lot of music" and added that Desplat asked him to play an instrument, which he agreed. He then played guitar for some of the scores, which he felt as a "huge compliment and really interesting", adding that "when I’m scoring a film, I can always tell if the director likes and understands music, because of the scenes themselves and the way they’re edited. The flow and the pacing makes it easier for me to score, if the film has a musical feel to it. I just though that was interesting: there is an organic kind of feel to it that I guess a lot of comes from music."[1][4]

The score was recorded in London at the AIR Studios and Abbey Road Studios, within three months beginning from June to September 2012, when the film was under post-production. The London Symphony Orchestra and London Voices performed the orchestra and choir, respectively for the film's score, with Desplat conducting.[5] In addition to Desplat's score, an original song "Still Dream" written by David Lindsay-Abaire and performed by soprano Renée Fleming was featured in the film's end credits.[6]

Reception

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Professional ratings
Review scores
SourceRating
AllMusic[7]

James Southall of Movie Wave wrote "Desplat had worked in the fantasy genre before this score, of course – The Golden Compass (2007) was a wonderful piece of work, full of the rich depths of the wonderful source novel in a way that the film itself sadly wasn’t, and it’s a great shame that the composer never got the chance to complete that trilogy he had clearly planned out so carefully. Rise of the Guardians is a much lighter work than that but still a satisfying one – it has a terrific collection of themes – and it confirms the composer’s credentials in this genre."[8] Filmtracks.com wrote "Had the various phrases of "Still Dream" been condensed into an easier form and better integrated with the great potential of Jack's theme, Rise of the Guardians could have been a five-star score. But the elusiveness of these themes and that of Pitch, as well as the countering transparency of the overly-heroic Guardians identity and a very, very dry mix, leave a slight sense of dissatisfaction with the whole. One thing is certain, though: you can't question Desplat's chops in the children's genre from here forward."[9]

The Joy of Movies wrote "Desplat’s score has a childlike sense of wonder and innocence throughout. It has quite a gentle sound at times with many quick, light notes, which contrast with the occasional darker sounds of Pitch, and the quieter emotional tracks for Jack’s backstory. In some ways, for better or for worse, it is a very classic sounding score for an animated film."[10] James Christopher Monger of Allmusic wrote "the soundtrack for Dreamworks Animation's Rise of the Guardians is as spirited and surprising as it is refreshingly old-fashioned. Desplat must have tucked away some extra magic after completing the scores for the final two Harry Potter films, because his work here is steeped in Hogwarts-inspired whimsy."[11] Reviewing the song "Still Dream", Monger called it as "a sweet and sentimental ballad performed by soprano Renée Fleming, sets the tone, suggesting a classic old-world Disney approach to the fable, but Desplat never lets things dissolve into treacle, providing a muscular main theme that, along with the main melody from "Still Dream" weaves itself throughout the film with a quaint yet confident majesty."[11]

Track listing

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No.TitleWriter(s)Performer(s)Length
1."Still Dream"David Lindsay-AbaireRenée Fleming3:12
2."Calling The Guardians"  2:06
3."Alone In The World"  2:04
4."Fanfare Of The Elves"  0:53
5."Wind Take Me Home!"  1:28
6."Dreamsand"  2:03
7."Pitch On The Globe"  0:57
8."The Moon"  1:32
9."Snowballs"  1:31
10."Busy Workshop"  1:33
11."Sleigh Launch"  1:45
12."Nightmares Attack"  7:17
13."Tooth Collection"  2:22
14."Jamie's Bedroom"  2:31
15."Jack & Sandman"  4:18
16."Memorial"  1:21
17."Guardians Regroup"  0:58
18."Easter"  3:39
19."Jack Betrays"  3:20
20."Kids Stop Believing"  2:35
21."Jack's Memories"  2:24
22."Pitch At North Pole"  2:00
23."Jamie Believes"  3:01
24."Jack's Center"  4:52
25."Sandman Returns"  2:36
26."Dreamsand Miracles"  2:18
27."Oath Of The Guardians"  3:11
Total length:67:47

Charts

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Chart (2012) Peak
position
UK Soundtrack Albums (OCC)[12] 34
US Billboard 200[13] 108
US Soundtrack Albums (Billboard)[14] 20

Accolades

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Award Date of ceremony Category Recipient(s) Result Ref.
Annie Awards February 2, 2013 Outstanding Achievement for Music in a Feature Production Alexandre Desplat Nominated [15]
BMI Film & TV Awards May 15, 2013 BMI Film Music Awards Alexandre Desplat[b] Won [16]
International Film Music Critics Association Awards January 11, 2013 Film Composer of the Year Alexandre Desplat Nominated [17][18]
Best Original Score for an Animated Film Alexandre Desplat Won
World Soundtrack Awards October 19, 2013 Soundtrack Composer of the Year Alexandre Desplat[c] Nominated [19][20]

Personnel

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Credits adapted from CD liner notes.[21][22]

Production
  • Music producer – Alexandre Desplat
  • Programming – Romain Allender, Xavier Forcioli
  • Recording – Jonathan Allen, Richard King, Andrew Dudman
  • Editing – Joe E. Rand, Barbara McDermott
  • Mixing – Andrew Dudman, Joel Iwataki
  • Mastering – Patricia Sullivan
Technical
  • Music co-ordinator – Roger Tang
  • Copyist – Mark Graham
  • Score engineer – Alex Firla
  • Assistant engineer – Paul Pritchard, Fiona Cruickshank, Jack Sugden, John Prestage, Matt Jones, Paul Pritchard
  • Soundtrack executive producer – Robert Townson
  • Studio manager – Alison Burton, Colette Barber
London Symphony Orchestra
  • Conductor – Alexandre Desplat
  • Orchestration – Alexandre Desplat, Conrad Pope
  • Additional orchestration – Bill Newlin, Clifford J. Tasner, Nan Schwartz
  • Orchestra leader – Carmine Lauri
  • Contractor – Marc Stevens, Sue Mallet
  • Technician – Chris Cozens
London Voices
  • Conductor – Terry Edwards
Instruments
  • Cimbalom – Lurie Morar
  • Guitar – Huw Davies
  • Percussion – Paul Clarvis
  • Piano – Dave Arch
Management
  • Music clearance – Julie Butchko
  • Music business affairs – Dan Butler, Jennifer Schiller, Liz McNicoll
  • Executive in charge of music – Sunny Park
  • Music consultant – Charlene Ann Huang
  • Marketing – Susan Thampi

Notes

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  1. ^ The composers of Zimmer's Remote Control Productions company, mainly involve John Powell, Henry Jackman, Lorne Balfe, Harry Gregson-Williams or his brother Rupert Gregson-Williams. Powell and Harry, regularly scored for most of the DreamWorks projects.
  2. ^ Also for Argo (2012)
  3. ^ Also for Argo (2012), Renoir (2012), and Zero Dark Thirty (2012)

References

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  1. ^ a b Brew, Simon (November 29, 2012). "Peter Ramsey interview: Guardians, animation, and sound". Den of Geek. Retrieved November 13, 2022.
  2. ^ Weintraub, Steve (November 23, 2012). "Composer Alexandre Desplat Talks RISE OF THE GUARDIANS, ZERO DARK THIRTY, ARGO and More". Collider. Retrieved November 13, 2022.
  3. ^ a b c "Composer Alexandre Desplat On Scoring His Newest Film, 'Rise Of The Guardians'". HuffPost. November 19, 2012. Retrieved November 13, 2022.
  4. ^ Calautti, Katie (November 23, 2012). "Alexandre Desplat Discusses Scoring Rise of the Guardians". CBR. Retrieved November 14, 2022.
  5. ^ Desowitz, Bill (December 7, 2012). "Immersed in Movies: Composer Alexandre Desplat Talks 'Rise of the Guardians'". IndieWire. Retrieved November 14, 2022.
  6. ^ "Famed Soprano Renee Fleming Performs Original Single "Still Dream" With Music By Alexandre Desplat and Lyrics By David Lindsay-Abaire for DreamWorks Animation's 'Rise of the Guardians'" (Press release). DreamWorks Animation. October 15, 2012. Archived from the original on January 22, 2013. Retrieved October 17, 2012.
  7. ^ "Alexandre Desplat - Rise of the Guardians [Music from the Motion Picture]". AllMusic.
  8. ^ "Rise of the Guardians soundtrack review | Alexandre Desplat | movie-wave.net". July 24, 2013. Retrieved November 14, 2022.
  9. ^ "Filmtracks: Rise of the Guardians (Alexandre Desplat)". www.filmtracks.com. Retrieved November 14, 2022.
  10. ^ "Soundtrack Review: Rise of the Guardians". The Joy of Movies. November 24, 2012. Retrieved November 14, 2022.
  11. ^ a b Alexandre Desplat - Rise of the Guardians [Music from the Motion Picture] Album Reviews, Songs & More | AllMusic, retrieved November 14, 2022
  12. ^ "Official Soundtrack Albums Chart Top 50". Official Charts Company. Retrieved November 14, 2022.
  13. ^ "Soundtrack Chart History (Billboard 200)". Billboard. Retrieved November 14, 2022.
  14. ^ "Soundtrack Chart History (Soundtrack Albums)". Billboard. Retrieved November 14, 2022.
  15. ^ Giardina, Carolyn (February 2, 2013). "Wreck-It Ralph Wins Five Annie Awards Including Best Animated Feature". The Hollywood Reporter. Archived from the original on December 20, 2020. Retrieved January 14, 2023.
  16. ^ "Cliff Martinez and Top Composers Honored at the 2013 BMI Film & TV Awards". Broadcast Music, Inc. May 16, 2013. Archived from the original on February 26, 2014. Retrieved January 14, 2023.
  17. ^ "IFMCA Nominations 2012". International Film Music Critics Association. February 7, 2013. Archived from the original on February 14, 2013. Retrieved January 13, 2023.
  18. ^ "IFMCA Winners 2012". International Film Music Critics Association. February 21, 2013. Archived from the original on February 25, 2013. Retrieved January 13, 2023.
  19. ^ Chagollan, Steve (August 16, 2013). "World Soundtrack Awards' Nominations Include Danna, Desplat, Marianelli and Newman". Variety. Archived from the original on April 9, 2015. Retrieved January 13, 2023.
  20. ^ Brooks, Molly (October 21, 2013). "Life of Pi composer wins Soundtrack Award". Screen Daily. Archived from the original on November 4, 2017. Retrieved January 14, 2023.
  21. ^ Alexandre Desplat - Rise Of The Guardians: Music From The Motion Picture, retrieved November 14, 2022
  22. ^ "Rise Of The Guardians (CD)". Varèse Sarabande. Retrieved November 14, 2022.
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