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Nicholas Laucella

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Nicholas Laucella
Born
Nicola Laucella

(1882-07-01)July 1, 1882
Nusco, Italy
DiedSeptember 2, 1952(1952-09-02) (aged 70)
New York City, U.S.
Occupations
Years active1904–1950
Organizations

Nicholas Laucella (born Nicola Laucella; July 1, 1882 – September 2, 1952) was an American concert flautist and composer. During the course of a professional musical career which spanned over three decades, he performed as the principal flute with several leading orchestral ensembles including the New York Philharmonic and the Metropolitan Opera Orchestra in New York City.

External audio
audio icon Laucella performing in Ermanno Wolf-Ferrari's opera I gioielli della Madonna with the baritone Giuseppe De Luca and the Metropolitan Opera Orchestra conducted by Giulio Setti in 1930

Early life and studies

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Nicholas Laucella was born Nicola Laucella in the town of Nusco, in the Avellino province of Italy just outside Naples.[1] He emigrated to the United States with his family in 1895 and settled in Corona, Queens, New York.[2]

His early studies on the flute began in Italy and continued for an additional eight years after his arrival in America. During this time he also pursued professional studies in music theory, harmony, and musical composition. Laucella's primary mentor on the flute was the German soloist Carl Wehner, who served as the principal flute at the New York Philharmonic from 1892 until 1900 and as a solo flautist at the Metropolitan Opera Orchestra (1885–1886).[3][4]

Musical career

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As a young man, Laucella first performed with an orchestra at the Eden Musée amusement center in New York City, which showcased musical concerts, public presentations of paintings, and motion pictures.[3] Laucella's professional career took shape in the early 1900s when he was recruited by the Italian operatic composer Pietro Mascagni to serve as his principal flute during a concert tour in America and Canada. After returning to New York City, Laucella continued his studies on the flute with Wehner for several years.[1][3]

Eden Musée

By 1904, Laucella left New York City to accept a position playing with the Pittsburgh Symphony Orchestra under the Austrian conductor Emil Paur. Laucella remained on staff with the orchestra for three years until 1907.[1] During this time he also continued his musical studies under Paur's direction.[5]

After returning to New York City, Laucella was appointed to the position of principal flute at the New York Philharmonic under the musical direction of Gustav Mahler in 1909.[1][6][7][8] He served in this capacity until 1911 and continued to perform with the orchestra until the completion of the 1918–1919 season. In addition to performing as an orchestral flautist, Laucella composed several orchestral works during this period, including Sunday at the Village (1914), Divertimento for Flute, Oboe and English Horn (1914), Prelude and Temple Dance (1915), and Whitehouse – Impressions of Norfolk (1917).[2][3][6][9] He also conducted the New York Philharmonic in a performance of his Prelude and Temple Dance at Carnegie Hall in 1915.[10]

Laucella premiered his Whitehouse - Impressions of Norfolk at the annual Litchfield County Norfolk Music Festival in Norfolk, Connecticut in 1917. The composition embodies Laucella's impressions of the festival's events and was dedicated to the gracious patrons of the festival Mr. and Mrs. Carl Stoeckel, whose residence was mentioned in the title of the work.[11][12] Laucella utilized a recurring theme in the chimes throughout the work in tribute to the village's Congregational Church. Critics described the composition as a rich tapestry of musical textures and The New York Times praised Laucella's fondness for Italian tunefulness. Critics at The New York Tribune described his music as both graceful and melodic.[13]

External image
image icon Photograph of Nicholas Laucella in 1919 Here on Google Books

In 1911, Laucella appeared under the musical direction of the Czech conductor Josef Stránský in the premiere of his symphonic poem Consalvo.[6] Laucella dedicated his score to Stránský, who became the new conductor of the New York Philharmonic in 1911. The premiere of the composition was reviewed in The New Music Review, which applauded Laucella as a composer of a concise musical work with unusual promise.[14]

During this time Laucella achieved additional notoriety as a concert accompanist to the Spanish coloratura soprano Maria Barrientos during a concert tour in Worcester, Massachusetts.[15][16] He also received recognition for his collaboration with the conductor Joseph Knecht and the Waldorf–Astoria Orchestra at the Waldorf Astoria Hotel in 1916.[5] His opera Mokanna was completed circa 1915. It incorporates a libretto by Enrico Golisciani and is based on the poem Lalla-Rookh by Thomas Moore.[17]

Based on these successful appointments, Laucella acquired the position of principal flute at the Metropolitan Opera Orchestra in 1919 under the musical direction of Artur Bodanzky. He continued to serve with this orchestra under the musical direction of Tullio Serafin until 1935. During his fifteen-year tenure with the Metropolitan Opera, Laucella accompanied several operatic soloists, including Giovanni Martinelli, Lawrence Tibbett, and Giuseppe De Luca.[18][19]

Recordings

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Laucella's musical talents extended beyond the operatic concert hall. During the 1920s he recorded several works for the Victor label which included arrangements by the Peruvian composer Daniel Alomía Robles. As a member of the Trio Italiano ensemble, he also recorded several songs arranged for piano, guitar, flute, mandolin, and baritone.[20] He also appeared as a performer with the Longo Trio and collaborated with Scipione Guidi in a recording of several popular songs including: The Meeting of the Waters and Believe Me if All Those Endearing Young Charms by Thomas Moore for the Pathe Freres label (# 22353).[21] In 1930, he collaborated with the Italian Baritone Giuseppe De Luca in a recording of the flute obligato from the "Serenade" scene in the opera I gioielli della Madonna for Victor.[22]

Death

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Metropolitan Opera 1905

Laucella died on September 2, 1952.[23] His contributions to music as a flautist and composer were documented in the first edition of the International Who's Who in Music International and Musical Gazetteer.[2][3]

Works

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Included among Laucella's compositions are the following works:[2][3][6][24]

  • String quartet (1910)
  • Consalvo (symphonic poem, 1911)
  • Nocturne for orchestra [25]
  • Divertimento for flute, oboe and English horn (1914)
  • Sunday at the Village (1914)
  • Prelude and Temple Dance (1915)
  • Mokanna (opera in four acts, 1915)
  • Fantastic Overture [26]
  • The Whitehouse-Impressions of Norfolk (symphonic impressions, 1917)

Discography

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External audio
audio icon Nicholas Laucella performing Au la Nieve Se Dehace, La Palma, La Spiritosa with the Trio Italiano in 1923

Included within Laucella's discography are the following recordings:[20][22][27]

  • Gioielli della Madonna: Serenata – Victor (Catalogue #3055), as principal flute of the Metropolitan Opera Orchestra with baritone Giuseppe De Luca and conductor Giulio Setti (1930).
  • Diamond Waltz – Victor (Catalogue # 73863), as a member of the Trio Italiano ensemble (1923).
  • Maria Maria – Victor (Catalogue # 77654), as a member of the Trio Italiano ensemble (1923).
  • La Spiritosa – Victor (Catalogue #73816), as a member of the Trio Italiano ensemble (1923).
  • La Palma – Victor (Catalogue # 72869), as a member of a quartet for violin, flute, guitar, piano and vocal duet (1920).
  • Aun la Nieve Se Deshace – Victor (Catalogue # 23691) (1920)
  • Loin du Bal – Waltz Movement – Pathé (19??)
  • Il bacio – The Kiss – Pathé (19??)
  • Funeral March of a Marionette – Pathé (circa 1916–1922)

Archived works

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External videos
video icon You may view Nicola Lucella's markings on scores used at the New York Philharmonic Here on archives.nyphil.org
  • Copies of several orchestra scores which were marked by Nicola Laucella during his tenure with the New York Philharmonic have been archived by the orchestra for the benefit of future musicians, students and research scholars.[28]
  • Audio recordings by Nicola Laucella have been archived within the Discography of American Historical Recordings at the University of California Santa Barbara Library.[22]
  • Audio recordings by Nicola Laucella have been archived at the Library of Congress National Jukebox[29]

References

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  1. ^ a b c d "Metropolitan Opera Orchestra Principal Musicians". www.stokowski.org.
  2. ^ a b c d "International Who's who in Music and Musical Gazetteer". Current Literature Publishing Company. July 9, 1918 – via Google Books.
  3. ^ a b c d e f "Jacobs' Band Monthly". Walter Jacobs. July 9, 1919 – via Google Books.
  4. ^ Toff, Nancy (August 18, 2005). Monarch of the Flute: The Life of Georges Barrere. Oxford University Press, USA. ISBN 978-0-19-517016-0 – via Google Books.
  5. ^ a b "Musical America". Musical America Corporation. August 18, 1916 – via Google Books.
  6. ^ a b c d Archives, New York Philharmonic Leon Levy Digital (November 26, 1911). "New York Philharmonic Program (ID: 1491), 1911 Nov 26". New York Philharmonic Leon Levy Digital Archives.
  7. ^ Boyd, Charles Newell (August 18, 1922). "Grove's Dictionary of Music and Musicians". Theodore Presser Company – via Google Books.
  8. ^ Mahler / 1909 − 2011 New York Philharmonic
  9. ^ York, Tonkünstler Society, New (July 9, 1901). "Programmes, Names of Members and Officers" – via Google Books.{{cite web}}: CS1 maint: multiple names: authors list (link)
  10. ^ The New York Philharmonic Shelby White and Leon Levy Digital Archives - Laucella on archives.nyphil.org
  11. ^ "Musical America". Musical America Corporation. August 18, 1917 – via Google Books.
  12. ^ "Music News". Charles E. Watt. August 18, 1920 – via Google Books.
  13. ^ "The Music Magazine-musical Courier". August 18, 1917 – via Google Books.
  14. ^ "The New Music Review and Church Music Review". sole agents for Novello & Company. August 18, 1911 – via Google Books.
  15. ^ "Jacobs' Band Monthly Editor – Walter Jacobs – Boston, Massachusetts, Vol. IV, January 1919, p. 22. Biography of Nicola Laucella on books.google.com".
  16. ^ "Musical America". Musical America Corporation. August 18, 1918 – via Google Books.
  17. ^ "The New York Philharmonic – Program notes for January 1915 – Nicola Laucella's Prelude and Temple Dance from his opera Mokanna" on archives.nyphil.org
  18. ^ Principal Musicians of the Orchestra of the Metropolitan Opera, Biography of Nicholas Laucella on stokowski.org
  19. ^ "The Musical Blue Book of America, ...: Recording in Concise Form the Activities of Leading Musicians and Those Actively and Prominently Identified with Music in Its Various Departments ..." Musical Blue Book Corporation. August 18, 1922 – via Google Books.
  20. ^ a b "Search results for Audio Recording, Nicola Laucella, Available Online". Library of Congress.
  21. ^ Nicholas Laucella on archive.org
  22. ^ a b c "Nicola Laucella (instrumentalist : flute) - Discography of American Historical Recordings". adp.library.ucsb.edu.
  23. ^ "iH.LAUCELLAWAS 70; FLUTIST, OMPOSER; Member of !Met' Operi Z Pit] 'for 25 Years Dies--First ,J I Work Published in 1906 -' I (Published 1952)". The New York Times. September 5, 1952. ISSN 0362-4331. Retrieved November 10, 2020.
  24. ^ "Programmes, Names of Members and Officers". 1901 – via books.google.com.
  25. ^ The new York Philharmonic Digital Archive - - Subscription Season Program Notes - Biography of Nicholas Laucella 26 November 1911 p. 6 laucella on archives.nyphil.org
  26. ^ The new York Philharmonic Digital Archive - - Subscription Season Program Notes - Biography of Nicholas Laucella 26 November 1911 p. 6 laucella on archives.nyphil.org
  27. ^ Nicholas Laucella on worldcat.org
  28. ^ "New York Philharmonic | Search Results". archives.nyphil.org.
  29. ^ "Recording Search Results | National Jukebox LOC.gov". www.loc.gov.
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