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Kelli Russell Agodon

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Kelli Russell Agodon
Kelli Russell Agodon
Kelli Russell Agodon
BornSeattle, Washington, U.S.
OccupationPoet, writer, editor
LanguageEnglish
EducationUniversity of Washington
Pacific Lutheran University (MFA)
Website
www.agodon.com

Kelli Russell Agodon (born in Seattle) is an American poet, writer, and editor. She is the cofounder of Two Sylvias Press[1] and she serves on the poetry faculty at the Rainier Writing Workshop, a low-residency MFA program at Pacific Lutheran University.[2] She co-hosts the poetry series "Poems You Need" with Melissa Studdard.

Life

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She was raised in Seattle, and graduated from the University of Washington and Pacific Lutheran University Rainier Writing Workshop with an MFA in creative writing.[3] She lives in Washington state.[4] Her works have appeared in the Atlantic Monthly, American Poetry Review, Prairie Schooner,[5] North American Review, Image,[6] 5 a.m, Meridian, Calyx.,[7] poets.org,[8] and The Los Angeles Review.[9]

She lives in the Northwest.[10] She was the Editor-in-Chief of the Crab Creek Review from 2009 until 2014. She is the co-founder of Two Sylvias Press.[11] She was the Co-Director of the Poets on the Coast: A Weekend Writing Retreat for Women until 2021, an organization she founded with poet Susan Rich in 2010.

Recognition

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Agodon's book of poems, Dialogues with Rising Tides (Copper Canyon Press, 2021), was a Finalist for the Washington State Book Awards and shortlisted for the Eric Hoffer Book Award Grand Prize in Poetry.

Her book, Hourglass Museum (White Pine Press, 2014), was a Finalist for the Washington State Book Awards and shortlisted for the Julie Suk Prize in Poetry.

Her book, Letters from the Emily Dickinson Room (White Pine Press, 2010), won the White Pine Press Poetry Prize judged by Pulitzer Prize winner Carl Dennis. It then won the Foreword Indie Book of the Year Prize in Poetry, was a Finalist for the Washington State Book Award, and voted as one of the Top 20 Books on GoodReads for Poetry.

Awards

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  • 2018 Poetry Society of America Lyric Poetry Prize[12]
  • 2015 Centrum Residency Recipient[13]
  • 2009 Artist Trust GAP Grant Recipient[13]
  • 2005 James Hearst Poetry Prize 3rd place[14]
  • 2003 Artist Trust GAP Grant Recipient[13]

Works

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Books

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  • Geography. Floating Bridge Press. 2003. ISBN 978-1-930446-06-9.
  • Small Knots. Cherry Grove Collections. 2004. ISBN 978-1-932339-27-7.
  • An Alphabet Between Us. Pacific Lutheran University. 2007.
  • Letters From the Emily Dickinson Room, White Pine Press, 2010, ISBN 978-1-935210-15-3
  • Hourglass Museum. White Pine Press. 2014. ISBN 978-1935210511.
  • Dialogues with Rising Tides. Copper Canyon Press. 2021. ISBN 978-1556596155.

Anthologies

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References

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  1. ^ "About". Two Sylvias Press.
  2. ^ "Faculty | MFA - Creative Writing | PLU". www.plu.edu.
  3. ^ "English 11 Poets / Kelli Russell Agodon". English11poets.pbworks.com. Retrieved 2012-10-21.
  4. ^ [1] Archived December 1, 2008, at the Wayback Machine
  5. ^ Agodon, Kelli Russell (2006). "How Like a Winter, and: Coffin Shopping, and: Emergency Contact Information". Prairie Schooner. 80 (4): 153–157. doi:10.1353/psg.2007.0000. S2CID 71232717. Project MUSE 210784.
  6. ^ "Image ◊ Journal ◊ Back Issues ◊ Issue 57". Imagejournal.org. Retrieved 2012-10-21.
  7. ^ [2] Archived March 8, 2009, at the Wayback Machine
  8. ^ Poets, Academy of American. "About Kelli Russell Agodon | Academy of American Poets". poets.org.
  9. ^ "Queen Me by Kelli Russell Agodon". August 26, 2019.
  10. ^ "Kelli Russell Agodon". Escape Into Life. 2012-10-03. Retrieved 2012-10-21.
  11. ^ "Kelli Russell Agodon | Directory of Writers | Poets & Writers". Pw.org. 2010-03-31. Retrieved 2012-10-21.
  12. ^ "Kelli Russell Agodon - Poetry Society of America". www.poetrysociety.org. Retrieved 2019-02-25.
  13. ^ a b c "Artist Profile - Artist Trust". artisttrust.org. Archived from the original on 2019-02-26. Retrieved 2019-02-25.
  14. ^ "James Hearst Poetry Prize Winners". North American Review. Archived from the original on 2012-12-12. Retrieved 2012-10-21.
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