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Jason Moran (musician)

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Jason Moran
Moran in Aarhus, Denmark
Moran in Aarhus, Denmark
Background information
Born (1975-01-21) January 21, 1975 (age 49)
Houston, Texas, U.S.
GenresJazz
Occupation(s)Musician, composer
InstrumentPiano
Websitejasonmoran.com

Jason Moran (born January 21, 1975) is an American jazz pianist, composer, and educator involved in multimedia art and theatrical installations.[1]

Moran recorded first with Greg Osby and debuted as a band leader with the 1999 album Soundtrack to Human Motion. Since then, Moran has released albums with his trio The Bandwagon, solo, as a sideman, and with other bands. He combines post-bop and avant-garde jazz, blues, classical music,[2][3] stride piano,[1][4] and hip hop.

Career

[edit]

Early years

[edit]

Moran was born in Houston, Texas, and grew up in the Pleasantville neighborhood of Houston. His parents, Andy, an investment banker, and Mary,[5] a teacher, encouraged his musical and artistic sensibilities at the Houston Symphony, museums and galleries, and through a relationship with John T. Biggers and a collection of their own.[1][6] Moran began training at classical piano playing, in Yelena Kurinets' Suzuki method music school,[5] when he was six. However, his father's extensive record collection (around 10,000 in 2004), varied from Motown to classical to avant-garde jazz.[5]

As a boy he developed a preference for hip hop music[7][8] over the piano until, at the age of 13, he first heard the song "′Round Midnight" by Thelonious Monk at home,[9] and switched his efforts to jazz. Monk's childlike melodies, with their many silent spaces, struck him as relatively easy to play and not overly ornate, while the rhythms were reminiscent of hip hop songs, and the harmonies unorthodox.[10] Both jazz and hip hop were part of Houston's skateboarding scene in which he was involved.[11][12]

He attended Houston's High School for the Performing and Visual Arts (HSPVA), graduating in 1993[13] from the jazz program headed by Robert Morgan. In his senior year, he was student director of the school's jazz combo[5] and part of the Texas high school all-state jazz ensemble.[14][15]

Late 1990s

[edit]

He then enrolled at the Manhattan School of Music, from which he would graduate in 1997 with a BM degree, to study with pianist Jaki Byard.[1][6] The next year he participated in Betty Carter's Jazz Ahead exclusive workshop, composing the piece "Make a Decision"[16] for the final concert.

In 1997, when Moran was a senior at Manhattan School of Music, he was invited to join the band of saxophonist Greg Osby for a European tour, following a conversation that lingered mostly on older piano jazz, and no audition.[1] Osby liked his playing, and Moran continued to play with Osby's group upon their return to the United States, making his first recorded appearance on Osby's 1997 Blue Note album Further Ado. He would subsequently appear on several other Osby albums, and Osby would introduce him to avant-garde pianists Muhal Richard Abrams and Andrew Hill.[17]

His stint with Osby led Moran to sign a contract of his own with Blue Note. His debut Soundtrack to Human Motion was released in 1998. Moran was joined on the album by Osby, drummer Eric Harland (a classmate of Moran's at the Manhattan School, and the one who recommended him to Osby), vibraphonist Stefon Harris and acoustic bassist Lonnie Plaxico.

2000s

[edit]

Moran's next album, 2000's Facing Left (after a work by Egon Schiele[18]), featured a trio that formed out of Osby's group, New Directions:[1] Moran, bassist Tarus Mateen and drummer Nasheet Waits. Compositions were some of Moran's and some by Mateen, Duke Ellington, Björk and Byard. The trio, which came to be known as The Bandwagon, was joined by saxophonist and pianist Sam Rivers for their next album, Black Stars, which appeared in 2001.[19] Black Stars was included in NPR's "The 50 Most Important Recordings of the Decade."[20]

In 2002, Moran released a solo album, Modernistic, and followed it in 2003 with a live trio album, recorded at New York's Village Vanguard, called The Bandwagon.[21]

That same summer he appeared in the Montreal International Jazz Festival, first partnering with Lee Konitz,[22][23] and then with the trio.[24] In 2004 he played on Don Byron's Ivey-Divey. The Ivey-Divey Trio (sometimes a quartet[25]) toured for a number of years, from the Monterey Jazz Festival 2004 to Montreal's Jazz Festival in 2006[26] to WinterJazzFest in 2009.[27]

Moran's 2005 album Same Mother, an exploration of the blues, brought guitarist Marvin Sewell into the Bandwagon mix.

Moran's 2006 release, Artist in Residence, included a number of selections from different works commissioned by museums, all of which premiered in 2005: "Milestone" is centered on a visual work by Adrian Piper from the Walker Art Center;[7] "The Shape, the Scent, the Feel of Things" was incorporated into a preexisting installation of that name by artist Joan Jonas;[28] and "RAIN", inspired by ring shouts from African American slaves,[19] is a recording of The Bandwagon with guests Marvin Sewell, Ralph Alessi and Abdou Mboup. Critical reception to Artist in Residence has been arguably colder that to his other releases.[29]

Moran's IN MY MIND, premiered in 2007,[30] is a multimedia presentation inspired by Thelonious Monk's 1959 "large band" concert at The Town Hall in New York City. It utilises filmed and taped material of Monk's rehearsal, found in the archive of W. Eugene Smith, and video art by David Dempewolf.[31] A text-laden painting from Glenn Ligon extracted the words "In My Mind" - which Monk says on one of Smith's tapes – as did Moran, incorporating the soundbite into the set. The program is played by The Big Bandwagon:[32] the trio with a largely changeable five piece horn section. The New York Times wrote: "It had a magical balance of theory and intuition, and the crowd stayed fully with it."[33] The February 2009 installation is the subject of a documentary film of the same name.[34]

In April 2007, Moran took the piano in Charles Lloyd's New Quartet, succeeding Geri Allen.[35][36] He was the last member to join the group,[37] which keeps touring (as of 2014), having recorded one studio album and two live ones. Moran and Lloyd recorded a duo album, Hagar's Song, in 2013.

From September 2009 to about 2012, Moran toured with Dave Holland's Overtone Quartet.[38][39]

"Live: Time" is a 2008 complement to the Philadelphia Museum of Art exhibition on The Quilts of Gee's Bend.[40][41] Cane was written for classical wind quintet Imani Winds - among them Moran's college classmate Toyin Spellman.[3] It premiered in October 2008, and appeared[42] in their album Terra Incognita in 2010; it relates to Marie Thérèse Metoyer and Moran's family history in Natchitoches, Louisiana.[43][44] "Refraction" is a ballet Moran scored and accompanied for Alonzo King LINES Ballet in 2009.[45] Four independent short films and a feature documentary appeared in the 2000s with soundtracks by Moran (see below). In addition, he collaborated with Ligon on 2008's The Death of Tom:[46] an abstract, conceptual, video artwork. Reflecting their shared historical interests, Moran contributed a score based on the song "Nobody" by Bert Williams.[47] The work is in the MoMA collection,[48] but he played to it again in a screening in 2011.[49]

2010s

[edit]

The album Ten,[50][51][52] released in 2010, marked a ten-year interval from the Bandwagon's debut, Facing Left. It features "Blue Blocks" off the Philadelphia Museum commission, "RFK in the Land of Apartheid", from an original score to a documentary film of the same name,[53] and "Feedback Pt. 2", an homage to Jimi Hendrix's performance at the 1967 Monterey Pop Festival.[54] Monk's "Crepuscule with Nellie" was recorded at the IN MY MIND tour.[55] Ten also contains a composition by Moran and Andrew Hill, and others by Leonard Bernstein, Jaki Byard, Conlon Nancarrow and Bert Williams.[56] The Downbeat 2010 critics' poll voted Ten "Jazz Album of the Year", while also voting Moran "Pianist of the Year" and "Jazz Artist of the Year".[57] The New York Times chose Ten among 2010 top 10 pop and jazz albums.[58]

Since 2011 Moran has been performing the show "Fats Waller dance party", originally commissioned by Harlem Stage. It became the basis of a 2014 release, All Rise: A Joyful Elegy for Fats Waller, dedicated to Fats Waller and the form of popular entertainment that jazz was in his days.[59] Participants in the fluid roster have included singers Meshell Ndegeocello, in a co-leader position, and Lisa E. Harris, drummer Charles Haynes' ensemble with trumpeter Leron Thomas and trombonist Josh Roseman, saxophonist Steve Lehman and bassist Mark Kelly.

Moran's composition, "Slang", was commissioned for the 2011 Other Minds Festival in San Francisco.[60] In the May 2012 Whitney Biennial, Alicia Hall Moran and Jason curated BLEED, a week-long event that involved many artists and artisans, and aimed to expose artistic processes to the point "it has to be scary".[1][61] Later that year a new performance with Joan Jonas, Reanimation was first staged in dOCUMENTA (13).[62][63][64] In the summer of 2013 and the next, Moran accompanied, with The Bandwagon and guest Jeff Parker, skateboarding shows in SFJAZZ Center.[11][65]

In April 2014 Moran and Imani Winds premiered Jump Cut Rose, which he wrote for the quintet and a piano,[3][66] In May, Looks of A Lot, a theatrical co-production with Theaster Gates on the theme of Chicago artistic history[47] premiered in the city's Symphony Center; participants included The Bandwagon, the Kenwood Academy Jazz Band,[67] Ken Vandermark and Katie Ernst, bassist and vocalist.[68] The same month, the Bandwagon played their composition, "The Subtle One", to a ballet adaptation by Ronald K. Brown.[69][70] In September he appeared twice in the Monterey Jazz Festival: Leading a Fats Waller Dance Party, in a one-piano duo with Robert Glasper,[71] and with Charles Lloyd New Quartet.[72] He was responsible for the music of the multi-nominated 2016 documentary 13th.

In 2017, Jason Moran collaborated with the visual artist Julie Mehretu creating MASS (HOWL, eon). Presented as part of the Performa 17 biennial, this work took the audience on an intensive tour of Mehretu's canvas while Moran played his composition accompanied by Graham Haynes on coronet and sound effects, and Jamire Williams on drums.

In addition to recordings under his own name, Moran has recorded with a range of other musicians including Greg Osby, Steve Coleman, Charles Lloyd, Cassandra Wilson, Joe Lovano, Christian McBride, Von Freeman,[73] Francisco Mela, and Don Byron. He also performed with Marian McPartland,[74][75][76] Lee Konitz,[24] Wayne Shorter (as substitute),[77] Robert Glasper,[78][79] violinist Jenny Scheinman,[80] The Bad Plus,[81] guitarist Mary Halvorson and trumpeter Ron Miles,[82] drummer Herlin Riley,[83] Dave Holland (Overtone Quartet), and Bill Frisell.[40][84]

Teaching and organization

[edit]

Moran has been on the faculty of the New England Conservatory of Music since 2010, where he coaches two ensembles, teaches lessons, and gives masterclasses. At the Kennedy Center he has been the musical adviser for jazz since 2011, and artistic director for jazz since 2014, occupying the position of Billy Taylor.[85]

Apart from these positions, Moran has organized events such as "713-->212: Houstonians in NYC" in January 2011[86][87][88] and Very Very Threadgill, a two-day festival dedicated to Henry Threadgill,[89] his "favorite composer",[90] in September 2014.

Moran and his family manage the granting of "Moran Scholarship Award", first set in 1994 for jazz students at HSPVA. In 2005 they set in Houston The Mary Lou Chester Moran Foundation, for similar purposes.[91][92]

In 2013 he expressed support for the Justice for Jazz Artists campaign of the American Federation of Musicians.[93]

In 2015 Moran was appointed Honorary Professor at the Rhythmic Music Conservatory (RMC) in Copenhagen, Denmark, where he periodically conducts workshops and master classes.[94]

Awards and honors

[edit]

Closing 2010, Francis Davis wrote in Village Voice, "Moran's only competition in the Fifth Annual Village Voice Jazz Critics' Poll was Jason Moran. Ten, his first trio album in seven years, won Album of the Year in a landslide, but that's not all. The pianist figured prominently on the runner-up, Rudresh Mahanthappa and Bunky Green's Apex, and Charles Lloyd's Mirror, which finished fourth...Add Paul Motian's Lost in a Dream...that gives the 2010 MacArthur Fellow four appearances in the Top 10"[95]

JazzTimes' 2011 Expanded Critics' Poll voted Moran second place "Artist of the Year" and first place "Pianist of the Year"; the Charles Lloyd New Quartet, "Acoustic Group of the Year" and The Bandwagon fifth place in that category.[96] In 2013, the New Quartet was second place in its category and Moran second in pianists.[97]

Moran won the Jazz Journalists Association's Up-n-Coming Jazz Musician award in 2003. The Down Beat critics' poll voted him Rising Star Jazz Artist, Rising Star Pianist, and Rising Star Composer for three years (2003–05). In 2005, he was named Playboy magazine's first Jazz Artist of the Year. In 2007, he was named a USA Prudential Fellow by United States Artists.[98] In 2010, he was named a MacArthur Fellow.[99][100]

In 2013, Moran held residencies in SFJAZZ, Juilliard, and Molde Jazz Festival.[101]

Another full-length documentary, Grammar about "jazz through Jason Moran" and genre boundaries, is in the making, after first director Radiclani Clytus had found funding in a 2012 kickstarter campaign.[102]

In 2018, Moran received his first museum survey at the Walker Art Center[103] and was written up as an artist-to-watch by Cultured Magazine.[104]

In 2018, Moran wrote the score for 'Between the World and Me' by Ta-Nehisi Coates which premiered at the Apollo Theater. [105]

Family

[edit]

Moran married Alicia Hall, a mezzo-soprano and artistic collaborator,[1] in 2003.[61] They have worked on several projects together. They live in Harlem[106] and have twins. He has an older and a younger brother.[5][41] Two of his cousins, Tony and Michael Llorens, toured with Albert King playing piano and drums,[107] and were recorded on In Session.[108]

Discography

[edit]

As leader/co-leader

[edit]
Year recorded Year released Title Label Notes
1998 1999 Soundtrack to Human Motion Blue Note Quintet, with Greg Osby (alto sax, soprano sax), Stefon Harris (vibraphone), Lonnie Plaxico (bass), Eric Harland (drums)
2000 2000 Facing Left Blue Note Trio, with Tarus Mateen (bass), Nasheet Waits (drums)
2001 2001 Black Stars Blue Note Quartet, with Sam Rivers (tenor sax, soprano sax, flute, piano), Tarus Mateen (bass), Nasheet Waits (drums)
2002 2002 Modernistic Blue Note Solo piano
2002 2003 The Bandwagon Blue Note Trio, with Tarus Mateen (bass), Nasheet Waits (drums); in concert
2004 2005 Same Mother Blue Note Quartet, with Marvin Sewell (guitar), Tarus Mateen (bass), Nasheet Waits (drums)
2006 2006 Artist in Residence Blue Note Some tracks quartet, with Marvin Sewell (guitar), Tarus Mateen (bass), Nasheet Waits (drums); some tracks quintet, with Joan Jonas (percussion), Alicia Hall Moran (vocals), or Adrian Piper (sampled vocals) added; one track sextet, with Ralph Alessi (trumpet), Abdou M'Boup (percussion) added
2010 2010 Ten Blue Note Most tracks trio, with Tarus Mateen (bass), Nasheet Waits (drums); one track quintet, with Jonas Moran, Malcolm Moran (vocals) added
2014 2014 All Rise: A Joyful Elegy for Fats Waller Blue Note With Leron Thomas (trumpet, vocals), Josh Roseman (trombone), Steve Lehman (sax), Tarus Mateen (bass), Nasheet Waits (drums), Charles Haynes (drums, vocals), Meshell Ndegeocello and Lisa E. Harris (vocals)
2016 2016 The Armory Concert Yes Solo piano; in concert[109]
2016 2017 Thanksgiving at The Vanguard Yes Trio, with Tarus Mateen (bass), Nasheet Waits (drums); in concert[110]
2016 2017 Bangs Yes Trio, with Ron Miles (cornet), Mary Halvorson (guitar)[111]
2017 2017 Mass {Howl, Eon} Yes With Graham Haynes (cornet, electronics), Jamire Williams (drums)[112]
2017 2018 Looks of a Lot Yes With Tarus Mateen (bass), Nasheet Waits (drums), Ken Vandermark (tenor sax, clarinet), Katie Ernst (vocals, bass), Theaster Gates (vocals), Kenwood Academy Jazz Band[113]
2017 2018 Music for Joan Jonas Yes With Joan Jonas (spoken word, percussion), Jose Luis Blondet (spoken word), Ánde Somby (vocals)[114]
2021 2021 The Sound Will Tell You Yes Solo piano[115]
2022? 2023 From the Dancehall to the Battlefield Yes With Tarus Mateen (bass), Nasheet Waits (drums), David Adewumi (trumpet), Reginald Cyntje and Chris Bates (trombone), Brian Settles (tenor sax), Logan Richardson (alto sax), Darryl Harper (clarinet), Jose Davila (tuba, helicon)[116][117]
2022 2023 Refract Red Hook Trio, co-led with BlankFor.ms (electronics, tape loops, processing), Marcus Gilmore (drums)[118][119]

Soundtracks

[edit]

As sideman

[edit]

References

[edit]
  1. ^ a b c d e f g h Russonello, Giovanni (December 10, 2012). "Jason Moran: To Connect to Every Moment". JazzTimes.
  2. ^ Kevin Le Gendre. "Jason Moran Ten Review". BBC.
  3. ^ a b c Brett Campbell (June 4, 2014). "Imani Winds and Jason Moran: Minimally Inspired, Major Imprint". San Francisco Classical Voice. Retrieved October 22, 2014.
  4. ^ Steve Dollar (June 22, 2010). "Jason Moran and the Bandwagon: Ten".
  5. ^ a b c d e David Theis (June 6, 2004). "Jazzman returns for a high school reunion". Houston Chronicle.
  6. ^ a b Nate Chinen (September 2003). "Jason Moran: Out Front". JazzTimes.
  7. ^ a b Gehrke, Karl (October 4, 2006). "Walker images reside in Jason Moran's jazz". Minnesota Public Radio.
  8. ^ Thomas Conrad (January 18, 2012). "Jason Moran takes the Before & After Test". JazzTimes.
  9. ^ "Jason Moran, Interview + Performance [stream]". Studio 360. Kurt Andersen. July 2, 2010.{{cite web}}: CS1 maint: others (link)
  10. ^ Sara Fishko (October 15, 2008). "Moran On Monk: Finding Rhythm And Space". NPR / WNYC. Retrieved December 3, 2014.
  11. ^ a b Scheinin, Richard (May 2, 2013). "Jason Moran's new trick: skateboarding at SFJazz". San Jose Mercury News.
  12. ^ "Jason Moran presents Bandwagon & live skateboarding". SFJAZZ. Retrieved November 8, 2014.
  13. ^ "Distinguished HISD Alumni". Houston Independent School District. Retrieved November 8, 2014.
  14. ^ Jarenwattananon, Patrick (October 21, 2010). "What Were They Like in High School? Today's Jazz Stars As Teens". A Blog Supreme. NPR. Retrieved November 8, 2014.
  15. ^ "All-state history roster of 1993". Texas Music Educators Association. Archived from the original on November 14, 2015. Retrieved November 8, 2014.
  16. ^ Becca Pulliam (December 16, 2011). "Jason Moran, Curator [stream]". A Blog Supreme. NPR. Retrieved November 27, 2014.
  17. ^ Paul Pennington (August 9, 2013). "Jason Moran: The Modern Maestro". iRock Jazz. Retrieved November 8, 2014.
  18. ^ "Bio". jasonmoran.com.
  19. ^ a b Blumenfeld, Larry (May 19, 2005). "Jason Moran: Jazz with a Southern Accent". Wall Street Journal. ISSN 0099-9660. Retrieved November 8, 2014.
  20. ^ Jarenwattananon, Patrick (November 13, 2009). "Jazz and the 50 Most Important Albums of 2000-2009". NPR. Retrieved November 26, 2014.
  21. ^ Patrick Jarenwattananon. "Jason Moran and the Bandwagon: Live at the Village Vanguard". NPR. Retrieved September 30, 2010.
  22. ^ Virginia Schaefer (October 6, 2003). "Lee Konitz Concerts at the Montreal Jazz Festival". Allaboutjazz.com. Retrieved November 8, 2014.
  23. ^ Bill Milkowski (July 8, 2003). "Montreal International Jazz Festival 2003". JazzTimes.
  24. ^ a b "Artist: Jason Moran". Festival International de Jazz de Montréal. Retrieved November 8, 2014.
  25. ^ Nate Chinen (August 24, 2007). "Jazz Listings". The New York Times. Retrieved November 22, 2014.
  26. ^ "Performances [archives]". Don Byron.
  27. ^ "2009 NYC WinterJazzFest Artist Bios". Archived from the original on December 6, 2013. Retrieved November 23, 2014.
  28. ^ Barnes, Lucinda. "Joan Jonas: The Shape, the Scent, the Feel of Things". University of California, Berkeley Art Museum. Retrieved November 8, 2014.
  29. ^ See for example Himes, Geoffrey (February 23, 2007). "JASON MORAN "Artist in Residence" Blue Note". The Washington Post. Retrieved November 8, 2014.
  30. ^ Virginia A. Schaefer. "Jason Moran, "In My Mind: Monk at Town Hall 1959"". JazzTimes. Retrieved October 14, 2014.
  31. ^ Geoffrey Himes (October 2010). "Jason Moran: In All Languages". JazzTimes. Retrieved November 26, 2014.
  32. ^ Martin Johnson (February 22, 2009). "Jason Moran Reimagines Thelonious Monk's 1959 Town Hall Concert". New York Magazine. Retrieved December 3, 2014.
  33. ^ Ben Ratliff (March 1, 2009). "Music Review - 'In My Mind - Monk at Town Hall, 1959' - Fifty Years Later, Two Different Takes on Thelonious Monk's Historic Town Hall Appearance". The New York Times. Retrieved November 23, 2014.
  34. ^ Ryel-Lindsey, Arthur (April 11, 2010). "Full Frame Documentary Film Festival 2010: In My Mind (Gary Hawkins)". Slant Magazine. Retrieved November 8, 2014.
  35. ^ "2014 Showcase Artist : Charles Lloyd". Monterey Jazz Festival. Retrieved December 1, 2014.
  36. ^ John Kelman (February 26, 2007). "Portland Jazz Festival Day 3: February 18, 2007". Allaboutjazz.com. Retrieved November 25, 2014.
  37. ^ Past Appearances [Reuben Rogers] (PDF), December 2010, retrieved November 25, 2014
  38. ^ Nate Chinen (September 10, 2009). "An Experienced Leader Brings Out a Collectivist Spirit". The New York Times. Retrieved November 8, 2014.
  39. ^ Scheinin, Richard (February 25, 2012). "Review: Bassist Dave Holland's Overtone Quartet: Four personalities, one fixed point". San Jose Mercury News. Retrieved November 8, 2014.
  40. ^ a b "Art After 5 Premieres a New Composition by Jazz Pianist Jason Moran Inspired by the Quilts of Gee's Bend". Philadelphia Museum of Art. December 1, 2008. Retrieved October 14, 2014.
  41. ^ a b Alec Wilkinson (March 11, 2013). "Jazz Hands, How Jason Moran bends the rules".
  42. ^ Terra Incognita at AllMusic
  43. ^ Joao Marcos Coelho. "Imani Winds / Excellence marks the concert of American quintet in festival". O Estado de S. Paulo. Retrieved October 21, 2014 – via ImaniWinds.com (translated).
  44. ^ Mike Telin. "Imani Winds: Tuesday Musical Series..." Cleveland Classical. Retrieved October 21, 2014 – via ImaniWinds.com.
  45. ^ "Refraction". Alonzo King LINES Ballet.
  46. ^ Jason Rabin (March 22, 2011). "Jason Moran Plays With Abstract Expressionism". JazzTimes. Retrieved December 4, 2014.
  47. ^ a b "Jason Moran Builds a Bigger Bandwagon". Chicago Reader. May 28, 2014. Retrieved November 8, 2014.
  48. ^ "MoMA - The Collection. The Death of Tom, 2008". MoMA. Retrieved December 4, 2014.
  49. ^ "On The Death of Tom, with Glenn Ligon, Jason Moran, and Terrance McKnight [audio stream: music and discussion]". Whitney Museum of American Art. March 23, 2011. Retrieved December 4, 2014.
  50. ^ John Fordham (August 19, 2010). "Jason Moran: Ten | CD review | Music". The Guardian. London. Retrieved September 30, 2010.
  51. ^ "Album review: Jason Moran's 'Ten' | Pop & Hiss | Los Angeles Times". Latimesblogs.latimes.com. June 21, 2010. Retrieved September 30, 2010.
  52. ^ "Jason Moran: Ten Blue Note, CD review". Telegraph. London. August 20, 2010. Retrieved September 30, 2010.
  53. ^ Larry Shore. "Film credits".
  54. ^ Ron Wynn (September 2010). "Jazz Reviews: Ten Jason Moran and the Bandwagon". JazzTimes.
  55. ^ David Adler (June 12, 2010). "Jason Moran: Ten (2010)". Allaboutjazz.com.
  56. ^ Kevin Whitehead (June 10, 2010). "Jason Moran, 'Ten' years later". NPR. Retrieved November 8, 2014.
  57. ^ "59th Annual Critics Poll [cover]" (PDF). Down Beat. August 2011. Retrieved November 8, 2014.
  58. ^ Nate Chinen (December 19, 2010). "Top 2010 Pop and Jazz – Jason Moran, Kanye West / Renewal, the Sensual and Fraught Candor". The New York Times. Retrieved November 8, 2014.
  59. ^ Beuttler, Bill (April 7, 2014). "Concert Review: Jason Moran's Fats Waller Dance Party". JazzTimes. Retrieved November 8, 2014.
  60. ^ "Other Minds Festival: OM 16: Panel Discussion & Concert 3". Other Minds/radiOM. 2011. Retrieved November 8, 2014.
  61. ^ a b Ben Ratliff (May 14, 2012). "Art, Ancestry, Africa: Letting It All Bleed". The New York Times. Retrieved November 8, 2014.
  62. ^ "dOCUMENTA (13)". Archived from the original on March 6, 2015. Retrieved November 8, 2014.
  63. ^ ""Reanimation" Jason Moran with Joan Jonas". Luhring Augustine. Retrieved November 8, 2014.
  64. ^ Gillian Young (November 22, 2013). "Glacial Pace: Joan Jonas's "Reanimation"". Art in America. Retrieved November 8, 2014.
  65. ^ Scheinin, Richard (May 5, 2013). "Review: Jason Moran's jazz/skateboarding duet". San Jose Mercury News. Retrieved November 8, 2014.
  66. ^ "Imani Winds, Jason Moran to debut original piece at the Hop". The Dartmouth. April 2, 2014.
  67. ^ Howard Reich (October 1, 2014). "Kenwood's Journey". Chicago Tribune. Retrieved November 8, 2014.
  68. ^ Alex Marianyi. "Jason Moran Live with Theaster Gates - 5/30/2014". nextbop.com. Retrieved November 8, 2014.
  69. ^ Burke, Siobhan (June 4, 2014). "A Premiere for Ronald K. Brown's Evidence at the Joyce". The New York Times. Retrieved November 24, 2014.
  70. ^ "Ronald K. Brown / Evidence Dance Company & Jason Moran & The Bandwagon • 'The Subtle One'". Duke Performances. Retrieved December 1, 2014.
  71. ^ "57th Annual Monterey Jazz Festival an Outstanding Success". Monterey Jazz Festival. Retrieved November 23, 2014.
  72. ^ "Jason Moran". Monterey Jazz Festival. 2014.
  73. ^ Dan McClenaghan (November 16, 2002). "Von Freeman: The Improvisor (2002)". Allaboutjazz.com. Retrieved November 8, 2014.
  74. ^ "Jason Moran and Marian McPartland, piano". Researchworks.oclc.org. Retrieved July 30, 2024.
  75. ^ Monterey, 2004: "Piano legend McPartland: Cool jazz still hot". CNN. September 15, 2004. Retrieved November 23, 2014. "The Monterey Jazz Festival Collection". "47th Annual Monterey Jazz Festival Lineup Announced". j-notes.com. April 6, 2004.
  76. ^ "Summertime", from 85 Candles at AllMusic
  77. ^ Thomas Conrad (May 17, 2005). "Umbria Jazz Melbourne 05". JazzTimes. Retrieved November 8, 2014.
  78. ^ Ben Ratliff (December 15, 2011). "Pistol Annies, YOB, Deaf Center, Paul Simon / Packing Heat and Singing Sweetly [2011 top ten albums]". The New York Times. Retrieved December 3, 2014.
  79. ^ Micallef, Ken (January 10, 2014). "Glasper, Moran Stride into the Spotlight at Winter Jazzfest Blue Note Tribute". Down Beat. Retrieved October 14, 2014.
  80. ^ "Jenny Scheinman: Live At The Village Vanguard". NPR / WBGO. October 29, 2008. Retrieved November 3, 2014.
  81. ^ "Video: Full Concerts From Jason Moran, The Bad Plus, More". A Blog Supreme. NPR. November 30, 2010.
  82. ^ "Old Hand Tries New Approach to Jazz Festival". The New York Times. February 24, 2010. Retrieved November 8, 2014.
  83. ^ Fred Kaplan (June 25, 2012). "Jason Moran". Stereophile. Retrieved November 8, 2014.
  84. ^ Zora Wrightson, Erica (April 14, 2010). "Live review: Bill Frisell, Jason Moran and Kenny Wollesen at Largo". LA Weekly. Retrieved November 8, 2014.
  85. ^ Pressley, Nelson (May 6, 2014). "Kennedy Center upgrading Jason Moran to artistic director for jazz with 3-year renewal". The Washington Post. ISSN 0190-8286. Retrieved October 14, 2014.
  86. ^ "Robert Morgan and Houston's Jazz Legacy, at 92YTriBeCa". New York Times. January 17, 2011. Retrieved November 8, 2014.
  87. ^ Alex Rodriguez (January 13, 2011). "Jason Moran Presents "713 --> 212: Houstonians in NYC"". WBGO. Retrieved November 8, 2014.
  88. ^ A webcast of Moran and Glasper, playing with a double trio ("Houstonians in NYC: audio streams". Joshua Jackson.), was mentioned in a New York Times' albums of the year list by Ben Ratliff: ref.
  89. ^ Kurt Gottschalk (October 7, 2014). "Henry Threadgill: Very Very Threadgill 2014". Allaboutjazz.com. Retrieved October 22, 2014.
  90. ^ Nate Chinen (September 28, 2014). "Henry Threadgill Festival at Harlem Stage". The New York Times. Retrieved October 21, 2014.
  91. ^ "NCCS Organization Profile – Mary Lou Chester Moran Foundation". National Center for Charitable Statistics.
  92. ^ "The Mary Lou Chester Moran Foundation". texascorporates.com. Retrieved November 8, 2014.
  93. ^ "Jason Moran, Restless & Revolutionary". International Musician. American Federation of Musicians. Retrieved November 8, 2014. For the date July 2013 see "Jazz Injustice: A History" by Todd Bryant Weeks: [1]
  94. ^ "RMC appoints Jason Moran | RMC". rmc.dk. Retrieved September 5, 2017.
  95. ^ Francis Davis (December 29, 2010). "Jason Moran Tops Himself". The Village Voice. Retrieved November 26, 2014.
  96. ^ "Jazz Articles: The 2011 Expanded Critics' Poll". Jazztimes. Retrieved November 27, 2014.
  97. ^ "Jazz Community: The 2013 Expanded Critics' Poll". Jazztimes. Archived from the original on December 5, 2014. Retrieved November 27, 2014.
  98. ^ "Jason Moran – Fellow Profile". Usafellows.org. Retrieved November 8, 2014.
  99. ^ "Jason Moran – MacArthur Foundation". MacArthur Foundation. January 25, 2010. Retrieved September 30, 2010.
  100. ^ Jarenwattananon, Patrick (September 28, 2010). "Jason Moran Named MacArthur Fellow". NPR. Retrieved September 30, 2010.
  101. ^ "Jason Moran - AIR, as well as saxophone legend Charles Lloyd, set to perform at Moldejazz 2013". Molde Jazz. Retrieved November 24, 2014.
  102. ^ "Grammar". Retrieved November 8, 2014.
  103. ^ "Jason Moran". walkerart.org. Retrieved March 17, 2019.
  104. ^ "Artist and Musician Jason Moran Crosses the Divide at the Walker Art Center". Cultured Magazine. April 23, 2018. Retrieved March 17, 2019.
  105. ^ Hughes, Hilary (April 6, 2018). "How Jason Moran Met His Musical Match in Ta-Nehisi Coates with 'Between the World and Me'". Billboard. Retrieved June 12, 2019.
  106. ^ Giovanni Russonello (September 15, 2014). "Jason Moran, Meshell Ndegeocello find their own way to honor Fats Waller". The Washington Post. Retrieved November 8, 2014.
  107. ^ Matt Schudel (December 27, 2011). "He's Jazzed". Washington Post. Retrieved November 8, 2014.
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  118. ^ "Refract". Bandcamp. Retrieved December 15, 2024.
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  120. ^ Kalia, Ammar (October 2024). "Walter Smith III: Three of Us Are from Houston and Reuben Is Not". DownBeat. Vol. 91, no. 10. p. 43.
  121. ^ John Fordham (July 25, 2013). "Trio 3 + Jason Moran: Refraction – Breakin' Glass – review". The Guardian. Retrieved November 8, 2014.
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