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Hippolyte Jouvin

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Hippolyte Jouvin
Born1825
Clinchamp, France
Died1889
Paris, France
NationalityFrench
Known forStereoscopic Photography

Hippolyte Jouvin (1825–1889) was a French photographer and publisher of stereoscopic photographs. He is considered a pioneer in the field of photogravure, and was one of the first photographers to use wet collodion process.[1]

In 1863, he published a series of over two hundred stereoscopic photographs titled Vues instantanées de Paris ("instant views of Paris"). The term "instant" refers to the fast exposure time which allowed for the capture of people in the streets. With earlier large format cameras, long exposure times would have rendered the streets of Paris as empty.[2] In 1867, Jouvin won a gold medal at the Paris Exposition Universelle for his photogravures.[1]

Art historians have argued that Jouvin's Vues instantanées de Paris may have been a source of inspiration to the Impressionists. Art historian Aaron Scharf compared the elevated viewpoints in some of the paintings of Gustave Caillebotte to the elevated viewpoints of Jouvin's photographs. Scharf also compared the style of cropping in Edgar Degas's paintings Place de la Concorde and At the Races in the Countryside to the cropped figures and carriages in Jouvin's photographs.[3][4]

Hippolyte Jouvin's photographs are present in the collections of the Bibliothèque nationale de France, the Library of Congress, the J. Paul Getty Museum, and the George Eastman Museum.

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  • Rue de Rivoli et hôtel du Louvre
    Rue de Rivoli et hôtel du Louvre
  • Le Pont-Neuf, vu du quai des Grands Augustins
    Le Pont-Neuf, vu du quai des Grands Augustins
  • Vue Instantanée de Paris, Porte Saint-Martin.
    Vue Instantanée de Paris, Porte Saint-Martin.

References

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  1. ^ a b "Hippolyte Jouvin (1825–1889)". Picryl. Archived from the original on 30 January 2024. Retrieved 30 January 2024.
  2. ^ Reynaud, Françoise; Tambrun, Catherine; Timby, Kim, eds. (2000). Paris in 3D: From stereoscopy to virtual reality 1850–2000. Paris-Musées; Booth-Clibborn Editions. pp. 68–69. ISBN 978-1-86154-162-8.
  3. ^ Scharf, Aaron (1974). Art and photography (Revised 1974 ed.). Baltimore, Maryland: Penguin Books Ltd. pp. 172–176, 198–202. ISBN 978-0-14-021722-3.
  4. ^ Scharf, Aaron (1962). "Painting, Photography, and the Image of Movement". The Burlington Magazine. 104 (710). The Burlington Magazine Publications Ltd.: 186–195. ISSN 0007-6287. JSTOR 873665. Archived from the original on 2023-12-16. Retrieved 2024-01-30.
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