Elle-Máijá Tailfeathers
Elle-Máijá Tailfeathers | |
---|---|
Born | 1986 (age 37–38) Cardston, Alberta, Canada |
Known for | Filmmaker, actor |
Parents |
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Awards | |
Website | elle-maija-tailfeathers |
Elle-Máijá Apiniskim Tailfeathers (born in 1986[4]) is a Canadian filmmaker, actor, and producer.[5][6][7][8] She has won several accolades for her film work, including multiple Canadian Screen Awards.[9]
Born in Cardston, Alberta, Tailfeathers began acting in the late 2000s before embarking on a career as a filmmaker.[10]
For directing The Body Remembers When the World Broke Open, she shared the Canadian Screen Award for Best Director with Kathleen Hepburn.[2] That film also won the Toronto Film Critics Association's $100,000 Rogers Best Canadian Film Award.[3]
Early life
[edit]Tailfeathers was born to Bjarne Store-Jakobsen, a Sámi rights activist and journalist from Norway, and Kainai activist and doctor Esther Tailfeathers, from Canada.[11][12] Her parents met at a global indigenous peoples' conference in Australia, and married sometime after.[13]
Career
[edit]Tailfeathers studied acting at the Vancouver Film School, and graduated in 2006 and then moved on to the University of British Columbia where she would graduate with a degree in First Nations studies and a minor in women and gender studies in 2011.[9][14]
After acting for a period of time, Tailfeathers shifted her focus to filmmaking and began to work as a writer, director, and producer.[10] During her time at the University of British Columbia, she started to use film equipment and editing software.[14]
Bloodland
[edit]Bloodland (2011) is an experimental short film that offers a commentary on fracking practices in Canada and across the world. It can be found on YouTube, where it was made public in 2013 in solidarity with the Idle No More movement. The short film uses metaphoric imagery of a woman being held down and drilled into as a comment on the current fracking practices in Canada. This project was funded by the Blood Tribe Chief and Council through a distribution cheque, and as a result was indirectly funded by the proceeds of various gas and oil companies, as well as KRI Resources.[14] The film was well received at its premier in Lethbridge, and was the subject of a greater national debate regarding the practice of fracking in Indigenous lands.
The film was selected for the following film festivals:
- Vancouver International Film Festival 2011
- ImagineNATIVE Film Festival 2011
- American Indian Film Festival 2011
- L.A. Skins Festival 2011
- Tulsa International Film Festival 2011
- Yellowknife International Film Festival 2011
- Riddu Riđđu International Indigenous Peoples Festival 2011 (Norway)
- Vancouver Indigenous Media Arts Festival 2011
- Skábmagovat Film Festival 2012 (Finland)
- Vancouver Women in Film Festival 2012
A Red Girl's Reasoning
[edit]A Red Girl's Reasoning (2012) is a short film that was created in response to the growing numbers of missing and murdered Indigenous women in Canada. This film centres around a survivor of sexual assault and her quest to bring justice to the attackers of her fellow women. While originally a short film, it is currently in the process of expanding into a feature film. This film was the winner of the 2012 Vancouver Crazy8s Competition, where filmmakers were challenged to create a film in under eight days.[14]
Rebel (Bihttoš)
[edit]Rebel (Bihttoš) is an experimental and unconventional documentary where a young woman (Tailfeathers) explores her complex "relationship with her father through an examination of family photos and the family lore surrounding her parents’ courtship and marriage."[5][15] Bihttoš combines "animation, re-enactments, and archival photos, [and] delves into the dissolution of her parents' mythic love story and how it has coloured her perception of love in her adult life."[5]
Bihttoš first screened at the imagineNATIVE film festival in 2014.[16]
cəsnaʔəm, the city before the city
[edit]cəsnaʔəm, the city before the city (2017) is a feature film on the history of the land in the area which is now known as Vancouver.[17] Made in partnership with Musqueam First Nation, the film was part of a larger exhibition put on in partnership with the Museum of Anthropology at UBC, the Museum of Vancouver and the Musqueam Cultural Centre.[18]
The Body Remembers When the World Broke Open
[edit]Co-directed with Kathleen Hepburn, The Body Remembers When the World Broke Open centres on the interaction between Áila (Tailfeathers), an indigenous woman with a stable and happy domestic life, and Rosie (Violet Nelson), a more impoverished First Nations woman who has just been a victim of domestic abuse, after they meet in the street.[19] The majority of the film consists of one long, unbroken shot.[19]
The film premiered at the 2019 Berlin Film Festival in the Generation program,[20] and had its Canadian premiere at the 2019 Toronto International Film Festival.[21] It was nominated for six Canadian Screen Awards, including Best Motion Picture, and won three.[2]
For directing The Body Remembers When the World Broke Open, Tailfeathers shared the Canadian Screen Award for Best Director with Hepburn.[2] That film also won the Toronto Film Critics Association's $100,000 Rogers Best Canadian Film Award.[3]
Themes and issues
[edit]Her work has garnered attention for its focus on representations of women of colour, and her thematic focus on First Nations subjects and issues. Tailfeathers explores "innovative means of telling stories through mediums including narrative fiction, docudrama, documentary, mockumentary, and experimental film."[5] Her film projects are usually staffed primarily with Indigenous cast and production members, reflecting her emphasis on engaging with First Nations and Indigenous filmmakers.[5]
One of Tailfeathers' primary focuses as a filmmaker is activism and social justice; she approaches film as a way to "use it as a form of nonviolent direct action against issues like violence against women and degradation of Indigenous land."[9][14] Her film and activist pursuits focus on issues that directly relate to and affect Indigenous women and communities.[14]
Awards and recognition
[edit]She has won and been nominated for awards at various international film festivals, and has been recognized for her work rooted in social justice.[5] Notable recognition has included receiving a Kodak Image Award, the Vancouver Mayor's Arts Award as an emerging filmmaker.[5] She is included in CBC's "Young Indigenous Leaders: 5 Under 30 To Watch in 2015."[16] Her autobiographical short film Rebel (Bihttoš) was named one of the Top Ten short films at the 2014 Toronto International Film Festival. It was also awarded best documentary at the Seattle International Film Festival in 2015.[6] In 2017, Tailfeathers won a Canadian Screen Award for best actress for a dramatic program or limited series for her work in the CBC movie Unclaimed, as well as an award for best performance at the Vancouver Women in Film Festival.[22]
At the 2019 Vancouver International Film Festival, Tailfeathers and her co-director Kathleen Hepburn received the $25,000 Best BC Film Award for their film The Body Remembers When the World Broke Open. Tailfeathers also won the $17,500 BC Emerging Filmmaker Award.[23]
In 2020, Elle-Máijá Tailfeathers was awarded the Skábmagovat Prize, an indigenous film award to honor the significant, long-term contributions she has made to the Sámi culture and communities.[24]
At the 10th Canadian Screen Awards in 2022, she won the Canadian Screen Award for Best Actress for her performance in Night Raiders, and her documentary film Kímmapiiyipitssini: The Meaning of Empathy won the award for Best Feature Length Documentary.[25]
Personal life
[edit]Tailfeathers divides her time between Vancouver Canada, the Blood Reserve, and Sapmi territory in Norway.[9][14]
She is active in advocating for issues affecting First Nations communities. In 2011, she was arrested for participating in a peaceful blockade at the entrance of a drilling site in the Alberta Blood Reserve.[14]
Filmography
[edit]† | Denotes works that have not yet been released |
Acting
[edit]Year | Title | Role | Notes |
---|---|---|---|
2008 | Another Cinderella Story | Amazonian model girl | |
2016 | Unclaimed | Nikki Taylor | |
2019 | Blood Quantum | Joss | |
2019 | The Body Remembers When the World Broke Open | Áila | Also co-director |
2021 | Night Raiders | Niska | |
2022 | Stellar | Woman | |
2022 | Three Pines | Isabelle Lacoste | |
2024 | Sweet Angel Baby | Toni | |
TBA | † The Abandons | TBA[26] | In Production |
Filmmaking
[edit]Year | Title | Role | Notes |
---|---|---|---|
2011 | Bloodland | Writer, director, producer | |
2012 | A Red Girl's Reasoning | Writer, director | |
2012 | Colonial Gaze Sámi Artists’ Collective | Co-writer, co-director | |
2013 | Hurry Up, You Stupid Cripple | Producer, co-director | |
2014 | Rebel (Bihttoš) | Writer, director, co-producer | |
2017 | cəsnaʔəm, the city before the city | Director | |
2019 | The Body Remembers When the World Broke Open | Co-director with Kathleen Hepburn | |
2021 | Kímmapiiyipitssini: The Meaning of Empathy | Director |
References
[edit]- ^ "Skábmagovat Prize to Elle-Máijá Tailfeathers". Skábmagovat. Archived from the original on 10 November 2021. Retrieved 10 November 2021.
- ^ a b c d "2020 Canadian Screen Awards winners: 'Mary Kills People,' 'Vikings' win big". Global News. Retrieved 12 June 2021.
- ^ a b c "Toronto film critics award 'The Body Remembers When the World Broke Open' - CityNews Toronto". toronto.citynews.ca. 10 January 2020. Retrieved 12 June 2021.
- ^ "Blackfoot filmmaker talks Sundance Institute honour, telling Indigenous stories". CBC News. 6 February 2018. Archived from the original on 7 February 2018.
- ^ a b c d e f g "Film Screenings: Banchi Hanuse and Elle-Máijá Tailfeathers - SFU Woodward's - Simon Fraser University". www.sfu.ca. Retrieved 17 September 2016.
- ^ a b Tailfeathers, Elle-Máijá Apiniskim (21 December 2016). "A Conversation with Helen Haig-Brown, Lisa Jackson, and Elle-Máijá Apiniskim Tailfeathers, with Some Thoughts to Frame the Conversation". Biography. 39 (3): 277–306. doi:10.1353/bio.2016.0038. ISSN 1529-1456.
- ^ Indigenous Youth Wellness (2 November 2016), Decolonization with Elle-Máijá Tailfeathers, retrieved 6 February 2019
- ^ Dowell, K. L. (2015). "The future looks rad from where I stand: A review of claiming space: Voices of urban aboriginal youth at the UBC museum of anthropology". Anthropologica. 57 (1). ProQuest 1690736642.
- ^ a b c d "Elle-Máijá Tailfeathers". www.bcnu.org. Archived from the original on 12 September 2016. Retrieved 17 September 2016.
- ^ a b Exner, Dusty (8 September 2017). "c'əsnaʔəm: the city before the city : Interview with filmmaker Elle-Máijá Tailfeathers". CiTR: Discorder Magazine. Retrieved 5 February 2019.
- ^ Rasmus, Linnea (25 January 2020). "Čáhppesjuolgi-sápmelaš Elle-Máijá Tailfeathers oaččui Skábmagovat-bálkkašumi: "Mun lean nu hirpmástuvvan, dat lea stuorra gudni"" [Blackfoot-Sámi Elle-Máijá Tailfeathers received the Skábmagovat Prize: "I am so surprised, it is a great honor"]. Yle Sápmi (in Northern Sami). Retrieved 6 February 2021.
- ^ Sámi National Day - Sámi álbmotbeaivi Archived 4 March 2021 at the Wayback Machine Pacific Lutheran University's Scandinavian Cultural Center. Accessed 6 February 2021
- ^ Filming your family's past - CBC Radio (published 4 August 2015)
- ^ a b c d e f g h Chiu, Joanna (Fall 2012). "Fracking fuels filmmaker: interview with Elle-Maija Tailfeathers". Herizons: 8.
- ^ "Native Cinema Showcase 2016" (PDF). Native Cinema Showcase 2016. Smithsonian National Museum of the Native American. Archived from the original (PDF) on 18 September 2016. Retrieved 17 September 2016.
- ^ a b Bellrichard, Chantelle (25 January 2015). "5 under 30 to watch in 2015". CBC News. Retrieved 17 September 2016.
- ^ Furminger, Sabrina (24 December 2018). "Five Vancouver indie filmmakers who've got us excited about #BCFilm". Tri-City News. Retrieved 5 February 2019.
- ^ Exner, Dusty (8 September 2017). "c'əsnaʔəm: the city before the city : Interview with Elle-Máijá Tailfeathers". CiTR: Discorder Magazine. Retrieved 5 February 2019.
- ^ a b Jason Asenap (24 June 2019). "No happy ending in 'The Body Remembers When the World Broke Open'". High Country News.
- ^ "Berlin Film Festival: First Generation Section Films Unveiled". Variety. 19 September 2018.
- ^ Peter Howell (31 July 2019). "Indigenous films highlight Canadian slate at TIFF 2019". Toronto Star.
- ^ Takeuchi, Craig (13 March 2017). "Vancouver's Women in Film Festival awards On the Farm's Elle-Máijá Tailfeathers, Lutine, and more". Georgia Straight. Retrieved 4 April 2017.
- ^ "VIFF 2019 BC Spotlight Gala Award Winners" (Press release). Vancouver International Film Festival. 5 October 2019. Archived from the original on 7 October 2019. Retrieved 7 October 2019.
- ^ Helander, Astrid (28 January 2020). "Skábmagovat-bálkkašupmi Elle-máijá Tailfeathersii". Ávvir (in Northern Sami). Retrieved 28 January 2021.
- ^ Adina Bresge, "'Scarborough' top film winner at Canadian Screen Awards". CP24, 10 April 2022.
- ^ Cordero, Rosy (19 March 2024). "Kurt Sutter's Netflix Series 'The Abandons' Casts Patton Oswalt, Sarah Grace White, Michael Ornstein & Elle-Máijá Tailfeathers Among 10". Deadline Hollywood. Retrieved 11 October 2024.
External links
[edit]- Living people
- Kainai Nation people
- Norwegian Sámi people
- Sámi filmmakers
- Canadian people of Sámi descent
- Canadian women film directors
- Vancouver Film School alumni
- University of British Columbia alumni
- First Nations filmmakers
- First Nations actresses
- Sámi actors
- Sámi screenwriters
- Sámi film directors
- Canadian film actresses
- Canadian television actresses
- 21st-century Canadian actresses
- 21st-century Canadian screenwriters
- 21st-century First Nations writers
- 21st-century indigenous women of the Americas
- Canadian women screenwriters
- Best Director Genie and Canadian Screen Award winners
- Best Screenplay Genie and Canadian Screen Award winners
- Canadian curators
- Canadian women curators
- First Nations screenwriters
- 1986 births
- Best Actress Genie and Canadian Screen Award winners
- Directors of Genie and Canadian Screen Award winners for Best Documentary Film
- Canadian women documentary filmmakers