Draft:Bruce Babcock

Bruce H. Babcock (born April 10, 1951) is an Emmy award-winning composer for television, films and the concert hall. His screen credits range from TV's popular Murder, She Wrote, Matlock and Father Dowling Mysteries series to orchestration on such major films as Lethal Weapon, Die Hard and Batman & Robin. More recently, his concert music has earned recognition from The American Prize and the Global Music Awards.

Babcock's study with such film and TV greats as Hugo Friedhofer and Earle Hagen as well as concert composer Paul Glass were important contributors to his later success in each field. Babcock spent more than 25 years in media music before returning to his classical roots, leading to performances across the country, from New York's Carnegie Hall to music festivals throughout Southern California.

Gramophone calls him "a musician who blends superior craftsmanship with a colorful, expressive sense of narrative," while critic Daniel Kepl has praised his music for its "brightness, energy, style and tunefulness." The great American composer Aaron Copland said Babcock left him with "an impression of musicality which is very pleasant indeed... knows what he wants [and is] sure of what he's doing."

Early Life and Education

Babcock's father and grandfather were world-renowned astronomers. Harold D. Babcock (1882-1968) worked at California's Mount Wilson Observatory from 1909 to 1948; he specialized in solar spectroscopy and was honored by his peers in 1953 for his outstanding lifetime contributions to astronomy. Bruce's father Horace W. Babcock (1912-2003) was director of the California Institute of Technology's Palomar Observatory from 1964 to 1978; he created landmark studies of stellar magnetism, founded the Las Campanas Observatory in Chile and won numerous honors from astronomical societies around the world. A crater on the moon and an asteroid are named after both men.

Bruce Babcock was born in Altadena, California, and grew up in Santa Barbara, where he began studying clarinet in elementary school. He switched to alto saxophone in high school, where his band director was Henry Brubeck, brother of jazz pianist Dave Brubeck (whose sax-playing colleague Paul Desmond was a favorite performer, particularly in the 1960s). He performed in pit orchestras for musicals in high school and Santa Barbara community theater during his teen years. He was part of the All-California High School Symphony Orchestra in 1969. under conductor Stanley Chapple.

He earned an Associate of Arts degree in music from Santa Barbara City College in 1971 and went on to earn both Bachelor's and Master's degrees in music composition from California State University at Northridge in 1974 and 1975. At CSUN he performed with, and wrote for, the award-winning "A" Band jazz ensemble.

Career

Babcock began studying with American classical composer Paul Glass in 1971 and won the Young Musicians Foundation composition prize in 1976 for his "Music for String Orchestra," performed at UCLA's Royce Hall under the baton of Calvin Simmons and his "Initiation," for tenor and chamber orchestra, was performed by the San Francisco Chamber Players.

His studies with Glass led to further study with Oscar-winning film composer Hugo Friedhofer (The Best Years of Our Lives, 1946) and Emmy-winning television composer Earle Hagen (The Andy Griffith Show, The Dick Van Dyke Show, I Spy) later in the 1970s and early 1980s.

Hagen opened the door for Babcock to work in television, initially orchestrating Hagen's jazzy scores for the first two Mike Hammer movies, Murder Me, Murder You (1983) and More Than Murder (1984), then writing additional music for composer J.J. Johnson in the follow-up series Mickey Spillane's Mike Hammer. From 1985 to 1989, he composed additional music, uncredited, for Dennis McCarthy on ABC's MacGyver series; he also penned additional music for Arthur B. Rubinstein on CBS's Scarecrow and Mrs. King series (1987).

Beginning in October 1987, Babcock composed complete musical scores for some of TV's most popular mystery and detective series. He scored 40 episodes of the Andy Griffith canny-Southern-lawyer series Matlock (1987-1995), 15 episodes of Tom Bosley's crime-solving-priest Father Dowling Mysteries (1990-1991) and perhaps most significantly, 32 episodes of Angela Lansbury's wildly popular author-as-sleuth series Murder, She Wrote (1992-1996). Babcock composed, orchestrated and conducted ensembles of 25 to 35 players on all of them.

His Murder, She Wrote scores often included colorful evocations of the various locales that Jessica Fletcher visited in later seasons (including Ireland, Africa, Hong Kong, Italy and Australia). His very first score for the series, "The Wind Around the Tower," was the first to be Emmy-nominated since composer John Addison won for the pilot score.

His Emmy-winning score for Matlock was for "The Strangler," a sixth-season serial-killer story that demanded a range of dramatic moods from tender to eerie and suspenseful; another Matlock, the Emmy-nominated "The Clown," highlighted Babcock's musical sense of humor with amusing circus references including calliope and playful noises from sirens to ooga horns. His Emmy-nominated Father Dowling score (the only Emmy attention of any kind for the series) was for "The Consulting Detective," a Sherlock Holmes story that featured solo violin, alluding to Holmes' musical hobby.

Babcock also began scoring two-hour television films during this period (including three in NBC's high-rated Moment of Truth series) and went on to work in animation, scoring two seasons of The Spooktacular New Adventures of Casper during the 1997-1998 season.

Major film composers became aware of Babcock's reputation for musical excellence and began hiring him as orchestrator and additional-music composer for such high-profile studio films as Die Hard 1 and 2, the four Lethal Weapon action films, and Robin Hood, Prince of Thieves, all for Michael Kamen; Batman & Robin, for Elliot Goldenthal; Lost in Space, for Bruce Broughton; Entrapment, Wonder Boys and Spider-Man 3, for Christopher Young; Stuart Little, for Alan Silvestri; Final Destination 1 and 2, for Shirley Walker; Unfaithful, for Jan A.P. Kaczmarek; The Legend of Zorro, for James Horner; King Kong, Blood Diamond, The Green Hornet and Green Lantern, for James Newton Howard; and many others.

He also conducted a number of feature-film scores including Abandon, Murder by Numbers, Scary Movie 3, Something the Lord Made, Monster House, Spider-Man 3, The Uninvited, When in Rome and others.

Early in the 21st century, Babcock turned his attention to music for church and concert hall, earning awards and receiving rave reviews for many of these new works. Six pieces, all written between 2005 and 2009, were collected on his first album, Time, Still (Navona Records). Included were "Irrational Exuberance," written for the unusual combination of alto saxophone, cello and piano ("buoyant, cheerful, active, melodious and welcoming," said American Record Guide); and a cello sonata, "Imagined / Remembered" ("zesty and lyrical, dark-hued and jaunty, with all sorts of delicious rhythmic and harmonic twists," said Gramophone).

He has proven an especially sensitive writer for the human voice. His "Be Still," a choral setting of Psalm 46:10, is a meditation on eight words from Scripture ("evokes serenity, mystery, peace, fear, wonder and joy in turn," said a judge for The American Prize), while "This Is What I Know," based on poems by the legendary American writer Dorothy Parker, also earned praise ("four affecting and dramatic songs," said Gramophone). The a cappella "All unto Me" was inspired by a sermon given by Archbishop Desmond Tutu of South Africa at All Saints Church in Pasadena, California in 2007 and performed before the archbishop upon his return to the church in 2011.

His award-winning "Alternative Facts" for solo piano made a timely political statement ("unremittingly edgy... Babcock captures the nerve-shredding yin and yang of a democracy on the edge," said Performing Arts Review).

Babcock's "Nevertheless," for violin, cello and piano, was debuted by Trio Casals at New York's Carnegie Hall in 2023. Dedicated to women "who have shown great perseverance and carried on despite a global pandemic, a violent political insurrection, a war in Ukraine and multiple mass shootings, not to mention attacks on women's healthcare and voting rights," it too earned acclaim ("a tightrope of barely contained energy and powerful narrative colors that reap substance and satisfaction from the composer's focused, descriptive writing," noted Performing Arts Review).

Pianist Anna Kislitsyna premiered "Time and Again," Babcock's four-movement piano sonata, at Carnegie Hall in June 2022. Another at a major venue was Babcock's "Of Two Minds," for violin and bassoon, performed at Washington's Kennedy Center in July 2022.

Babcock's own heritage as the son and grandson of two of America's greatest astronomers has found expression in additional works: "Event Horizon," a work for large orchestra the composer calls "a brief ode to the mysteries of the universe," written in 2005; "Watcher of the Sky," a three-movement string quartet that celebrated the sesquicentennial of the birth of astrophysicist George E. Hale, premiered in 2018 inside the dome at California's Mount Wilson Observatory; "Give Me Your Stars," for soprano and string quartet, also from 2018; and 2019's "Promethean Fire," for soprano, violin and harp, also inspired by Hale, who founded the Wilson Observatory.

Babcock served on the board of directors of the Society of Composers & Lyricists in 1989 and served as its secretary-treasurer from 1993 to 1996. He donated his scores to The Film Music Society in 2014 and they now reside at his alma mater, California State University at Northridge.

Awards and Nominations

Babcock was Emmy-nominated for six consecutive years starting in 1990. He won the 1992 Emmy for an episode of Matlock ("outstanding individual achievement in music composition for a series"). Three nominations were for Murder, She Wrote (two for dramatic score, one for best song), one for Father Dowling Mysteries, and there was an additional nomination for Matlock.

He earned two Daytime Emmy nominations for his music for the Casper cartoon series; eight BMI Primetime Television Music Awards for his work on Murder, She Wrote and Matlock; and received a Career Consistent Achievement Award in 2004 from the American Society of Music Arrangers and Composers (ASMAC).

"SpringScape," a trio for harp, viola and flute, was the winning entry in the 2006 Debussy Trio Composition competition; it later won a Silver Medal in the Global Music Awards of 2022.

His "Alternative Facts" for solo piano won The American Prize in 2021 and his "Nevertheless," a three-movement work for violin, cello and piano, won the Silver Medal in the Global Music Awards in 2022, as did his choral work "Be Still." His "Event Horizon" also won a Silver Medal in 2023.

Babcock's piano sonata "Time and Again" was a finalist for The American Prize in 2023, as was his "Promethean Fire," in the vocal chamber music category that same year.</ref> http://theamericanprize.blogspot.com/2023/11/national-winners-composers-covid.html<ref> His choral work "All unto Me" and string quartet "Watcher of the Sky" were finalists in The American Prize 2024 competition.

References

External Links

Official website: www.musicbybrucebabcock.com IMDb: https://www.imdb.com/name/nm0003618/