Draft:Anuvadi Svara
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The anuvadi or anuvādī (Sanskrit: अनुवादी स्वर) is the third prominently used swara in Indian classical Raga. The anuvadi note forms a harmony with the first and second notes, vadi and samavadi respectively.
Description
[edit]Anuvadi notes are described as assonant to the main note of any piece.[1] Anuvadi describes any subsequent musical note that is not the vadi (music) or samavadi.[2] The anchoring note, the vadi, determines the subsequent notes and the anuvadi compliments the piece.[1] The anuvadi are neither consonant nor dissonant to any other notes in the scale, and comparable to the major third in classical music.[3]
Anuvadi swaras are used less frequently than the vadi or samavadi but aid in the structure of the musical piece.[4]
References
[edit]- ^ a b "Anuvadi". Wisdom Library. Retrieved 6 December 2024.
- ^ Mitra, Java (9 February 2019). "अनुवादी : परिभाषा" (in Sanskrit).
- ^ "South Asian arts - Classical, Indian, Buddhist". www.britannica.com.
- ^ "वादी सम्वादी व अनुवादी स्वर - Vadi Swar Kise Kahate Hain". Indian Raag (in Sanskrit). 27 May 2024. Archived from the original on 7 December 2024.
Further reading
[edit]- "Vadi, Samvadi, Anuvadi, Vivadi, Varjit Swar". Saraswati Sangeet Sadhana. Retrieved 17 October 2024.
- "NIOS Class 10 Hindustani Music Ch 2: Elements of Raga Part 2". FlexiPrep. Retrieved 17 October 2024.