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Doomsday Machine (album)

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Doomsday Machine
Cover art by Joachim Luetke
Studio album by
Arch Enemy
Released26 July 2005
RecordedMarch–May 2005
StudioSlaughterhouse Studio, Halmstad, Sweden
GenreMelodic death metal
Length49:05
LabelCentury Media
ProducerRickard Bengtsson
Arch Enemy chronology
Dead Eyes See No Future
(2004) 		Doomsday Machine
(2005) 		Revolution Begins
(2007)
Singles from Doomsday Machine
  1. "Nemesis"
    Released: 2005
  2. "My Apocalypse"
    Released: 2005
  3. "Taking Back My Soul"
    Released: 2005
Professional ratings
Review scores
SourceRating
AllMusic[1]
Blabbermouth.net7.0/10[2]
Collector's Guide to Heavy Metal6/10[3]
PopMatters7/10[4]
Rock Hard8.5/10[5]

Doomsday Machine is the sixth studio album by Swedish melodic death metal band Arch Enemy, produced by Rickard Bengtsson and mixed by Andy Sneap. It is the third album to feature the vocals of Angela Gossow. The album had some commercial success, debuting at number 87 on the Billboard 200 with first week sales of 12,000 copies.[6] It had sold 65,000 copies in the United States by April 2006.[7] Christopher Amott left the band shortly after recording the album in July 2005 but rejoined 2 years later for the songwriting sessions for Rise of the Tyrant.

Reception

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Doomsday Machine received mixed reviews by critics. Adrien Begrand of PopMatters praised the songs highlighting "Enter the Machine", "Nemesis" and "My Apocalypse". He said that Michael and Christopher Amott "truly shine on the album" and that Arch Enemy "marry the brutal with the melodic" with "impressive skill".[8] Tom Day of musicOMH, that also praised "Enter the Machine" calling it of "a prime example of metal at its very, very best... This instrumental is simply breathtaking", said that Arch Enemy "set themselves apart from so many mediocre death metal acts by never letting their songs stagnate."[9] Pal Meentzen of Maelstrom said that Doomsday Machine "gives a worthy example of the best in current day (Swedish) melo-death. It is a slightly better album than Wages of Sin and much better than Anthems of Rebellion" and called "My Apocalypse" of "perfect example of a band that has found the right consistency in its line-up." However, he criticized the fade out of "Slaves of Yesterday".[10] Evil Rocker of Metal Rules noted that "perhaps the most impressive aspect of this album is the heavy use of dual guitars and solo's [sic], not something usually in the forefront of this genre."[11] Jackie Smit of Chronicles of Chaos felt that the album presents significant improvements over the previous album Anthems of Rebellion and commented that it "as a whole is likely to disappoint only the most selective listener."[12] Eduardo Rivadavia of Allmusic said that Doomsday Machine is "fundamentally, yet another immaculately produced Arch Enemy album, forged first and foremost by the vision of Michael Amott's guitar."[13] Ciaran Meeks of Metal Eater commented that the band "have harked back to their roots on this album, reworking and revitalizing the musical philosophy of albums such as Stigmata and Burning Bridges into a new-millennial context that will doubtless bludgeon both old and new listeners alike into drop-jawed submission."[14]

Jason Jordan of Metal Review wrote a negative review where he states that the band "haven't crafted anything purchase-worthy since Johan Liiva was fronting the crew." Jordan also comments that "while Doomsday Machine isn't utterly devoid of arresting ingredients, you probably won't glean as much satisfaction from this as you will from Black Earth or Burning Bridges."[15] MetalGeorge of Metal Rules also criticized the album saying that it "severs all ties between the band and [its] old fan base by catering even more to the plague that is the New Wave of American Heavy Metal" and that "where as albums such as Burning Bridges and Wages of Sin lead the heavy metal charge, Doomsday Machine seems content to merely follow in the trodden footsteps of today's trends and common sounds."[16] Greg Pratt of Exclaim! wrote that the album is "basically more of the same but they've managed to revitalise their sound a bit, adding in some toe-tapping maturity, along with the usual balls-out shredding."[17] Cosmo Lee of Stylus Magazine concluded that "minus that instrumental, and with more focused songwriting, this album could have been killer. Instead, it is a collection of riffs strung together, with some hot guitar playing."[18] Keith Bergman of Blabbermouth.net said that "overall, the album leaves a pretty good impression, though it seems to be lacking a certain spark that made earlier efforts essential listening."[19] Not unlike him, Justin Donnelly of Blistering felt that the album "lies somewhere in between both damnation and acclaim, without being one of the other." He commented that the record is not terrible, but "an inconsistent and unfocussed effort" and that Doomsday Machine "overall is stronger than Anthems of Rebellion, but it is hardly a huge leap forward in terms of consistency."[20] The song I Am Legend/Out For Blood is featured in the comedy movie Let's Be Cops.[21]

Accolades

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Doomsday Machine received one nomination at the 2005 Metal Storm Awards in the category of The Best Melodeath/Gothenburg Album. It was ranked in the second position behind Character by Dark Tranquillity.[22]

In 2005, the album was ranked number 470 in Rock Hard magazine's book of The 500 Greatest Rock & Metal Albums of All Time.[23]

Track listing

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All music is composed by Michael Amott, Daniel Erlandsson and Christopher Amott

No.TitleLyricsLength
1."Enter the Machine" (Instrumental) 2:02
2."Taking Back My Soul"Angela Gossow, M. Amott4:35
3."Nemesis"Gossow4:12
4."My Apocalypse"Gossow5:25
5."Carry the Cross"Gossow4:12
6."I Am Legend/Out for Blood"Gossow4:58
7."Skeleton Dance"Gossow4:33
8."Hybrids of Steel" (Instrumental) 3:49
9."Mechanic God Creation"Gossow, M. Amott6:00
10."Machtkampf" ("Power Struggle")M. Amott4:16
11."Slaves of Yesterday"Gossow5:03
Total length:49:05
Japanese and Korean editions
No.TitleLyricsMusicLength
12."Heart of Darkness" (live in Paris in 2004)M. AmottC. Amott, M. Amott4:51
13."Bridge of Destiny" (live in Paris in 2004)M. AmottC. Amott, M. Amott8:04
Total length:1:02:00

Singles

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  1. "Nemesis"
  2. "My Apocalypse"
  3. "Taking Back My Soul"

Personnel

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Personnel credits adapted from Doomsday Machine album liner notes.[24]

Arch Enemy

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Production

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Release history

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Region Date Label Format
United States 26 July 2005 Century Media Records CD
United Kingdom 22 August 2005 Century Media CD

Charts

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Album

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Chart (2005) Peak
Position[25][26]
Billboard 200 87
Billboard Top Independent Albums 12
Swedish Album Chart 23
Austrian Album Chart 74

References

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  1. ^ Rivadavia, Eduardo. "Doomsday Machine - Arch Enemy". AllMusic. Retrieved 26 March 2016.
  2. ^ Bergman, Keith (28 July 2005). "CD Reviews - Doomsday Machine Arch Enemy". Blabbermouth.net. Retrieved 26 March 2016.
  3. ^ Popoff, Martin; Perri, David (2011). The Collector's Guide to Heavy Metal: Volume 4: The '00s. Burlington, Ontario, Canada: Collector's Guide Publishing. p. 33. ISBN 9781-926592-20-6.
  4. ^ Begrand, Adrien (7 August 2005). "Arch Enemy: Doomsday Machine". PopMatters. Retrieved 26 March 2016.
  5. ^ Kaiser, Boris. "Rock Hard". issue 220. Retrieved 22 May 2013.
  6. ^ "SoundScan Report: Arch Enemy, Nevermore, Dope, Flotsam and Jetsam, A Perfect Murder". Blabbermouth.net. Roadrunner Records. 3 August 2005. Archived from the original on 12 September 2012. Retrieved 11 May 2009.
  7. ^ "ARCH ENEMY Guitarist Checks In From U.S. Tour; 'My Apocalypse' Video Posted Online". BLABBERMOUTH.NET. 13 April 2006. Retrieved 25 May 2023.
  8. ^ Begrand, Adrien (8 August 2005). "Arch Enemy - Doomsday Machine". PopMatters. Archived from the original on 8 June 2012. Retrieved 31 August 2011.
  9. ^ Day, Tom (22 August 2005). "Arch Enemy - Doomsday Machine". musicOMH. Archived from the original on 12 October 2012. Retrieved 31 August 2011.
  10. ^ Meentzen, Pal. "Arch Enemy - Doomsday Machine". Maelstrom. Archived from the original on 5 September 2012. Retrieved 31 August 2011.
  11. ^ Rocker, Evil (November 2005). "Arch Enemy - Doomsday Machine". Metal Rules. Archived from the original on 2 September 2011. Retrieved 2 September 2011.
  12. ^ Smit, Jackie (17 October 2005). "Arch Enemy - Doomsday Machine". Chronicles of Chaos. Archived from the original on 24 December 2005. Retrieved 1 September 2011.
  13. ^ Rivadavia, Eduardo. "Review: Arch Enemy - Doomsday Machine". Allmusic. All Media Guide. Archived from the original on 2 September 2011. Retrieved 1 September 2011.
  14. ^ Meeks, Ciaran (6 August 2005). "Arch Enemy - Doomsday Machine". Metal Eater. Archived from the original on 27 October 2005. Retrieved 1 September 2011.
  15. ^ Jordan, Jason (29 July 2005). "Arch Enemy - Doomsday Machine". Metal Review. Archived from the original on 13 June 2011. Retrieved 31 August 2011.
  16. ^ George, Metal (August 2005). "Arch Enemy - Doomsday Machine". Metal Rules. Archived from the original on 2 September 2011. Retrieved 2 September 2011.
  17. ^ Pratt, Greg (September 2005). "Arch Enemy - Doomsday Machine". Exclaim!. Archived from the original on 31 August 2011. Retrieved 31 August 2011.
  18. ^ Lee, Cosmo (22 August 2005). "Arch Enemy - Doomsday Machine". Stylus Magazine. Archived from the original on 15 September 2006. Retrieved 2 September 2011.
  19. ^ Bergman, Keith. "Arch Enemy - Doomsday Machine". Blabbermouth.net. Roadrunner Records. Archived from the original on 31 March 2009. Retrieved 1 September 2011.
  20. ^ Donnelly, Justin. "Arch Enemy - Doomsday Machine". Blistering. Archived from the original on 2 September 2011. Retrieved 1 September 2011.
  21. ^ "Let's Be Cops soundtrack info on IMDB". IMDb.
  22. ^ "Metal Storm Awards 2005: The Best Melodeath/Gothenburg Album". Metal Storm. Archived from the original on 6 April 2010. Retrieved 3 September 2011.
  23. ^ Best of Rock & Metal - Die 500 stärksten Scheiben aller Zeiten. Rock Hard. 2005. p. 18. ISBN 3-89880-517-4.
  24. ^ Arch Enemy (2005). Doomsday Machine (Media notes). Century Media Records.
  25. ^ [1]
  26. ^ Steffen Hung. "Arch Enemy - Doomsday Machine". swedishcharts.com. Retrieved 13 August 2022.
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