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DeAPlaneta

From Wikipedia, the free encyclopedia
DeAPlaneta S.L.
IndustryEntertainment
Founded2001; 24 years ago (2001)
HeadquartersAvda. Diagonal 662-664,,
Barcelona, Catalonia
,
Spain
Services
ParentGrupo Planeta
De Agostini

DeAPlaneta is an audiovisual production and distribution company based in Barcelona. It was created as joint venture of Grupo Planeta and De Agostini.

History

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It was founded in 2001[1] as a joint venture of Italian holding company DeAgostini and Spanish mass media holding Grupo Planeta with the initial intent of primarily focusing on the Spanish and Portuguese (Iberian) markets.[2][3] Both groups had already joined forces with the publishing house Planeta DeAgostini. According to president Maurizio Carlotti [es], it was born out as a split from Planeta 2010.[4] Upon the time of the company's rollout, its distribution arm in Spain included DeAPlaneta Home Video, Planeta Junior, Planeta D, while its production arm consisted of film production outfit Cometa PC and TV-movie production outfit Prodigius, a joint venture with Mediapro.[2] In 2003, DeAPlaneta and Mikado created Argentinian production outfit KDM Films along with Oscar Kramer.[5] In April 2006, the company announced the launch of an international sales division.[6]

Releases

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Release date[n. 1] Title Director(s) Ref.
26 January 2024 The Three Musketeers: Milady Martin Bourboulon [7]
23 February 2024 Políticamente incorrectos Arantxa Echevarría [8]
5 April 2024 Wicked Little Letters Thea Sharrock [9]
19 April 2024 Civil War Alex Garland [10]
17 May 2024 Disco, Ibiza, Locomía Kike Maíllo [11]
3 July 2024 Boy Kills World Moritz Mohr [12]
22 November 2024 Raqqa: Spy vs. Spy Gerardo Herrero [13]
5 December 2024 ¿Quién es quién? Martín Cuervo [14]
20 December 2024 Conclave Edward Berger [15]
1 January 2025 Heretic Scott Beck, Bryan Woods [16]

Notes

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  1. ^ The listed date refers to the film's theatrical release in Spain by DeAPlaneta, not necessarily its first screening or when it premiered.

References

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  1. ^ "Planeta, el mayor grupo editorial y de comunicación". La Razón. 31 January 2015.
  2. ^ a b "Nace DeAPlaneta nuevo gigante de contenidos en Europa". Produ. 25 September 2002.
  3. ^ "Planeta y De Agostini van al cine". El País. 22 September 2002.
  4. ^ "Planeta y DeAgostini crean una productora". Cinco Días. 18 September 2002.
  5. ^ "DeAPlaneta, Mikado and Kramer launch Argentine outfit". ScreenDaily. 20 May 2003.
  6. ^ Green, Jennifer (23 April 2006). "DeA Planeta to launch new international sales arm". ScreenDaily.
  7. ^ Román Almansa, Enid (25 January 2024). "Crítica de 'Los tres mosqueteros: Milady': la adaptación del clásico de Dumas sigue maravillando". Cinemanía – via 20minutos.es.
  8. ^ Pinilla, Sergio F. (22 February 2024). "Crítica de 'Políticamente incorrectos': Echevarría, de risas y relajando el ambiente contra el cine español". Cinemanía – via 20minutos.es.
  9. ^ Vidal, Nuria (3 April 2024). "Crítica de 'Pequeñas cartas indiscretas': los bulos y mensajes obscenos del siglo XX". Cinemanía – via 20minutos.es.
  10. ^ García, Yago (18 April 2024). "Crítica de 'Civil War': la reconciliación con el periodismo más crudo". Cinemanía – via 20minutos.es.
  11. ^ Bermejo, Andrea G. (16 May 2024). "Crítica de 'Disco, Ibiza, Locomía': ¿El biopic desenfrenado que la banda merecía? No, pero casi". Cinemanía – via 20minutos.es.
  12. ^ Romero Santos, Rubén (3 July 2024). "Crítica de 'Kill Boy': mata, mata y ensancha el alma". Cinemanía – via 20minutos.es.
  13. ^ Salas, Andrés (20 November 2024). "Crítica de 'Raqa': una historia atractiva y buena adaptación de la novela de Tomás Bárbulo". Cinemanía – via 20minutos.es.
  14. ^ Ocaña, Javier (3 December 2024). "Crítica de '¿Quién es quién?': un trueque entre padre, madre, tres hijos y la abuela". Cinemanía – via 20minutos.es.
  15. ^ Bermejo, Andrea G. (19 December 2024). "Crítica de 'Cónclave': la mirada de Berger eleva su thriller de sotanas a otra categoría". Cinemanía – via 20minutos.es.
  16. ^ Romero Santos, Rubén (31 December 2024). "Crítica de 'Heretic (Hereje)': la palabra como elemento perverso y corruptor". Cinemanía – via 20minutos.es.