Vittoria Piisimi
 | This article relies largely or entirely on a single source. (January 2024) |
Vittoria Piisimi (fl. 1595), was an Italian actress, singer, dancer, theatre director and musician.[1] Known as la divina Vittoria Piisimi, she was one of the most famous Italian actors of the period. She and Isabella Andreini were the two most famed actresses of the era, and described as great rivals.
Life
[edit]Piisimi was the prima donna of the famous commedia dell'arte Gelosi company of Flaminio Scala. The company, first mentioned in 1568, was the first commedia to tour outside Italy when it performed in Paris in 1571, and was described as the foremost commedia dell'arte troupe. Piisimi is first mentioned in 1573, and confirmed as a member of the Gelosi troupe in 1574. she would in fact have been active earlier, as it was known that her lover, actor Adriano Valerini from Verona, left her for Vincenza Armani, who died in 1569, four years before 1573.
Piisimi received great praise and replaced Armani as the prima donna of the Italian theatre. Piisimi combined her acting with singing, dancing and by writing music and was reportedly admired also in these fields. She was called comica gelosa and mainly played the parts of heroine and subretto. On 24 July 1574, she performed for Henry III of France in the role of Pallas Athena in Venice, where she received great praise. At this point, she was the most famous actress in Italy and was internationally known. Her performance was especially requested by the French monarch upon his visit to Venice in 1574. In 1579-1581, she was the leader of her own theatre company. She then returned to the Gelosi.
In 1589, the Gelosi troupe performed in Florence at the wedding of Grand Duke Ferdinando I de' Medici and Christina of Lorraine. At this event, the "rival prime donne" Vittoria Piisimi performed as the gypsy in Zingara and Isabella Andreini as the madwoman in La Pazzia d'Isabella. Their performances were considered the great highlight of the event and became a famous event of their rivalry.
In 1592, Piisimi left the Gelosi theatre. She was for a time the director of the Gli Uniti company. She returned to the Gelosi company in 1595.
The death date of Piisimi is unknown. She is last mentioned in 1595.
References
[edit]- ^ Giacomo Oreglia (2002). Commedia dell'arte (in Swedish). Ordfront. ISBN 91-7324-602-6.
External links
[edit]- Commedia dell'Arte Women Timeline
- Commedia dell'Arte Troupes Timeline
- [1]
- M. A. Katritzky: The Art of Commedia: A Study in the Commedia Dell'Arte 1560-1620 with special reference to the visual records (2006)
- Giacomo Oreglia (2002). Commedia dell'arte (in Swedish). Ordfront. ISBN 91-7324-602-6.
- 16th-century births
- Italian female dancers
- 16th-century Italian musicians
- Commedia dell'arte
- 16th-century Italian actresses
- Italian stage actresses
- Italian opera singers
- Italian women singers
- 16th-century Italian singers
- 16th-century dancers
- 16th-century theatre managers
- Women theatre managers and producers
- 16th-century Italian businesswomen
- 16th-century Italian businesspeople
- Renaissance women