User:VirreFriberg/sandbox4
14 (stylized as "14"[nb 1])
History
[edit]Early years and background (1961–62)
[edit]The group's lead vocalist and songwriter Olle Nilsson (born 26 December 1946) originated from the town of Norrköping, where he lived for most of his childhood.[2] Nilsson came from a musical family, with his father being a musician. This led to him being gifted a accordion by his parents.[2] Together with a friend he would build an electric guitar, but would get his first real guitar in the form of a Levin.[2] In 1960, at the age of 14, his family moved to the town of Finspång which was significantly smaller than Norrköping.[2] The following year, he started attending STAL's vocational university in the town, where he met Kenneth "Kecke" Larsson (born 14 June 1946) who attended the same classes as him.[3] The two would bond over their shared love of both music and mopeds.[3]
In 1962, Nilsson formed a group the Fervents, together with guitarist Leif Östenberg, bassist Lennart Lindberg, singer Johnny Darago and drummer Benny Claesson from Rejmyre.[5][6] They performed mainly covers by rock and rhythm-and-blues songs including the Shadows and Chuck Berry.[7] The group was Nilsson's first professional venture into music, as they performed in a battle-of-the-bands, which they did relatively well in.[7] Claesson states that the group as a result managed to get gigs across Östergötland, such as Finspång, Norrköping and Linköping.[7] Nilsson would start spending increasingly more time with Kecke Larsson after the two realized they were both decent guitar players, which led to Nilsson spending time with Larsson at the latter's home. This is where he would meet Kecke's older brother, Conny.[7]
Conny was two years older than both Nilsson and Kecke and had previous musical experience.[3] A multi-instrumentalist, he had played the saxophone in a group named Tigers in the late 1950s, a group who made a name for themselves as "Norrköping's first rock band".[7] He had picked up several songs while in the Tigers and as a result had the knowledge of arranging songs, which would prove important for his brother and Nilsson.[7] In the spring of 1962, Kecke would drop out of school, instead becoming a delivery boy while Nilsson got experience working at STAL.[7] With less studies the meetings with the Larsson brothers became much more frequent, and Conny would with his first wage buy a Höfner guitar, which was in his own opinion "one of the best days of his life".[7]
The Playmates (1963–65)
[edit]
By 1963, the Fervents had disbanded and the band members went their own ways, with the exception of Nilsson and Claesson, who still had ambitions to continue in the music branch.[8] Conny, who at this time was touring with a female singer would occasionally let Nilsson step infront of the microphone as the duo had become friends.[7] Following this, Nilsson invited both Conny and Kecke and the four of them considered putting a group together, a dream that eventually would become reality in the autumn of 1963.[8] However, stuck in the dilemma of having three guitarists and a drummer, they debated over chosing a bass guitarist before after heavy persuasion eventually letting the choice fall on Conny, who was the more musically experienced individual in the group.[3] However, Conny has stated that he himself chose to play the instrument to avoid conflicts.[8]
The core trio consisting of Olle Nilsson on rhythm guitar and lead vocals, Kenneth "Kecke" Larsson on lead guitar and Conny Larsson on bass guitar was now in full effect; this trio would last until their break-up in 1968. After some studies and jobs the quartet would start practising in the spring of 1964.[8] Initially a more blues-based band, they would often practise at the Larsson family home.[6] They would largely follow the trend of performing music by Chuck Berry and Little Richard, also writing songs in their styles.[6] Conny, the eldest member of the group, was given the role of a kapellmeister and became responsible in booking them for various engagements across Östergötland, which gave them their first paid gig in the autumn of 1964.[8]
Their first stab at mainstream commercial success came during the later months of 1964, when they auditioned for Sveriges Radio's battle-of-the-band contest.[8] They would ultimately lose the contest, a move which Kecke considered "unfair as it was largely due to the other band being much younger than them."[8] They also performed at two differend contests, in which they did fairly well, reaching number three at one in Karlstad, which led to some more recognition by contemporary artists and audiences alike.[8] They had two residencies in Norrköping, both at youth centers, which would bring in some financial gain for the group. According to Kecke, the gage for the gig was 160 SEK (equaivalent to 1785 SEK in 2022).[9] This gave them the opportunity to upgrade their gear.[8]
By the end of the year, Nilsson and Conny had formed a song-writing partnership, writing songs based on the materials of their-then favorite artists Del Shannon, Fats Domino and The Everly Brothers.[8] The influence of the Beatles had started affecting the band members, including Conny, who stated that the first time they heard "She Loves You" it was a revolutionary moment.[8] They had started incoroprating Beatles songs into their set-list but this alienated drummer Benny Claesson, who had started getting interested in dansband music; during the spring of 1965, he would leave the group, leaving them as a trio without a drummer until the summer of that year.[1] Claesson would go on to play in the dansband-oriented Kent Five, based in his home town.[1]
Formation of "14" and success (1965)
[edit]By the summer, without a drummer, the group got into legal trouble with another Swedish group from Gävle named the Playmates, who had been called that since 1962.[1] As a result, they were forced to change their name. Additionally, critisism for the name was also directed from an American girl visiting Finspång, who expressed disgust in the name alluding to the fact that the Playboy magazine girls were called playmates.[1][6] Their unusual name was Nilsson's idea, who wanted a unique name. At the time, most bands had a prefix, most often a "the", which he thought was extremely cliché.[1] After initially suggesting several numbers, including 17 and 18, somebody came up with the name Four Teens.[1] According to Kecke, the name came from Birgitta Bäck, a girl with close connections to Conny, who suggested just "14".[1] The quotation marks in the name was a gimmick and always intentional, contrary to popular belief.[1][6]
They would also recruit a drummer, Thomas Palmqvist, who had occassionally played in the Fervent and as such was an aquaintance of Nilsson.[6] With a drummer re-instated, the band quickly scrapped their set-list in order to remove connections to the Playmates, instead basing their music on the British Invasion, including the Kinks, the Hollies and the Spencer Davis Group, but also featuring some folk rock tendencies through the Byrds and Bob Dylan due to their hits "Mr. Tambourine Man" and "Like a Rolling Stone" being in the charts at the time.[6] After Birgitta Bäck would come home from England with a Spencer Davis Group LP, "14" would quickly pick up several of their songs into their set-list,[10] and developed vocal harmonization in the style of the Hollies, with primarily Nilsson and Conny singing.[11] According to Conny, he sang the high register while Nilsson would focus on the lower registers, with additional harmonization being done by Kecke and Palmqvist.[11] This would characterize their music for the rest of their career.[11]
In September of that year, an annual song contest was held in Norrköping, held over a period of ten days, between 16 and 26 September.[11] 21 different bands had signed up, all competing for the first prize, which was a recording session along with 1000 Swedish kronor (equivalent to 10 860 kronor in 2021)[12][11] To prepare for this contest, the band started playing at various establishments for free, both to increase their popularity and respect amongst peers and fans.[6][11] On 17 September, the group were exposed to their first significant gig, when the Hep Stars
First records and departure of Palmqvist (1965–66)
[edit]In A Bunch (1966)
[edit]Personnel
[edit]Members
[edit]- Olle Nilsson – lead vocals, rhythm guitar, keyboards (1963–1968; 1997)
- Kenneth "Kecke" Larsson – lead guitar, keyboards, occasional lead vocals (1963–1968; 1997)
- Conny Larsson – bass guitar, occasional lead vocals, backing vocals (1963–1968; 1997)
- Benny Claesson – drums (1963–1965)
- Thomas Palmqvist – drums, backing vocals (1965–1966; 1968; 1997)
- Torgny "Togga" Lind – drums, backing vocals (1966)
- Curt Bergh – drums, backing vocals (1966–1968)
Timeline
[edit]
Discography
[edit]Album
[edit]- In A Bunch (1966)
Singles
[edit]| Year | Title | Peak chart positions | Album |
|---|---|---|---|
| Tio i Topp[13] | |||
| 1965 | "Wondering"
b/w "Nothing But Moan" |
— | Non-album tracks |
| 1966 | "I Can't Catch Them"
b/w "Through My Door" |
— | In A Bunch (re-recordings) |
| "Displeasing Message"
b/w "Little Down-Hearted Arthur" |
— | In A Bunch | |
| 1967 | "One Way Ticket (to the Blues)"
b/w "Take My Suzy" |
— | Non-album tracks |
| "Meet Mr. Edgar"
b/w "Im Krankenhaus" |
— | In A Bunch | |
| "Wrong Side"
b/w "Easy To Fool" |
— | Non-album tracks | |
| "Easy To Fool"
b/w " Frosty Stars On A Window-Pane" |
13 | A: Non-album track
B: In A Bunch | |
| 1968 | "Umbrella"
b/w "Drizzle" |
— | Non-album tracks |
Compilation
[edit]- In A Bunch... And More (1998)
References
[edit]Notes
References
- ^ a b c d e f g h i Öjring 1998, p. 7.
- ^ a b c d Öjring 1998, p. 4.
- ^ a b c d Nilsson 1998, p. 2.
- ^ Öjring 1998, p. 3.
- ^ Öjring 1998, p. 4–5.
- ^ a b c d e f g h Nilsson 1998, p. 3.
- ^ a b c d e f g h i Öjring 1998, p. 5.
- ^ a b c d e f g h i j k l Öjring 1998, p. 6.
- ^ "Prisomräknaren". Sverige i siffror (in Swedish). Statistiska centralbyrån. Retrieved 2021-08-03.
{{cite web}}: CS1 maint: url-status (link) - ^ Öjring 1998, p. 7–8.
- ^ a b c d e f g Öjring 1998, p. 8.
- ^ "Prisomräknaren". Sverige i siffror (in Swedish). Statistiska centralbyrån. Retrieved 2021-08-03.
{{cite web}}: CS1 maint: url-status (link) - ^ Hallberg, Eric; Henningsson, Ulf (1998). Eric Hallberg, Ulf Henningsson presenterar Tio i topp med de utslagna på försök: 1961 - 74. Premium Publishing. ISBN 919727125X.
Sources
[edit]- Öjring, Christer (1998). "14" - historien om en popgrupp på 60-talet (in Swedish). Öjrings Culturcompagnie. ISBN 978-91-630-600-07.
- Nilsson, Olle (1998). 14 – In A Bunch ...And More (CD) (in Swedish). EMI Records.