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The Record Production Portal

Noted audio engineer Roger Nichols at a vintage Neve recording console
Noted audio engineer Roger Nichols at a vintage Neve recording console
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This portal is focused on music production within the era of written records through sound recordings, digital downloads, and beyond. Its scope includes articles that document the considerations and mechanisms used by, and consistent with, the purview of the production element. As an art form, music predates transcription and simultaneously transcends descriptive limitations. As an industry, music has demonstrated consistent viability over time. The record producer conjoins these potential, and serves as a broker to bridge the demand (spawned by their aspirations) with supply and satisfaction. The results are measurable and attributable, derived from effort and skillful application of craft, to a manifestation of the art in its melodic form. (Read more)

The music industry consists of the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts. (Read more)

  

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Featured articles are displayed here, which represent some of the best content on English Wikipedia.
  • Image 1 Love It to Death is the third studio album by American rock band Alice Cooper, released on March 9, 1971. It was the band's first commercially successful album and the first album that consolidated the band's aggressive hard-rocking sound, instead of the psychedelic and experimental rock style of their first two albums. The album's best-known track, "I'm Eighteen", was released as a single to test the band's commercial viability before the album was recorded. Formed in the mid-1960s, the band took the name Alice Cooper in 1968 and became known for its outrageous theatrical live shows. The loose, psychedelic freak rock of the first two albums failed to find an audience. The band moved to Detroit in 1970 where they were influenced by the aggressive hard rock scene. A young Bob Ezrin was enlisted as producer; he encouraged the band to tighten its songwriting over two months of rehearsing ten to twelve hours a day. The single "I'm Eighteen" achieved Top 40 success soon after, peaking at No. 21. This convinced Warner Bros. that Alice Cooper had the commercial potential to release an album. After its release in March 1971, Love It to Death reached No. 35 on the Billboard 200 albums chart and has since been certified platinum. The album's second single, "Caught in a Dream", charted at No. 94. (Full article...)
    Love It to Death is the third studio album by American rock band Alice Cooper, released on March 9, 1971. It was the band's first commercially successful album and the first album that consolidated the band's aggressive hard-rocking sound, instead of the psychedelic and experimental rock style of their first two albums. The album's best-known track, "I'm Eighteen", was released as a single to test the band's commercial viability before the album was recorded.

    Formed in the mid-1960s, the band took the name Alice Cooper in 1968 and became known for its outrageous theatrical live shows. The loose, psychedelic freak rock of the first two albums failed to find an audience. The band moved to Detroit in 1970 where they were influenced by the aggressive hard rock scene. A young Bob Ezrin was enlisted as producer; he encouraged the band to tighten its songwriting over two months of rehearsing ten to twelve hours a day. The single "I'm Eighteen" achieved Top 40 success soon after, peaking at No. 21. This convinced Warner Bros. that Alice Cooper had the commercial potential to release an album. After its release in March 1971, Love It to Death reached No. 35 on the Billboard 200 albums chart and has since been certified platinum. The album's second single, "Caught in a Dream", charted at No. 94. (Full article...)
  • Image 2 "We Are the World" is a charity single originally recorded by the supergroup USA for Africa in 1985. It was written by Michael Jackson and Lionel Richie and produced by Quincy Jones and Michael Omartian for the album We Are the World. With sales in excess of 20 million copies, it is the eighth-best-selling physical single of all time. Soon after the British group Band Aid released "Do They Know It's Christmas?" in December 1984, musician and activist Harry Belafonte decided to create an American benefit single for African famine relief. With fundraiser Ken Kragen, he enlisted several musicians. Jackson and Richie completed the writing the night before the first recording session, on January 21, 1985. The event brought together some of the era's best-known musicians. (Full article...)
    "We Are the World" is a charity single originally recorded by the supergroup USA for Africa in 1985. It was written by Michael Jackson and Lionel Richie and produced by Quincy Jones and Michael Omartian for the album We Are the World. With sales in excess of 20 million copies, it is the eighth-best-selling physical single of all time.

    Soon after the British group Band Aid released "Do They Know It's Christmas?" in December 1984, musician and activist Harry Belafonte decided to create an American benefit single for African famine relief. With fundraiser Ken Kragen, he enlisted several musicians. Jackson and Richie completed the writing the night before the first recording session, on January 21, 1985. The event brought together some of the era's best-known musicians. (Full article...)
  • Image 3 Here Is Mariah Carey, also known as Mariah Carey or This Is Mariah Carey, is the third video album by American singer Mariah Carey. It presents Carey performing live at Proctor's Theatre in Schenectady, New York, in July 1993, and also includes non-concert footage. Carey performs ten songs during the video; four are from her third studio album Music Box (1993), which Columbia Records commissioned Here Is Mariah Carey to promote. She is sporadically accompanied by a band, choir, dancers, and string musicians. In creating the stage for the performance, production designers sought inspiration from works by Boris Aronson and Josep Maria Jujol. Lawrence Jordan, who collaborated with Carey on previous occasions, directed the hour-long video. Approximately 4,500 people attended tapings at Proctor's Theater, and 19 million watched it on television network NBC during its original broadcast on November 25, 1993. Columbia Music Video released it on VHS five days later to generally positive reviews from critics. Although they complimented Carey's voice, many felt the non-concert scenes were redundant. Here Is Mariah Carey peaked at number four on the United States video album chart published by Billboard. Earning a Platinum certification from the Recording Industry Association of America, it was one of the best-selling video albums of 1994 and 1995 in that country. The video also spent six weeks at number one on the Official Charts Company's music videos chart in the United Kingdom. (Full article...)
    Here Is Mariah Carey, also known as Mariah Carey or This Is Mariah Carey, is the third video album by American singer Mariah Carey. It presents Carey performing live at Proctor's Theatre in Schenectady, New York, in July 1993, and also includes non-concert footage. Carey performs ten songs during the video; four are from her third studio album Music Box (1993), which Columbia Records commissioned Here Is Mariah Carey to promote. She is sporadically accompanied by a band, choir, dancers, and string musicians. In creating the stage for the performance, production designers sought inspiration from works by Boris Aronson and Josep Maria Jujol. Lawrence Jordan, who collaborated with Carey on previous occasions, directed the hour-long video.

    Approximately 4,500 people attended tapings at Proctor's Theater, and 19 million watched it on television network NBC during its original broadcast on November 25, 1993. Columbia Music Video released it on VHS five days later to generally positive reviews from critics. Although they complimented Carey's voice, many felt the non-concert scenes were redundant. Here Is Mariah Carey peaked at number four on the United States video album chart published by Billboard. Earning a Platinum certification from the Recording Industry Association of America, it was one of the best-selling video albums of 1994 and 1995 in that country. The video also spent six weeks at number one on the Official Charts Company's music videos chart in the United Kingdom. (Full article...)
  • Image 4 Carey in 2023 Mariah Carey (/məˈraɪə/; born March 27, 1969) is an American singer, songwriter, record producer, and actress. An influential figure in popular music, she is known for her five-octave vocal range, melismatic singing style, and signature use of the whistle register. Carey is also credited with influencing vocal styles, merging hip-hop with pop through her collaborations, popularizing remixes, and helping break down racial barriers for multiracial Americans in popular culture. Referred to as the "Songbird Supreme" by Guinness World Records, she was ranked as the fifth greatest singer of all time by Rolling Stone in 2023, and has been dubbed the "Queen of Christmas" for the enduring popularity of her Christmas music, particularly the 1994 song "All I Want for Christmas Is You", which is the best-selling holiday song by a female artist. Carey rose to fame in 1990 with her self-titled debut album under the guidance of Columbia Records executive Tommy Mottola, whom she later married in 1993. She is the only artist to date to have their first five singles reach number one on the US Billboard Hot 100, from "Vision of Love" to "Emotions". Carey gained worldwide success with her albums Music Box (1993) and Daydream (1995)―both of which rank among the best-selling albums and spawned singles such as "Dreamlover", "Hero", "Without You", "Fantasy", "Always Be My Baby" and "One Sweet Day". The lattermost of these topped the US Billboard Hot 100 decade-end chart (1990s). After separating from Mottola, Carey adopted a new urban image and began incorporating more hip-hop and R&B elements with the releases of Butterfly (1997) and Rainbow (1999). By the end of the 1990s, Billboard ranked Carey as the most successful artist of the decade in the United States. She left Columbia Records in 2001 after eleven consecutive years of US number-one singles and signed a record deal with Virgin Records. (Full article...)

    Carey in 2023

    Mariah Carey (/məˈraɪə/; born March 27, 1969) is an American singer, songwriter, record producer, and actress. An influential figure in popular music, she is known for her five-octave vocal range, melismatic singing style, and signature use of the whistle register. Carey is also credited with influencing vocal styles, merging hip-hop with pop through her collaborations, popularizing remixes, and helping break down racial barriers for multiracial Americans in popular culture. Referred to as the "Songbird Supreme" by Guinness World Records, she was ranked as the fifth greatest singer of all time by Rolling Stone in 2023, and has been dubbed the "Queen of Christmas" for the enduring popularity of her Christmas music, particularly the 1994 song "All I Want for Christmas Is You", which is the best-selling holiday song by a female artist.

    Carey rose to fame in 1990 with her self-titled debut album under the guidance of Columbia Records executive Tommy Mottola, whom she later married in 1993. She is the only artist to date to have their first five singles reach number one on the US Billboard Hot 100, from "Vision of Love" to "Emotions". Carey gained worldwide success with her albums Music Box (1993) and Daydream (1995)―both of which rank among the best-selling albums and spawned singles such as "Dreamlover", "Hero", "Without You", "Fantasy", "Always Be My Baby" and "One Sweet Day". The lattermost of these topped the US Billboard Hot 100 decade-end chart (1990s). After separating from Mottola, Carey adopted a new urban image and began incorporating more hip-hop and R&B elements with the releases of Butterfly (1997) and Rainbow (1999). By the end of the 1990s, Billboard ranked Carey as the most successful artist of the decade in the United States. She left Columbia Records in 2001 after eleven consecutive years of US number-one singles and signed a record deal with Virgin Records. (Full article...)
  • Image 5 Final rehearsal for the world premiere in the Neue Musik-Festhalle in Munich The Symphony No. 8 in E-flat major by Gustav Mahler is one of the largest-scale choral works in the classical concert repertoire. As it requires huge instrumental and vocal forces it is frequently called the "Symphony of a Thousand", although the work is normally presented with far fewer than a thousand performers and the composer disapproved of the name. The work was composed in a single inspired burst at his Maiernigg villa in southern Austria in the summer of 1906. The last of Mahler's works that was premiered in his lifetime, the symphony was a critical and popular success when he conducted the Munich Philharmonic in its first performance, in Munich, on 12 September 1910. The fusion of song and symphony had been a characteristic of Mahler's early works. In his "middle" compositional period after 1901, a change of style led him to produce three purely instrumental symphonies. The Eighth, marking the end of the middle period, returns to a combination of orchestra and voice in a symphonic context. The structure of the work is unconventional: instead of the normal framework of several movements, the piece is in two parts ("1." and "2. Teil"). Part I is based on the Latin text of Veni creator spiritus ("Come, Creator Spirit"), a ninth-century Christian hymn for Pentecost, and Part II is a setting of the words from the closing scene of Goethe's Faust. The two parts are unified by a common idea, that of redemption through the power of love, a unity conveyed through shared musical themes. (Full article...)

    Final rehearsal for the world premiere in the Neue Musik-Festhalle in Munich

    The Symphony No. 8 in E-flat major by Gustav Mahler is one of the largest-scale choral works in the classical concert repertoire. As it requires huge instrumental and vocal forces it is frequently called the "Symphony of a Thousand", although the work is normally presented with far fewer than a thousand performers and the composer disapproved of the name. The work was composed in a single inspired burst at his Maiernigg villa in southern Austria in the summer of 1906. The last of Mahler's works that was premiered in his lifetime, the symphony was a critical and popular success when he conducted the Munich Philharmonic in its first performance, in Munich, on 12 September 1910.

    The fusion of song and symphony had been a characteristic of Mahler's early works. In his "middle" compositional period after 1901, a change of style led him to produce three purely instrumental symphonies. The Eighth, marking the end of the middle period, returns to a combination of orchestra and voice in a symphonic context. The structure of the work is unconventional: instead of the normal framework of several movements, the piece is in two parts ("1." and "2. Teil"). Part I is based on the Latin text of Veni creator spiritus ("Come, Creator Spirit"), a ninth-century Christian hymn for Pentecost, and Part II is a setting of the words from the closing scene of Goethe's Faust. The two parts are unified by a common idea, that of redemption through the power of love, a unity conveyed through shared musical themes. (Full article...)
  • Image 6 "Rich Girl" is a song by American singer and songwriter Gwen Stefani from her debut solo studio album, Love. Angel. Music. Baby. (2004). Produced by Dr. Dre, the track features American rapper Eve, and is a remake of Louchie Lou & Michie One's 1993 song of the same name, which in turn interpolates the Fiddler on the Roof song "If I Were a Rich Man". The song discusses Stefani's dreams of fame and riches from the perspective of "when she was just an Orange County girl". The last song to be included on the album, "Rich Girl" was released as the album's second single in late 2004 to mixed reviews from music critics. It was a commercial success, reaching the top 10 on most of the charts it entered. In the United States, "Rich Girl" was certified gold, and it received a nomination for Best Rap/Sung Collaboration at the 48th Annual Grammy Awards. (Full article...)
    "Rich Girl" is a song by American singer and songwriter Gwen Stefani from her debut solo studio album, Love. Angel. Music. Baby. (2004). Produced by Dr. Dre, the track features American rapper Eve, and is a remake of Louchie Lou & Michie One's 1993 song of the same name, which in turn interpolates the Fiddler on the Roof song "If I Were a Rich Man". The song discusses Stefani's dreams of fame and riches from the perspective of "when she was just an Orange County girl".

    The last song to be included on the album, "Rich Girl" was released as the album's second single in late 2004 to mixed reviews from music critics. It was a commercial success, reaching the top 10 on most of the charts it entered. In the United States, "Rich Girl" was certified gold, and it received a nomination for Best Rap/Sung Collaboration at the 48th Annual Grammy Awards. (Full article...)
  • Image 7 Cover of the score, 1919 The Bartered Bride (Czech: Prodaná nevěsta, The Sold Bride) is a comic opera in three acts by the Czech composer Bedřich Smetana, to a libretto by Karel Sabina. The work is generally regarded as a major contribution towards the development of Czech music. It was composed during the period 1863 to 1866, and first performed at the Provisional Theatre, Prague, on 30 May 1866 in a two-act format with spoken dialogue. Set in a country village and with realistic characters, it tells the story of how, after a late surprise revelation, true love prevails over the combined efforts of ambitious parents and a scheming marriage broker. The opera was not immediately successful, and was revised and extended in the following four years. In its final version, premiered in 1870, it rapidly gained popularity and eventually became a worldwide success. Until this time, the Czech national opera had only been represented by minor, rarely performed works. This opera, Smetana's second, was part of his quest to create a truly Czech operatic genre. Smetana's musical treatment made considerable use of traditional Bohemian dance forms, such as the polka and furiant, and, although he largely avoided the direct quotation of folksong, he nevertheless created music considered by Czechs to be quintessentially Czech in spirit. The overture, often played as a concert piece independently from the opera, was, unusually, composed before almost any of the other music had been written. (Full article...)

    Cover of the score, 1919

    The Bartered Bride (Czech: Prodaná nevěsta, The Sold Bride) is a comic opera in three acts by the Czech composer Bedřich Smetana, to a libretto by Karel Sabina. The work is generally regarded as a major contribution towards the development of Czech music. It was composed during the period 1863 to 1866, and first performed at the Provisional Theatre, Prague, on 30 May 1866 in a two-act format with spoken dialogue. Set in a country village and with realistic characters, it tells the story of how, after a late surprise revelation, true love prevails over the combined efforts of ambitious parents and a scheming marriage broker.

    The opera was not immediately successful, and was revised and extended in the following four years. In its final version, premiered in 1870, it rapidly gained popularity and eventually became a worldwide success. Until this time, the Czech national opera had only been represented by minor, rarely performed works. This opera, Smetana's second, was part of his quest to create a truly Czech operatic genre. Smetana's musical treatment made considerable use of traditional Bohemian dance forms, such as the polka and furiant, and, although he largely avoided the direct quotation of folksong, he nevertheless created music considered by Czechs to be quintessentially Czech in spirit. The overture, often played as a concert piece independently from the opera, was, unusually, composed before almost any of the other music had been written. (Full article...)
  • Image 8 Alex Chilton and Jody Stephens of Big Star on stage at Hyde Park, London in 2009 Big Star was an American rock band formed in Memphis, Tennessee in 1971 by Alex Chilton (vocals, guitar), Chris Bell (vocals, guitar), Jody Stephens (drums), and Andy Hummel (bass). They have been described as the "quintessential American power pop band", and "one of the most mythic and influential cult acts in all of rock & roll". In its first era, the band's musical style drew influence from 1960s pop acts such as the Beatles and the Byrds, producing a style that foreshadowed the alternative rock of the 1980s and 1990s. Before they broke up, Big Star created a "seminal body of work that never stopped inspiring succeeding generations" according to Rolling Stone. Three of Big Star's studio albums are included in the Rolling Stone list of the Top 500 Albums of All-Time. Big Star's debut album, 1972's #1 Record, was met by enthusiastic reviews, but ineffective marketing by Stax Records and limited distribution stunted its commercial success. Frustration took its toll on band relations: Bell left not long after the first record's commercial progress stalled, and Hummel left to finish his college education after a second album, Radio City, was completed in December 1973. Like #1 Record, Radio City received excellent reviews, but label issues again thwarted sales—Columbia Records, which had assumed control of the Stax catalog, likewise effectively vetoed its distribution. (Full article...)

    Alex Chilton and Jody Stephens of Big Star on stage at Hyde Park, London in 2009

    Big Star was an American rock band formed in Memphis, Tennessee in 1971 by Alex Chilton (vocals, guitar), Chris Bell (vocals, guitar), Jody Stephens (drums), and Andy Hummel (bass). They have been described as the "quintessential American power pop band", and "one of the most mythic and influential cult acts in all of rock & roll". In its first era, the band's musical style drew influence from 1960s pop acts such as the Beatles and the Byrds, producing a style that foreshadowed the alternative rock of the 1980s and 1990s. Before they broke up, Big Star created a "seminal body of work that never stopped inspiring succeeding generations" according to Rolling Stone. Three of Big Star's studio albums are included in the Rolling Stone list of the Top 500 Albums of All-Time.

    Big Star's debut album, 1972's #1 Record, was met by enthusiastic reviews, but ineffective marketing by Stax Records and limited distribution stunted its commercial success. Frustration took its toll on band relations: Bell left not long after the first record's commercial progress stalled, and Hummel left to finish his college education after a second album, Radio City, was completed in December 1973. Like #1 Record, Radio City received excellent reviews, but label issues again thwarted sales—Columbia Records, which had assumed control of the Stax catalog, likewise effectively vetoed its distribution. (Full article...)
  • Image 9 Maxinquaye is the debut album by English rapper and producer Tricky, released on 20 February 1995 by 4th & B'way Records, a subsidiary of Island Records. In the years leading up to the album, Tricky had grown frustrated with his limited role in the musical group Massive Attack and wanted to pursue an independent project. Shortly after, he met with vocalist Martina Topley-Bird, who he felt would offer a wider vision to his music, and signed a solo contract with 4th & B'way in 1993. Tricky recorded Maxinquaye the following year primarily at his home studio in London, with Topley-Bird serving as the album's main vocalist, while Alison Goldfrapp, Ragga and Mark Stewart performed additional vocals. With assistance from fellow producer Mark Saunders, Tricky used dub music techniques and heavily altered samples taken from a variety of sources to produce Maxinquaye. Its resulting groove-oriented downbeat, hazy and fragmented sound incorporates elements from hip hop, soul, rock, ambient techno, reggae and experimental music. Tricky's lyrics throughout the album explore themes of cultural decline, dysfunctional sexual relationships, fear of intimacy and recreational drug use, as he drew on his experiences in British drug culture and the influence of his late mother Maxine Quaye, after whom the album is titled. (Full article...)
    Maxinquaye is the debut album by English rapper and producer Tricky, released on 20 February 1995 by 4th & B'way Records, a subsidiary of Island Records. In the years leading up to the album, Tricky had grown frustrated with his limited role in the musical group Massive Attack and wanted to pursue an independent project. Shortly after, he met with vocalist Martina Topley-Bird, who he felt would offer a wider vision to his music, and signed a solo contract with 4th & B'way in 1993. Tricky recorded Maxinquaye the following year primarily at his home studio in London, with Topley-Bird serving as the album's main vocalist, while Alison Goldfrapp, Ragga and Mark Stewart performed additional vocals.

    With assistance from fellow producer Mark Saunders, Tricky used dub music techniques and heavily altered samples taken from a variety of sources to produce Maxinquaye. Its resulting groove-oriented downbeat, hazy and fragmented sound incorporates elements from hip hop, soul, rock, ambient techno, reggae and experimental music. Tricky's lyrics throughout the album explore themes of cultural decline, dysfunctional sexual relationships, fear of intimacy and recreational drug use, as he drew on his experiences in British drug culture and the influence of his late mother Maxine Quaye, after whom the album is titled. (Full article...)
  • Image 10 Mother's Milk is the fourth studio album by American rock band Red Hot Chili Peppers, released on August 16, 1989 by EMI Records. After the death of founding guitarist Hillel Slovak and the subsequent departure of drummer Jack Irons, vocalist Anthony Kiedis and bassist Flea regrouped with the addition of guitarist John Frusciante and drummer Chad Smith. Frusciante's influence altered the band's sound by placing more emphasis on melody than rhythm, which had dominated the band's previous material. Returning producer Michael Beinhorn favored heavy metal guitar riffs as well as overdubbing. Frusciante perceived Beinhorn's taste as excessive, and as a result, the two constantly fought over the album's guitar sound. Mother's Milk was a greater commercial success than the band's first three albums, peaking at number 52 on the US Billboard 200. It received widespread airplay for the three singles which included the cover of Stevie Wonder's "Higher Ground", "Knock Me Down" and "Taste the Pain", and it became their first gold record in early 1990. Although it was not met with the same positive critical reception that its predecessor The Uplift Mofo Party Plan (1987) had garnered, Mother's Milk was the first step for the band in achieving international success and, according to Amy Hanson of AllMusic, "turned the tide and transformed the band from underground funk-rocking rappers to mainstream bad boys with seemingly very little effort." (Full article...)
    Mother's Milk is the fourth studio album by American rock band Red Hot Chili Peppers, released on August 16, 1989 by EMI Records. After the death of founding guitarist Hillel Slovak and the subsequent departure of drummer Jack Irons, vocalist Anthony Kiedis and bassist Flea regrouped with the addition of guitarist John Frusciante and drummer Chad Smith. Frusciante's influence altered the band's sound by placing more emphasis on melody than rhythm, which had dominated the band's previous material. Returning producer Michael Beinhorn favored heavy metal guitar riffs as well as overdubbing. Frusciante perceived Beinhorn's taste as excessive, and as a result, the two constantly fought over the album's guitar sound.

    Mother's Milk was a greater commercial success than the band's first three albums, peaking at number 52 on the US Billboard 200. It received widespread airplay for the three singles which included the cover of Stevie Wonder's "Higher Ground", "Knock Me Down" and "Taste the Pain", and it became their first gold record in early 1990. Although it was not met with the same positive critical reception that its predecessor The Uplift Mofo Party Plan (1987) had garnered, Mother's Milk was the first step for the band in achieving international success and, according to Amy Hanson of AllMusic, "turned the tide and transformed the band from underground funk-rocking rappers to mainstream bad boys with seemingly very little effort." (Full article...)
  • Image 11 Bradley Joseph (born 1965) is an American composer, arranger, and producer of contemporary instrumental music. His compositions include works for orchestra, quartet and solo piano, while his musical style ranges from "quietly pensive mood music to a rich orchestration of classical depth and breadth". Active since 1983, Joseph has performed in front of half a million people around the world. He played various instruments in rock bands throughout the Midwest until 1989 when Greek composer Yanni hired him for his core band after hearing a tape of his original compositions. He was a featured concert keyboardist with Yanni through six major tours, most recently in 2003 for the 60-city Ethnicity tour. He appears in the multi-platinum album and concert film, Live at the Acropolis. Joseph also spent five years as musical director and lead keyboardist for Sheena Easton, including a 1995 performance on The Tonight Show with Jay Leno. (Full article...)

    Bradley Joseph (born 1965) is an American composer, arranger, and producer of contemporary instrumental music. His compositions include works for orchestra, quartet and solo piano, while his musical style ranges from "quietly pensive mood music to a rich orchestration of classical depth and breadth".

    Active since 1983, Joseph has performed in front of half a million people around the world. He played various instruments in rock bands throughout the Midwest until 1989 when Greek composer Yanni hired him for his core band after hearing a tape of his original compositions. He was a featured concert keyboardist with Yanni through six major tours, most recently in 2003 for the 60-city Ethnicity tour. He appears in the multi-platinum album and concert film, Live at the Acropolis. Joseph also spent five years as musical director and lead keyboardist for Sheena Easton, including a 1995 performance on The Tonight Show with Jay Leno. (Full article...)
  • Image 12 "This Charming Man" is a song by the English rock band the Smiths, written by guitarist Johnny Marr and singer Morrissey. Released as the group's second single in October 1983 on the independent record label Rough Trade, it is defined by Marr's jangle pop guitar riff and Morrissey's characteristically morose lyrics, which revolve around the recurrent Smiths themes of sexual ambiguity and lust. A different version, from the John Peel Show on BBC Radio 1, was included on the compilation album Hatful of Hollow in 1984. Feeling detached from the early 1980s mainstream gay culture, Morrissey wrote "This Charming Man" to evoke an older, more coded and self-aware underground scene. The singer said of the song's lyrics: "I really like the idea of the male voice being quite vulnerable, of it being taken and slightly manipulated, rather than there being always this heavy machismo thing that just bores everybody." (Full article...)
    "This Charming Man" is a song by the English rock band the Smiths, written by guitarist Johnny Marr and singer Morrissey. Released as the group's second single in October 1983 on the independent record label Rough Trade, it is defined by Marr's jangle pop guitar riff and Morrissey's characteristically morose lyrics, which revolve around the recurrent Smiths themes of sexual ambiguity and lust. A different version, from the John Peel Show on BBC Radio 1, was included on the compilation album Hatful of Hollow in 1984.

    Feeling detached from the early 1980s mainstream gay culture, Morrissey wrote "This Charming Man" to evoke an older, more coded and self-aware underground scene. The singer said of the song's lyrics: "I really like the idea of the male voice being quite vulnerable, of it being taken and slightly manipulated, rather than there being always this heavy machismo thing that just bores everybody." (Full article...)
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Born this day

Birthdays in Music: June 3
  • Billy Powell (Record production, 1952 –January 28, 2009), American keyboardist of Lynyrd Skynyrd , would have turned 72 this year.
  • Michael Clarke (Record production, 1944 –December 19, 1993), (born Michael James Dick) American drummer with The Byrds, would have turned 80 this year.
  • Curtis Mayfield (Record production, 1942 –December 26, 1999), American funk pioneer, multi-instrumentalist, singer and songwriter with The Impressions, would have turned 82 this year.
  • Grachan Moncur III (Record production, 1937 –June 3, 2022), American trombonist, would have turned 87 this year.
  • Lillian Briggs (Record production, 1935 –April 11, 1998), American trombonist and vocalist, would have turned 89 this year.
  • Ted Curson (Record production, 1935 –November 04, 2012), American trumpeter, would have turned 89 this year.
  • Bob Wallis (Record production, 1934 –January , 1991), Brit trumpeter and vocalist, would have turned 90 this year.
  • Dakota Staton (Record production, 1932 –April 10, 2007), American vocalist, would have turned 92 this year.
  • Phil Nimmons (Record production, 1923 –April 5, 2024), Canadian arranger, bandleader, clarinetist, and composer, would have turned 101 this year.
  • Al Harewood (Record production, 1923 –March 13, 2014), American drummer, would have turned 101 this year.
  • Carl Pruitt (1918–1977), American bass player, would have turned 106.
  • Josephine Baker (Record production, 1906 –April 12, 1975), French jazz vocalist, would have turned 118 this year.
  • Tom Brown (Record production, 1888 –March 25, 1958), American trombonist, would have turned 136 this year.
  

Selected albums - load new batch

These are all Good articles, which meet a core set of high editorial standards.
  • Image 1 The Number of the Beast is the third studio album by English heavy metal band Iron Maiden. It was released on 22 March 1982 in the United Kingdom by EMI Records and in the United States by Harvest and Capitol Records. The album was their first to feature vocalist Bruce Dickinson and their last with drummer Clive Burr. The Number of the Beast was met with critical and commercial success, and became the band's first album to top the UK Albums Chart and reach the top 40 of the US Billboard 200. The album produced the singles "Run to the Hills" and "The Number of the Beast", the former of which became the band's first top-ten UK single. The album was also controversial, particularly in the United States, due to the religious references in its artwork and the title track's lyrics. Since the release of The Number of the Beast, "The Beast" has become an alternate name for Iron Maiden and was later used in the titles of some of their compilations and live releases, including Best of the Beast and Visions of the Beast. (Full article...)
    The Number of the Beast is the third studio album by English heavy metal band Iron Maiden. It was released on 22 March 1982 in the United Kingdom by EMI Records and in the United States by Harvest and Capitol Records. The album was their first to feature vocalist Bruce Dickinson and their last with drummer Clive Burr.

    The Number of the Beast was met with critical and commercial success, and became the band's first album to top the UK Albums Chart and reach the top 40 of the US Billboard 200. The album produced the singles "Run to the Hills" and "The Number of the Beast", the former of which became the band's first top-ten UK single. The album was also controversial, particularly in the United States, due to the religious references in its artwork and the title track's lyrics. Since the release of The Number of the Beast, "The Beast" has become an alternate name for Iron Maiden and was later used in the titles of some of their compilations and live releases, including Best of the Beast and Visions of the Beast. (Full article...)
  • Image 2 Madonna is the eponymous debut studio album by American singer Madonna, released on July 27, 1983, by Sire Records. In the late 1970s, Madonna had established herself as a singer in downtown New York City; alongside her Michigan boyfriend Stephen Bray, she put together a demo tape with four dance tracks and began pitching it around local nightclubs. She managed to get Mark Kamins, the resident DJ at Danceteria, to play "Everybody" —one of the songs from the tape. The song was met with a positive reception from the crowd, and Kamins took Madonna to Sire Records, where label president Seymour Stein signed her on for three twelve-inch singles. Following its release on October 2, 1982, "Everybody" found success on the dance scene, and the label approved the recording of an album. For the album, Madonna worked with Warner Bros. producer Reggie Lucas, who had worked with artists like Roberta Flack and Stephanie Mills. Soon, however, problems between the singer and Lucas arose, as she was not happy with his production outputs. Madonna then invited John "Jellybean" Benitez, her boyfriend at the time, to work and remix the rest of the album. Madonna is mostly a dance-pop post-disco album, and features the newest technology of the time, including the LM-2 drum machine, Moog bass and Oberheim OB-X synthesizer. Its songs talk mostly about love and partying. Five singles were released from the album: "Everybody" and "Burning Up" were published months before it was even completed; both songs failed to make a major impact on the charts. "Holiday", "Lucky Star" and "Borderline", however, were international Top 10 hits, with the former being deemed Madonna's breakthrough. (Full article...)
    Madonna is the eponymous debut studio album by American singer Madonna, released on July 27, 1983, by Sire Records. In the late 1970s, Madonna had established herself as a singer in downtown New York City; alongside her Michigan boyfriend Stephen Bray, she put together a demo tape with four dance tracks and began pitching it around local nightclubs. She managed to get Mark Kamins, the resident DJ at Danceteria, to play "Everybody" —one of the songs from the tape. The song was met with a positive reception from the crowd, and Kamins took Madonna to Sire Records, where label president Seymour Stein signed her on for three twelve-inch singles. Following its release on October 2, 1982, "Everybody" found success on the dance scene, and the label approved the recording of an album.

    For the album, Madonna worked with Warner Bros. producer Reggie Lucas, who had worked with artists like Roberta Flack and Stephanie Mills. Soon, however, problems between the singer and Lucas arose, as she was not happy with his production outputs. Madonna then invited John "Jellybean" Benitez, her boyfriend at the time, to work and remix the rest of the album. Madonna is mostly a dance-pop post-disco album, and features the newest technology of the time, including the LM-2 drum machine, Moog bass and Oberheim OB-X synthesizer. Its songs talk mostly about love and partying. Five singles were released from the album: "Everybody" and "Burning Up" were published months before it was even completed; both songs failed to make a major impact on the charts. "Holiday", "Lucky Star" and "Borderline", however, were international Top 10 hits, with the former being deemed Madonna's breakthrough. (Full article...)
  • Image 3 The Marble Index is the second studio album by the German musician Nico, released in November 1968 on Elektra Records. The avant-garde sound introduced in the album—a stark contrast with her folk pop debut, Chelsea Girl (1967)—was the result of the combination of Nico's droning harmonium and somber vocals, and the producer John Cale's musical arrangements, which were inspired by modern European classical music. Nico envisioned the release as an attempt to get artistic legitimacy and changing the looks that had made her famous as a fashion model. Although The Marble Index was largely unnoticed when it was released, it has achieved acclaim over time. Nico's unprecedented sound and personal style—both recognised for their tenebrous quality—are considered an influence on several artists. Most notably, they served as a musical and visual prototype for the 1980's gothic rock scene. Nico and Cale continued working together, releasing two more studio albums in the same vein—Desertshore (1970) and The End... (1974)—which are now considered parts of a trilogy. (Full article...)
    The Marble Index is the second studio album by the German musician Nico, released in November 1968 on Elektra Records. The avant-garde sound introduced in the album—a stark contrast with her folk pop debut, Chelsea Girl (1967)—was the result of the combination of Nico's droning harmonium and somber vocals, and the producer John Cale's musical arrangements, which were inspired by modern European classical music. Nico envisioned the release as an attempt to get artistic legitimacy and changing the looks that had made her famous as a fashion model.

    Although The Marble Index was largely unnoticed when it was released, it has achieved acclaim over time. Nico's unprecedented sound and personal style—both recognised for their tenebrous quality—are considered an influence on several artists. Most notably, they served as a musical and visual prototype for the 1980's gothic rock scene. Nico and Cale continued working together, releasing two more studio albums in the same vein—Desertshore (1970) and The End... (1974)—which are now considered parts of a trilogy. (Full article...)
  • Image 4 Cambodian Rocks is a compilation of 22 uncredited, untitled Cambodian psychedelic and garage rock songs from the late 1960s and early 1970s. When the tracks were recorded, musicians in the thriving music scene were combining Western rock and pop genres with their own styles and techniques. When the Khmer Rouge came to power in 1975, artists were among those viewed as a threat to the regime's agrarian socialist vision, and several of the performers on the album are believed to have been among those killed during the ensuing Cambodian genocide of 1975–1979. A great deal of information about them and their creative output was lost, although some has been recovered since the album's release. The compilation was assembled from cassette tapes purchased by an American tourist in 1994 and released on the Parallel World label in 1996. The album has been lauded for its music as well as its historical and cultural significance, though the label has been criticized for reissuing it years later without working to identify those involved. Through collaboration on the Internet, the songs have all been identified. Cambodian Rocks inspired the 2015 documentary film Don't Think I've Forgotten. (Full article...)
    Cambodian Rocks is a compilation of 22 uncredited, untitled Cambodian psychedelic and garage rock songs from the late 1960s and early 1970s. When the tracks were recorded, musicians in the thriving music scene were combining Western rock and pop genres with their own styles and techniques. When the Khmer Rouge came to power in 1975, artists were among those viewed as a threat to the regime's agrarian socialist vision, and several of the performers on the album are believed to have been among those killed during the ensuing Cambodian genocide of 1975–1979. A great deal of information about them and their creative output was lost, although some has been recovered since the album's release.

    The compilation was assembled from cassette tapes purchased by an American tourist in 1994 and released on the Parallel World label in 1996. The album has been lauded for its music as well as its historical and cultural significance, though the label has been criticized for reissuing it years later without working to identify those involved. Through collaboration on the Internet, the songs have all been identified. Cambodian Rocks inspired the 2015 documentary film Don't Think I've Forgotten. (Full article...)
  • Image 5 Rain in England is the second studio album by American rapper Lil B, released through Weird Forest on September 21, 2010. Produced by Lil B under his persona "The Based God", Rain in England is unusual for the hip hop genre because it has no percussive beats. Instead, Lil B raps over new-age-style synthesizer music. The lyrical style, which finds Lil B speaking on topics like family, love and death, has been noted for its sincerity and reflectiveness. The album had a mixed reception upon release; some critics and artists praised its unorthodox musical and lyrical content, while others were left baffled. According to Louis Pattison of The Guardian, the album "transcended familiar notions of good and bad, being one of the most peculiar rap albums ever pressed". (Full article...)
    Rain in England is the second studio album by American rapper Lil B, released through Weird Forest on September 21, 2010. Produced by Lil B under his persona "The Based God", Rain in England is unusual for the hip hop genre because it has no percussive beats. Instead, Lil B raps over new-age-style synthesizer music. The lyrical style, which finds Lil B speaking on topics like family, love and death, has been noted for its sincerity and reflectiveness.

    The album had a mixed reception upon release; some critics and artists praised its unorthodox musical and lyrical content, while others were left baffled. According to Louis Pattison of The Guardian, the album "transcended familiar notions of good and bad, being one of the most peculiar rap albums ever pressed". (Full article...)
  • Image 6 (What's the Story) Morning Glory? is the second studio album by the English rock band Oasis. Released on 2 October 1995 by Creation Records, it was produced by Owen Morris and the group's lead guitarist and chief songwriter Noel Gallagher. The structure and arrangement style of the album was a significant departure from the band's previous album, Definitely Maybe (1994). Gallagher's compositions were more focused in balladry and placed more emphasis on "huge" choruses, with the string arrangements and more varied instrumentation contrasting with the rawness of the group's debut album. Morning Glory was the group's first album with drummer Alan White, who replaced Tony McCarroll (though McCarroll still appeared on the album, drumming on the track "Some Might Say"). The record propelled Oasis from being a crossover indie act to a worldwide rock phenomenon, and is seen by critics as a significant record in the timeline of British indie music. Morning Glory sold a record-breaking 345,000 copies in its first week in the UK before going on to spend 10 weeks at number one on the UK Albums Chart. It was also the band's breakthrough in the United States, reaching number four on the US Billboard 200 and being certified 4× platinum by the Recording Industry Association of America (RIAA). The album yielded four major hit singles in the band's native Britain: "Some Might Say" and "Don't Look Back in Anger" reached number one, and "Roll with It" and "Wonderwall" peaked at number two; the latter has emerged as the band's biggest-selling UK hit, spending 30 consecutive weeks on the chart. "Champagne Supernova" and "Wonderwall" reached number one on the Billboard Alternative Songs chart. At the 1996 Brit Awards, the album won Best British Album. Over several months in 1995 and 1996, the band supported the album with an extensive world tour, which saw them play to among the largest audiences ever at the time. (Full article...)
    (What's the Story) Morning Glory? is the second studio album by the English rock band Oasis. Released on 2 October 1995 by Creation Records, it was produced by Owen Morris and the group's lead guitarist and chief songwriter Noel Gallagher. The structure and arrangement style of the album was a significant departure from the band's previous album, Definitely Maybe (1994). Gallagher's compositions were more focused in balladry and placed more emphasis on "huge" choruses, with the string arrangements and more varied instrumentation contrasting with the rawness of the group's debut album. Morning Glory was the group's first album with drummer Alan White, who replaced Tony McCarroll (though McCarroll still appeared on the album, drumming on the track "Some Might Say").

    The record propelled Oasis from being a crossover indie act to a worldwide rock phenomenon, and is seen by critics as a significant record in the timeline of British indie music. Morning Glory sold a record-breaking 345,000 copies in its first week in the UK before going on to spend 10 weeks at number one on the UK Albums Chart. It was also the band's breakthrough in the United States, reaching number four on the US Billboard 200 and being certified 4× platinum by the Recording Industry Association of America (RIAA). The album yielded four major hit singles in the band's native Britain: "Some Might Say" and "Don't Look Back in Anger" reached number one, and "Roll with It" and "Wonderwall" peaked at number two; the latter has emerged as the band's biggest-selling UK hit, spending 30 consecutive weeks on the chart. "Champagne Supernova" and "Wonderwall" reached number one on the Billboard Alternative Songs chart. At the 1996 Brit Awards, the album won Best British Album. Over several months in 1995 and 1996, the band supported the album with an extensive world tour, which saw them play to among the largest audiences ever at the time. (Full article...)
  • Image 7 Sahib Bibi Aur Ghulam (transl. The Master, the Wife, and the Slave) is a 1962 Indian Hindi-language drama film that was directed by Abrar Alvi and produced by Guru Dutt, who also co-stars in it alongside Meena Kumari, Rehman, and Waheeda Rehman. The film, which is based on Bimal Mitra's Bengali-language novel Saheb Bibi Golam (1953) which was the second adaptation of the novel after the 1956 Bengali film with the same title Saheb Bibi Golam starring Sumitra Devi, Uttam Kumar and Chhabi Biswas. Having seen the novel and its staged version, Dutt wanted to adapt Saheb Bibi Golam into a film, was set in the 19th century during the British Raj and focuses on Bhoothnath (Dutt), who meets Chhoti Bahu (Kumari), the lonely wife of a zamindar (Rehman). The film follows Chhoti Bahu's effort to keep her husband—who likes drinking and watching tawaifs perform—at their home by drinking with him. She becomes addicted to alcohol, leading both of them into bankruptcy. The book's rights were bought after his production venture Chaudhvin Ka Chand (1960) became commercially successful and covered his company's loss following the failure of Kaagaz Ke Phool (1959), his previous directorial project. Mitra and Alvi took a year to write the screenplay, facing difficulties in translating the novel from Bengali to Hindi. Principal photography took place in Andheri and Dhanyakuria with cinematographer V. K. Murthy; the film was edited by Y. G. Chawhan. Hemant Kumar composed the soundtrack and Shakeel Badayuni wrote the lyrics. (Full article...)
    Sahib Bibi Aur Ghulam (transl. The Master, the Wife, and the Slave) is a 1962 Indian Hindi-language drama film that was directed by Abrar Alvi and produced by Guru Dutt, who also co-stars in it alongside Meena Kumari, Rehman, and Waheeda Rehman. The film, which is based on Bimal Mitra's Bengali-language novel Saheb Bibi Golam (1953) which was the second adaptation of the novel after the 1956 Bengali film with the same title Saheb Bibi Golam starring Sumitra Devi, Uttam Kumar and Chhabi Biswas. Having seen the novel and its staged version, Dutt wanted to adapt Saheb Bibi Golam into a film, was set in the 19th century during the British Raj and focuses on Bhoothnath (Dutt), who meets Chhoti Bahu (Kumari), the lonely wife of a zamindar (Rehman). The film follows Chhoti Bahu's effort to keep her husband—who likes drinking and watching tawaifs perform—at their home by drinking with him. She becomes addicted to alcohol, leading both of them into bankruptcy.

    The book's rights were bought after his production venture Chaudhvin Ka Chand (1960) became commercially successful and covered his company's loss following the failure of Kaagaz Ke Phool (1959), his previous directorial project. Mitra and Alvi took a year to write the screenplay, facing difficulties in translating the novel from Bengali to Hindi. Principal photography took place in Andheri and Dhanyakuria with cinematographer V. K. Murthy; the film was edited by Y. G. Chawhan. Hemant Kumar composed the soundtrack and Shakeel Badayuni wrote the lyrics. (Full article...)
  • Image 8 Speak Now is the third studio album by the American singer-songwriter Taylor Swift, released on October 25, 2010, by Big Machine Records. Swift wrote the album entirely herself within two years while touring to promote her second studio album, Fearless (2008), to reflect on her transition from adolescence to adulthood. Swift framed Speak Now as a loose concept album about the unsaid things she wanted to deliver to the subjects of her songs. Using confessional songwriting, the album is mostly about heartbreak and reflections on broken relationships, and some tracks were inspired by Swift's rising stardom in the public eye to confront her critics and adversaries. She and Nathan Chapman produced Speak Now, which combines country pop, pop rock, and power pop. Its songs incorporate prominent rock stylings, and their melodies are characterized by acoustic instruments intertwined with chiming electric guitars, dynamic drums, and orchestral strings. (Full article...)
    Speak Now is the third studio album by the American singer-songwriter Taylor Swift, released on October 25, 2010, by Big Machine Records. Swift wrote the album entirely herself within two years while touring to promote her second studio album, Fearless (2008), to reflect on her transition from adolescence to adulthood.

    Swift framed Speak Now as a loose concept album about the unsaid things she wanted to deliver to the subjects of her songs. Using confessional songwriting, the album is mostly about heartbreak and reflections on broken relationships, and some tracks were inspired by Swift's rising stardom in the public eye to confront her critics and adversaries. She and Nathan Chapman produced Speak Now, which combines country pop, pop rock, and power pop. Its songs incorporate prominent rock stylings, and their melodies are characterized by acoustic instruments intertwined with chiming electric guitars, dynamic drums, and orchestral strings. (Full article...)
  • Image 9 Breakaway is the second studio album by American pop singer Kelly Clarkson, released on November 30, 2004, by RCA Records. The album is the follow-up to her successful debut album, Thankful (2003). Breakaway sees Clarkson collaborating with various producers and songwriters for the first time, primarily Dr. Luke, Max Martin, John Shanks, Kara DioGuardi, Ben Moody, and David Hodges; the latter two are former members of American rock band Evanescence. Despite the established commercial success of Thankful, music critics still continued to typecast Clarkson as an American Idol winner and were also critical of her attempts of establishing a commercial appeal on her own. Wanting to stray from those, she was convinced by Davis to work with Dr. Luke and Martin in Stockholm, and with Moody and Hodges in Los Angeles, in pursuit of a pop rock direction. This also led her to part ways with her manager Simon Fuller and hire the management services of Jeff Kwatinetz before the album's release. Breakaway is primarily a pop rock record with elements of rock and soul music, marking a departure from the R&B-oriented sound of Thankful; its lyrics explore themes of heartbreak, love, and escapism. Breakaway received a positive response from music critics, with many commending the album's new-found pop rock sound and Clarkson's vocal performances. It received several awards and nominations, including winning two Grammy Awards and receiving a nomination for a Juno Award. The album became a commercial success worldwide. By selling over 12 million copies worldwide, Breakaway is Clarkson's best selling album of her career so far, and one of the best-selling albums of the 21st century and by a female artist. After debuting at number three on the Billboard 200 in the United States, it stayed on the top twenty of the chart for more than a year, eventually being certified 6× multi-platinum by the Recording Industry Association of America (RIAA) for shipments of more than six million copies. (Full article...)
    Breakaway is the second studio album by American pop singer Kelly Clarkson, released on November 30, 2004, by RCA Records. The album is the follow-up to her successful debut album, Thankful (2003). Breakaway sees Clarkson collaborating with various producers and songwriters for the first time, primarily Dr. Luke, Max Martin, John Shanks, Kara DioGuardi, Ben Moody, and David Hodges; the latter two are former members of American rock band Evanescence. Despite the established commercial success of Thankful, music critics still continued to typecast Clarkson as an American Idol winner and were also critical of her attempts of establishing a commercial appeal on her own. Wanting to stray from those, she was convinced by Davis to work with Dr. Luke and Martin in Stockholm, and with Moody and Hodges in Los Angeles, in pursuit of a pop rock direction. This also led her to part ways with her manager Simon Fuller and hire the management services of Jeff Kwatinetz before the album's release. Breakaway is primarily a pop rock record with elements of rock and soul music, marking a departure from the R&B-oriented sound of Thankful; its lyrics explore themes of heartbreak, love, and escapism.

    Breakaway received a positive response from music critics, with many commending the album's new-found pop rock sound and Clarkson's vocal performances. It received several awards and nominations, including winning two Grammy Awards and receiving a nomination for a Juno Award. The album became a commercial success worldwide. By selling over 12 million copies worldwide, Breakaway is Clarkson's best selling album of her career so far, and one of the best-selling albums of the 21st century and by a female artist. After debuting at number three on the Billboard 200 in the United States, it stayed on the top twenty of the chart for more than a year, eventually being certified 6× multi-platinum by the Recording Industry Association of America (RIAA) for shipments of more than six million copies. (Full article...)
  • Image 10 Nightfreak and the Sons of Becker is a mini album and third studio album by English rock band the Coral, released on 26 January 2004 by Deltasonic. The Coral began writing the record less than a month after releasing their second studio album, Magic and Medicine (2003). Recording for the album took place over 12 days at Bryn Derwen Studios in Wales with producer Ian Broudie, frontman for the Lightning Seeds; the Coral served as co-producers. Described as a lo-fi neo-psychedelia release, Nightfreak is a concept album about German tennis player Boris Becker. Nightfreak and the Sons of Becker received generally favourable reviews from music critics, with particular compliments for the songwriting. Comparisons have been made to the work of Captain Beefheart and to the Mwng (2000) era of Super Furry Animals. Commercially, the album reached number four on the Scottish Albums Charts and number five on the UK Albums Chart, while also charting in France, Ireland, and Japan. The album received little promotion and no single releases, as the Coral viewed it as a stop-gap release between Magic and Medicine and their next full-length studio album. Only 75,000 copies of Nightfreak and the Sons of Becker were initially released in the UK. (Full article...)
    Nightfreak and the Sons of Becker is a mini album and third studio album by English rock band the Coral, released on 26 January 2004 by Deltasonic. The Coral began writing the record less than a month after releasing their second studio album, Magic and Medicine (2003). Recording for the album took place over 12 days at Bryn Derwen Studios in Wales with producer Ian Broudie, frontman for the Lightning Seeds; the Coral served as co-producers. Described as a lo-fi neo-psychedelia release, Nightfreak is a concept album about German tennis player Boris Becker.

    Nightfreak and the Sons of Becker received generally favourable reviews from music critics, with particular compliments for the songwriting. Comparisons have been made to the work of Captain Beefheart and to the Mwng (2000) era of Super Furry Animals. Commercially, the album reached number four on the Scottish Albums Charts and number five on the UK Albums Chart, while also charting in France, Ireland, and Japan. The album received little promotion and no single releases, as the Coral viewed it as a stop-gap release between Magic and Medicine and their next full-length studio album. Only 75,000 copies of Nightfreak and the Sons of Becker were initially released in the UK. (Full article...)
  • Image 11 The Best of George Harrison is a 1976 compilation album by the English musician George Harrison, released following the expiration of his EMI-affiliated Apple Records contract. Uniquely among all of the four Beatles' solo releases, apart from posthumous compilations, it mixes a selection of the artist's songs recorded with the Beatles on one side, and later hits recorded under his own name on the other. The song selection caused some controversy, since it underplayed Harrison's solo achievements during the 1970–75 period, for much of which he had been viewed as the most successful ex-Beatle, artistically and commercially. Music critics have also noted the compilation's failure to provide a faithful picture of Harrison's contribution to the Beatles' work, due to the omission of any of his Indian music compositions. In a calculated move by EMI and its American subsidiary, Capitol Records, the compilation was issued during the same month as Harrison's debut on his Warner-distributed Dark Horse label, Thirty Three & ⅓. (Full article...)
    The Best of George Harrison is a 1976 compilation album by the English musician George Harrison, released following the expiration of his EMI-affiliated Apple Records contract. Uniquely among all of the four Beatles' solo releases, apart from posthumous compilations, it mixes a selection of the artist's songs recorded with the Beatles on one side, and later hits recorded under his own name on the other.

    The song selection caused some controversy, since it underplayed Harrison's solo achievements during the 1970–75 period, for much of which he had been viewed as the most successful ex-Beatle, artistically and commercially. Music critics have also noted the compilation's failure to provide a faithful picture of Harrison's contribution to the Beatles' work, due to the omission of any of his Indian music compositions. In a calculated move by EMI and its American subsidiary, Capitol Records, the compilation was issued during the same month as Harrison's debut on his Warner-distributed Dark Horse label, Thirty Three & ⅓. (Full article...)
  • Image 12 Enter the Grave is the debut album by the English thrash metal band Evile. Released on 27 August 2007 in Europe and on 25 September in North America and Japan, the album received generally favorable reviews and entered the UK Rock Chart at number 33. It was produced by Flemming Rasmussen and recorded at Sweet Silence Studios, Copenhagen, Denmark. Rasmussen had produced three Metallica albums, which raised the profile of the album's release. The track "Thrasher" was included on the 2008 Earache Thrash Pack, a downloadable selection of songs for the music video console game Rock Band. The album's lyrics were inspired by films, and topics such as Countess Bathory, witch burnings, and thrash metal. Enter the Grave was re-released as a limited-edition "redux" version on 13 October 2008 in Europe and on 28 October in North America. According to the Huddersfield Daily Examiner, Enter the Grave had shifted 30,000 copies by September 2009. (Full article...)
    Enter the Grave is the debut album by the English thrash metal band Evile. Released on 27 August 2007 in Europe and on 25 September in North America and Japan, the album received generally favorable reviews and entered the UK Rock Chart at number 33. It was produced by Flemming Rasmussen and recorded at Sweet Silence Studios, Copenhagen, Denmark. Rasmussen had produced three Metallica albums, which raised the profile of the album's release. The track "Thrasher" was included on the 2008 Earache Thrash Pack, a downloadable selection of songs for the music video console game Rock Band.

    The album's lyrics were inspired by films, and topics such as Countess Bathory, witch burnings, and thrash metal. Enter the Grave was re-released as a limited-edition "redux" version on 13 October 2008 in Europe and on 28 October in North America. According to the Huddersfield Daily Examiner, Enter the Grave had shifted 30,000 copies by September 2009. (Full article...)
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  • Image 1 Conway Twitty reached number one for the first time in 1968. He would go on to achieve a record-breaking 40 chart-toppers. Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1968, 24 different singles topped the chart, then published under the title Hot Country Singles, in 52 issues of the magazine, based on playlists submitted by country music radio stations and sales reports submitted by stores. At the start of the year the number-one single was "For Loving You" by Bill Anderson and Jan Howard, its third week in the top spot. It remained at number one until the issue dated January 20, when it was replaced by Merle Haggard's single "Sing Me Back Home". Haggard spent the highest number of weeks at number one in 1968, topping the chart for a total of eight weeks with "Sing Me Back Home", "The Legend of Bonnie and Clyde" and "Mama Tried". He was one of three artists to take three different singles to number one during the year, the most by any act. Sonny James reached number one with "A World of Our Own", "Heaven Says Hello" and "Born To Be With You", and Tammy Wynette topped the chart with "Take Me to Your World", "D-I-V-O-R-C-E" and "Stand by Your Man". The longest run at number one by a single was the five weeks which Henson Cargill spent in the top spot with "Skip a Rope" in February and March. Two of 1968's country number ones also topped Billboard's all-genre singles chart, the Hot 100. Bobby Goldsboro's single "Honey" had already had a run atop the Hot 100 when it reached number one on the country chart in May. Jeannie C. Riley's "Harper Valley PTA" topped the Hot 100 in September and reached the peak position on the country chart the following week. Although it did not achieve the same level of crossover success, Wynette's November chart-topper "Stand by Your Man" has come to be regarded as one of the greatest country songs of all time. In 2003 it topped a poll of critics, journalists and industry insiders to find the top song of the genre, and in 2010 the song was added by the Library of Congress to the National Recording Registry, which selects recordings annually that are "culturally, historically, or aesthetically significant". (Full article...)
    A man with thick black hair wearing a dark jacket
    Conway Twitty reached number one for the first time in 1968. He would go on to achieve a record-breaking 40 chart-toppers.

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1968, 24 different singles topped the chart, then published under the title Hot Country Singles, in 52 issues of the magazine, based on playlists submitted by country music radio stations and sales reports submitted by stores.

    At the start of the year the number-one single was "For Loving You" by Bill Anderson and Jan Howard, its third week in the top spot. It remained at number one until the issue dated January 20, when it was replaced by Merle Haggard's single "Sing Me Back Home". Haggard spent the highest number of weeks at number one in 1968, topping the chart for a total of eight weeks with "Sing Me Back Home", "The Legend of Bonnie and Clyde" and "Mama Tried". He was one of three artists to take three different singles to number one during the year, the most by any act. Sonny James reached number one with "A World of Our Own", "Heaven Says Hello" and "Born To Be With You", and Tammy Wynette topped the chart with "Take Me to Your World", "D-I-V-O-R-C-E" and "Stand by Your Man". The longest run at number one by a single was the five weeks which Henson Cargill spent in the top spot with "Skip a Rope" in February and March. Two of 1968's country number ones also topped Billboard's all-genre singles chart, the Hot 100. Bobby Goldsboro's single "Honey" had already had a run atop the Hot 100 when it reached number one on the country chart in May. Jeannie C. Riley's "Harper Valley PTA" topped the Hot 100 in September and reached the peak position on the country chart the following week. Although it did not achieve the same level of crossover success, Wynette's November chart-topper "Stand by Your Man" has come to be regarded as one of the greatest country songs of all time. In 2003 it topped a poll of critics, journalists and industry insiders to find the top song of the genre, and in 2010 the song was added by the Library of Congress to the National Recording Registry, which selects recordings annually that are "culturally, historically, or aesthetically significant". (Full article...)
  • Image 2 From January 2007 to May 2007, the number-one singles in Canada were compiled by the American-based music sales tracking company, Nielsen SoundScan. The chart was compiled every Wednesday, and was published by Jam! Canoe on Thursdays. On March 31, 2007, Billboard magazine created the Canadian Hot 100, a chart specifically designed for Canada and the first Hot 100 chart that Billboard created for a country outside the United States. The chart was made available for the first time via Billboard online services on June 7, 2007, and it served as the successor to the Canadian Digital Song Sales Chart. (Full article...)
    From January 2007 to May 2007, the number-one singles in Canada were compiled by the American-based music sales tracking company, Nielsen SoundScan. The chart was compiled every Wednesday, and was published by Jam! Canoe on Thursdays. On March 31, 2007, Billboard magazine created the Canadian Hot 100, a chart specifically designed for Canada and the first Hot 100 chart that Billboard created for a country outside the United States. The chart was made available for the first time via Billboard online services on June 7, 2007, and it served as the successor to the Canadian Digital Song Sales Chart. (Full article...)
  • Image 3 Barbadian singer Rihanna earned her tenth and eleventh number-one singles when "S&M" and "We Found Love" both topped the chart. The Billboard Hot 100 is a chart that ranks the best-performing songs of the United States. Its data, published by Billboard magazine and compiled by Nielsen SoundScan, is based collectively on each single's weekly physical and digital sales, as well as airplay. In 2011, 14 singles claimed the top spot in 53 issues of the magazine, one of which, singer Katy Perry's "Firework" started its peak position in late 2010. In 2011, nine acts achieved their first US number-one single, either as a lead artist or a featured guest: Wiz Khalifa, Adele, Pitbull, Afrojack, Nayer, LMFAO, Lauren Bennett, GoonRock and Calvin Harris. Six collaboration singles topped the chart. Pop singers Adele, Britney Spears, Katy Perry and Rihanna each earned two number-one songs during the year. One of Adele's songs, "Rolling in the Deep", was the best-performing single of 2011, topping the Billboard Year-End Hot 100. She became the fourth solo female to have multiple songs spend at least five weeks each at number one in one calendar year. (Full article...)
    A young brunette woman sitting on a piano. She wears a golden dress and holds a microphone in her right hand
    Barbadian singer Rihanna earned her tenth and eleventh number-one singles when "S&M" and "We Found Love" both topped the chart.

    The Billboard Hot 100 is a chart that ranks the best-performing songs of the United States. Its data, published by Billboard magazine and compiled by Nielsen SoundScan, is based collectively on each single's weekly physical and digital sales, as well as airplay. In 2011, 14 singles claimed the top spot in 53 issues of the magazine, one of which, singer Katy Perry's "Firework" started its peak position in late 2010.

    In 2011, nine acts achieved their first US number-one single, either as a lead artist or a featured guest: Wiz Khalifa, Adele, Pitbull, Afrojack, Nayer, LMFAO, Lauren Bennett, GoonRock and Calvin Harris. Six collaboration singles topped the chart. Pop singers Adele, Britney Spears, Katy Perry and Rihanna each earned two number-one songs during the year.
    One of Adele's songs, "Rolling in the Deep", was the best-performing single of 2011, topping the Billboard Year-End Hot 100. She became the fourth solo female to have multiple songs spend at least five weeks each at number one in one calendar year. (Full article...)
  • Image 4 The Grammy Award for Best Urban/Alternative Performance was an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to recording artists for quality urban/alternative performances. Awards in several categories are distributed annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position." The award was first awarded to India.Arie at the 45th Grammy Awards (2003) for her song "Little Things". According to the category description guide for the 52nd Grammy Awards, the award was presented to artists that had made "newly recorded urban/alternative performances with vocals". The award was intended to recognize artists "who have been influenced by a cross-section of urban music" and who create music that is out of the "mainstream trends". (Full article...)
    The Grammy Award for Best Urban/Alternative Performance was an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to recording artists for quality urban/alternative performances. Awards in several categories are distributed annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position."

    The award was first awarded to India.Arie at the 45th Grammy Awards (2003) for her song "Little Things". According to the category description guide for the 52nd Grammy Awards, the award was presented to artists that had made "newly recorded urban/alternative performances with vocals". The award was intended to recognize artists "who have been influenced by a cross-section of urban music" and who create music that is out of the "mainstream trends". (Full article...)
  • Image 5 Wynonna spent eight weeks at number one in 1992. Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1992, 25 different songs topped the chart, then published under the title Hot Country Singles & Tracks, in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems. In early 1992, after performing with her mother in the duo The Judds since the early 1980s, Wynonna Judd, now known mononymously as Wynonna, launched her solo career and achieved immediate success. She topped the Hot Country Singles & Tracks chart with her debut single "She Is His Only Need" and followed it up before the end of the year with two more chart-toppers with "I Saw the Light" and "No One Else on Earth". The three songs spent a total of eight weeks at number one, the most by any act in 1992. Alan Jackson was the only other artist to achieve three number ones during the year, but his three chart-toppers, "Dallas", "Love's Got a Hold on You" and "She's Got the Rhythm (And I Got the Blues)", spent only four weeks in total at the top of the chart. Brooks & Dunn, Collin Raye, Garth Brooks and Vince Gill each reached number one with two songs. (Full article...)
    A woman with long red hair wearing black, singing into a microphone while raising both her arms
    Wynonna spent eight weeks at number one in 1992.

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1992, 25 different songs topped the chart, then published under the title Hot Country Singles & Tracks, in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems.

    In early 1992, after performing with her mother in the duo The Judds since the early 1980s, Wynonna Judd, now known mononymously as Wynonna, launched her solo career and achieved immediate success. She topped the Hot Country Singles & Tracks chart with her debut single "She Is His Only Need" and followed it up before the end of the year with two more chart-toppers with "I Saw the Light" and "No One Else on Earth". The three songs spent a total of eight weeks at number one, the most by any act in 1992. Alan Jackson was the only other artist to achieve three number ones during the year, but his three chart-toppers, "Dallas", "Love's Got a Hold on You" and "She's Got the Rhythm (And I Got the Blues)", spent only four weeks in total at the top of the chart. Brooks & Dunn, Collin Raye, Garth Brooks and Vince Gill each reached number one with two songs. (Full article...)
  • Image 6 With the issue of Billboard dated August 4, 2018, "Meant to Be" by Bebe Rexha (pictured) and Florida Georgia Line broke the record for the longest run at number one on the Hot Country Songs chart, having been in the top spot for 35 weeks. The song's run at number one ultimately extended to 50 weeks at the top. Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology which had previously been used for several decades for Hot Country Songs. In 2018, three different songs topped the Hot Country Songs chart and 33 different songs topped Country Airplay. The Country Airplay chart began the year with "Like I Loved You" by Brett Young holding the top position, while "Meant to Be" by Bebe Rexha and Florida Georgia Line held the number one spot on Hot Country Songs, continuing a run that had begun on the chart dated December 16, 2017. When "Meant to Be" spent an eleventh week in the top spot in February, it overtook Taylor Swift's "We Are Never Ever Getting Back Together" as the longest-running number one song on the chart for a lead female artist. In August, the song spent a 35th consecutive week in the top spot and broke the record previously held by 2017's "Body Like a Back Road" by Sam Hunt for the most weeks at number one on the chart. "Meant to Be" ultimately held the top spot on the Hot Country Songs listing until the issue of Billboard dated November 24, 2018, when it was replaced at number one after 50 weeks by "Lose It" by Kane Brown. This was the second number one for Brown after "What Ifs", which had coincidentally ended Hunt's then-record run the previous year. The longest-tenured number one single on Country Airplay in 2018 was "She Got the Best of Me" by Luke Combs, with four weeks spent at the top. (Full article...)
    A young woman with long blonde hair singing into a microphone
    With the issue of Billboard dated August 4, 2018, "Meant to Be" by Bebe Rexha (pictured) and Florida Georgia Line broke the record for the longest run at number one on the Hot Country Songs chart, having been in the top spot for 35 weeks. The song's run at number one ultimately extended to 50 weeks at the top.

    Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology which had previously been used for several decades for Hot Country Songs. In 2018, three different songs topped the Hot Country Songs chart and 33 different songs topped Country Airplay.

    The Country Airplay chart began the year with "Like I Loved You" by Brett Young holding the top position, while "Meant to Be" by Bebe Rexha and Florida Georgia Line held the number one spot on Hot Country Songs, continuing a run that had begun on the chart dated December 16, 2017. When "Meant to Be" spent an eleventh week in the top spot in February, it overtook Taylor Swift's "We Are Never Ever Getting Back Together" as the longest-running number one song on the chart for a lead female artist. In August, the song spent a 35th consecutive week in the top spot and broke the record previously held by 2017's "Body Like a Back Road" by Sam Hunt for the most weeks at number one on the chart. "Meant to Be" ultimately held the top spot on the Hot Country Songs listing until the issue of Billboard dated November 24, 2018, when it was replaced at number one after 50 weeks by "Lose It" by Kane Brown. This was the second number one for Brown after "What Ifs", which had coincidentally ended Hunt's then-record run the previous year. The longest-tenured number one single on Country Airplay in 2018 was "She Got the Best of Me" by Luke Combs, with four weeks spent at the top. (Full article...)
  • Image 7 Tanya Tucker had her first chart-topper in 1973 at the age of 14. Hot Country Songs is a record chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1973, 36 different singles topped the chart, at the time published under the title Hot Country Singles, in 52 issues of the magazine. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores. At the start of the year, the number one song was "She's Got to Be a Saint" by Ray Price, which had reached number one the previous week, and remained atop the chart for two weeks in 1973. Price returned to the top spot for a single week later in the year with "You're the Best Thing That Ever Happened to Me". This marked his final appearance at the top of the Hot Country Singles chart, fifteen years after he had been at number one on the very first combined country sales and airplay chart published by Billboard. Conway Twitty spent the highest number of weeks at number one by any artist in 1973 with six, including one week at the top with a duet with Loretta Lynn. Twitty and Lynn had a run of success with duet recordings in the early 1970s alongside their ongoing solo careers, and each had three number one singles during the year, tying with Charley Pride, Tammy Wynette and Merle Haggard for the most number ones by an artist. Despite being banned by some radio stations due to its lyrical content, Twitty's "You've Never Been This Far Before" spent three weeks at number one, tying for the longest unbroken run of the year with "The Most Beautiful Girl" by Charlie Rich. (Full article...)
    A young woman with long blonde hair
    Tanya Tucker had her first chart-topper in 1973 at the age of 14.

    Hot Country Songs is a record chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1973, 36 different singles topped the chart, at the time published under the title Hot Country Singles, in 52 issues of the magazine. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores.

    At the start of the year, the number one song was "She's Got to Be a Saint" by Ray Price, which had reached number one the previous week, and remained atop the chart for two weeks in 1973. Price returned to the top spot for a single week later in the year with "You're the Best Thing That Ever Happened to Me". This marked his final appearance at the top of the Hot Country Singles chart, fifteen years after he had been at number one on the very first combined country sales and airplay chart published by Billboard. Conway Twitty spent the highest number of weeks at number one by any artist in 1973 with six, including one week at the top with a duet with Loretta Lynn. Twitty and Lynn had a run of success with duet recordings in the early 1970s alongside their ongoing solo careers, and each had three number one singles during the year, tying with Charley Pride, Tammy Wynette and Merle Haggard for the most number ones by an artist. Despite being banned by some radio stations due to its lyrical content, Twitty's "You've Never Been This Far Before" spent three weeks at number one, tying for the longest unbroken run of the year with "The Most Beautiful Girl" by Charlie Rich. (Full article...)
  • Image 8 Having been active since the 1960s, the Nitty Gritty Dirt Band achieved its first number one single in 1984. Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1984, 50 different singles topped the chart, then published under the title Hot Country Singles, in 52 issues of the magazine, based on playlists submitted by country music radio stations and sales reports submitted by stores. Six acts tied for the most number ones in 1984, with three each: bands Alabama and Exile and soloists Earl Thomas Conley, Merle Haggard, Ricky Skaggs and George Strait. One of the only two songs to spend more than a single week at number one was a collaboration between Julio Iglesias and Willie Nelson. Iglesias had been successful in his native Spain and other Latin markets since the late 1960s, but his 1984 album 1100 Bel Air Place was his United States breakthrough. The album featured duets with American singers from a range of genres, and the first single to be taken from it, "To All the Girls I've Loved Before", paired Iglesias with veteran country singer Nelson. The song was a top 10 hit on the all-genres Billboard Hot 100 but went all the way to number one on the country chart. The only other multi-week chart-topper in 1984 was "Why Not Me" by mother-daughter duo The Judds, which ended the year at number one. (Full article...)
    A group of men performing on a stage. One is playing a violin, three are playing guitars, and one is playing drums. The drummer and two of the guitarists are wearing cowboy hats.
    Having been active since the 1960s, the Nitty Gritty Dirt Band achieved its first number one single in 1984.

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1984, 50 different singles topped the chart, then published under the title Hot Country Singles, in 52 issues of the magazine, based on playlists submitted by country music radio stations and sales reports submitted by stores.

    Six acts tied for the most number ones in 1984, with three each: bands Alabama and Exile and soloists Earl Thomas Conley, Merle Haggard, Ricky Skaggs and George Strait. One of the only two songs to spend more than a single week at number one was a collaboration between Julio Iglesias and Willie Nelson. Iglesias had been successful in his native Spain and other Latin markets since the late 1960s, but his 1984 album 1100 Bel Air Place was his United States breakthrough. The album featured duets with American singers from a range of genres, and the first single to be taken from it, "To All the Girls I've Loved Before", paired Iglesias with veteran country singer Nelson. The song was a top 10 hit on the all-genres Billboard Hot 100 but went all the way to number one on the country chart. The only other multi-week chart-topper in 1984 was "Why Not Me" by mother-daughter duo The Judds, which ended the year at number one. (Full article...)
  • Image 9 Big & Rich topped the chart for the first time in 2007. Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 2007, 25 different songs topped the chart in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems. In the first issue of the new year, Brad Paisley reached number one with "She's Everything", replacing "Want To" by Sugarland, which had been number one in the issue dated December 30, 2006. This was the first of three number ones for Paisley in 2007, a feat only matched by Kenny Chesney. Paisley, however, spent significantly less time at number one in 2007, occupying the top spot for five weeks compared to Chesney's twelve. Chesney's song "Never Wanted Nothing More" was the longest-running number one of the year, with five weeks at the top. Acts who achieved their first number ones in 2007 included Canadian band Emerson Drive, whose song "Moments", which topped the chart in June, was the first ever Hot Country Songs number one by a band from Canada. Big & Rich also reached number one for the first and only time, topping the chart with the wedding ballad "Lost in This Moment" in July. (Full article...)
    Two men playing guitars and singing into microphones, one in a brown felt hat and striped top and the other in a black cowboy hat and dark jacket
    Big & Rich topped the chart for the first time in 2007.

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 2007, 25 different songs topped the chart in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems.

    In the first issue of the new year, Brad Paisley reached number one with "She's Everything", replacing "Want To" by Sugarland, which had been number one in the issue dated December 30, 2006. This was the first of three number ones for Paisley in 2007, a feat only matched by Kenny Chesney. Paisley, however, spent significantly less time at number one in 2007, occupying the top spot for five weeks compared to Chesney's twelve. Chesney's song "Never Wanted Nothing More" was the longest-running number one of the year, with five weeks at the top. Acts who achieved their first number ones in 2007 included Canadian band Emerson Drive, whose song "Moments", which topped the chart in June, was the first ever Hot Country Songs number one by a band from Canada. Big & Rich also reached number one for the first and only time, topping the chart with the wedding ballad "Lost in This Moment" in July. (Full article...)
  • Image 10 The Grammy Award for Best Jazz Vocal Performance, Male was an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to male recording artists for quality jazz vocal performances (songs or albums). Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position". Prior to 1981, the gender-neutral category of Best Jazz Vocal Performance existed. The first award specifically for male performances was presented to George Benson in 1981 for the song "Moody's Mood". The category remained unchanged until 1985, when it was combined with the award for Best Jazz Vocal Performance, Female and presented in the genderless category. Gender-specific awards were once again presented from 1986 until 1991. In 1992, the two categories were combined and presented as the category Best Jazz Vocal Performance. This category was later renamed to Best Jazz Vocal Album beginning in 2001. While the gender-specific award has not been presented since the category merge in 1992, an official confirmation of its retirement has not been announced. (Full article...)
    The Grammy Award for Best Jazz Vocal Performance, Male was an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to male recording artists for quality jazz vocal performances (songs or albums). Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".

    Prior to 1981, the gender-neutral category of Best Jazz Vocal Performance existed. The first award specifically for male performances was presented to George Benson in 1981 for the song "Moody's Mood". The category remained unchanged until 1985, when it was combined with the award for Best Jazz Vocal Performance, Female and presented in the genderless category. Gender-specific awards were once again presented from 1986 until 1991. In 1992, the two categories were combined and presented as the category Best Jazz Vocal Performance. This category was later renamed to Best Jazz Vocal Album beginning in 2001. While the gender-specific award has not been presented since the category merge in 1992, an official confirmation of its retirement has not been announced. (Full article...)
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