Portal:Record production

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The Record Production Portal

Noted audio engineer Roger Nichols at a vintage Neve recording console

P:RECORD

This portal is focused on music production within the era of written records through sound recordings, digital downloads, and beyond. Its scope includes articles that document the considerations and mechanisms used by, and consistent with, the purview of the production element. As an art form, music predates transcription and simultaneously transcends descriptive limitations. As an industry, music has demonstrated consistent viability over time. The record producer conjoins these potential, and serves as a broker to bridge the demand (spawned by their aspirations) with supply and satisfaction. The results are measurable and attributable, derived from effort and skillful application of craft, to a manifestation of the art in its melodic form. (Read more)

The music industry consists of the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts. (Read more)

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Featured articles are displayed here, which represent some of the best content on English Wikipedia.

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Ride the Lightning is the second studio album by the American heavy metal band Metallica, released on July 27, 1984, by the independent record label Megaforce Records. The album was recorded in three weeks with producer Flemming Rasmussen at Sweet Silence Studios in Copenhagen, Denmark. The artwork, based on a concept by the band, depicts an electric chair being struck by lightning flowing from the band logo. The title was taken from a passage in Stephen King's novel The Stand, in which a character uses the phrase to refer to execution by electric chair.

Although rooted in the thrash metal genre, the album showcased the band's musical growth and lyrical sophistication. Bassist Cliff Burton introduced the basics of music theory to the band and had more input in the songwriting. Beyond the fast tempos of its debut Kill 'Em All, Metallica broadened its approach by employing acoustic guitars, extended instrumentals, and more complex harmonies. The overall recording costs were paid by Metallica's European label Music for Nations because Megaforce was unable to cover it. It is the last album to feature songwriting contributions from former lead guitarist Dave Mustaine, and the first to feature contributions from successor Kirk Hammett. (Full article...)
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Rhythm Killers is an album by Jamaican musical duo Sly and Robbie, released in May 1987 by Island Records. By the time of the album's recording, Sly and Robbie had transitioned away from their prolific work in the reggae genre. They spent the 1980s experimenting with electronic sounds and contemporary recording technology on international, cross-genre endeavors, which influenced their direction for Rhythm Killers.

Sly and Robbie enlisted producer Bill Laswell and an ensemble of musicians to record the album at the Quad studio in New York City. Along with their live instruments, the duo used electronic recording equipment such as the Fairlight CMI synthesizer and electronic drums. The predominantly funk and dance-oriented album is arranged into two side-long gapless suites of songs. Other styles featured on the record include hip hop, hard rock, worldbeat, and downtown music. Laswell's densely layered production incorporated electronic grooves, hard beats, string synthesizers, and cross-rhythms produced by turntable scratches, African and Latin-influenced percussion, and percussive raps. (Full article...)
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Hex Enduction Hour is the fourth studio album by the English post-punk group the Fall. Released on 8 March 1982, it was built on low-fidelity production values and caustic lyrical content of their earlier recordings, and features a two-drummer lineup. Frontman Mark E. Smith established an abrasive Northern aesthetic built as part of the 20th century literary traditions of kitchen sink realism and magic realism. Smith described the album as an often-satirical but deliberate reaction to the contemporary music scene, a stand against "bland bastards like Elvis Costello and Spandau Ballet ... [and] all that shit."

Recording for Hex began during a 1981 three-concert visit to Iceland, where Smith was inspired both by the otherworldliness of the island's landscape and the enthusiasm of an audience unaccustomed to visiting rock groups. The Fall recorded "Hip Priest", "Iceland" and non-album single "Look, Know" at the Hljóðriti studio in Reykjavík, and the remaining tracks in a disused cinema in Hitchin, Hertfordshire. (Full article...)
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Fanning performing in 2010

Bernard Joseph Fanning (born 15 August 1969) is an Australian musician and singer-songwriter. He was the lead vocalist of Queensland alternative rock band Powderfinger from its formation in 1989.

Born and raised in Toowong, Brisbane, Fanning received piano lessons from his mother at an early age. At the age of 15, while he attended St Joseph's College, Gregory Terrace, he began writing music. Upon graduating from Gregory Terrace, Fanning moved on to the University of Queensland, where he studied journalism briefly. He dropped out to pursue a music career, after meeting Ian Haug in an economics class. Fanning joined Haug, John Collins, and Steven Bishop, who had recently formed Powderfinger, and took the role of lead singer. After Bishop left and drummer Jon Coghill (guitarist Darren Middleton)joined, the band released five studio albums in fifteen years and achieved mainstream success in Australia. During Powderfinger's hiatus in 2005, Fanning began his solo music career with the studio album Tea & Sympathy. Powderfinger reunited in 2007 and released two more albums before they disbanded in late 2010. (Full article...)
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Tank Girl is a 1995 American post-apocalyptic science fiction film directed by Rachel Talalay and written by Tedi Sarafian. Based on the British comics series created by Jamie Hewlett and Alan Martin, the film stars Lori Petty, Naomi Watts, Ice-T, and Malcolm McDowell. Set in a drought ravaged Australia years after a catastrophic impact event, it follows the antihero Tank Girl (Petty) as she, Jet Girl (Watts), and genetically modified supersoldiers called the Rippers fight Water & Power, an oppressive corporation led by Kesslee (McDowell).

After reading an issue of the Tank Girl comic she had received as a gift, Talalay obtained permission from the comic's publisher Deadline to direct a film adaptation. She selected Catherine Hardwicke to be the production designer, and worked closely with Martin and Hewlett during the making of the film. Tank Girl was filmed primarily in White Sands, New Mexico, and Tucson, Arizona. The film's critically praised soundtrack was assembled by Courtney Love, and the Rippers' makeup and prosthetics team was headed by Stan Winston. Winston's studio were so enthusiastic about the project they cut their usual prices in half to meet the film's budget. (Full article...)
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Nine Inch Nails performing in June 2022; from left to right: Ilan Rubin, Trent Reznor, Alessandro Cortini, Atticus Ross, and Robin Finck.

Nine Inch Nails, an American industrial rock band fronted by Trent Reznor, has toured all over the world since its creation in 1988. While Reznor—the only official member until adding Atticus Ross in 2016—controls its creative and musical direction in the studio, the touring band performs different arrangements of the songs. In addition to regular concerts, the band has performed in both supporting and headlining roles at festivals such as Woodstock '94, Lollapalooza 1991 and 2008, and many other one-off performances including the MTV Video Music Awards. Prior to their 2013 tour, the band had played 938 gigs.

Nine Inch Nails' live performances contrast with its in-studio counterpart.
Reznor writes and performs nearly all Nine Inch Nails studio material, with occasional instrumental and vocal contributions from others artists. However, Reznor has typically assembled groups of backing musicians to interpret songs for tours and other live performances. Keyboardist Alessandro Cortini said that "if you see the show and you're used to the CDs it's pretty clear that the studio entity is different from the live entity". (Full article...)
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Kid A is the fourth studio album by the English rock band Radiohead, released on 2 October 2000 by Parlophone. It was recorded with their producer, Nigel Godrich, in Paris, Copenhagen, Gloucestershire and Oxfordshire. Departing from their earlier sound, Radiohead incorporated influences from electronic music, krautrock, jazz and 20th-century classical music, with a wider range of instruments and effects. The singer, Thom Yorke, wrote impersonal and abstract lyrics, cutting up phrases and assembling them at random.

In a departure from industry practice, Radiohead released no singles and conducted few interviews and photoshoots. Instead, they released short animations and became one of the first major acts to use the internet for promotion. Bootlegs of early performances were shared on filesharing services, and Kid A was leaked before release. In 2000, Radiohead toured Europe in a custom-built tent without corporate logos. (Full article...)
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Frusciante performing in 2023

John Anthony Frusciante (/fruːˈʃɑːnteɪ/ froo-SHAHN-tay; born March 5, 1970) is an American musician and the guitarist of the Red Hot Chili Peppers, having been with the band across three stints. He has released 11 solo albums and 7 EPs, ranging in style from acoustic guitar to electronic music. He was inducted into the Rock and Roll Hall of Fame as a member of the Red Hot Chili Peppers in 2012. Rolling Stone named Frusciante among the greatest guitarists of all time.

Frusciante joined the Chili Peppers at the age of 18 after the death of guitarist Hillel Slovak, and first appeared on their album Mother's Milk (1989). His second album with the band, Blood Sugar Sex Magik (1991), was their breakthrough success. Overwhelmed by the band's newfound popularity, he quit in 1992. He became a recluse and entered a period of heroin addiction, during which he released his first solo recordings: Niandra LaDes and Usually Just a T-Shirt (1994) and Smile from the Streets You Hold (1997). In 1998, he completed drug rehabilitation and rejoined the Chili Peppers, taking them to major success with their albums Californication (1999), By the Way (2002) and Stadium Arcadium (2006). (Full article...)
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Almirena's recitative, and few bars of "Lascia ch'io pianga", from Handel's 1711 autograph score

Rinaldo (HWV 7) is an opera by George Frideric Handel, composed in 1711, and was the first Italian language opera written specifically for the London stage. The libretto was prepared by Giacomo Rossi from a scenario provided by Aaron Hill, and the work was first performed at the Queen's Theatre in London's Haymarket on 24 February 1711. The story of love, war and redemption, set at the time of the First Crusade, is loosely based on Torquato Tasso's epic poem Gerusalemme liberata ("Jerusalem Delivered"), and its staging involved many original and vivid effects. It was a great success with the public, despite negative reactions from literary critics hostile to the contemporary trend towards Italian entertainment in English theatres.

Handel composed Rinaldo quickly, borrowing and adapting music from operas and other works that he had composed during a long stay in Italy in the years 1706–10, during which he established a considerable reputation. In the years following the premiere, he made numerous amendments to the score. Rinaldo is regarded by critics as one of Handel's greatest operas. Of its individual numbers, the soprano aria "Lascia ch'io pianga" has become a particular favourite, and is a popular concert piece. (Full article...)
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Solti by Allan Warren, 1975
Sir Georg Solti (/dʒɔːrdʒ ˈʃɒlti/ JORJ SHOL-tee, Hungarian: [ˈʃolti]; born György Stern; 21 October 1912 – 5 September 1997) was a Hungarian-British orchestral and operatic conductor, known for his appearances with opera companies in Munich, Frankfurt, and London, and as a long-serving music director of the Chicago Symphony Orchestra. Born in Budapest, he studied there with Béla Bartók, Leó Weiner, and Ernő Dohnányi. In the 1930s, he was a répétiteur at the Hungarian State Opera and worked at the Salzburg Festival for Arturo Toscanini. His career was interrupted by the rise of the Nazis' influence on Hungarian politics, and being Jewish, he fled the increasingly harsh Hungarian anti-Jewish laws in 1938. After conducting a season of Russian ballet in London at the Royal Opera House, he found refuge in Switzerland, where he remained during the Second World War. Prohibited from conducting there, he earned a living as a pianist.

After the war, Solti was appointed musical director of the Bavarian State Opera in Munich in 1946. In 1952, he moved to the Oper Frankfurt, where he remained in charge for nine years. He took West German citizenship in 1953. In 1961, he became musical director of the Covent Garden Opera Company, London. During his 10-year tenure, he introduced changes that raised standards to the highest international levels. Under his musical directorship, the status of the company was recognised with the grant of the title "the Royal Opera". He became an honorary citizen of the coastal holiday town of Castiglione della Pescaia, and a British citizen in 1972. (Full article...)
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Sky Blue Sky is the sixth studio album by the American rock band Wilco, released on May 15, 2007 by Nonesuch Records. Originally announced on January 17, 2007 at a show in Nashville, Tennessee, it was the band's first studio album with guitarist Nels Cline and multi-instrumentalist Pat Sansone. Before its release, the band streamed the entire album on its official website and offered a free download of "What Light". (Full article...)
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Achtung Baby (/ˈɑːxtʊŋ/ AKH-toong) is the seventh studio album by the Irish rock band U2. It was produced by Daniel Lanois and Brian Eno, and was released on 18 November 1991 by Island Records. After criticism of their 1988 release Rattle and Hum, U2 shifted their direction to incorporate influences from alternative rock, industrial music, and electronic dance music into their sound. Thematically, Achtung Baby is darker, more introspective, and at times more flippant than their previous work. For his lyrics, lead vocalist Bono was partly inspired by the marital issues of guitarist the Edge.

Seeking inspiration from German reunification, U2 began recording Achtung Baby at Berlin's Hansa Studios in October 1990. The sessions were fraught with conflict, as the band argued over their musical direction and the quality of their material. After tension and slow progress nearly prompted the group to disband, they made a breakthrough with the improvised writing of the song "One". Morale and productivity improved during subsequent recording sessions in Dublin, where the album was completed in 1991. To confound the public's expectations of the band and their music, U2 chose the record's facetious title and colourful multi-image sleeve. (Full article...)

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... that when Divine's song "Lately" topped the Billboard Hot 100 in 1998, it became the first number-one single for the performers, the songwriters, the producers, and the record labels?
... that according to Billboard magazine, Laufey created a blueprint for jazz music in the modern music industry and helped push it back into the mainstream?
... that one critic interpreted a SZA song as being about her fears about the growing influence of AI in the music industry?
... that until the release of the documentary Predator: The Secret Scandal of J-Pop, sexual abuse claims involving record producer Johnny Kitagawa went widely unreported in Japanese media?
... that to promote the Buffalo Club, Rising Tide Records sent packages of plastic buffalo to music industry executives in Nashville?
... that Light Vessel 95 is now a recording studio?

Born this day

Birthdays in Music: January 11

Tony Kaye, Brit keyboardist with Yes, turns 82.
Lee Ritenour, American smooth jazz guitarist, turns 73.
Robert Earl Keen, American singer-songwriter, turns 69.
Vicki Peterson, American guitarist and vocalist with The Bangles, turns 67.
Eden Atwood, American jazz vocalist, turns 57.
Tom Dumont, American guitarist with No Doubt, turns 57.
Tom Rowlands, Brit disc jockey with The Chemical Brothers, turns 54.
Mary J. Blige, American Grammy Award-winning R&B singer, turns 54.
Siti Nurhaliza, Malaysian pop music singer, turns 46.
Newton Faulkner, English singer-songwriter and guitarist, turns 40.

Frederick Dennis Greene (Record production, 1949 –September 05, 2015), American doo wop vocalist of Sha Na Na , would have turned 76 this year.
Naomi Judd (Record production, 1946–April 30, 2022), American country singer (The Judds), would have turned 79 this year.
Clarence Clemons (Record production, 1942 –June 18, 2011), American session musician (saxophonist) with E Street Band, would have turned 83 this year.
Egil Johansen (Record production, 1934 –December 04, 1998), Norwegian drummer, would have turned 91 this year.
Jack Nimitz (Record production, 1930 –September 06, 2010), American baritone saxophonist, would have turned 95 this year.
Cal Massey (Record production, 1927 –October 25, 1972), (born Calvin Massey) American trumpeter, would have turned 98 this year.
Wilton "Bogey" Gaynair (Record production, 1927 –February 13, 1995), Jamaican tenor saxophonist, would have turned 98 this year.
Slim Harpo (Record production, 1924 –January 31, 1970), American blues musician, would have turned 101 this year.
Don Cherry (Record production, 1924 –April 04, 2018), American traditional pop vocalist and golfer, would have turned 101 this year.
Osie Johnson (Record production, 1923 –February 10, 1966), American drummer, would have turned 102 this year.
Bob Enevoldsen (Record production, 1920 –November 19, 2005), American trombonist and tenor saxophonist, would have turned 105 this year.
Rene Bertschy (Record production, 1912 –November 28, 1999), Swiss bass vocalist, would have turned 113 this year.
Betty Hall Jones (1911 – ?), American pianist and vocalist, would have turned 114.
Tab Smith (Record production, 1909 –August 17, 1971), American alto saxophonist, would have turned 116 this year.
Maurice Duruflé (Record production, 1902 –June 16, 1986), French composer, would have turned 123 this year.
Walter Dyett (Record production, 1901 –November 17, 1969), American music educator, would have turned 124 this year.
Wilbur de Paris (Record production, 1900 –January 03, 1973), American trombonist, would have turned 125 this year.
Laurens Hammond (Record production, 1895 –July 03, 1973), American inventor of the Hammond organ, would have turned 130 this year.
Bud Scott (Record production, 1890 –July 02, 1949), American guitarist and vocalist, would have turned 135 this year.
Reinhold Glière (Record production, 1875 –June 23, 1956), Russian composer, would have turned 150 this year.
Christian Sinding (Record production, 1856 –December 03, 1941), Norwegian composer, would have turned 169 this year.

List of musical events • Anniversaries • More birthdays...

Selected albums - load new batch

These are all Good articles, which meet a core set of high editorial standards.

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Songs of Innocence and Experience is an album by American beat poet and writer Allen Ginsberg, recorded in 1969. For the recording, Ginsberg sang pieces from 18th-century English poet William Blake's illustrated poetry collection of the same name and set them to a folk-based instrumental idiom, featuring simple melodies and accompaniment performed with a host of jazz musicians. Among the album's contributors were trumpeter Don Cherry, arranger/pianist Bob Dorough, multi-instrumentalist Jon Sholle, drummer Elvin Jones, and Peter Orlovsky – Ginsberg's life-partner and fellow poet – who contributed vocals and helped produce the recording with British underground writer Barry Miles.

The album is one of the most famous attempts at setting lyrics from Blake's Songs collection to music. Ginsberg, having studied the rhyme and meter of the poems, believed they were originally intended to be sung and that a Blakean musical performance could roughly be replicated. The themes explored in Blake's poems – childhood and abuse, organized religion, institutionalization, and poverty – connected with Ginsberg spiritually. He was inspired to undertake the project by a religious vision of Blake from decades earlier and his witnessing the 1968 Democratic National Convention protest activity, as well as rock music of the era's counterculture, citing its qualities of poetry and consciousness. (Full article...)
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The Hot Rock is the fourth studio album by the American rock band Sleater-Kinney, released on February 23, 1999, by Kill Rock Stars. It was produced by Roger Moutenot and recorded at the Avast! recording studio in Seattle, Washington in July 1998. The Hot Rock marks a considerable change in the band's sound, veering into a more relaxed and gloomy direction than the raucous punk rock style of its predecessors. The lyrical themes of the album explore issues of failed relationships and personal uncertainty.

Upon release, The Hot Rock reached number 181 on the U.S. Billboard 200 chart and number 12 on the Heatseekers Albums chart, becoming the first Sleater-Kinney album to enter the charts. Two songs from the album, "Get Up" and "A Quarter to Three", were released as singles. The album received positive reviews from music critics, who praised the songwriting and the vocal and guitar interplay between band members Corin Tucker and Carrie Brownstein. (Full article...)
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The Fame is the debut studio album by American singer Lady Gaga. It was released on August 19, 2008, by Interscope Records. After joining KonLive Distribution and Cherrytree Records in 2008, Gaga began working on the album with different producers, primarily RedOne, Martin Kierszenbaum, and Rob Fusari. Musically, The Fame is an electropop, synth-pop, and dance-pop record that displays influences from 1980s music. Lyrically, it visualizes Gaga's love of fame in general, while also dealing with subjects such as love, sex, money, drugs, and sexual identity. The album was primarily promoted through The Fame Ball Tour and multiple television appearances, and was reissued as a deluxe edition with The Fame Monster on November 18, 2009.

The album received generally favorable reviews from critics, who commended its lyrical content, Gaga's musicianship and vocal ability. It was a commercial success, topping the charts in several countries including the United Kingdom, Canada, Germany, Ireland, Poland, and Switzerland. It peaked at number two on the US Billboard 200, and also topped the Dance/Electronic Albums chart for 190 non-consecutive weeks, the most time on top in history. It has since been certified six-times Platinum by the Recording Industry Association of America (RIAA). The Fame became the fifth best-selling album of 2009, and has sold over 4.9 million copies in the United States as of January 2019. Combined with The Fame Monster, the album had sold over 18 million copies worldwide as of August 2019. (Full article...)
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Sweetheart of the Rodeo is the sixth studio album by the American rock band the Byrds, released in August 1968 by Columbia Records. Recorded with the addition of country rock pioneer Gram Parsons, it became the first album widely recognized as country rock as well as a seminal progressive country album, and represented a stylistic move away from the psychedelic rock of the band's previous LP, The Notorious Byrd Brothers. The Byrds had occasionally experimented with country music on their four previous albums, but Sweetheart of the Rodeo represented their fullest immersion into the genre up to that point in time. The album was responsible for bringing Parsons, who had joined the Byrds in February 1968 prior to the start of recording, to the attention of a mainstream rock audience for the first time. Thus, the album is an important chapter in Parsons' crusade to make country music fashionable for a young audience.

The album was conceived as a history of 20th century American popular music, encompassing examples of country music, jazz and rhythm and blues, among other genres. However, steered by the passion of the little-known Parsons, this concept was abandoned early on and the album instead became purely a country record. The recording of the album was divided between sessions in Nashville and Los Angeles, with contributions from session musicians including Lloyd Green, John Hartford, JayDee Maness, and Clarence White. Tension developed between Parsons and the rest of the band, guitarist Roger McGuinn especially, and some of Parsons' vocals were re-recorded, partly due to legal issues. By the time the album was released, Parsons had left the band. The Byrds' move away from rock and pop towards country music elicited a great deal of resistance and hostility from the ultra-conservative Nashville country music establishment, who viewed the Byrds as a group of hippies attempting to subvert country music. (Full article...)
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Glee: The Music, The Power of Madonna is the debut extended play (EP) by the cast of the musical television series Glee. It contains eight songs from the season one Glee episode, "The Power of Madonna", which was a tribute episode dedicated to American recording artist Madonna. She had sold the rights to her entire catalog of music to Glee in 2009, and producers of the show developed the episode called "The Power of Madonna"; the show featured a number of cover versions of Madonna's songs by the cast. The accompanying EP released with the airing of the show was called Glee: The Music, The Power of Madonna.

After its release, it received generally positive reviews from the critics, who frequently cited Glee's cover version of Madonna's "Like a Prayer" as a stand-out track from the album. The EP debuted at number one on the Billboard 200 albums chart, with 98,000 copies in the first week in the United States, the highest debut for a Glee soundtrack. It also reached the top of the chart in Canada, and the top ten in Australia, Ireland and the United Kingdom. The release of the EP saw an increase in the catalog sales of Madonna's albums too. All songs from The Power of Madonna were released as singles with the exception of "Burning Up". "Like a Prayer" charted highest in all regions, reaching number 27 on the US Billboard Hot 100, and selling 87,000 digital downloads there. (Full article...)
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The Halo 4 Original Soundtrack is the official soundtrack to the first-person shooter video game Halo 4, developed by 343 Industries and published by Microsoft Studios. British record producer Neil Davidge was Halo 4's main composer and producer. The soundtrack was released on October 19, 2012 in Australia and New Zealand, and October 22 everywhere else. A second volume containing more of the score was released digitally on April 8, 2013.

Davidge was a Halo fan who was honored to have the chance to write music for the games. Drawing inspiration from the game's concept art and other visuals, he began writing music for the game in December 2010. Davidge described his music as an evolution of previous Halo music, designed to accompany the new style of the universe. (Full article...)
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The music of the video game Final Fantasy X was composed by regular series composer Nobuo Uematsu, along with Masashi Hamauzu and Junya Nakano. It was the first title in the main Final Fantasy series in which Uematsu was not the sole composer. The Final Fantasy X Original Soundtrack was released on four Compact Discs in 2001 by DigiCube, and was re-released in 2004 by Square Enix. Prior to the album's North American release, a reduced version entitled Final Fantasy X Official Soundtrack was released on a single disk by Tokyopop in 2002. An EP entitled feel/Go dream: Yuna & Tidus containing additional singles not present in the game was released by DigiCube in 2001. Piano Collections Final Fantasy X, a collection of piano arrangements of the original soundtracks by Masashi Hamauzu and performed by Aki Kuroda, was released by DigiCube in 2002 and re-released by Square EA in 2004. A collection of vocal arrangements of pieces from the game arranged by Katsumi Suyama along with radio drama tracks was released as Final Fantasy X Vocal Collection in 2002 by DigiCube.

The theme song for the game is titled "Suteki da ne", which was performed by Japanese folk singer Ritsuki Nakano, known as "RIKKI". The song was released as a single by DigiCube in 2001 and was re-released by Square Enix in 2004. The game's music was well received overall; reviewers praised the additions to the soundtrack by the two new composers for the series. They especially praised Hamauzu, both for his work in the original soundtrack and in arranging the themes for Piano Collections Final Fantasy X. Several tracks, especially "Suteki da ne" and "To Zanarkand", remain popular today and have been performed numerous times in orchestral concert series, as well as published in arranged and compilation albums by Square and outside groups. (Full article...)
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Permanent Record: Al in the Box is a four disc compilation box set of songs by "Weird Al" Yankovic, released on September 27, 1994. The album, released by Scotti Brothers Records so that the label could make monetary projections for the fiscal year, collects Yankovic's favorite songs from his first eight studio albums. The collection also includes alternate versions of "My Bologna", "Happy Birthday", "UHF" and the new single, "Headline News", a parody of "Mmm Mmm Mmm Mmm" by Crash Test Dummies. It peaked at number 104 on the Billboard Hot 100.

The collection was met with mostly positive critical reviews, with many appreciating the gathering of some of Yankovic's best works. However, the box set was not a high seller, and near the end of the 1990s, it ranked as Yankovic's least-purchased album. In 2006, due to a mishap by Volcano Records, the artwork for the set was lost, and the collection went out of print. Yankovic refused to scan existing copies of the album to make new ones, fearing that it would lead to an inferior product. Yankovic would later release a second box set called Squeeze Box: The Complete Works of "Weird Al" Yankovic in 2017. (Full article...)
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Significant Other is the second studio album by American nu metal band Limp Bizkit. It was released on June 22, 1999, through Flip and Interscope Records. It saw the band expand their sound from that of their 1997 debut Three Dollar Bill, Y'all to incorporate further metal and hip hop influences, but with a more melodic and less hardcore punk-influenced sound.

Significant Other received high commercial sales, peaking at number one on the US Billboard 200. The band's distinctive sound and performance, which was thought to be an improvement over the band's debut, received positive reviews from the critics. At least 16 million copies of the album have been sold worldwide. (Full article...)
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Count Your Blessings is the debut studio album by British rock band Bring Me the Horizon. Recorded at DEP International Studios in Birmingham with producer Dan Sprigg, it was originally released in the United Kingdom on 30 October 2006 by Visible Noise. The album was later issued by Earache Records in the United States on 14 August 2007. Count Your Blessings was supported by the release of the album's two singles: "Pray for Plagues" on 4 June 2007 and "For Stevie Wonder's Eyes Only (Braille)" on 6 March 2008.

Named after a lyric in the album's opening song "Pray for Plagues", Count Your Blessings is representative of the band's early deathcore sound, which was phased out on later releases and eventually abandoned in favour of other, less aggressive styles. The band members were young when they recorded the album, and the band has largely disregarded it later in their career; it began as early as 2008, when guitarist Lee Malia was already criticising the album's quality. Most of the songs on the record quickly faded from the band's live setlists. Most band members recorded their parts individually, rather than the group doing so as a whole, with the central location of the studio credited as "a distraction." The album received generally mixed reviews, with praise aimed at the instrumentation, intensity and promising musical potential showed by the band, while the main complaints revolved around musical originality, elements of the lyricism and the unrefined production, although it still reached number 93 on the UK Albums Chart. (Full article...)
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Evergreen is the seventh studio album by the English rock band Echo & the Bunnymen. It is their first album since reforming after they disbanded in 1993. Vocalist Ian McCulloch and guitarist Will Sergeant had previously worked together as Electrafixion before they were rejoined by bassist Les Pattinson under the name Echo & the Bunnymen in early 1997. The album was recorded at Doghouse Studios in Henley-on-Thames and was produced by McCulloch and the band's manager Paul Toogood but was credited to the whole band.

Following a successful return to live performances and the release of the single "Nothing Lasts Forever", the album was released in July 1997. Two further singles – "I Want to Be There" and "Don't Let It Get You Down" – followed the album's release. The album received good reviews from the music press and was received well by the public, reaching number eight on the UK Albums Chart. The album would eventually reach Gold sales in 2024. (Full article...)
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Vuelve (transl. Come Back) is the fourth studio album by Puerto Rican singer Ricky Martin. Sony Discos and Columbia Records released it on February 12, 1998. Martin worked with producers KC Porter, Robi Draco Rosa, and Desmond Child to create the album. Following the worldwide success of the song "María" from his previous album, A Medio Vivir (transl. Half Alive) (1995), Martin returned to the studio and began recording material while on tour. Vuelve is a Latin record with Latin dance numbers and pop ballads. "María" caught the attention of FIFA, who asked Martin to write an anthem for the 1998 FIFA World Cup being held in France. Martin subsequently recorded "La Copa de la Vida", composed by Porter, Rosa, and Desmond Child for the World Cup.

Critics' reviews of the album were generally positive; they praised its uptempo tracks and its production, though some criticized it for containing too many ballads. Martin received several accolades, including the Best Latin Pop Performance at the 41st Annual Grammy Awards in 1999. Vuelve debuted at number one on the US Billboard Top Latin Albums chart and peaked at number forty on the Billboard 200. Martin's performance of "La Copa de la Vida" on the Grammy Awards show was credited for boosting the album's sales. Certified platinum by the Recording Industry Association of America (RIAA), it sold more than 888,000 copies in the United States, standing as the 10th best-selling Latin album in the country. Vuelve reached number one in Norway, Portugal, and Spain, as well as the top 10 in seven other countries, including Australia and Italy. As of 2008, the album had sold over six million copies worldwide. (Full article...)

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General images - load new batch

The following are images from various record production-related articles on Wikipedia.

Image 1Danny Knicely records with Furnace Mountain Band in Virginia (2012) (from Recording studio)
Image 2Hip hop producer and rapper RZA in a music studio with two collaborators. Pictured in the foreground is a synthesizer keyboard and a number of vinyl records; both of these items are key tools that producers and DJs use to create hip hop beats. (from Hip-hop production)
Image 3Neve VR60, a multitrack mixing console. Above the console are a range of studio monitor speakers. (from Recording studio)
Image 4Home studio setup (from Recording studio)
Image 5The TEAC 2340, a popular early (1973) home multitrack recorder, four tracks on ¼ inch tape (from Multitrack recording)
Image 6The TASCAM 85 16B analog tape multitrack recorder can record 16 tracks of audio on 1-inch (2.54cm) magnetic tape. Professional analog units of 24 tracks on 2-inch tape were common, with specialty tape heads providing 8, or even 16 tracks on the same tape width (8 tracks for greater fidelity). (from Multitrack recording)
Image 7Korg D888 eight-track digital recorder (from Multitrack recording)
Image 8The studio at Ridge Radio in Caterham, England (from Recording studio)
Image 9Donna Summer wearing headphones during a recording session in 1977 (from Recording studio)
Image 10Engineers and producers watch a trumpet player from a window in the control room during a recording session. (from Recording studio)
Image 11Control room at the Tec de Monterrey, Mexico City Campus (from Recording studio)
Image 12The Siemens Studio for Electronic Music c. 1956. (from Recording studio)
Image 13Mixing desk with twenty inputs and eight outputs (from Multitrack recording)
Image 14A selection of instruments at a music studio, including a grand piano (from Recording studio)
Image 15Digital audio interface for the Pro Tools computer-based hard disk multitrack recording system. Digital audio quality is measured in data resolution per channel. (from Multitrack recording)
Image 16Scully 280 eight-track recorder at the Stax Museum of American Soul Music (from Multitrack recording)

Featured lists - load new batch

Featured lists have been determined by the Wikipedia community to be the best lists on English Wikipedia.

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"Peek-a-Boo" by English rock band Siouxsie and the Banshees was the first song to top the Modern Rock Tracks chart.

Alternative Airplay is a record chart that ranks the most-played songs on American modern rock radio stations. Published by the music industry magazine Billboard, it was created in the midst of the growing popularity of alternative music on rock radio in the late 1980s. As less-established alternative acts were receiving minimal exposure on album-oriented rock (AOR) radio stations, their labels turned to modern rock stations for airplay. Billboard introduced the chart in response to demand within the music industry for consistent information on the commercial performance of alternative music. During the decade, it was known as the Modern Rock Tracks chart and tabulated based on weighted reports from twenty-nine radio stations: eighteen established standard-bearer commercial stations and eleven non-commercial college stations.

The Modern Rock Tracks chart debuted in the September 10, 1988, issue of Billboard, with the inaugural number-one song being "Peek-a-Boo" by the English band Siouxsie and the Banshees. Upon its debut, several publications noted the presence of more independent artists on Modern Rock Tracks compared to its companion chart, Album Rock Tracks. By the end of the decade, twenty-two songs had topped the chart. The American bands R.E.M. and The B-52's each scored two number-one songs on the Modern Rock Tracks chart during the 1980s, the most for any artist within the decade. The R.E.M. song "Orange Crush" spent the longest period atop the chart during the decade, staying at number one for eight consecutive weeks from November 1988 to January 1989. The final number one of the 1980s was "Blues from a Gun" by the Scottish band The Jesus and Mary Chain. (Full article...)
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"All My Life" by Lil Durk & J. Cole is the most recent recipient

The Grammy Award for Best Melodic Rap Performance (awarded as Best Rap/Sung Collaboration until 2017, and Best Rap/Sung Performance from 2018 to 2020) is an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to recording artists for quality songs on which rappers and singers collaborate. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".

The name and definition of the category were changed in June 2020, with immediate effect, to represent the inclusivity of the growing hybrid performance trends within the rap genre. According to the Recording Academy, "This category is intended to recognize solo and collaborative performances containing elements of rap and melody over modern production. This performance requires a strong and clear presence of melody combined with rap cadence, and is inclusive of dialects, lyrics or performance elements from non-rap genres including R&B, rock, country, electronic or more. The production may include traditional elements of rap or elements characteristic of the aforementioned non-rap genres." (Full article...)
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Randy Travis spent three weeks at number one with "Forever and Ever, Amen".

Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1987, 50 different songs topped the chart, then published under the title Hot Country Singles, in 52 issues of the magazine, based on playlists submitted by country music radio stations and sales reports submitted by stores.

At the start of the year, the song at the top of the charts was "Mind Your Own Business" by Hank Williams Jr. The single had moved into the number one position in the issue of Billboard dated December 27, 1986 and remained in place for a second week in the issue dated January 3. The final number one of the year was "Somewhere Tonight" by Highway 101, which began a two-week run at the top in the issue dated December 26, 1987. Between those two chart-toppers, the only song to spend more than one week at number one was "Forever and Ever, Amen" by Randy Travis, which had a three-week run in the peak position during the summer. The song won both the Grammy Award for Best Country Song and the Academy of Country Music award for Song of the Year. (Full article...)
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Music recording certifications are typically awarded by the worldwide music industry based on the total units sold, streamed, or shipped to retailers. These awards and their requirements are defined by the various certifying bodies representing the music industry in various countries and territories worldwide. The standard certification awards given consist of Gold, Platinum, and sometimes Diamond awards, in ascending order; the UK and Australia also have a Silver certification, ranking below Gold. In most cases, a "Multi-Platinum" or "Multi-Diamond" award is given for multiples of the Platinum or Diamond requirements.

Many music industries around the world are represented by the International Federation of the Phonographic Industry (IFPI). The IFPI operates in 66 countries and services affiliated industry associations in 45 countries. In some cases, the IFPI is merely affiliated with the already operational certification bodies of a country, but in many countries with lesser-developed industries, the IFPI acts as the sole certifying body servicing the country or region's music industry. Still other countries not represented by the IFPI have certifying bodies operating independently, such as individual record companies which service the country or region's music industry as a whole. (Full article...)
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Chris Stapleton's "Tennessee Whiskey" went straight to number one after an acclaimed awards show performance.

Hot Country Songs and Country Airplay are charts that rank the top-performing country music songs in the United States, published by Billboard magazine. Hot Country Songs ranks songs based on digital downloads, streaming, and airplay, not only from country stations but from stations of all formats, a methodology introduced in 2012. Country Airplay, which was published for the first time in 2012, is based solely on country radio airplay, a methodology which had previously been used for several decades for Hot Country Songs. In 2015, 10 different songs topped the Hot Country Songs chart and 39 different songs topped Country Airplay in 52 issues of the magazine.

In the first issue of Billboard of the year, Craig Wayne Boyd entered the Hot Country Songs chart at number one with "My Baby's Got a Smile on Her Face". Boyd, winner of the seventh season of NBC's reality TV singing competition The Voice, was only the second artist in the chart's 57-year history to enter at number one. The following week, however, the song dropped off the chart completely, meaning that its entire chart run consisted of a single week at number one. In addition to Boyd, one other artist was a first-time chart-topper on Hot Country Songs. Following a critically acclaimed performance at the 49th Country Music Association Awards, Chris Stapleton's version of "Tennessee Whiskey", which had spent a single week at number 46 six months earlier, re-entered at number one, despite never having been officially released as a single or serviced to radio. Nine acts gained their first career country number ones by topping the airplay listing. Ashley Monroe made her first appearance at number one under her own name when she featured on Blake Shelton's hit "Lonely Tonight", although she had previously reached the top spot as part of the group Pistol Annies, who had been featured on another of Shelton's songs two years earlier. Between May and August, Tyler Farr, Kelsea Ballerini, Canaan Smith, Michael Ray, and the band A Thousand Horses were all first-time chart-toppers, as was Grace Potter, who was featured on veteran country star Kenny Chesney's song "Wild Child". Later in the year, the band Old Dominion and the duo Dan + Shay made their first appearances at number one. (Full article...)
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Hank Snow had lengthy runs at the top of all three charts with "I'm Movin' On".

In 1950, Billboard magazine published three charts covering the best-performing country music songs in the United States: Most-Played Juke Box (Country & Western) Records, Best-Selling Retail Folk (Country & Western) Records and Country & Western Records Most Played By Folk Disk Jockeys. The juke box chart was compiled based on a "weekly survey among a selected group of jukebox operators whose locations require country and western records", the best sellers chart based on a "survey among a selected group of retail stores, the majority of whose customers purchase country and western records", and the jockeys chart based on a "weekly survey among a select list of over 400 disk jockeys specializing in country and western tunes". All three charts are considered part of the lineage of the current Hot Country Songs chart, which was first published in 1958.

In the first issue of Billboard of 1950, Christmas songs were at number one on two charts, with "Blue Christmas" by Ernest Tubb in the top spot on the juke box chart and Gene Autry's recording of "Rudolph the Red-Nosed Reindeer" atop the jockeys chart. The number one on the best sellers chart was "Slipping Around" by Margaret Whiting and Jimmy Wakely, which had held the top spot since the previous October. The longest-running number one of 1950 on all three charts was "I'm Movin' On" by Canadian singer Hank Snow, which spent 14 weeks in the top spot on the juke box chart, 18 on the best sellers listing, and 17 on the jockeys chart. The song would spend three further weeks at number one on the best sellers chart in 1951, tying the record set in 1948 by Eddy Arnold's "I'll Hold You in My Heart (Till I Can Hold You in My Arms)" for the highest number of weeks spent at number one on any one of Billboard's country singles charts. Red Foley spent the highest total number of weeks at number one on both the juke box and best sellers charts in 1950, topping each for 19 weeks. He also had the highest number of individual chart-toppers on each of the two listings, with four and three respectively. On the jockeys chart, Hank Williams was the only artist with more than one number one hit, and he also spent the most weeks at number one, totalling 19 weeks in the top spot with his three chart-toppers. (Full article...)
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The Grammy Award for Best Jazz Vocal Performance, Male was an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to male recording artists for quality jazz vocal performances (songs or albums). Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".

Prior to 1981, the gender-neutral category of Best Jazz Vocal Performance existed. The first award specifically for male performances was presented to George Benson in 1981 for the song "Moody's Mood". The category remained unchanged until 1985, when it was combined with the award for Best Jazz Vocal Performance, Female and presented in the genderless category. Gender-specific awards were once again presented from 1986 until 1991. In 1992, the two categories were combined and presented as the category Best Jazz Vocal Performance. This category was later renamed to Best Jazz Vocal Album beginning in 2001. While the gender-specific award has not been presented since the category merge in 1992, an official confirmation of its retirement has not been announced. (Full article...)
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Barbadian singer Rihanna featured on five different number-one singles during the 2000s, more than any other artist.

The UK Singles Downloads Chart is a weekly music chart that ranks the most-downloaded singles in the United Kingdom. During the 2000s, the chart was compiled by The Official UK Charts Company (OCC) on behalf of the British music industry, and was based solely on non-subscription music downloads from selected online music stores. It was compiled using weekly sales from Sunday to Saturday, and was published each Wednesday afternoon, so as not to clash with the Sunday evening announcement of the UK Singles Chart.

The chart was founded in September 2004 as the UK Official Download Chart, with the first single to top the chart being a live version of "Flying Without Wings" by Irish boy band Westlife. By the end of the decade, 109 further singles had topped the chart. The most downloaded single of the 2000s was "Poker Face" by Lady Gaga. Released in 2009, the song was downloaded 779,000 times, and topped the chart for three weeks. "Just Dance", also by Gaga, and "Sex on Fire" by Kings of Leon were the third and second highest selling downloads of the decade respectively. The single that spent the longest time at number one was "Crazy" by Gnarls Barkley, which spent 11 weeks at the top and became the UK's 18th best-selling download of the 2000s. (Full article...)
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The USS Density (later renamed to MV Galaxy) was the vessel used to broadcast the pirate radio station Big L.

The Fab 40 (or Fab Forty) was the playlist for the station Wonderful Radio London. Also known as Big L, Wonderful Radio London was a pirate radio station that operated from the MV Galaxy about three-and-a-half miles out from the coast of Frinton-on-Sea, Essex. It was founded by American Don Pierson with a backing of around £500,000, and first "BROADCAST" shortly before Christmas 1964. The station is credited with introducing to Britain the contemporary hit radio style seen in the United States and the Fab 40 chart is said by Music Week to have been "influential". During its tenure, it had disc jockeys such as John Peel, Tony Blackburn and Kenny Everett. Based on airplay (not physical music sales) the chart was broadcast on Sunday afternoons. The station closed on 14 August 1967 when the Marine, &c., Broadcasting (Offences) Act 1967 came into effect, with the last Fab 40 chart show presented the previous week by Tommy Vance. Later, when an official chart had been established, rival charts would factor airplay into their charts.

The Fab 40 had a significantly higher turnover of singles than the Record Retailer chart; it had 118 different singles top the chart between 23 January 1965 and 12 August 1967 (by comparison Record Retailer had 53). Additionally, only one single spent three weeks at number one – The Beatles double A-side "Day Tripper" / "We Can Work It Out" – while on the Record Retailer chart, 23 singles spent at least three weeks at the top of the chart in the same period. On the Fab 40, the Beatles and the Rolling Stones each had eight number-ones and the Hollies had seven (six of which did not top the Retailer chart). (Full article...)
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"I Follow Rivers" by Lykke Li (pictured in 2009) topped the Romanian Top 100 for 12 weeks in 2011 and 2012, making it the song with the most documented weeks at number one in the chart's history.

Founded in 1995, the Romanian Top 100 was the national music chart of Romania. It was compiled by broadcast monitoring services Body M Production A-V (1990s and 2000s) and by Media Forest (2010s), and measured the airplay of songs on radio stations throughout the country. In 2005, the number of radio stations involved was 120. Starting in 2004, the chart was announced during a two-hour radio show which initially emerged from a partnership with teen magazine Bravo. The Romanian Top 100 was also featured in Billboard's Music & Media magazine until 2003, and was—apart from a weekly Kiss FM podcast in the 2010s—announced on its own website. As of 2025, the Romanian Top 100 lacks usable archives, especially for the late 1990s and 2000s.

Over its 17 years of existence, around 150 documented singles reached the number-one position, the first being "You Are Not Alone" by Michael Jackson in 1995. "I Follow Rivers" (2011) by Lykke Li spent 12 weeks at the summit, longer than any other song. The most successful artists were Madonna and Kylie Minogue with six documented number ones each. Multiple artists reached number one with several singles in a calendar year, including the Black Eyed Peas with "Where Is the Love?" and "Shut Up" in 2004. Cleopatra Stratan was four years old when she topped the chart in October 2006 with "Ghiță", making her the youngest artist ever to attain a number one in any country according to Guinness World Records. The Romanian Top 100 ceased publication after its last broadcast on 19 February 2012, and was replaced with the Airplay 100. (Full article...)