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Mary Ann Sampson

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Mary Ann Sampson (born 1941) is an American artist based in Ragland, Alabama, known for her work in book arts, with a focus on miniatures, broadsides, and handcrafted books.

Education and early career

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In college, Sampson majored in Spanish and art at Birmingham-Southern College and Samford University.[1]

Sampson received a Master of Fine Arts in Book Arts from the University of Alabama.[2] Later, Sampson founded OEOCO PRESS (One-Eye Opera Company), which specializes in producing limited-edition letterpress books, handmade volumes, and bookbinding projects.[3]

Artistic contributions and style

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Sampson has expressed an interest in the human form, saying, "I have a real interest in how the human figure wiggles about"[1] and noting that her former career as a nurse gave her an appreciation of "human interaction and pain and troubles."[4] She calls her cousin, Ruth Faison Shaw, her first artistic inspiration; Shaw is credited for originating finger-painting as an artistic medium.[4]

Sampson’s work often delves into the themes of motherhood and the power of storytelling.[4] She uses a variety of materials including papers, pencils, water-soluble paints and inks, leather, letterpress printing, and linen thread.[4][1]

Exhibitions

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Sampson's work has been exhibited in more than 50 venues since 1983, including locations in Germany,[5] Canada,[6] Atlanta, Birmingham, Chicago,[7] New York, Washington and New Mexico.[8]

Her work has been shown extensively in galleries specializing in book arts venues including Agnes (gallery), Center For Book Arts,[9] The Newberry Library, R. R. Donnelley Gallery, Sarah Moody Gallery, University of Alabama, University of Chicago, Birmingham Public Library, Wells Book Art Center, University of North Alabama and Syracuse University among many others.

Sampson's work was included in UPsouth which traveled to several venues across Birmingham, including Space One Eleven, Birmingham Civil Rights Institute, the University of Alabama at Birmingham, Visual Arts Gallery, and Agnes.[10] It showed the work of artists Emma Amos and Willie Birch and writer bell hooks, as well as Ann Benton, Priscilla Hancock Cooper, Karen Graffeo, Janice Kluge, Lee Isaacs, J. M. Walker and Marie Weaver.[11] The exhibition was funded through the Andy Warhol Foundation for the Arts.

She was included in ABeCedarium: An Exhibit of Alphabet Books, juried by noteworthy peers William Drendel, book artist and Guild of Book Workers member; Paul Gehl of the Newberry Library and ABC Books Then curator; and Pam Spitzmueller, book artist and conservator at Harvard University. Sampson's work was exhibited alongside Emily Martin, Lucas Samaras, Claire Jeanine Satin, and Christopher McAfee.[12] This exhibition included a catalog.[13]

In 2010, Sampson was selected to be part of A Reader's Art, curated by Jon Coffelt for Susan Hensel Gallery in Minneapolis, MN. This was a 10-year survey of artist's books including works by Pinky Bass, Janice Kluge, Joan Lyons, Qi peng, Luce, Beatrice Coron, Buzz Spector and Sara Garden Armstrong. This exhibition included a catalog.[14]

Works

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Sampson, Mary Ann. A Primer of Oriental Thought. n.d. Mixed media on paper, 5.75 x 6.2 in. OEOCO Press, Ragland, Alabama.[15]

Sampson, Mary Ann. Basil Moon of Ardmore. n.d. OEOCO Press, Ragland, Alabama.

Sampson, Mary Ann. Henny Penny's Lover. n.d Mixed media on paper, 8.9 x 7 in. OEOCO Press, Ragland, Alabama.[16]

Sampson, Mary Ann. Strange Birds. n.d. Mixed media. OEOCO Press, Ragland, Alabama.

Sampson, Mary Ann. Fish. 1989. Linocut on accordion structure, 6 x 6.25 in. OEOCO Press, Ragland, Alabama.[17]

Sampson, Mary Ann and Terrence A. Taylor. Macaroni and Cheese. 1989. Linocut on accordion structure, 5.25 x 3.25 in. Duende Press, Dolomite, Alabama.[18]

Sampson, Mary Ann. Purple Dreams. 1989. Mixed media on paper, 5.25 x 7 in. OEOCO Press, Ragland, Alabama.[19]

Sampson, Mary Ann. srebmun, 1990. Mixed media on paper, 4.25 x 4.5 in. OEOCO Press, Ragland, Alabama.[20]

Sampson, Mary Ann, Edith Frohock and Paula Marie Gourley. Book Arts: Four Approaches. 1991.

Sampson, Mary Ann. Do the Dog, 1991. Palm-leaf book in cigar box, 9.5 x 1.5 in. OEOCO Press, Ragland, Alabama.[21]

Sampson, Mary Ann. One Moon: Two Moon; Three Moon Rising. 1991. Mixed media on paper, 12 x 8.5 in. OEOCO Press, Ragland, Alabama.[22]

Sampson, Mary Ann. Visual Songs and Bone Dances. 1992. Broadside, 11 x 16.5 in. OEOCO Press, Ragland, Alabama. [23]

Sampson, Mary Ann. Heart Song. 1994. Mixed media on paper, 5 x 5 in. OEOCO Press, Ragland, Alabama.[24]

Sampson, Mary Ann. Prayer Book and Singer. 1994. OEOCO Press, Ragland, Alabama.

Sampson, Mary Ann. Ragland Birds. 1994. Mixed media on paper, 24.5 x 20 in. OEOCO Press, Ragland, Alabama.[25]

Sampson, Mary Ann. Aria. 1995. OEOCO Press, Ragland, Alabama.

Sampson, Mary Ann. Barn. 1995. Pop-up book. OEOCO Press, Ragland, Alabama.

Sampson, Mary Ann. Landscape. 1995. Mixed media, 3.25 x 8 .25 in. OEOCO Press, Ragland, Alabama.[26]

Sampson, Mary Ann. The Pink Riviera for Umbrella. 1996-1997. Mixed media, 16 x 15 x 4.5 in. OEOCO Press, Ragland, Alabama.[27]

Sampson, Mary Ann. Howl at the Moon, Shoot Out the Lights. 1997. Mixed media on paper, 11 x 14.5 in. OEOCO Press, Ragland, Alabama.[28]

Sampson, Mary Ann. Singing and Dancing. 1997. Concertina with slip cover. OEOCO Press, Ragland, Alabama.

Sampson, Mary Ann. Rejoice, 1998. Mixed media on paper, accordion structure in cardboard box, 3.5 x 2.75 in. OEOCO Press, Ragland, Alabama.[29]

Sampson, Mary Ann. Mona Lisa in the Heart of Dixie Lounge, 1999. Mixed media. OEOCO Press, Ragland, Alabama. (Description of “Mona Lisa in the Heart of Dixie Lounge”)

Sampson, Mary Ann. Obstacles & Impediments. 2000. Broadside, 8 x 11 in. OEOCO Press, Ragland, Alabama.[30]

Sampson, Mary Ann and Dorothy Fields. Then From These Stones. 2003. Mixed media on paper, 5 x 9.75 in. OEOCO Press, Ragland, Alabama.[31]

Sampson, Mary Ann. Teaching a Bird to Read. 2004. Mixed media on paper, accordion structure, 3.25 x 6.25 in. OEOCO Press, Ragland, Alabama.[32]

Sampson, Mary Ann. Beware of Rising Waters. 2005. Mixed media, 6 x 6 in. OEOCO Press, Ragland, Alabama.[33]

Sampson, Mary Ann and Sue Brannan Walker. Faulkner Suite. 2008. Mixed media on paper, 1.25 x 4.6 in. OEOCO Press, Ragland, Alabama.[34]

Sampson, Mary Ann and Sue Brannan Walker. Pokeberry Inscription. 2008. Broadside, 12 x 5 in. OEOCO Press, Ragland, Alabama.[35]

Audio

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References

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  1. ^ a b c Vickery, Scottie. "The Act of Creation". Discover: The essence of St. Clair. Retrieved November 13, 2024.
  2. ^ "Home - The University of Alabama | The University of Alabama". www.ua.edu. Retrieved October 5, 2024.
  3. ^ Sampson, Mary Ann. "Mary Ann Sampson". Mary Ann Sampson. Retrieved November 13, 2024.
  4. ^ a b c d ryan (March 4, 2021). "Artist Mary Ann Sampson reflects on collection now showing at GMA". Gadsden Messanger. Retrieved November 13, 2024.
  5. ^ Buchgalerie Mergemeier in Düsseldorf, Germany 1998
  6. ^ Dorothy Field Archived September 27, 2007, at the Wayback Machine
  7. ^ Newberry Library Chicago, Illinois
  8. ^ LBBROS: Book as Art: Workshops, Innovative Structure Archived September 27, 2007, at the Wayback Machine 1997
  9. ^ Center For Book Arts Archived February 4, 2007, at the Wayback Machine
  10. ^ UpSouth by bell hooks, Emma Amos and Antoinette Spanos Nordan, University Press, University of Alabama, Birmingham, Birmingham, 1999, pp 70–73
  11. ^ Weaver lists this in her résumé Archived March 14, 2007, at the Wayback Machine.
  12. ^ "Abecedarium". guildofbookworkers.org. Retrieved February 10, 2025.
  13. ^ "Abecedarium : an exhibit of alphabet books ; the Guild of Book Workers, 1998-1999 | WorldCat.org". search.worldcat.org. Retrieved February 10, 2025.
  14. ^ "A Reader's art 10th anniversary, March 12th to April 23rd 2010 : guest-curated by Jon Coffelt : exhibition catalogue | WorldCat.org". search.worldcat.org. Retrieved February 10, 2025.
  15. ^ "OEOCO". www.vampandtramp.com. Retrieved February 10, 2025.
  16. ^ "OEOCO". www.vampandtramp.com. Retrieved February 10, 2025.
  17. ^ March, Richard (April 20, 2017). "Accordion Jokes". University of Illinois Press. doi:10.5406/illinois/9780252037207.003.0003.
  18. ^ "OEOCO". www.vampandtramp.com. Retrieved February 10, 2025.
  19. ^ "OEOCO". www.vampandtramp.com. Retrieved February 10, 2025.
  20. ^ "OEOCO". www.vampandtramp.com. Retrieved February 10, 2025.
  21. ^ "OEOCO". www.vampandtramp.com. Retrieved February 10, 2025.
  22. ^ "OEOCO". www.vampandtramp.com. Retrieved February 10, 2025.
  23. ^ "OEOCO". www.vampandtramp.com. Retrieved February 10, 2025.
  24. ^ "OEOCO". www.vampandtramp.com. Retrieved February 10, 2025.
  25. ^ "OEOCO". www.vampandtramp.com. Retrieved February 10, 2025.
  26. ^ "OEOCO". www.vampandtramp.com. Retrieved February 10, 2025.
  27. ^ "OEOCO". www.vampandtramp.com. Retrieved February 10, 2025.
  28. ^ "OEOCO". www.vampandtramp.com. Retrieved February 10, 2025.
  29. ^ "OEOCO". www.vampandtramp.com. Retrieved February 10, 2025.
  30. ^ "OEOCO". www.vampandtramp.com. Retrieved February 10, 2025.
  31. ^ "OEOCO". www.vampandtramp.com. Retrieved February 10, 2025.
  32. ^ "OEOCO". www.vampandtramp.com. Retrieved February 10, 2025.
  33. ^ "OEOCO". www.vampandtramp.com. Retrieved February 10, 2025.
  34. ^ "OEOCO". www.vampandtramp.com. Retrieved February 10, 2025.
  35. ^ "OEOCO". www.vampandtramp.com. Retrieved February 10, 2025.
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