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Mónica Aguilar Bonilla

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In this Spanish name, the first or paternal surname is Aguilar and the second or maternal family name is Bonilla.
Mónica Aguilar Bonilla
Born (1980-07-11) July 11, 1980 (age 44)
San Jose, Costa Rica
Academic background
Alma materUniversity of Costa Rica
Academic work
DisciplineArchaeology
Sub-disciplinePre-Columbian societies of Costa Rica
InstitutionsUniversity of Costa Rica

Mónica Aguilar Bonilla (born 11 July 1980 in San Jose) is a Costa-Rican archaeologist. She is a Professor of Archaeology and Anthropology in the Faculty of Social Sciences at the University of Costa Rica. Her current works are mainly about Costa Rican heritage. She has worked on documenting archaeological artifacts, artifacts repatriation, and application for World Heritage Status.

Education

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Bonilla graduated in 2011 with an MA from the University of Costa Rica.[1] Previously she had studied for and graduated from two undergraduate degrees in anthropology (2002) and archaeology (2007).[2]

Research

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Bonilla is an expert in the pre-Columbian societies of Costa-Rica and Costa-Rican archaeology. She studies cultural law and heritage, in terms of both tangible and intangible assets.[3] She has worked on producing a dictionary of Costa Rican archaeological artifacts, putting indigenous artistry into context from pre-Columbian times to today.[4] There is a long history of Costa Rica's heritage being looted for commercial gain.[5] Under this context, she has studied the potential for the repatriation of over 16,000 artifacts collected by Minor Cooper Keith from the late nineteenth to early twentieth centuries, including 5,000 artifacts acquired by the Brooklyn Museum in the 1930s.[6] Bonilla has studied the assemblages of material from Las Mercedes, including material collected by Minor Keith, and published a study on how huaqueros and archaeologists can work together to preserve Costa Rica's heritage.[7] She worked to produce the first digital repository of work on the Guayabo National Monument.[8] She has investigated the site of Agua Caliente.[9]

Examples of historic carreta wheels

In 2005, El Boyeo y la Carreta (the traditions of ox-herding and making ox-carts) were given UNESCO World Heritage Status (Intangible Heritage), based on a candidacy case prepared by Bonilla.[2] The carreta (oxcart) is one of Costa Rica's most famous crafts, used to transport coffee beans, their wheels are a hybrid of Spanish spokes and Aztec disc design.[10] The UNESCO listing has led to a cultural revival, which has increased tourism.[11]

In 2018 Bonilla began a research project investigating the industrial heritage of Costa Rica for the first time.[12] One of the first areas to be explored is Abangares in Guanacaste, where mineral extraction has been an important industry for two hundreds years and linked to global supply chains.[13] Companies invested in the area whose artefacts are in the archaeological record, included: Cyanide Plant Supply Company, London, England and National Manufacturing Company, Dayton, Ohio, USA.

Her other academic interests include the paleo-environment of Central America,[14] pre-Columbian musical instruments[15] and digital heritage.[16]

Membership

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Bonilla has been a member of ICOMOS Costa Rica since 2007.[17]

References

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  1. ^ "Tesis de maestría" (PDF).
  2. ^ a b "Autori Aracne editrice - Mónica Aguilar Bonilla". www.aracneeditrice.it (in Italian). Retrieved 2020-01-01.
  3. ^ La conservación del patrimonio cultural en Costa Rica. Aguilar Bonilla, Mónica,, Niglio, Olimpia, 1970- (I edizione ed.). Roma. 2013. ISBN 978-88-548-5880-0. OCLC 879975105.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
  4. ^ Bonilla, Mónica Aguilar; Vargas, Giselle Chang (2009). "Continuidad y discontinuidad en el trabajo artesanal: Experiencias del proyecto diccionario de artefactos arqueológicos y etnológicos de Costa Rica". Cuadernos de antropología: Revista Digital del Laboratorio de Etnología "María Eugenia Bozzoli Vargas". 19 (1): 93–111. ISSN 2215-356X.
  5. ^ Weil, Jim (2007). "Work and Anthropology in Costa Rica: An Orientation". Anthropology of Work Review. 28 (2): 1–8. doi:10.1525/awr.2007.28.2.1. ISSN 1548-1417.
  6. ^ Bonilla, Mónica Aguilar (2011). "De vuelta a casa, no al hogar: devolución de una parte de la colección arqueológica de Minor Keith". Cuadernos de antropología: Revista Digital del Laboratorio de Etnología "María Eugenia Bozzoli Vargas". 21 (1): 11. ISSN 2215-356X.
  7. ^ Bonilla, Mónica Aguilar (2007). "The Pothunter's Livelihood: Huaquerismo and Costa Rican Law in Defense of the National Archaeological Heritage". Anthropology of Work Review. 28 (2): 8–12. doi:10.1525/awr.2007.28.2.8. ISSN 1548-1417.
  8. ^ "Sigpro - Repositorio de información digital monumento nacional guayabo". vinv.ucr.ac.cr. Retrieved 2020-01-02.
  9. ^ Herrera, Mauricio Murillo (2011). Precolumbian Social Change in San Ramon de Alajuela, Costa Rica (in Spanish). Center for Comparative Arch. p. 81. ISBN 978-1-877812-90-3.
  10. ^ Miranda, Roberto (15 May 2010), La Tradicion del Boyeo y la Carreta en Costa Rica, retrieved 2020-01-02
  11. ^ "Tourism and Intangible Cultural Heritage - PDF Free Download". pdffox.com. Retrieved 2020-01-02.
  12. ^ "Sigpro - Arqueología industrial: estado del arte y primer inventario nacional". vinv.ucr.ac.cr. Retrieved 2020-01-02.
  13. ^ Aguilar, Monica; Peytrequín, Jeffrey. Producción minera en Abangares, Guanacaste. Un punto de arranque de las investigaciones en Arqueología Industrial en Costa Rica. 2016 [Mining production in Abangares, Guanacaste. A starting point for research in Industrial Archeology in Costa Rica. 2016] (Report). En: Memoria digital de la VI Jornada de Investigación sobre el Pacífico Costarricense. Vicerrectoría de Investigación- Sede del Pacífico, Universidad de Costa Rica.
  14. ^ "Sigpro - Exploración de la conservación y potencial de los datos paleo-ambientales para entender los procesos de cambio biocultural en un asentamiento humano precolombino del caribe central, Costa Rica". vinv.ucr.ac.cr. Retrieved 2020-01-02.
  15. ^ Molina, P. y M. Aguilar 2015 La metáfora de los sonidos materialización de la música en las poblaciones precolombinas. Fundación Museos del Banco Central. Masterlitho. San José. ISBN 978-9968-530-27-9.
  16. ^ Aguilar Bonilla, Mónica (2016-05-02). "El repositorio digital como herramienta para ladivulgación formal e informar del patrimonio cultural". Herencia. 25 (1–2).
  17. ^ "Miembros y Junta Directiva". www.icomoscr.org. Retrieved 2020-01-02.
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