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List of paintings by Caravaggio

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Caravaggio, born Michelangelo Merisi da Caravaggio (also Michele Angelo Merigi or Amerighi da Caravaggio; /ˌkærəˈvæi/, US: /-ˈvɑː(i)/; Italian: [mikeˈlandʒelo meˈriːzi da (k)karaˈvaddʒo]; 29 September 1571[1] – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting.[2][3][4]

Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. His inspiring effect on the new Baroque style that emerged from Mannerism was profound. His influence can be seen directly or indirectly in the work of Peter Paul Rubens, Jusepe de Ribera, Gian Lorenzo Bernini, and Rembrandt. Artists heavily under his influence were called the "Caravaggisti" (or "Caravagesques"), as well as tenebrists or tenebrosi ("shadowists").

Caravaggio's innovations inspired Baroque painting, but the latter incorporated the drama of his chiaroscuro without the psychological realism.[dubiousdiscuss] The style evolved and fashions changed, and Caravaggio fell out of favour. In the 20th century, interest in his work revived, and his importance to the development of Western art was reevaluated. The 20th-century art historian André Berne-Joffroy [fr] stated: "What begins in the work of Caravaggio is, quite simply, modern painting."[5]

There is disagreement as to the size of Caravaggio's oeuvre, with counts as low as 40 and as high as 80. In his monograph of 1983, the Caravaggio scholar Alfred Moir wrote, "The forty-eight color plates in this book include almost all of the surviving works accepted by every Caravaggio expert as autograph, and even the least demanding would add fewer than a dozen more",[6] but there have been some generally accepted additions since then. One, The Calling of Saints Peter and Andrew, was in 2006 authenticated and restored; it had been in storage in Hampton Court, mislabeled as a copy. Richard Francis Burton writes of a "picture of St. Rosario (in the museum of the Grand Duke of Tuscany), showing a circle of thirty men turpiter ligati" ("lewdly banded"), which is not known to have survived. The rejected version of Saint Matthew and the Angel, intended for the Contarelli Chapel in San Luigi dei Francesi in Rome, was destroyed during the bombing of Dresden, though black and white photographs of the work exist. In June 2011 it was announced that a previously unknown Caravaggio painting of Saint Augustine dating to about 1600 had been discovered in a private collection in Britain. Called a "significant discovery", the painting had never been published and is thought to have been commissioned by Vincenzo Giustiniani, a patron of the painter in Rome.[7]

List of paintings

[edit]

Main source: Spike, John T. Caravaggio. New York : Abbeville Press, 2001: p. 253–54.

Painting Year
Name
City, Gallery Dimensions
Technique
Notes
c. 1592–1593:
Boy Peeling Fruit
Florence, Fondazione Roberto Longhi 75.5 × 64.4 cm
Oil on canvas
One of several versions, one of which is Caravaggio's earliest known work[8]
c. 1592-1593:
Boy Peeling Fruit
London, Hampton Court PalaceRoyal Collection 63 × 53 cm
Oil on canvas
One of several versions, one of which is Caravaggio's earliest known work[9]
c. 1592–1593:
Boy Peeling Fruit
Switzerland, Private collection (formerly Ishizuka Collection, Tokyo) 65 × 52 cm
Oil on canvas
One of several versions, one of which is Caravaggio's earliest known work[10][11][9][12]
c. 1592–1593:
Boy Peeling Fruit
London, The Dickinson Group 64.2 × 51.4 cm
Oil on canvas
One of several versions, one of which is Caravaggio's earliest known work[13]
c. 1592–1599:
Portrait of a Prelate[14]
Italy, Private Collection 68 × 53 cm
Oil on canvas
[14]
c. 1593:
Young Sick Bacchus
Rome, Galleria Borghese 67 × 53 cm
Oil on canvas
c. 1593:
Boy with a Basket of Fruit
Rome, Galleria Borghese 70 × 67 cm
Oil on canvas
c. 1594:
Fortune Teller
Rome, Capitoline Museums 115 × 150 cm
Oil on canvas
c. 1594:
Cardsharps
Fort Worth, Kimbell Art Museum 94.2 × 131.2 cm
Oil on canvas
c. 1595:
Musicians
New York City, Metropolitan Museum of Art 87.9 × 115.9 cm
Oil on canvas
c. 1595:
Saint Francis of Assisi in Ecstasy
Hartford, Connecticut, Wadsworth Atheneum 93.9 × 129.5 cm
Oil on canvas
c. 1596:
Boy Bitten by a Lizard
London, National Gallery 66 × 49.5 cm
Oil on canvas
c. 1596

Lute Player

Private Collection 96 × 121 cm

Oil on canvas

Understood to be the original version of the Lute Player
c. 1596:
Lute Player
Saint Petersburg, Hermitage Museum 94 × 119 cm
Oil on canvas
c. 1596:
Lute Player
New York City, Metropolitan Museum of Art (on loan) 100 × 126,5 cm
Oil on canvas
c. 1596:
Basket of Fruit
Milan, Biblioteca Ambrosiana 46 × 64 cm
Oil on canvas
c. 1596:
Bacchus
Florence, Uffizi 95 × 85 cm
Oil on canvas
[15]
c. 1597:
Penitent Magdalene
Rome, Doria Pamphilj Gallery 122.5 × 98.5 cm
Oil on canvas
[15]
c. 1597:
Rest on the Flight into Egypt
Rome, Doria Pamphilj Gallery 133.5 × 166.5 cm
Oil on canvas
[15]
c. 1597:
Medusa
Florence, Uffizi 60 × 55 cm
Oil on canvas over convex poplar wood shield
[15]
c. 1597:
Portrait of a Courtesan
Berlin, Kaiser Friedrich Museum 66 × 53 cm
Oil on canvas
Destroyed in 1945
c. 1597:
Jupiter, Neptune and Pluto
Rome, Casino di Villa Boncompagni Ludovisi 300 × 180 cm
Ceiling fresco in oil
c. 1597:
Fortune Teller
Paris, Musée du Louvre 99 × 131 cm
Oil on canvas
c. 1598:
Saint Catherine of Alexandria
Madrid, Thyssen-Bornemisza Museum 173 × 133 cm
Oil on canvas
c. 1598:
Sacrifice of Isaac
Princeton, Barbara Piasecka-Johnson Collection 116 × 173 cm
Oil on canvas
c. 1598:
John the Baptist
Toledo, Cathedral Museum 169 × 112 cm
Oil on canvas
Disputed
c. 1598:
Martha and Mary Magdalene
Detroit, Detroit Institute of Arts 97.8 × 132.7 cm
Oil on canvas
c. 1598:
Portrait of Maffeo Barberini
Los Angeles, Private Collection 124 × 99 cm
Oil on canvas
c. 1598:
Judith Beheading Holofernes
Rome, Galleria Nazionale d'Arte Antica, Palazzo Barberini 145 × 195 cm
Oil on canvas
c. 1599:
David and Goliath
Madrid, Museo del Prado 110 × 91 cm
Oil on canvas
c. 1599:
Narcissus
Rome, Galleria Nazionale d'Arte Antica, Palazzo Barberini 110 × 92 cm
Oil on canvas
Disputed
c. 1600:
Boy Bitten by a Lizard
Florence, Fondazione Roberto Longhi 65.8 × 52.3 cm
Oil on canvas
c. 1600:
John the Baptist
Basel, Öffentliche Kunstsammlung 102.5 × 83 cm
Oil on canvas
Attributed to Juan Bautista Maino
c. 1600:
Calling of Saint Matthew
Rome, Contarelli Chapel 323 × 343 cm
Oil on canvas
1600:
Martyrdom of Saint Matthew
Rome, Contarelli Chapel 323 × 343 cm
Oil on canvas
1600? 1609?:
Nativity with Saint Francis and Saint Lawrence
Palermo, Church of San Lorenzo 268 × 197 cm
Oil on canvas
Stolen in 1969
1600:
Conversion of Saint Paul
Rome, Odescalchi Balbi Collection 237 × 189 cm
Oil on cypress wood
1601:
Crucifixion of Saint Peter
Rome, Cerasi Chapel 230 × 175 cm
Oil on canvas
1601:
Conversion of Saint Paul on the Road to Damascus
Rome, Cerasi Chapel 230 × 175 cm
Oil on canvas
1601:
Still Life with Flowers and Fruit
Rome, Borghese 105 × 184 cm
Oil on canvas
Attributed to Painter of the Hartford Still Life
1601:
The Incredulity of Saint Thomas (Ecclesiastical Version)
Florence, Private Collection 118 × 156.5 cm
Oil on canvas
1602:
Supper at Emmaus
London, National Gallery 139 × 195 cm
Oil on canvas
1602:
Amor Victorious
Berlin, Gemäldegalerie 156 × 113 cm
Oil on canvas
1602:
Saint Matthew and the Angel
Berlin, Kaiser Friedrich Museum 232 × 183 cm
Oil on canvas
Destroyed in 1945
1602:
Inspiration of Saint Matthew
Rome, Contarelli Chapel 292 × 186 cm
Oil on canvas
1602:
John the Baptist
Rome, Capitoline Museums 129 × 94 cm
Oil on canvas
c. 1602:
John the Baptist
Rome, Doria Pamphilj Gallery 129 × 94 cm
Oil on canvas
c. 1602:
Incredulity of Saint Thomas (Secular version)
Potsdam, Sanssouci 107 × 146 cm
Oil on canvas
1602:
Taking of Christ
Dublin, National Gallery of Ireland 133 × 169 cm
Oil on canvas
1603:
Sacrifice of Isaac
Florence, Uffizi 104 × 135 cm
Oil on canvas
c. 1603:
Holy Family with Saint John the Baptist
New York City, Metropolitan Museum of Art (on loan) 118 × 96 cm
Oil on canvas
Disputed
c. 1603:
Entombment
Vatican City, Vatican Museums 300 × 203 cm
Oil on canvas
1603:
Crowning with Thorns
Prato, Cariprato Bank 125 × 178 cm
Oil on canvas
c. 1604:
Madonna of Loreto
Rome, Sant'Agostino 260 × 150 cm
Oil on canvas
1604:
John the Baptist
Kansas City, Nelson-Atkins Museum of Art 172.5 × 104.5 cm
Oil on canvas
c. 1604:
John the Baptist
Rome, Galleria Nazionale d'Arte Antica, Palazzo Corsini 94 × 131 cm
Oil on canvas
c. 1604:
The Calling of Saints Peter and Andrew
London, Hampton Court PalaceRoyal Collection 140 × 176 cm
Oil on canvas
1605:
Christ on the Mount of Olives
Berlin, Kaiser Friedrich Museum 154 × 222 cm
Oil on canvas
Destroyed in 1945
c. 1605:
Ecce Homo
Genoa, Palazzo Bianco 128 × 103 cm
Oil on canvas
Disputed, perhaps a Flemish Caravaggesco operating in Sicily
c. 1605:
Saint Jerome in Meditation
Montserrat, Museum of Montserrat 118 × 81 cm
Oil on canvas
c. 1605:
Saint Jerome Writing
Rome, Borghese 112 × 157 cm
Oil on canvas
1605:
Portrait of Pope Paul V
Rome, Private Collection of the Prince Borghese 203 × 119 cm
Oil on canvas
Disputed
1605:
Still Life with Fruit on a Stone Ledge
Rome, Borghese 87 × 135 cm
Oil on canvas
Disputed
1606:
Madonna and Child with Saint Anne (Dei Palafrenieri)
Rome, Borghese 292 × 211 cm
Oil on canvas
[16]
1601–1606:
Death of the Virgin
Paris, Musée du Louvre 369 × 245 cm
Oil on canvas
1605/1606:
Magdalene Grieving
Rome, Private Collection 112 × 92 cm
Oil on canvas
1606:
Mary Magdalen in Ecstasy
Rome, Private collection 106.5 × 91 cm
Oil on canvas
c. 1606:
Saint Francis in Meditation
Cremona, Museo Civico Ala Ponzone 130 × 90 cm
Oil on canvas
1606:
Supper at Emmaus
Milan, Brera Fine Arts Academy 141 × 175 cm
Oil on canvas
1607:
Judith Beheading Holofernes
New York, J. Tomilson Hill collection Oil on canvas Disputed attribution. Also attributed to Louis Finson.[17][18][19]
1607:
Seven Works of Mercy
Naples, Pio Monte della Misericordia 390 × 260 cm
Oil on canvas
1607:
Crucifixion of Saint Andrew
Cleveland, Cleveland Museum of Art 202.5 × 152.7 cm
Oil on canvas
1607:
David with the Head of Goliath
Vienna, Kunsthistorisches Museum 90.5 × 116 cm
Oil on wood
1607:
Madonna of the Rosary (Madonna del Rosario)
Vienna, Kunsthistorisches Museum 364.5 × 249.5 cm
Oil on canvas
1607:
Crowning with Thorns
Vienna, Kunsthistorisches Museum 127 × 165.5 cm
Oil on canvas
c. 1607:
Flagellation of Christ
Naples, Museo di Capodimonte 390 × 260 cm
Oil on canvas
c. 1607:
Christ at the Column
Rouen, Musée des Beaux-Arts 134.5 × 175.5 cm
Oil on canvas
c. 1607:
Salome with the Head of John the Baptist
London, National Gallery 90.5 × 167 cm
Oil on canvas
1607:
Saint Jerome Writing
Valletta, St. John's Co-Cathedral 117 × 157 cm
Oil on canvas
1607:
Ecce Homo
Madrid, Museo del Prado 111 × 86 cm
Oil on canvas
1608:
Portrait of Alof de Wignacourt and his Page
Paris, Musée du Louvre 195 × 134 cm
Oil on canvas
1608:
Portrait of Fra Antonio Martelli
Florence, Pitti Palace 118.5 × 95.5 cm
Oil on canvas
1608:
Beheading of Saint John the Baptist
Valletta, St. John's Co-Cathedral 361 × 520 cm
Oil on canvas
1608:
Sleeping Cupid
Florence, Pitti Palace 71 × 105 cm
Oil on canvas
1608:
John the Baptist
Valletta, MUZA, The Malta National Community Art Museum 100 × 73 cm
Oil on canvas
Disputed[20]
1608:
Annunciation
Nancy, Musée des Beaux-Arts 285 × 205 cm
Oil on canvas
1608:
The Burial of Saint Lucy
Syracuse, Santuario di Santa Lucia al Sepolcro 408 × 300 cm
Oil on canvas
1609:
Raising of Lazarus
Messina, Museo Regionale 380 × 275 cm
Oil on canvas
1609:
Adoration of the Shepherds
Messina, Museo Regionale 314 × 211 cm
Oil on canvas
1609:
Salome with the Head of John the Baptist
Madrid, Royal Collections Gallery 116 × 140 cm
Oil on canvas
1609:
Tooth Puller
Florence, Pitti Palace 139.5 × 194.5 cm
Oil on canvas
Disputed
1610:
Denial of Saint Peter
New York City, Metropolitan Museum of Art 94 × 125 cm
Oil on canvas
c. 1606:
Saint Francis in Prayer
Rome, Church of San Pietro in Carpineto Romano
currently in deposit at
Il Museo E La Cripta dei Frati Cappuccini, Palazzo Barberini
130 × 90 cm
Oil on canvas
c. 1610:
John the Baptist
Rome, Borghese 159 × 124 cm
Oil on canvas
1610:
David with the Head of Goliath
Rome, Borghese 125 × 101 cm
Oil on canvas
[21]
1610:
John the Baptist
Munich, Private collection 159 × 124 cm
Oil on canvas
1610:
Martyrdom of Saint Ursula
Naples, Galleria di Palazzo Zevallos Stigliano 106 × 179.5 cm
Oil on canvas
Last known work

Footnotes

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  1. ^ "Caravaggio - The Complete Works - caravaggio-foundation.org". www.caravaggio-foundation.org.
  2. ^ Vincenzio Fanti (1767). Descrizzione Completa di Tutto Ciò che Ritrovasi nella Galleria di Sua Altezza Giuseppe Wenceslao del S.R.I. Principe Regnante della Casa di Lichtenstein (in Italian). Trattner. p. 21.
  3. ^ "Italian Painter Michelangelo Amerighi da Caravaggio". Gettyimages.it. 24 October 2003. Retrieved 20 July 2013.
  4. ^ "Caravaggio, Michelangelo Merisi da (Italian painter, 1571–1610)". Getty.edu. Retrieved 18 November 2012.
  5. ^ Quoted in Gilles Lambert, "Caravaggio", p.8.
  6. ^ Alfred Moir, "Caravaggio", p.9
  7. ^ Alberge, Dalya (19 June 2011). "Unknown Caravaggio painting unearthed in Britain". The Guardian. London. Retrieved 20 June 2011.
  8. ^ Hibbard, Howard (1983). Caravaggio. Boulder, Colorado: Westview Press. pp. 15–17. ISBN 978-0-06-430128-2.
  9. ^ a b "Michelangelo Merisi da Caravaggio (Milan 1571-Port' Ercole 1610) - Boy Peeling Fruit". www.rct.uk.
  10. ^ Brown, Beverley Louise, ed. (2001). The Genius of Rome, 1592–1623. London: Royal Academy of Arts.
  11. ^ "Caravaggio".
  12. ^ "Caravaggio tra originali e copie". news-art.it.
  13. ^ Spike, John T. (2010). Caravaggio, 2nd revised edition. London: Abbeville Press.
  14. ^ a b Pilo, Giuseppe Maria (2017). Arte | Documento n. 33, Arte a Venezia, Arte a Europa (in Italian). Giuseppe Maria Pilo, Centro per lo Studio e la Tutela dei Beni Culturali Venice. Venezia. pp. 156–161. ISBN 978-88-6512-576-2. OCLC 1010736069.{{cite book}}: CS1 maint: location missing publisher (link)
  15. ^ a b c d Robb, Peter (1998). M: The Man who Became Caravaggio. New York City: Picador. p. 501. ISBN 0-312-27474-2.
  16. ^ "Madonna of the Palafrenieri". Borghese Gallery. Archived from the original on 2005-10-25.
  17. ^ McGivern, Hannah. "'Caravaggio' found in French attic unveiled in Milan". Art Newspaper. Retrieved 26 January 2017.
  18. ^ Gignoux, Sabine. "New leads in the Toulouse Caravaggio enigma". La Croix International. Retrieved 23 April 2018.
  19. ^ Christiansen, Keith. "Study day at Brera". Retrieved 23 April 2018.
  20. ^ Heritage Malta (2022). "A painting historically attributed to Caravaggio displayed at MUŻA".
  21. ^ "David with the Head of Goliath". Borghese Gallery. Archived from the original on 2005-11-24.

Further reading

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