Jill Reynolds
Jill Reynolds | |
|---|---|
| Born | 1956 (age 67–68) Chicago, Illinois, U.S. |
| Alma mater | Evergreen State College, Rutgers University |
| Occupation | glass artist |
Jill Reynolds (born 1956) is an American contemporary artist. She is known for her work in glass, often as glass art installations that address trauma.[1][2][3]
Early life
[edit]Reynolds was born in 1956 in Chicago, Illinois.[4][5] In 1979, she earned a bachelor's degree in architecture from the Evergreen State College in Olympia, Washington.[6] She received a Master of Fine Arts degree from Rutgers University in 1996.[7]
Career
[edit]In 2003, she was an artist-in-residence at the Pittsburgh Glass Center.[8] Her work is included in the collections of the Seattle Art Museum,[9] the New Britain Museum of American Art,[7] the Corning Museum of Glass,[10][11] and the Tacoma Art Museum.[5]
References
[edit]- ^ Hemachandra, Ray (2009). The Penland Book of Glass: Master Classes in Flamework Techniques. Sterling Publishing Company. ISBN 9781600591860.
- ^ Page, Andrew (8 May 2020). "Seen: Jill Reynolds and Dan Spitzer transform an office lobby in Pittsburgh". UrbanGlass.
- ^ Levine, Lester J. (2016-08-17). 9/11 Memorial Visions: Innovative Concepts from the 2003 World Trade Center Site Memorial Competition. McFarland. pp. 50–51. ISBN 978-1-4766-6508-5.
- ^ New Works, Old Story: 80 Artists at the Passover Table : the Dorothy Saxe Invitational. Contemporary Jewish Museum. 2009. p. 74. ISBN 978-0-692-00119-6.
- ^ a b "Ivan the Magic Baby". Tacoma Art Museum.[permanent dead link]
- ^ "Jill Reynolds – Artists – eMuseum".
- ^ a b "Jill Reynolds". eMuseum, New Britain Museum of American Art.
- ^ Thomas, Mary (August 23, 2003). "Art Review: 'Matter' is more proof that glass art matters". post-gazette.com. Archived from the original on November 1, 2021. Retrieved May 9, 2020.
- ^ "Jill Reynolds – Artists – eMuseum". Seattle Art Museum (SAM).
- ^ "Collection Search | Corning Museum of Glass".
- ^ Journal of Glass Studies. Corning Museum of Glass. 2003. p. 232.
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