Draft:Issa El-Saieh
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Issa El-Saieh | |
|---|---|
 | |
| Born | February 22, 1919 |
| Died | February 2, 2005 (aged 85) |
| Other names | Maestro |
| Occupation | Musicien • Composer • Bandleader • Conductor • Businessman • Gallerist • Art Collector • Philanthropist |
| Partner | Fernande Stark (1951-1958) |
| Children | Jean-Emmanuel El-Saieh • Marie-Elisabeth El-Saieh |
| Parent | Joseph Said El-Saieh • Julia Moussa Talamas |
| Relatives | Elias Noustas (brother) • André El-Saieh (brother) |
| Honours | Knight of the National Order of Honour and Merit of Haiti |
Issa Joseph El-Saieh (February 22, 1919 - February 2, 2005), also known as Maestro, was a Haitian - of Palestinian descent - saxophonist, clarinetist, bandleader, composer, arranger, businessman, gallerist, art collector and philanthropist.
Throughout his life and work he contributed to two facettes of Haitian culture: music as well as art.
From 1941 to the mid 1950s, as a musician, composer, arranger and bandleader of the Orchestre Saieh. In parallel to his music career, he began buying and collecting Haitian art. By the late 1950’s, he founded the Galerie Issa, through which he promoted Haitian art and culture abroad.
He passed away in Port-au-Prince from esophageal cancer on February 2, 2005, at the age of 85.
Early life and education
[edit]Issa El-Saieh was born in Petit-Goâve, Haiti on February 22, 1919. Both his parents, Julia Moussa Talamas (1893-1982) and Joseph Said El-Saieh (1885-1921) immigrated separately to Haiti from Bethlehem, Palestine.
His mother, twice a window, was a businesswoman who raised her three sons, Elias Noustas (1912-1991), Issa and André El-Saieh (1920-1965), between Petit-Goâve and Port-au-Prince.
El-Saieh attended Saint-Louis de Gonzague in Port-au-Prince. In 1928, his younger brother André and him were sent to various boarding schools in the United-States, mainly in Massachusetts. There, he was introduced to music and learned to play the clarinet as well as the saxophone, and was a member of his school bands.[1]
Family businesses
[edit]
In the summer of 1940, El-Saieh returned to Haiti, and worked alongside his mother in her dry goods store Veuve Joseph El-Saieh in downtown Port-au-Prince.[1]
Later, he became President of La Belle Créole - Haiti’s first department store - set up by his older brother Elias Noustas in 1948.[2] Located on rue Bonne Foi (then rue Roux), the store expanded throughout the 1950s.[3][4]
At the time Haiti was booming, and was a popular tourist destination. In December 1951, Elias Noustas opened Le Perchoir.[5] A restaurant, night club and gift-shop designed by architect Max Ewald, located in Boutilliers, overlooking the city of Port-au-Prince.[2]
Orchestre Saieh (1941-1951)
[edit]The Orchestra
[edit]
Between 1940 and 1941, in parallel to his business activities, El-Saieh briefly played in Jazz Rouzier (the orchestra of Daniel Rouzier) as a clarinette and saxophone player.[6]
In the fall of 1941 and spring of 1942, he began gradually setting up his own ensemble. Many of the musicians were members of the military orchestra of the National Palace, or came from various bands. Others were still students or had professions. Thus, the orchestra’s composition varied through the years.[1][6][7]
Known as Issa El-Saieh & His Orchestra, or Orchestre Saieh, the ensemble was heavily structured and composed of a large number of musicians, like an American big band.[8] This would set the orchestra apart from other groups.[9]
The band's repertoire merged traditional Haitian music genres - mainly folkloristic songs and melodies as well as voodoo rhythms - with modern jazz, Cuban mambo, meringue and American swing.[1][10]
In it’s first few years, Orchestre Saieh played in private houses in Port-au-Prince and the provinces, as well as cinemas and clubs, such as the Rex Theater, Ciné Paramount and the Club Miramar. Between 1944 and 1951, they became regulars at the Club Zanzi Bar and Cabane Choucoune, both located in Pétion-Ville. In the early 1950’s, the band frequently played at Le Perchoir in Boutilliers as well as on Ricardo Widmaier’s Radio Haiti Sunday morning program called Cocktail Dansant.[1][6]
El-Saieh retired from the public eye in October 1950[11], leaving the band in the hands of Ernest «Nono» Lamy, who later renamed the ensemble Nono Lamy & son Orchestre.[1]
Contributors
[edit]In the early 1940s, El-Saieh often travelled to Cuba, where he met several musicians, including Cuban pianist, composer, arranger and bandleader Ramon «Bebo» Valdés who would become not only a frequent collaborator[12] of the Orchestre Saieh, but also his life long friend. Valdés wrote and performed the track «Monsieur Saieh», which first featured in the 1959 album "Todo Ritmo" by Bebo Valdés Y Su Orquesta.[13]
During the late 1940’s, in New-York, El-Saieh studied music alongside Eddie Barefield, Andy Brown, Albert J. "Budd" Johnson, and Walter «Foots» Thomas - who had all been members and collaborators of the Cab Calloway Orchestra. He also frequented other musicians such as Dizzy Gillespie, Charlie Parker, Jo Thompson and Kenny Dorham, and was a regular at various jazz and blues night clubs, including Birdland, the Blue Note and Café Society.[1][6]
El-Saieh ordered original scores from foreign arrangers such as: Bobby Hicks, Albert J. "Budd" Johnson, Pérez Prado and Bebo Valdés, and he invited these musicians, as well as American pianist Billy Taylor[8], to participate in rehearsal sessions as well as recordings with the Orchestre Saieh.
La Belle Créole - music label (1947-1956)
[edit]Around 1947, El-Saieh created his own music label, La Belle Créole - which shared the same name of his brother Elias Noustas’s department store. From 1947 to 1956, most of Orchestre Saieh’s tracks were recorded on this label.[1][14]
The label also recorded tracks by various bands put together by combinations of musicians from the orchestra, such as The Belle Créole Group, La Belle Créole Trio, Bebo Valdés & His Rhythm, Rodolphe Legros & His Ibo Lele Group, Budd Johnson & The Le Perchoir Group, Wébert Sicot & His Cabane Choucoune Ensemble, The Cabane Choucoune Ensemble, Guy Durosier & His Rhythm or Rodolphe Legros & His Ibo Lele Group.
The recordings took place in different locations such as Cabane Choucoune, Radio Commerce or Ricardo Widmaier’s Radio Haiti, as well as other locations in Miami, New-York and Havana (mainly at Radio Progreso).[14][15]
Galerie Issa (1957-2005)
[edit]
In the late 1940s, El-Saieh began buying paintings, and in the mid 1950s, he decided to open a shop in his bother Elias Noustas’s restaurant and night club Le Perchoir. In 1957 he transferred his shop to rue du Quai in downtown Port-au-Prince, calling it Issa Art Gallery.[16] In 1964, the gallery was moved to his home, where it became known as Galerie Issa.[1]
Artists like Villard Denis, Néhémy Jean, Jacques Enguerrand Gourgue, Alix Roy and Gesner Armand worked with him in the gallery’s early days, before going on to other ventures. Gradually, the gallery grew in size and in terms of sales[17]. By the late 1960s and early 1970s, El-Saieh had over 50 artists working regularly for him. Many of whom had their ateliers on site[18], and several remained exclusive to the gallery until El-Saieh’s death.
According to the Swedish economist and author, Mats Lundahl:
«Issa played a crucial role in the establishment of a number of the most well-known Haitian naïf painters. He found them, and set them up on regular contracts with his Galerie Issa, providing them with the kind of financial stability that allowed them to concentrate on their painting. The results are to be seen in museums, art galleries, auction houses and private collections all over the world.»[1]
Described as an impresario for artists[19], El-Saieh launched and supported the careers of many Haitian artists such as: Gabriel Alix, Smith and Sisson Blanchard, Henri and Seymour Bottex, Jacques Chéry, Abner Dubic, Préfète Duffaut, Roger François, Yvon Jean-Pierre, Philton Latortue, André Normil, André Pierre, Fernand Pierre, Dieudonné Pluviose, Jerome Polycarpe, Dieudonné Rouanez, Audes and Charles Saul, Micius Stéphane, Josaphat Tissaint - to name a few.[18][20]
Galerie Issa organized and participated in several art exhibitions, particularly in the Caribbean, America and Europe. The gallery closed in 2005, following El-Saieh's passing.
Hotel Oloffson
[edit]For several years in the 1960’s, El-Saieh managed the Hotel Oloffson in Port-au-Prince. There, he met English writer Graham Greene, who based the character of Hamit the Syrian[21] on him, in his 1966 novel The Comedians.
Philanthropy
[edit]During the course of his life, El-Saieh made regular contributions to orphanages, hospitals and other charitable institutions, mainly in Port-au-Prince. For many years, he also supported the Albert Schweitzer hospital in Deschapelles and Eye Care-Haiti by regularly donating art works.[1]
Discography
[edit]Awards and honors
[edit]
• March 13, 1959: awarded the title of Knight of the National Order of Honour and Merit (Chevalier de l’Ordre National Honneur et Mérite) by President of the Republic of Haiti, François Duvalier, for his significant contribution to the enrichment of Haitian culture.[22]
• 1998: honored at New York’s Lincoln Center, by the Haitian American Alliance of New York, as an emblematic figure of Haitian music and one of five giants of Haitian music.[23][10]
• 2002: Honor and Merit award from the Caribbean Film Productions - Nuit des Etoiles, for his contribution to Haitian culture.
References
[edit]- ^ a b c d e f g h i j k Lundahl, Mats; Saint-Jean, Louis Carl (2012). Issa El Saieh : Maëstro and Legend. Montréal: Les Éditions du CIDIHCA. ISBN 978-2-89454-321-4.
- ^ a b Hattenbach, Anthony (2005). Stars Over Haiti: A True Story. Eugene, Oregon: Wipf and Stock Publishers. pp. 17–18. ISBN 1-59752-261-9.
- ^ Diederich, Bernard, ed. (October 22, 1950). "La Belle Creole Opens New Store". Haiti Sun. p. 1. Retrieved January 9, 2025 – via Digital Library of the Caribbean, George A. Smathers Libraries, University of Florida.
- ^ Corvington, Georges (1991). Port-au-Prince au cours des ans. La ville contemporaine 1934-1950 (in French). Vol. VII. Port-au-Prince, Haiti: Imprimerie Henri Deschamps. p. 220.
- ^ Diederich, Bernard, ed. (December 2, 1951). "Today Fashionable "Le Perchoir" Opens". Haiti Sun. pp. 1, 3, 12. Retrieved January 8, 2025 – via Digital Library of the Caribbean, George A. Smathers Libraries, University of Florida.
- ^ a b c d Saint-Jean, Louis Carl (February 10, 2005). "Le décès d'Issa El Saieh: un colosse est tombé". Le Nouvelliste (Haiti) (in French).
- ^ "Des kermesses de Magloire au Bicentenaire d'Estimé". lenouvelliste.com (in French). July 22, 2008. Retrieved 2025-01-21.
- ^ a b Taylor, Billy; Reed, Teresa L. (2013-04-18). The Jazz Life of Dr. Billy Taylor. Indiana University Press. p. 33. ISBN 978-0-253-00917-3.
- ^ Saint-Jean, Louis Carl (February 24, 2020). "Un débat enrichissant sur la contribution des artistes à la musique haïtienne..." Port Salut Magazine (in French). Retrieved January 9, 2025.
- ^ a b "Haiti : Décès d'un célèbre musicien des années 40". AlterPresse (in French). February 3, 2005. Retrieved January 14, 2025.
- ^ Diederich, Bernard, ed. (October 1, 1950). "Hayti's No. 1 Orchestra Leader EL SAIEH has quit the public eye". Haiti Sun. p. 10. Retrieved January 8, 2025 – via Digital Library of the Caribbean, George A. Smathers Libraries, University of Florida.
- ^ Stavans, Ilan (2014-07-29). "V". Latin Music: Musicians, Genres, and Themes [2 volumes]. Bloomsbury Publishing USA. ISBN 979-8-216-10928-0.
- ^ "Bebo Valdes Y Su Orquesta – Todo Ritmo". Discogs. Retrieved January 11, 2025.
- ^ a b Mirtil, Emmanuel (2006–2025). "Issa El Saïeh and his Orchestra". Musiques d'Haïti - Musiques haïtiennes - Une anthologie comme j'en rêvais (in French). Retrieved January 8, 2025.
- ^ "Hommage aux musiciens haitiens des années 50 et 60". www.haiticulture.ch (in French). Retrieved 2025-01-21.
- ^ "Issa of Haiti Art Gallery on rue du Quai". Haiti Sun. April 16, 1961. p. 9. Retrieved January 8, 2025 – via Digital Library of the Caribbean, George A. Smathers Libraries, University of Florida.
- ^ Gould Stoddart, Veronica (September–October 1987). "Where the buys are". Caribbean Travel and Life. p. 65.
- ^ a b Williams, Sheldon (1969). "5". Voodoo and the Art of Haiti. Nottingham: Morland Lee Ltd. pp. 51–52. ISBN 978-0234778159.
- ^ Cobb, Charles E., Jr (November 1987). "Haiti against all odds". National Geographic. Vol. 172, no. 5. pp. 664–665.
{{cite news}}: CS1 maint: multiple names: authors list (link) - ^ Nadal-Gardère, Marie-José; Bloncourt, Gérald (1986). La Peinture Haïtienne - Haitian Arts (in French and eng). Translated by Bell, Elizabeth. Paris: Éditions Nathan. ISBN 9782091615011.
{{cite book}}: CS1 maint: unrecognized language (link) - ^ Sherry, Norman (2016-05-26). The Life of Graham Greene Volume Three: 1955 - 1991. Random House. pp. 363–364. ISBN 978-1-4735-4701-8.
- ^ Registered at the Chancellery (of Haiti) on March 15, 1959 under N°576 - by the President and the Secretary of State for Foreign Affairs
- ^ "Haitian Music". www.artshaitian.com. Retrieved 2025-01-10.
Further reading
[edit]• Lundahl, Mats (March 2, 2020). Et Haïti découvrit le jazz: l'Histoire de Issa El Saieh (in French). CIDIHCA France. ISBN 978-2-491035-07-5.
• Nadal-Gardère, Marie-José; Bloncourt, Gérald (1986). La Peinture Haïtienne - Haitian Arts. Translated by Bell, Elizabeth. Paris: Éditions Nathan. ISBN 9782091615011.
• Rodman, Selden (1988). Where Art is Joy - Haitian Art : the First Forty Years. New York: Ruggles de Latour. ISBN 9780938291015.
External links
[edit]- Haiti Film Institute (HFI). Cultural Integration Through Music and Dance - Learn about Haiti's standout musical impact through icons such as Issa El Saieh, Raoul Guillaume and Emerante des Pradines (Video).
- various. "Remembering Issa". Galerie Macondo. Retrieved January 14, 2025.