Bertrand Mandico
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|
Bertrand Mandico | |
|---|---|
 Bertrand Mandico at Cannes 2018 | |
| Born | March 21, 1971 Toulouse, France |
| Occupation | Film director |
| Years active | 1997–present |
Bertrand Mandico is a French film director of short films, medium-length films, experimental essays, and three feature films.[1][2] The Wild Boys, his first feature film, was named the top film of 2018 by Cahiers du cinéma. His films are often interested in the body and gender fluidity and incorporate photos and written elements.[2][3]
Born in 1977 [4] in Toulouse, Mandico graduated from the film directing program at the Gobelins school in Paris.
Mandico has an unusual working method.[2] He prefers to create the audio for his films in post-production. Actors post-synchronize themselves, and the environmental sounds and music are layered on. However, he always shoots his images on color film, with no post-production images. Background projection and superimposition are done during the shoot.
He created the Incoherence Manifesto in 2012 with Icelandic filmmaker Katrín Ólafsdóttir.[2] He states that
To be incoherent means to have faith in cinema, it means to have a romantic approach, unformatted, free, disturbed and dreamlike, cinegenic, an epic narration.
A group of young filmmakers including Yann Gonzalez, Caroline Poggi and Jonathan Vinel have been influenced by the manifesto.
Mandico has commenced "20+1 Projections", a collaborative project with Romanian-American actress Elina Löwensohn, where they are to make 21 short films in 21 years.[2] Though each film is meant to be a unique narrative and formal work, they are to revolve around the themes of aging and desire. As of 2018, they've shot 8 films and completed 6 of them.
He was named best director at the Vilnius International Film Festival in 2018 for The Wild Boys.[5]
Filmography
[edit]Mandico has directed 40 short films, TV-commercials and musical films.[6]
Feature films
[edit]Mandico's feature films include:[a]
| Year | English title | French title |
|---|---|---|
| 2017 | The Wild Boys | Les Garçons sauvages |
| 2021 | After Blue or After Blue (Dirty Paradise) | After Blue (Paradis sale) |
| 2023 | She Is Conann | Conann |
| 2024 | Dragon Dilatation |
Short films
[edit]| Year | English title | French title | Notes |
|---|---|---|---|
| 1997 | La Chanson du Jardinier Fou | La Chanson du Jardinier Fou | |
| 1999 | The Blue Cavalier | Le cavalier bleu | |
| 2000 | Monsieur Flupersu | Monsieur Flupersu | |
| 2002 | Osmose | Osmose | |
| 2002 | Chris Dangoisse : De droite | Chris Dangoisse : De droite | |
| 2002 | Chris Dangoisse : Ils dansent | Chris Dangoisse : Ils dansent | |
| 2003 | C’était le chien d’Eddy | C’était le chien d’Eddy | |
| 2004 | All You Have Seen Is True | Tout ce que vous avez vu est vrai | |
| 2006 | He Says He's Dead | Il dit qu'il est mort... | |
| 2007 | Mie l’enfant descend du songe | Mie l’enfant descend du songe | |
| 2007 | Essai 135 | Essai 135 | |
| 2009 | His Majesty Little Beard | Sa majesté petite barbe | |
| 2010 | The Life and Death of Henry Darger | Lif og daudi Henry Darger | |
| 2010 | Burlesque and Cold | Burlesque et froid | |
| 2011 | Boro in the Box | Boro in the Box | |
| 2012 | Living Still Life | La résurrection des natures mortes (Living Still Life) | |
| 2013 | Féminisme, rafale et politique | Féminisme, rafale et politique | |
| 2013 | Prehistoric Cabaret | Prehistoric Cabaret | |
| 2014 | S... Sa... Salam... Salammbô... | S... Sa... Salam... Salammbô... | |
| 2014 | Memories of a Boobs Flasher | Souvenirs d'un montreur de seins | |
| 2015 | Our Lady of Hormones | Notre-Dame des Hormones | |
| 2015 | Any Virgin Left Alive? | Y a-t-il une vierge encore vivante ? | |
| 2015 | Depressive Cop | Depressive Cop | |
| 2017 | Odile of the Valley | Odile dans la vallée | |
| 2018 | L’île aux robes | L’île aux robes | |
| 2018 | Apocalypse After | Ultra pulpe | Part of Ultra Rêve, a collection of three short films by Mandico, Caroline Poggi and Jonathan Vinel, and Yann Gonzalez. |
| 2018 | À rebours | À rebours | |
| 2019 | Niemand | Niemand | |
| 2019 | ExtaZus | ExtaZus | |
| 2020 | The Return of Tragedy | The Return of Tragedy | |
| 2021 | HUYSwoMANS | HUYSwoMANS | |
| 2022 | The Last Cartoon | The Last Cartoon | Part of L’émission a déjà commencé. |
| 2022 | J’ai tué Kate Bush | J’ai tué Kate Bush | Unused footage from the feature film After Blue. |
| 2023 | Rainer, A Vicious Dog in a Skull Valley | Rainer, A Vicious Dog in a Skull Valley | Part of L’émission a déjà commencé. |
| 2023 | We Barbarians | Nous les barbares | Part of L’émission a déjà commencé. |
Notes
[edit]- ^ By definition from the Academy of Motion Picture Arts and Sciences,[7] and the British Film Institute,[8] a feature film has a runtime of more than 40 minutes.
References
[edit]- ^ Mandico.
- ^ a b c d e "Rotterdam 2018 Interview: WILD BOYS, Bertrand Mandico on Shooting Gender-Bending Surreal Film". ScreenAnarchy. 2018-02-01. Retrieved 2019-03-01.
- ^ "Bertrand Mandico". IFFR. 2018-11-28. Retrieved 2019-03-01.
- ^ Mandico.
- ^ Blaney2018-04-03T10:54:00+01:00, Martin. "'Winter Brothers' triumphs at Vilnius Film Festival". Screen. Retrieved 2019-04-16.
{{cite web}}: CS1 maint: numeric names: authors list (link) - ^ "Bertrand Mandico - Festival Scope: Festivals on Demand for Film Professionals World Wide". pro.festivalscope.com. Retrieved 2019-03-01.
- ^ "79th Academy Awards Rules - Rule Two". www.oscars.org. Academy of Motion Pictures Arts and Sciences. Archived from the original on 28 October 2006. Retrieved 13 January 2024.
- ^ "BFI Filmography FAQ". www.bfi.org. BFI. Retrieved 13 January 2024.
