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The Record Production Portal

Noted audio engineer Roger Nichols at a vintage Neve recording console
Noted audio engineer Roger Nichols at a vintage Neve recording console
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This portal is focused on music production within the era of written records through sound recordings, digital downloads, and beyond. Its scope includes articles that document the considerations and mechanisms used by, and consistent with, the purview of the production element. As an art form, music predates transcription and simultaneously transcends descriptive limitations. As an industry, music has demonstrated consistent viability over time. The record producer conjoins these potential, and serves as a broker to bridge the demand (spawned by their aspirations) with supply and satisfaction. The results are measurable and attributable, derived from effort and skillful application of craft, to a manifestation of the art in its melodic form. (Read more)

The music industry consists of the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts. (Read more)

  

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Featured articles are displayed here, which represent some of the best content on English Wikipedia.
  • Image 1 The Fightin' Texas Aggie Band (also known as the Noble Men of Kyle or just the Aggie Band) is the official marching band of Texas A&M University. Composed of over 400 men and women from the school's Corps of Cadets, it is the largest military marching band in the United States. The band's complex straight-line marching maneuvers are performed exclusively to traditional marches. Since its inception in 1894, its members eat together, sleep in the same dormitories, and practice up to forty hours per week on top of a full academic schedule. The Aggie Band performs at all home football games, some away games, and university and Corps functions throughout the year. The band has also participated in inauguration parades for many United States presidents and Texas governors, major annual parades across the country, and the dedication ceremony for the George H. W. Bush Presidential Library. (Full article...)

    The Fightin' Texas Aggie Band (also known as the Noble Men of Kyle or just the Aggie Band) is the official marching band of Texas A&M University. Composed of over 400 men and women from the school's Corps of Cadets, it is the largest military marching band in the United States. The band's complex straight-line marching maneuvers are performed exclusively to traditional marches.

    Since its inception in 1894, its members eat together, sleep in the same dormitories, and practice up to forty hours per week on top of a full academic schedule. The Aggie Band performs at all home football games, some away games, and university and Corps functions throughout the year. The band has also participated in inauguration parades for many United States presidents and Texas governors, major annual parades across the country, and the dedication ceremony for the George H. W. Bush Presidential Library. (Full article...)
  • Image 2 Gaetano Donizetti, 1842 portrait L'Ange de Nisida (The Angel of Nisida) is an opera semiseria in four acts by Italian composer Gaetano Donizetti, from a French-language libretto by Alphonse Royer and Gustave Vaëz. Parts of the libretto are considered analogous with the libretto for Giovanni Pacini's Adelaide e Comingio, and the final scene is based on the François-Thomas-Marie de Baculard d'Arnaud play Les Amants malheureux, ou le comte de Comminges. Donizetti worked on the opera in late 1839—its final page is dated 27 December 1839. Because the subject matter involved the mistress of a Neapolitan king, and may thus have caused difficulties with the Italian censors, Donizetti decided that the opera should be presented in France. The theater company Donizetti contracted went bankrupt; the opera was reworked as La favorite in September 1840. L'Ange finally received its premiere in its original form in 2018 in a concert performance at London's Royal Opera House. (Full article...)

    Gaetano Donizetti, 1842 portrait

    L'Ange de Nisida (The Angel of Nisida) is an opera semiseria in four acts by Italian composer Gaetano Donizetti, from a French-language libretto by Alphonse Royer and Gustave Vaëz.

    Parts of the libretto are considered analogous with the libretto for Giovanni Pacini's Adelaide e Comingio, and the final scene is based on the François-Thomas-Marie de Baculard d'Arnaud play Les Amants malheureux, ou le comte de Comminges. Donizetti worked on the opera in late 1839—its final page is dated 27 December 1839. Because the subject matter involved the mistress of a Neapolitan king, and may thus have caused difficulties with the Italian censors, Donizetti decided that the opera should be presented in France. The theater company Donizetti contracted went bankrupt; the opera was reworked as La favorite in September 1840. L'Ange finally received its premiere in its original form in 2018 in a concert performance at London's Royal Opera House. (Full article...)
  • Image 3 Zappa performing at Ekeberghallen in Oslo, Norway, in 1977 Frank Vincent Zappa (/ˈzæpə/ ZAP-ə; December 21, 1940 – December 4, 1993) was an American musician, composer, and bandleader. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works; he also produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. His work is characterized by nonconformity, improvisation sound experimentation, musical virtuosity and satire of American culture. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation. As a mostly self-taught composer and performer, Zappa had diverse musical influences that led him to create music that was sometimes difficult to categorize. While in his teens, he acquired a taste for 20th-century classical modernism, African-American rhythm and blues, and doo-wop music. He began writing classical music in high school, while simultaneously playing drums in rhythm and blues bands, later switching to electric guitar. His debut studio album with the Mothers of Invention, Freak Out! (1966), combined satirical but seemingly conventional rock and roll songs with extended sound collages. He continued this eclectic and experimental approach throughout his career. (Full article...)

    Zappa performing at Ekeberghallen in Oslo, Norway, in 1977

    Frank Vincent Zappa (/ˈzæpə/ ZAP-ə; December 21, 1940 – December 4, 1993) was an American musician, composer, and bandleader. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works; he also produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. His work is characterized by nonconformity, improvisation sound experimentation, musical virtuosity and satire of American culture. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation.

    As a mostly self-taught composer and performer, Zappa had diverse musical influences that led him to create music that was sometimes difficult to categorize. While in his teens, he acquired a taste for 20th-century classical modernism, African-American rhythm and blues, and doo-wop music. He began writing classical music in high school, while simultaneously playing drums in rhythm and blues bands, later switching to electric guitar. His debut studio album with the Mothers of Invention, Freak Out! (1966), combined satirical but seemingly conventional rock and roll songs with extended sound collages. He continued this eclectic and experimental approach throughout his career. (Full article...)
  • Image 4 Walter Bache Walter Bache (/ˈbeɪtʃ/; 19 June 1842 – 26 March 1888) was an English pianist and conductor noted for his championing the music of Franz Liszt and other music of the New German School in England. He studied privately with Liszt in Italy from 1863 to 1865, one of the few students allowed to do so, and continued to attend Liszt's master classes in Weimar, Germany regularly until 1885, even after embarking on a solo career. This period of study was unparalleled by any other student of Liszt and led to a particularly close bond between Bache and Liszt. After initial hesitation on the part of English music critics because he was a Liszt pupil, Bache was publicly embraced for his keyboard prowess, even as parts of his repertoire were questioned. Bache's major accomplishment was the establishment of Liszt's music in England, to which he selflessly devoted himself between 1865 and his death in 1888. This was at the height of the War of the Romantics, when conservative and liberal musical factions openly argued about the future of classical music and the merits of the compositions written in their respective schools. Bache featured several of the orchestral and choral works through an annual series of concerts, which he single-handedly funded, organised and promoted. Likewise, he played an annual series of solo recitals that incorporated Liszt's piano music. (Full article...)
    A man in his forties, balding and with a mustache, wearing a dark suit and a tie
    Walter Bache

    Walter Bache (/ˈbeɪtʃ/; 19 June 1842 – 26 March 1888) was an English pianist and conductor noted for his championing the music of Franz Liszt and other music of the New German School in England. He studied privately with Liszt in Italy from 1863 to 1865, one of the few students allowed to do so, and continued to attend Liszt's master classes in Weimar, Germany regularly until 1885, even after embarking on a solo career. This period of study was unparalleled by any other student of Liszt and led to a particularly close bond between Bache and Liszt. After initial hesitation on the part of English music critics because he was a Liszt pupil, Bache was publicly embraced for his keyboard prowess, even as parts of his repertoire were questioned.

    Bache's major accomplishment was the establishment of Liszt's music in England, to which he selflessly devoted himself between 1865 and his death in 1888. This was at the height of the War of the Romantics, when conservative and liberal musical factions openly argued about the future of classical music and the merits of the compositions written in their respective schools. Bache featured several of the orchestral and choral works through an annual series of concerts, which he single-handedly funded, organised and promoted. Likewise, he played an annual series of solo recitals that incorporated Liszt's piano music. (Full article...)
  • Image 5 Title page of the 1656 publication of the libretto, with the variant spelling L'incoronatione L'incoronazione di Poppea (SV 308, The Coronation of Poppaea) is an Italian opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1643 carnival season. One of the first operas to use historical events and people, it describes how Poppaea, mistress of the Roman emperor Nero, is able to achieve her ambition and be crowned empress. The opera was revived in Naples in 1651, but was then neglected until the rediscovery of the score in 1888, after which it became the subject of scholarly attention in the late 19th and early 20th centuries. Since the 1960s, the opera has been performed and recorded many times. The original manuscript of the score does not exist; two surviving copies from the 1650s show significant differences from each other, and each differs to some extent from the libretto. How much of the music is actually Monteverdi's, and how much the product of others, is a matter of dispute. None of the existing versions of the libretto, printed or manuscript, can be definitively tied to the first performance at the Teatro Santi Giovanni e Paolo, the precise date of which is unknown. Details of the original cast are few and largely speculative, and there is no record of the opera's initial public reception. Despite these uncertainties, the work is generally accepted as part of the Monteverdi operatic canon, his last and perhaps his greatest work. (Full article...)

    Title page of the 1656 publication of the libretto, with the variant spelling L'incoronatione

    L'incoronazione di Poppea (SV 308, The Coronation of Poppaea) is an Italian opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1643 carnival season. One of the first operas to use historical events and people, it describes how Poppaea, mistress of the Roman emperor Nero, is able to achieve her ambition and be crowned empress. The opera was revived in Naples in 1651, but was then neglected until the rediscovery of the score in 1888, after which it became the subject of scholarly attention in the late 19th and early 20th centuries. Since the 1960s, the opera has been performed and recorded many times.

    The original manuscript of the score does not exist; two surviving copies from the 1650s show significant differences from each other, and each differs to some extent from the libretto. How much of the music is actually Monteverdi's, and how much the product of others, is a matter of dispute. None of the existing versions of the libretto, printed or manuscript, can be definitively tied to the first performance at the Teatro Santi Giovanni e Paolo, the precise date of which is unknown. Details of the original cast are few and largely speculative, and there is no record of the opera's initial public reception. Despite these uncertainties, the work is generally accepted as part of the Monteverdi operatic canon, his last and perhaps his greatest work. (Full article...)
  • Image 6 Fantasy Black Channel is the only studio album by British dance-punk band Late of the Pier. It was released on 30 July 2008 in Japan through Toshiba EMI and on 4 August 2008 in the British Isles on Parlophone, the band's primary label. Five tracks had already been released as singles in the United Kingdom: "Bathroom Gurgle", "The Bears Are Coming", "Space and the Woods" and "Focker" as a double A-side, and "Heartbeat". The record peaked at number 28 on the UK Albums Chart, but failed to chart in the United States. The album was recorded in lead vocalist Sam Eastgate's bedroom in Castle Donington, England, and at several locations in London. It went through a fractured creative process that lasted more than two years. It was eventually produced by Eastgate and DJ Erol Alkan between 2007 and 2008. Fantasy Black Channel does not contain a unifying musical or lyrical theme; rather, it is a collage of all the ideas, genres, and studio effects that fascinated the band members and Alkan, especially during live recording sessions. The record was very well received by critics. It was often treated as one of the best British albums of 2008 because of its eclecticism and spirit of invention. Late of the Pier did not record any further albums following the death of drummer Ross Dawson in 2015. (Full article...)
    Fantasy Black Channel is the only studio album by British dance-punk band Late of the Pier. It was released on 30 July 2008 in Japan through Toshiba EMI and on 4 August 2008 in the British Isles on Parlophone, the band's primary label. Five tracks had already been released as singles in the United Kingdom: "Bathroom Gurgle", "The Bears Are Coming", "Space and the Woods" and "Focker" as a double A-side, and "Heartbeat". The record peaked at number 28 on the UK Albums Chart, but failed to chart in the United States.

    The album was recorded in lead vocalist Sam Eastgate's bedroom in Castle Donington, England, and at several locations in London. It went through a fractured creative process that lasted more than two years. It was eventually produced by Eastgate and DJ Erol Alkan between 2007 and 2008. Fantasy Black Channel does not contain a unifying musical or lyrical theme; rather, it is a collage of all the ideas, genres, and studio effects that fascinated the band members and Alkan, especially during live recording sessions. The record was very well received by critics. It was often treated as one of the best British albums of 2008 because of its eclecticism and spirit of invention. Late of the Pier did not record any further albums following the death of drummer Ross Dawson in 2015. (Full article...)
  • Image 7 Bradley Joseph, who was born in 1965, is an American composer, arranger, and producer of contemporary instrumental music. His compositions include works for orchestra, quartet and solo piano, while his musical style ranges from "quietly pensive mood music to a rich orchestration of classical depth and breath". Active since 1983, Joseph has performed in front of half a million people around the world. He played various instruments in rock bands throughout the Midwest until 1989 when Greek composer Yanni hired him for his core band after hearing a tape of his original compositions. He was a featured concert keyboardist with Yanni through six major tours, most recently in 2003 for the 60-city Ethnicity tour. He appears in the multi-platinum album and concert film, Live at the Acropolis. Joseph also spent five years as musical director and lead keyboardist for Sheena Easton, including a 1995 performance on The Tonight Show with Jay Leno. (Full article...)

    Bradley Joseph, who was born in 1965, is an American composer, arranger, and producer of contemporary instrumental music. His compositions include works for orchestra, quartet and solo piano, while his musical style ranges from "quietly pensive mood music to a rich orchestration of classical depth and breath".

    Active since 1983, Joseph has performed in front of half a million people around the world. He played various instruments in rock bands throughout the Midwest until 1989 when Greek composer Yanni hired him for his core band after hearing a tape of his original compositions. He was a featured concert keyboardist with Yanni through six major tours, most recently in 2003 for the 60-city Ethnicity tour. He appears in the multi-platinum album and concert film, Live at the Acropolis. Joseph also spent five years as musical director and lead keyboardist for Sheena Easton, including a 1995 performance on The Tonight Show with Jay Leno. (Full article...)
  • Image 8 "This Charming Man" is a song by the English rock band the Smiths, written by guitarist Johnny Marr and singer Morrissey. Released as the group's second single in October 1983 on the independent record label Rough Trade, it is defined by Marr's jangle pop guitar riff and Morrissey's characteristically morose lyrics, which revolve around the recurrent Smiths themes of sexual ambiguity and lust. A different version, from the John Peel Show on BBC Radio 1, was included on the compilation album Hatful of Hollow in 1984. Feeling detached from the early 1980s mainstream gay culture, Morrissey wrote "This Charming Man" to evoke an older, more coded and self-aware underground scene. The singer said of the song's lyrics: "I really like the idea of the male voice being quite vulnerable, of it being taken and slightly manipulated, rather than there being always this heavy machismo thing that just bores everybody." (Full article...)
    "This Charming Man" is a song by the English rock band the Smiths, written by guitarist Johnny Marr and singer Morrissey. Released as the group's second single in October 1983 on the independent record label Rough Trade, it is defined by Marr's jangle pop guitar riff and Morrissey's characteristically morose lyrics, which revolve around the recurrent Smiths themes of sexual ambiguity and lust. A different version, from the John Peel Show on BBC Radio 1, was included on the compilation album Hatful of Hollow in 1984.

    Feeling detached from the early 1980s mainstream gay culture, Morrissey wrote "This Charming Man" to evoke an older, more coded and self-aware underground scene. The singer said of the song's lyrics: "I really like the idea of the male voice being quite vulnerable, of it being taken and slightly manipulated, rather than there being always this heavy machismo thing that just bores everybody." (Full article...)
  • Image 9 Master of Puppets is the third studio album by the American heavy metal band Metallica, released on March 3, 1986, by Elektra Records. Recorded in Copenhagen, Denmark, at Sweet Silence Studios with producer Flemming Rasmussen, it is the band's final album to feature bassist Cliff Burton. While touring in support of Master of Puppets, he died on September 27, 1986 after the band's tour bus was involved in an accident in Dörarp, Sweden. The album's artwork, designed by Metallica and Peter Mensch and painted by Don Brautigam, depicts a cemetery field of white crosses tethered to strings, manipulated by a pair of hands in a clouded, blood-red sky, with a fiery orange glow on the horizon. The album is the band’s most recent to date to feature a runtime of under an hour. Instead of releasing a single or video in advance of the album's release, Metallica embarked on a five-month American tour in support of Ozzy Osbourne. The European leg was canceled after Burton's death in September 1986, and the band returned home to audition a new bassist. (Full article...)
    Master of Puppets is the third studio album by the American heavy metal band Metallica, released on March 3, 1986, by Elektra Records. Recorded in Copenhagen, Denmark, at Sweet Silence Studios with producer Flemming Rasmussen, it is the band's final album to feature bassist Cliff Burton. While touring in support of Master of Puppets, he died on September 27, 1986 after the band's tour bus was involved in an accident in Dörarp, Sweden.

    The album's artwork, designed by Metallica and Peter Mensch and painted by Don Brautigam, depicts a cemetery field of white crosses tethered to strings, manipulated by a pair of hands in a clouded, blood-red sky, with a fiery orange glow on the horizon. The album is the band’s most recent to date to feature a runtime of under an hour. Instead of releasing a single or video in advance of the album's release, Metallica embarked on a five-month American tour in support of Ozzy Osbourne. The European leg was canceled after Burton's death in September 1986, and the band returned home to audition a new bassist. (Full article...)
  • Image 10 Hajji Chrismansyah Rahadi ([xrisˈmanʃah raˈhadi]; born Christian Rahadi [xristiˈan raˈhadi]; 16 September 1949 – 30 March 2007), better known by his stage name Chrisye ([xəˈriʃə]), was an Indonesian progressive pop singer and songwriter. In 2011, Rolling Stone Indonesia declared him the third-greatest Indonesian musician of all time. Born in Jakarta of mixed Chinese-Indonesian descent, Chrisye became interested in music at an early age. At high school he played bass guitar in a band he formed with his brother, Joris. In the late 1960s he joined Sabda Nada (later Gipsy), a band led by his neighbours, the Nasutions. In 1973, after a short hiatus, he rejoined the band to play in New York for a year. He briefly returned to Indonesia and then went back to New York with another band, the Pro's. After once again returning to Indonesia, he collaborated with Gipsy and Guruh Sukarnoputra to record the 1976 indie album Guruh Gipsy. (Full article...)

    Hajji Chrismansyah Rahadi ([xrisˈmanʃah raˈhadi]; born Christian Rahadi [xristiˈan raˈhadi]; 16 September 1949 – 30 March 2007), better known by his stage name Chrisye ([xəˈriʃə]), was an Indonesian progressive pop singer and songwriter. In 2011, Rolling Stone Indonesia declared him the third-greatest Indonesian musician of all time.

    Born in Jakarta of mixed Chinese-Indonesian descent, Chrisye became interested in music at an early age. At high school he played bass guitar in a band he formed with his brother, Joris. In the late 1960s he joined Sabda Nada (later Gipsy), a band led by his neighbours, the Nasutions. In 1973, after a short hiatus, he rejoined the band to play in New York for a year. He briefly returned to Indonesia and then went back to New York with another band, the Pro's. After once again returning to Indonesia, he collaborated with Gipsy and Guruh Sukarnoputra to record the 1976 indie album Guruh Gipsy. (Full article...)
  • Image 11 Ho Ho Ho, also known as VH-1 Presents RuPaul: Ho Ho Ho, is a Christmas album and the third studio album by American singer and drag queen RuPaul. Released on October 28, 1997, by the record label Rhino, it is RuPaul's first album featuring Christmas music and serves as a follow-up to his 1996 album Foxy Lady. RuPaul co-produced the album with Fenton Bailey and Randy Barbato from the production company World of Wonder. Ho Ho Ho consists of thirteen tracks, including ten covers of Christmas standards and carols, and three original songs written by Joe Carrano and RuPaul. Music critics frequently described the album as an example of camp though RuPaul clarified that it included several more serious covers, specifically "All Alone on Christmas" and "Hard Candy Christmas". Ho Ho Ho was praised by critics following its release and during retrospective reviews; its cheerful and humorous compositions were frequently cited as the album's highlights, though some commentators responded negatively to the record's use of humor and the lack of clarity in its overall message. It was included in a 2016 parody list discussing the alt-right, the "War on Christmas", and the bathroom bill. The album peaked at number 27 on the Heatseekers Albums Billboard chart, selling a little more than 4,000 copies in one week. To support the record, RuPaul filmed a television special as part of his VH1 talk show The RuPaul Show. (Full article...)
    Ho Ho Ho, also known as VH-1 Presents RuPaul: Ho Ho Ho, is a Christmas album and the third studio album by American singer and drag queen RuPaul. Released on October 28, 1997, by the record label Rhino, it is RuPaul's first album featuring Christmas music and serves as a follow-up to his 1996 album Foxy Lady. RuPaul co-produced the album with Fenton Bailey and Randy Barbato from the production company World of Wonder. Ho Ho Ho consists of thirteen tracks, including ten covers of Christmas standards and carols, and three original songs written by Joe Carrano and RuPaul. Music critics frequently described the album as an example of camp though RuPaul clarified that it included several more serious covers, specifically "All Alone on Christmas" and "Hard Candy Christmas".

    Ho Ho Ho was praised by critics following its release and during retrospective reviews; its cheerful and humorous compositions were frequently cited as the album's highlights, though some commentators responded negatively to the record's use of humor and the lack of clarity in its overall message. It was included in a 2016 parody list discussing the alt-right, the "War on Christmas", and the bathroom bill. The album peaked at number 27 on the Heatseekers Albums Billboard chart, selling a little more than 4,000 copies in one week. To support the record, RuPaul filmed a television special as part of his VH1 talk show The RuPaul Show. (Full article...)
  • Image 12 Fórmula, Vol. 1 is the debut studio album by American singer Romeo Santos, released on November 8, 2011, by Sony Music Latin. It is Santos's first album as a solo artist following the break-up of American bachata group Aventura, of which he was the lead singer. The record contains fifteen tracks, most of which were composed by Santos and co-produced with Ivan Chevere. The album experiments with the sound of bachata and other genres including R&B and flamenco. It features several Anglophone and Hispanophone guest artists including Usher, Tomatito, Mario Domm, and Lil Wayne. Recording for the album took place in 2011 at The Castle, Fight Klub, and EMG Studios in New York City. A deluxe edition of the album containing five extra tracks was released exclusively in Walmart retail stores in the United States. In the U.S., Formula, Vol. 1 peaked at number one on the Billboard Top Latin Albums and Billboard Tropical Albums charts and was the best-selling Latin album of 2012. It was certified three times platinum (Latin field) by the Recording Industry Association of America (RIAA) for shipping 300,000 copies and had sold 328,000 copies in the U.S. by February 2014. It ranked number thirteen, twenty-six, and seventy-seven on the Argentine, Mexican, and Spanish album charts respectively. (Full article...)
    Fórmula, Vol. 1 is the debut studio album by American singer Romeo Santos, released on November 8, 2011, by Sony Music Latin. It is Santos's first album as a solo artist following the break-up of American bachata group Aventura, of which he was the lead singer. The record contains fifteen tracks, most of which were composed by Santos and co-produced with Ivan Chevere. The album experiments with the sound of bachata and other genres including R&B and flamenco. It features several Anglophone and Hispanophone guest artists including Usher, Tomatito, Mario Domm, and Lil Wayne. Recording for the album took place in 2011 at The Castle, Fight Klub, and EMG Studios in New York City. A deluxe edition of the album containing five extra tracks was released exclusively in Walmart retail stores in the United States.

    In the U.S., Formula, Vol. 1 peaked at number one on the Billboard Top Latin Albums and Billboard Tropical Albums charts and was the best-selling Latin album of 2012. It was certified three times platinum (Latin field) by the Recording Industry Association of America (RIAA) for shipping 300,000 copies and had sold 328,000 copies in the U.S. by February 2014. It ranked number thirteen, twenty-six, and seventy-seven on the Argentine, Mexican, and Spanish album charts respectively. (Full article...)
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  • Image 1 The Fame is the debut studio album by American singer Lady Gaga. It was released on August 19, 2008, by Interscope Records. After joining KonLive Distribution and Cherrytree Records in 2008, Gaga began working on the album with different producers, primarily RedOne, Martin Kierszenbaum, and Rob Fusari. Musically, The Fame is an electropop, synth-pop, and dance-pop record that displays influences from 1980s music. Lyrically, it visualizes Gaga's love of fame in general, while also dealing with subjects such as love, sex, money, drugs, and sexual identity. The album was primarily promoted through The Fame Ball Tour and multiple television appearances, and was reissued as a deluxe edition with The Fame Monster on November 18, 2009. The album received generally favorable reviews from critics, who commended its lyrical content, Gaga's musicianship and vocal ability. It was a commercial success, topping the charts in several countries including the United Kingdom, Canada, Germany, Ireland, Poland, and Switzerland. It peaked at number two on the US Billboard 200, and also topped the Dance/Electronic Albums chart for 190 non-consecutive weeks, the most time on top in history. It has since been certified six-times Platinum by the Recording Industry Association of America (RIAA). The Fame became the fifth best-selling album of 2009, and has sold over 4.9 million copies in the United States as of January 2019. Combined with The Fame Monster, the album had sold over 18 million copies worldwide as of August 2019. (Full article...)
    The Fame is the debut studio album by American singer Lady Gaga. It was released on August 19, 2008, by Interscope Records. After joining KonLive Distribution and Cherrytree Records in 2008, Gaga began working on the album with different producers, primarily RedOne, Martin Kierszenbaum, and Rob Fusari. Musically, The Fame is an electropop, synth-pop, and dance-pop record that displays influences from 1980s music. Lyrically, it visualizes Gaga's love of fame in general, while also dealing with subjects such as love, sex, money, drugs, and sexual identity. The album was primarily promoted through The Fame Ball Tour and multiple television appearances, and was reissued as a deluxe edition with The Fame Monster on November 18, 2009.

    The album received generally favorable reviews from critics, who commended its lyrical content, Gaga's musicianship and vocal ability. It was a commercial success, topping the charts in several countries including the United Kingdom, Canada, Germany, Ireland, Poland, and Switzerland. It peaked at number two on the US Billboard 200, and also topped the Dance/Electronic Albums chart for 190 non-consecutive weeks, the most time on top in history. It has since been certified six-times Platinum by the Recording Industry Association of America (RIAA). The Fame became the fifth best-selling album of 2009, and has sold over 4.9 million copies in the United States as of January 2019. Combined with The Fame Monster, the album had sold over 18 million copies worldwide as of August 2019. (Full article...)
  • Image 2 Drowned World Tour 2001 is the fifth video album by American singer-songwriter Madonna. It was released on November 13, 2001, by Warner Music Vision, Warner Reprise Video, and Maverick Records to accompany Madonna's second greatest hits album GHV2. The video chronicles a live date from Madonna's Drowned World Tour, which visited Europe and North America, grossing over US$76.8 million ($132.15 million in 2023 dollars) in total. It was recorded at The Palace of Auburn Hills in Auburn Hills, Michigan on August 26, 2001, and was originally broadcast live on HBO as Madonna Live! Drowned World Tour 2001. Drowned World Tour 2001 was captured with a 14-camera High Definition shoot. It is presented in an aspect ratio of 1.33:1 on the single-sided, double-layered DVD; due to those dimensions, the image was not enhanced for 16:9 televisions. The set list for the show consisted mainly of songs from her studio albums Ray of Light and Music. Among her pre-1990s hits, only "Holiday" and "La Isla Bonita" were added to the set list. Following its release, the video received mixed response from critics, who praised the sound quality but criticized the poor image. Drowned World Tour 2001 became Madonna's fifth number-one release on the Billboard Top Music Videos chart, and achieved platinum certification there, as well as Australia, Brazil, France, and the United Kingdom. (Full article...)
    Drowned World Tour 2001 is the fifth video album by American singer-songwriter Madonna. It was released on November 13, 2001, by Warner Music Vision, Warner Reprise Video, and Maverick Records to accompany Madonna's second greatest hits album GHV2. The video chronicles a live date from Madonna's Drowned World Tour, which visited Europe and North America, grossing over US$76.8 million ($132.15 million in 2023 dollars) in total. It was recorded at The Palace of Auburn Hills in Auburn Hills, Michigan on August 26, 2001, and was originally broadcast live on HBO as Madonna Live! Drowned World Tour 2001.

    Drowned World Tour 2001 was captured with a 14-camera High Definition shoot. It is presented in an aspect ratio of 1.33:1 on the single-sided, double-layered DVD; due to those dimensions, the image was not enhanced for 16:9 televisions. The set list for the show consisted mainly of songs from her studio albums Ray of Light and Music. Among her pre-1990s hits, only "Holiday" and "La Isla Bonita" were added to the set list. Following its release, the video received mixed response from critics, who praised the sound quality but criticized the poor image. Drowned World Tour 2001 became Madonna's fifth number-one release on the Billboard Top Music Videos chart, and achieved platinum certification there, as well as Australia, Brazil, France, and the United Kingdom. (Full article...)
  • Image 3 In Your Honor is the fifth studio album by American rock band Foo Fighters, released on June 14, 2005, through Roswell and RCA Records. It is a double album, with the first disc containing heavy rock songs and the second containing mellower acoustic songs. Frontman Dave Grohl decided to do a diverse blend of songs, as he felt that after ten years of existence, the band had to break new ground with their music. The album was recorded at a newly built studio in Northridge, Los Angeles, and features guests such as John Paul Jones (Led Zeppelin), Norah Jones, and Josh Homme (Queens of the Stone Age). Its lyrics deal with both resonating and introspective themes, with a major influence from Grohl's involvement on the campaign trail with John Kerry during the 2004 presidential election. It was the first album to feature keyboardist Rami Jaffee, although he would not join the band as full-time member until 2017. The promotional tour for the album included both rock shows in stadiums and acoustic gigs in smaller venues. Reviews for In Your Honor were mostly positive, praising the composition and sound, although some critics found the album overlong and inconsistent. The album was also nominated for five Grammy Awards, and topped the charts in five countries—including Australia—and reached the top five in five more, including number two in both the United States and the United Kingdom. In Your Honor also broke the band's consecutive streak of Grammy Award for Best Rock Album wins that began in 2001 with There Is Nothing Left to Lose. (Full article...)
    In Your Honor is the fifth studio album by American rock band Foo Fighters, released on June 14, 2005, through Roswell and RCA Records. It is a double album, with the first disc containing heavy rock songs and the second containing mellower acoustic songs. Frontman Dave Grohl decided to do a diverse blend of songs, as he felt that after ten years of existence, the band had to break new ground with their music. The album was recorded at a newly built studio in Northridge, Los Angeles, and features guests such as John Paul Jones (Led Zeppelin), Norah Jones, and Josh Homme (Queens of the Stone Age). Its lyrics deal with both resonating and introspective themes, with a major influence from Grohl's involvement on the campaign trail with John Kerry during the 2004 presidential election. It was the first album to feature keyboardist Rami Jaffee, although he would not join the band as full-time member until 2017.

    The promotional tour for the album included both rock shows in stadiums and acoustic gigs in smaller venues. Reviews for In Your Honor were mostly positive, praising the composition and sound, although some critics found the album overlong and inconsistent. The album was also nominated for five Grammy Awards, and topped the charts in five countries—including Australia—and reached the top five in five more, including number two in both the United States and the United Kingdom. In Your Honor also broke the band's consecutive streak of Grammy Award for Best Rock Album wins that began in 2001 with There Is Nothing Left to Lose. (Full article...)
  • Image 4 SaGa Frontier 2 (サガ フロンティア 2, SaGa Furontia 2) is a role-playing video game developed and published by Square for the PlayStation. It is the eighth original game in the SaGa series. Initially released in Japan in April 1999, an English version was made available in North America in February 2000 by Square Electronic Arts and in PAL regions the following March by Square. Development for the title was headed by series creator Akitoshi Kawazu, with music by Masashi Hamauzu. The game features an art style unique to the series at the time it was released, utilizing hand-painted watercolor backdrops and characters to give the game a storybook feel. Like other SaGa games, gameplay is largely non-linear, giving the player multiple paths to follow in order to complete the game. Set in the fictional world of Sandail, the game's plot, as well as location and character names, draw heavily from medieval Germanic and Anglo-Saxon influence. The game's plot is divided into two separate stories, with the player given the option to control either Gustave XIII, an exiled would-be heir on a quest to reclaim his throne, or William Knights, a young man investigating the death of his parents, with both scenarios eventually intertwining in a larger plot involving the fate of the world. SaGa Frontier 2 was met with generally positive reviews, with the Japanese version receiving three re-issues in June 2000, March 2002, and July 2006 respectively. (Full article...)
    SaGa Frontier 2 (サガ フロンティア 2, SaGa Furontia 2) is a role-playing video game developed and published by Square for the PlayStation. It is the eighth original game in the SaGa series. Initially released in Japan in April 1999, an English version was made available in North America in February 2000 by Square Electronic Arts and in PAL regions the following March by Square. Development for the title was headed by series creator Akitoshi Kawazu, with music by Masashi Hamauzu. The game features an art style unique to the series at the time it was released, utilizing hand-painted watercolor backdrops and characters to give the game a storybook feel. Like other SaGa games, gameplay is largely non-linear, giving the player multiple paths to follow in order to complete the game.

    Set in the fictional world of Sandail, the game's plot, as well as location and character names, draw heavily from medieval Germanic and Anglo-Saxon influence. The game's plot is divided into two separate stories, with the player given the option to control either Gustave XIII, an exiled would-be heir on a quest to reclaim his throne, or William Knights, a young man investigating the death of his parents, with both scenarios eventually intertwining in a larger plot involving the fate of the world. SaGa Frontier 2 was met with generally positive reviews, with the Japanese version receiving three re-issues in June 2000, March 2002, and July 2006 respectively. (Full article...)
  • Image 5 Manos Arriba (English: Hands Up) is an extended play (EP) by American singer Rosanna Tavarez released by her own record label Patacon Productions in March 2008. Tavarez adopted the stage name Chana while pursuing a music career in Latin alternative music and used it for the EP. Chana rose to prominence in 2001 as a member of the girl group Eden's Crush. Following their disbandment, she worked as a host on music television shows and decided to record Spanish-language music after meeting producer Marthin Chan. She had previously rejected working with Latin music producers because she did not want to pursue a career in conventional Latin pop. A pop EP, Manos Arriba includes influences from other genres such as reggae, ska, power pop, and disco. The lyrics were based on Chana's past relationships and break-ups. She wrote and produced all five songs with Chan, and recorded them in Los Angeles, including at his personal recording studio, over roughly two years. Chana was inspired by studying Afro-Dominican dance and music. Music journalists believed the EP was not directly rooted in specifically Latin genres or topics and contrasted the style with her work with Eden's Crush. (Full article...)
    Manos Arriba (English: Hands Up) is an extended play (EP) by American singer Rosanna Tavarez released by her own record label Patacon Productions in March 2008. Tavarez adopted the stage name Chana while pursuing a music career in Latin alternative music and used it for the EP. Chana rose to prominence in 2001 as a member of the girl group Eden's Crush. Following their disbandment, she worked as a host on music television shows and decided to record Spanish-language music after meeting producer Marthin Chan. She had previously rejected working with Latin music producers because she did not want to pursue a career in conventional Latin pop.

    A pop EP, Manos Arriba includes influences from other genres such as reggae, ska, power pop, and disco. The lyrics were based on Chana's past relationships and break-ups. She wrote and produced all five songs with Chan, and recorded them in Los Angeles, including at his personal recording studio, over roughly two years. Chana was inspired by studying Afro-Dominican dance and music. Music journalists believed the EP was not directly rooted in specifically Latin genres or topics and contrasted the style with her work with Eden's Crush. (Full article...)
  • Image 6 The System Has Failed is the tenth studio album by American thrash metal band Megadeth, released on September 14, 2004. It was the band's second and final studio album to be distributed by Sanctuary Records. The System Has Failed was the first album to be released after Dave Mustaine recovered from his arm injury sustained in 2002. It is also the first of four Megadeth studio albums not to include original bassist and co-founder David Ellefson. The album features former Megadeth member Chris Poland (guitar), who previously performed on Killing Is My Business... and Business Is Good! (1985) and Peace Sells... but Who's Buying? (1986), and session musicians Vinnie Colaiuta (drums) and Jimmie Lee Sloas (bass). The System Has Failed received positive reception from critics and debuted at number 18 on the Billboard 200. The album was generally thought of as being a return to form for the band, after the release of more commercially accessible albums through the 1990s. "Die Dead Enough" and "Of Mice and Men" were released as singles in 2004, and "The Scorpion" was released as a single in 2005. The track "Back in the Day" was featured in the Duck Dodgers episode "In Space, No One Can Hear You Rock" in 2005, which featured an animated version of the band performing the song. (Full article...)
    The System Has Failed is the tenth studio album by American thrash metal band Megadeth, released on September 14, 2004. It was the band's second and final studio album to be distributed by Sanctuary Records. The System Has Failed was the first album to be released after Dave Mustaine recovered from his arm injury sustained in 2002. It is also the first of four Megadeth studio albums not to include original bassist and co-founder David Ellefson. The album features former Megadeth member Chris Poland (guitar), who previously performed on Killing Is My Business... and Business Is Good! (1985) and Peace Sells... but Who's Buying? (1986), and session musicians Vinnie Colaiuta (drums) and Jimmie Lee Sloas (bass).

    The System Has Failed received positive reception from critics and debuted at number 18 on the Billboard 200. The album was generally thought of as being a return to form for the band, after the release of more commercially accessible albums through the 1990s. "Die Dead Enough" and "Of Mice and Men" were released as singles in 2004, and "The Scorpion" was released as a single in 2005. The track "Back in the Day" was featured in the Duck Dodgers episode "In Space, No One Can Hear You Rock" in 2005, which featured an animated version of the band performing the song. (Full article...)
  • Image 7 Homogenic is the third studio album by Icelandic recording artist Björk. It was released on 22 September 1997 by One Little Indian Records. Produced by Björk, Mark Bell, Guy Sigsworth, Howie B, and Markus Dravs, the album marked a stylistic change, focusing on similar-sounding music combining electronic beats and string instruments with songs in tribute to her native country Iceland. Homogenic was originally to be produced in her home in London, but was halted due to media attention from Björk surviving a murder attempt by a stalker. She later relocated to Spain to record the album. It marked the first of several production collaborations between Björk and Bell, whom she would cite as a major influence on her musical career. (Full article...)
    Homogenic is the third studio album by Icelandic recording artist Björk. It was released on 22 September 1997 by One Little Indian Records. Produced by Björk, Mark Bell, Guy Sigsworth, Howie B, and Markus Dravs, the album marked a stylistic change, focusing on similar-sounding music combining electronic beats and string instruments with songs in tribute to her native country Iceland.

    Homogenic was originally to be produced in her home in London, but was halted due to media attention from Björk surviving a murder attempt by a stalker. She later relocated to Spain to record the album. It marked the first of several production collaborations between Björk and Bell, whom she would cite as a major influence on her musical career. (Full article...)
  • Image 8 Dil Chahta Hai (transl. The Heart Desires) is a 2001 Indian Hindi-language comedy-drama film written and directed by Farhan Akhtar in his directoral debut. It was produced by Ritesh Sidhwani and released under the banner of Excel Entertainment (which Akhtar and Sidhwani co-founded), marking their cinematic debut. The film focuses on a significant transition period in the lives of three college-graduate friends (Aamir Khan, Saif Ali Khan and Akshaye Khanna). It also stars Preity Zinta, Sonali Kulkarni and Dimple Kapadia. Dil Chahta Hai was based on Akhtar's diary detailing his trips to Mumbai and New York City, and a story by a friend of his, Kassim Jagmagia, who would ultimately become a creative associate at Excel Entertainment. He started writing the screenplay in 1998 but finished it when the film's principal photography was started two years later. The film was produced on a budget of ₹80 million (US$960,000), and filming took place in both India and Australia. It was one of the first films shot in sync sound, with Nakul Kamte and H. Sridhar handling its sound recording. The trio Shankar–Ehsaan–Loy, with lyrics penned by Akhtar's father, Javed Akhtar, composed the soundtrack and the background score. (Full article...)
    Dil Chahta Hai (transl. The Heart Desires) is a 2001 Indian Hindi-language comedy-drama film written and directed by Farhan Akhtar in his directoral debut. It was produced by Ritesh Sidhwani and released under the banner of Excel Entertainment (which Akhtar and Sidhwani co-founded), marking their cinematic debut. The film focuses on a significant transition period in the lives of three college-graduate friends (Aamir Khan, Saif Ali Khan and Akshaye Khanna). It also stars Preity Zinta, Sonali Kulkarni and Dimple Kapadia.

    Dil Chahta Hai was based on Akhtar's diary detailing his trips to Mumbai and New York City, and a story by a friend of his, Kassim Jagmagia, who would ultimately become a creative associate at Excel Entertainment. He started writing the screenplay in 1998 but finished it when the film's principal photography was started two years later. The film was produced on a budget of ₹80 million (US$960,000), and filming took place in both India and Australia. It was one of the first films shot in sync sound, with Nakul Kamte and H. Sridhar handling its sound recording. The trio Shankar–Ehsaan–Loy, with lyrics penned by Akhtar's father, Javed Akhtar, composed the soundtrack and the background score. (Full article...)
  • Image 9 Sas Plus/Sas Pussy (stylised as SAS PLUS / SAS PUSSY) is the second extended play (EP) by the Norwegian hip hop duo Karpe, composed of rappers Magdi Omar Ytreeide Abdelmaguid and Chirag Rashmikant Patel. It was released on February 22, 2019, through Apen og Kjeften and distributed by Sony Music. The EP follows the duo's fifth studio album Heisann Montebello (2016), and the collaborative EP Mars (2018) with Unge Ferrari and Arif. It features guest vocals from Isah and Emilie Nicolas. Production was handled by Aksel "Axxe" Carlson and Thomas Kongshavn. Sas Plus/Sas Pussy is a single track with a length of 29 minutes and 47 seconds. Chirag explained the untraditional format as "rap theatre". The idea of making the release one continuous track emerged during the recording process, as they felt that the transitions were related to the lyrics of the next song and theme of the album. The EP is one of the duo's most critically acclaimed release, with a number of music critics pointing out the good production and eccentric lyrics. (Full article...)
    Sas Plus/Sas Pussy (stylised as SAS PLUS / SAS PUSSY) is the second extended play (EP) by the Norwegian hip hop duo Karpe, composed of rappers Magdi Omar Ytreeide Abdelmaguid and Chirag Rashmikant Patel. It was released on February 22, 2019, through Apen og Kjeften and distributed by Sony Music. The EP follows the duo's fifth studio album Heisann Montebello (2016), and the collaborative EP Mars (2018) with Unge Ferrari and Arif. It features guest vocals from Isah and Emilie Nicolas. Production was handled by Aksel "Axxe" Carlson and Thomas Kongshavn.

    Sas Plus/Sas Pussy is a single track with a length of 29 minutes and 47 seconds. Chirag explained the untraditional format as "rap theatre". The idea of making the release one continuous track emerged during the recording process, as they felt that the transitions were related to the lyrics of the next song and theme of the album. The EP is one of the duo's most critically acclaimed release, with a number of music critics pointing out the good production and eccentric lyrics. (Full article...)
  • Image 10 Demonstration is the second studio album by British rapper Tinie Tempah. The album was released on 4 November 2013 as the follow-up to his commercially successful debut album, Disc-Overy (2010). In December 2010, Tempah announced he was writing for his second album, saying there would be a more electronic and live feel to it. The first two singles from the album, "Trampoline" and "Children of the Sun" were released in the run-up to the album and both managed to enter the top ten of the UK Singles Chart. The album features collaborations with producers and guest artists such as Labrinth and Diplo and sees Tempah experimenting with new musical genres. Demonstration received generally positive reviews, with music critics praising the choice of producers and Tempah's evolution as a musician. The album entered the UK Albums Chart at number three, making it less successful than Disc-Overy. It was beaten to a top two chart position by The Marshall Mathers LP 2 and James Arthur. The album was certified gold by the British Phonographic Industry on 21 February 2014. (Full article...)
    Demonstration is the second studio album by British rapper Tinie Tempah. The album was released on 4 November 2013 as the follow-up to his commercially successful debut album, Disc-Overy (2010). In December 2010, Tempah announced he was writing for his second album, saying there would be a more electronic and live feel to it. The first two singles from the album, "Trampoline" and "Children of the Sun" were released in the run-up to the album and both managed to enter the top ten of the UK Singles Chart. The album features collaborations with producers and guest artists such as Labrinth and Diplo and sees Tempah experimenting with new musical genres.

    Demonstration received generally positive reviews, with music critics praising the choice of producers and Tempah's evolution as a musician. The album entered the UK Albums Chart at number three, making it less successful than Disc-Overy. It was beaten to a top two chart position by The Marshall Mathers LP 2 and James Arthur. The album was certified gold by the British Phonographic Industry on 21 February 2014. (Full article...)
  • Image 11 Random Access Memories is the fourth and final studio album by the French electronic music duo Daft Punk, released on 17 May 2013 through Columbia Records. It pays tribute to late 1970s and early 1980s American music, particularly from Los Angeles. This theme is reflected in the packaging and promotional campaign, which included billboards, television advertisements and a web series. Recording sessions took place from 2008 to 2012 at Henson, Conway and Capitol Studios in California, Electric Lady Studios in New York City, and Gang Recording Studio in Paris, France. Following the minimal production of their previous album, Human After All (2005), Daft Punk recruited session musicians with the help of Chris Caswell to perform live instrumentation and limited the use of electronic instruments to drum machines, a custom-built modular synthesizer and vintage vocoders. It combines disco, progressive rock and pop, with contributions by Paul Jackson Jr., Giorgio Moroder, Chilly Gonzales, Julian Casablancas, Paul Williams, Caswell, Pharrell Williams, Nile Rodgers, Todd Edwards, Panda Bear and DJ Falcon. (Full article...)
    Random Access Memories is the fourth and final studio album by the French electronic music duo Daft Punk, released on 17 May 2013 through Columbia Records. It pays tribute to late 1970s and early 1980s American music, particularly from Los Angeles. This theme is reflected in the packaging and promotional campaign, which included billboards, television advertisements and a web series. Recording sessions took place from 2008 to 2012 at Henson, Conway and Capitol Studios in California, Electric Lady Studios in New York City, and Gang Recording Studio in Paris, France.

    Following the minimal production of their previous album, Human After All (2005), Daft Punk recruited session musicians with the help of Chris Caswell to perform live instrumentation and limited the use of electronic instruments to drum machines, a custom-built modular synthesizer and vintage vocoders. It combines disco, progressive rock and pop, with contributions by Paul Jackson Jr., Giorgio Moroder, Chilly Gonzales, Julian Casablancas, Paul Williams, Caswell, Pharrell Williams, Nile Rodgers, Todd Edwards, Panda Bear and DJ Falcon. (Full article...)
  • Image 12 The Age of Plastic is the debut album by the English new wave duo the Buggles, first released on 10 January 1980 on Island Records. It is a concept album about the possible repercussions of modern technology. The title was conceived from the group's intention of being a "plastic group" and the album was produced in the wake of the success of their debut record, "Video Killed the Radio Star" (1979), which topped the UK Singles Chart. Most of the album's other tracks were written during promotion of the single. The album was recorded on a budget of £60,000. Bassist Trevor Horn was chiefly inspired by Kraftwerk's 1978 album The Man-Machine and sought unconventional recording methods for The Age of Plastic. Keyboardist Geoff Downes characterised the album as "science fiction music ... like modern psychedelic music ... very futuristic." Several tracks also featured contributions from vocalist Bruce Woolley, who left the group mid-production. The backing tracks were recorded at Virgin's Town House in West London, while the vocals were recorded and mixed at Sarm East Studios. Mixing was completed before Christmas 1979. (Full article...)
    The Age of Plastic is the debut album by the English new wave duo the Buggles, first released on 10 January 1980 on Island Records. It is a concept album about the possible repercussions of modern technology. The title was conceived from the group's intention of being a "plastic group" and the album was produced in the wake of the success of their debut record, "Video Killed the Radio Star" (1979), which topped the UK Singles Chart. Most of the album's other tracks were written during promotion of the single.

    The album was recorded on a budget of £60,000. Bassist Trevor Horn was chiefly inspired by Kraftwerk's 1978 album The Man-Machine and sought unconventional recording methods for The Age of Plastic. Keyboardist Geoff Downes characterised the album as "science fiction music ... like modern psychedelic music ... very futuristic." Several tracks also featured contributions from vocalist Bruce Woolley, who left the group mid-production. The backing tracks were recorded at Virgin's Town House in West London, while the vocals were recorded and mixed at Sarm East Studios. Mixing was completed before Christmas 1979. (Full article...)
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