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Goldwyn Pictures

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Goldwyn Pictures Corporation
IndustryFilm studio
FoundedNovember 19, 1916; 108 years ago (1916-11-19)
FoundersSamuel Goldfish
Edgar Selwyn
Archibald Selwyn
DefunctApril 17, 1924; 100 years ago (1924-04-17)
FateMerged with the Metro Pictures Corporation and Louis B. Mayer Productions, Inc. to form Metro-Goldwyn-Mayer.
SuccessorsStudio:
Metro-Goldwyn-Mayer
Amazon MGM Studios
Library:
Public domain
Headquarters,
U.S.
ProductsMovies

Goldwyn Pictures Corporation was an American motion picture production company that operated from 1916 to 1924 when it was merged with two other production companies to form the major studio, Metro-Goldwyn-Mayer. It was founded on November 19, 1916, by Samuel Goldfish (who later changed his name to Goldwyn), an executive at Lasky's Feature Play Company, and Broadway producer brothers Edgar and Archibald Selwyn, using an amalgamation of both last names to name the company.

The studio proved moderately successful, but became most famous due to its iconic Leo the Lion trademark. Although Metro was the nominal survivor, the merged studio inherited Goldwyn's old facility in Culver City, California, where it would remain until 1986. The merged studio also retained Goldwyn's Leo the Lion logo.

Lee Shubert of The Shubert Organization was an investor in the company.[1]

History

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Samuel Goldfish had left Lasky's Feature Play Company, of which he was a co-founder, in 1916 when Feature Play merged with Famous Players. Margaret Mayo, Edgar Selwyn's wife and play writer, and Arthur Hopkins, a Broadway producer, joined the trio as writer and director general.[1]

At the beginning, Goldwyn Pictures rented production facilities from Solax Studios when it and many other early film studios in America's first motion picture industry were based in Fort Lee, New Jersey. The company's first release was Polly of the Circus, an adaptation of Mayo's 1907 play of the same name, released in September 1917 and starting Mae Marsh.[2][3] By April 1917, Goldwyn Pictures agreed to rent the Universal Pictures studios in Fort Lee, then having the second largest stage, and had two film companies operating at the time with plans for more production companies. The company management planned on having 12 films done by September 1, 1917, without distributing the films so as to be able to show advanced footage to the theaters. Goldfish also associated the company with Columbia University via Professor Victor Freeburg's Photoplay Writing class in 1917 to increase the company's artistic standings.[1] The company also released other production companies films with Marie Dressler's Dressler Producing Corporation film, The Scrub Lady, in 1917. The company was forced in October 1917 to switch out The Eternal Magalene for Fighting Odds, both starring Maxine Elliott, after the National Board of Review cleared the Magalene movie while censors in Pennsylvania state and Chicago city did not approve the film. Thais starring Mary Garden was released in late 1917 which was a costly loss.[1]

In January 1918, Goldfish signed director Raoul Walsh and prematurely announced it as there were two years left on Walsh's contract with Fox. With Thais being the company's second costly loss, Goldfish decreased film budgets partly by not using theater divas to cross over to film and reducing design driven films. Instead, he relied on comedies starring Madge Kennedy and Mabel Normand. In August 1918, Goldwyn Pictures signed Will Rogers, at that time a Broadway Follies favorite, to star in a Rex Beach production, Laughing Bill Hyde, filmed at the Fort Lee studio for release in September.[1] The company purchased the Triangle Studios in Culver City in 1918.[2][4] Goldfish then headed west to Culver City, California in 1918; opening operations there also caused an increase in film expenses.[1] Seeing an opportunity in December, Samuel Goldfish then had his name legally changed to Samuel Goldwyn.

In 1919, Frank Joseph "Joe" Godsol became an investor in Goldwyn Pictures.[5] Since 1912, Godsol had been making deals for the Shubert Organization in the U.S. and abroad.[6]

Goldwyn began looking to follow other film companies, like Loews Theaters/Metro Pictures and First National, into vertical integration. Goldwyn and the company backers were looking at renting the Astor Theatre for movie premiers. Instead, with the Capitol Theatre soon to be opened and the owners, headed by Messmore Kendall, looking for an operator to partner with, agreed to a stock swap and board seats, the Goldwyn Picture company and Moredall Realty Corporation. The Moredall Board, however, did not want the theater to rely only on Goldwyn films and operated The Capitol Theatre separately from the rest of the company. [7]

By 1920, in addition owning its Culver City studio, Goldwyn Pictures was renting two New York studios and operations in Fort Lee.[2]

After many personality clashes on the board, Samuel Goldwyn left the company in 1922. Godsol remained chairman of the board of Goldwyn Pictures in 1922.[8] As things went from bad to worse at Goldwyn, In 1923 Messmore Kendall, along with Lee Shubert had discussions with Marcus Loew about merging the company with Loew's Metro Pictures and after many long negotiations, all parties agreed to the merger. Louis B. Mayer heard about the pending merger and contacted Loew and Godsol,[9] about adding his Louis B. Mayer Productions into the post-merger company, which became the blockbuster Metro-Goldwyn-Mayer.[10]

Feature staff

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Filmography

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A 1965 fire in an MGM storage facility destroyed many negatives and prints, including the best-quality copies of every Goldwyn picture produced prior to 1924; over half of MGM's feature films from before 1930 are completely lost.[citation needed] On March 25, 1986, Ted Turner and his Turner Broadcasting System company purchased the pre-May 1986 MGM films (including Goldwyn Pictures films) from Kirk Kerkorian for $600 million.

Key

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# Considered to be lost.
Year Title Status
1917 Polly of the Circus
Baby Mine
Fighting Odds
The Spreading Dawn Fragment
Sunshine Alley
Nearly Married Incomplete
The Cinderella Man
Thais
1918 Fields of Honor
Dodging a Million
Go West, Young Man
Our Little Wife
The Beloved Traitor
The Floor Below
The Splendid Sinner
The Face in the Dark
The Danger Game
Joan of Plattsburg
The Fair Pretender
All Woman
The Venus Model
The Service Star
The Glorious Adventure
Back to the Woods
The Border Legion
Friend Husband
Money Mad
The Turn of the Wheel
Peck's Bad Girl
Just for Tonight
The Kingdom of Youth
Hidden Fires
Thirty a Week [2]
A Perfect 36
The Hell Cat
A Perfect Lady Fragment
The Racing Strain
1919 Day Dreams
The Bondage of Barbara
Shadows Fragment
The Woman on the Index
Sis Hopkins
Daughter of Mine
Spotlight Sadie
A Man and His Money
The Pest
The Eternal Magdalene
The Stronger Vow
One Week of Life
Leave It to Susan
When Doctors Disagree
One of the Finest
The Fear Woman
The Crimson Gardenia Incomplete
The City of Comrades
Through the Wrong Door
Upstairs
The Peace of Roaring River
Heartsease
Lord and Lady Algy
The World and Its Woman
Strictly Confidential Fragment
Almost a Husband
Flame of the Desert
Bonds of Love
Jubilo Inducted into the National Film Registry in 2021
The Loves of Letty
Jinx
Toby's Bow
The Gay Lord Quex
1920 Pinto
Water, Water, Everywhere
The Blooming Angel
The Paliser Case
Duds
The Little Shepherd of Kingdom Come
The Woman and the Puppet
The Strange Boarder
The Woman in Room 13
Jes' Call Me Jim
Dollars and Sense
A Double-Dyed Deceiver
The Great Accident
Cupid the Cowpuncher
The Penalty
The Slim Princess
Earthbound
The Truth
Stop Thief
Milestones
Honest Hutch
Madame X
Officer 666
The Man Who Had Everything
Just Out of College
The Great Lover
Guile of Women
What Happened to Rosa
Help Yourself
1921 Bunty Pulls the Strings
The Girl with the Jazz Heart
Hold Your Horses
The Highest Bidder
The Concert
Boys Will Be Boys
For Those We Love
A Tale of Two Worlds
Roads of Destiny
The Cabinet of Dr. Caligari Originally released in 1920 in Germany
An Unwilling Hero
Snowblind
Made in Heaven
A Voice in the Dark
The Old Nest
Don't Neglect Your Wife
Oh Mary Be Careful
The Ace of Hearts
All's Fair in Love
Beating the Game Fragment
Dangerous Curve Ahead
Doubling for Romeo Incomplete
The Invisible Power
The Grim Comedian
The Man from Lost River
Pardon My French
The Poverty of Riches
From the Ground Up
A Poor Relation
Voices of the City
1922 Grand Larceny
Man with Two Mothers
Watch Your Step
Sherlock Holmes
Come on Over
When Romance Rides
Head over Heels
Yellow Men and Gold
His Back Against the Wall
Mr. Barnes of New York
The Wall Flower
The Strangers' Banquet
Dust Flower
Remembrance
The Sin Flood
Brothers Under the Skin Incomplete
Hungry Hearts
A Blind Bargain
Broken Chains
The Glorious Fool
1923 The Christian
Little Old New York
Gimme
Look Your Best
Unseeing Eyes
Under the Red Robe
The Love Piker
Lost and Found on a South Sea Island Incomplete
Vanity Fair
Souls for Sale
Three Wise Fools
The Spoilers
Red Lights
Six Days
Dr. Sunshine
The Eternal Three
The Steadfast Heart
Slave of Desire
The Last Moment
The Day of Faith
The Green Goddess
In the Palace of the King
The Rendezvous
Reno
The Ragged Edge
2024 Wild Oranges
Name the Man
Through the Dark Incomplete
Second Youth
Three Weeks
Nellie, the Beautiful Cloak Model
True as Steel
The Rejected Woman
The Recoil
Tarnish

See also

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References

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  1. ^ a b c d e f Koszarski, Richard (2004). "18. Goldwyn". Fort Lee: The Film Town. Indiana University Press. pp. 286–311. ISBN 0-86196-653-8.
  2. ^ a b c d e f "Studios and Films". Fort Lee Film Commission. Archived from the original on October 20, 2018. Retrieved May 30, 2011.
  3. ^ Fort Lee Film Commission (2006). Fort Lee: Birthplace of the Motion Picture Industry. Arcadia Publishing. ISBN 0-7385-4501-5.
  4. ^ "Lot History". Sony Picture Museum. Sony Pictures Entertainment. p. 1. Archived from the original on February 5, 2015. Retrieved February 5, 2015.
  5. ^ Lewis, Kevin; Lewis, Arnold (June–July 1988). "Include Me out: Samuel Goldwyn and Joe Godsol". Film History. 2 (2). Indiana University Press: 133–153. JSTOR 3815031.
  6. ^ Berg, Scott (September 1998). "Goldwyn – A Biography". Film History (1). Riverhead Books: 95. ISBN 1-57322-723-4.
  7. ^ Melnick, Ross (March 4, 2014). "Part One Roxy and Silent Film Exhibition". American Showman: Samuel "Roxy" Rothafel and the Birth of the Entertainment Industry, 1908–1935 (Reprint ed.). Columbia University Press. p. 187. ISBN 978-0-231-15905-0. Retrieved February 5, 2015.
  8. ^ "Godsol Heads Goldwyn Pictures". The New York Times. March 11, 1922.
  9. ^ Masek, Mark. "Hollywood Remains to Be Seen – Louis B. Mayer". Hollywood Remains to Be Seen.
  10. ^ Metro-Goldwyn-Mayer Inc. History. International Directory of Company Histories. Vol. 25. St. James Press. 1999. Retrieved December 20, 2014.
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