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This is a list of pages in the scope of Wikipedia:WikiProject Color along with pageviews.
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Period: 2024-12-01 to 2024-12-31
Total views: 3,790,219
Updated: 18:43, 5 January 2025 (UTC)
Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
1
|
Johann Wolfgang von Goethe
|
69,982
|
2,257
|
B
|
Mid
|
2
|
Eye color
|
60,276
|
1,944
|
C
|
Mid
|
3
|
List of colors: A–F
|
56,474
|
1,821
|
List
|
High
|
4
|
Technicolor
|
54,926
|
1,771
|
C
|
Low
|
5
|
Rainbow
|
49,064
|
1,582
|
C
|
Unknown
|
6
|
Color blindness
|
41,956
|
1,353
|
B
|
Top
|
7
|
Shades of green
|
39,932
|
1,288
|
List
|
Mid
|
8
|
Web colors
|
39,369
|
1,269
|
C
|
Mid
|
9
|
Red hair
|
37,375
|
1,205
|
C
|
Low
|
10
|
Purple
|
36,190
|
1,167
|
C
|
High
|
11
|
Pantone
|
34,409
|
1,109
|
Start
|
High
|
12
|
Red
|
32,629
|
1,052
|
B
|
Top
|
13
|
Shades of blue
|
32,208
|
1,038
|
List
|
Mid
|
14
|
PAL
|
31,521
|
1,016
|
C
|
Low
|
15
|
Blue
|
30,025
|
968
|
B
|
Top
|
16
|
RGB color model
|
29,990
|
967
|
B
|
High
|
17
|
Indigo
|
29,921
|
965
|
Start
|
Mid
|
18
|
Color
|
29,473
|
950
|
C
|
Top
|
19
|
Shades of purple
|
29,287
|
944
|
List
|
Mid
|
20
|
Prussian blue
|
27,994
|
903
|
B
|
Mid
|
21
|
White
|
27,797
|
896
|
C
|
Top
|
22
|
Black
|
26,899
|
867
|
C
|
Top
|
23
|
List of Crayola crayon colors
|
26,244
|
846
|
List
|
Mid
|
24
|
Shades of red
|
26,046
|
840
|
List
|
Mid
|
25
|
Blond
|
25,937
|
836
|
C
|
Low
|
26
|
Shades of pink
|
25,803
|
832
|
List
|
Mid
|
27
|
CMYK color model
|
24,919
|
803
|
Start
|
High
|
28
|
Vantablack
|
24,839
|
801
|
C
|
Low
|
29
|
Human skin color
|
24,819
|
800
|
B
|
High
|
30
|
Primary color
|
24,328
|
784
|
B
|
Top
|
31
|
Green
|
23,868
|
769
|
B
|
Top
|
32
|
Magenta
|
23,809
|
768
|
Start
|
High
|
33
|
Shades of brown
|
23,748
|
766
|
List
|
Mid
|
34
|
Tyrian purple
|
23,733
|
765
|
B
|
Mid
|
35
|
HSL and HSV
|
23,701
|
764
|
B
|
High
|
36
|
Visible spectrum
|
23,112
|
745
|
B
|
Top
|
37
|
Shades of gray
|
23,091
|
744
|
List
|
Mid
|
38
|
Color wheel
|
22,651
|
730
|
C
|
High
|
39
|
Vermilion
|
21,476
|
692
|
C
|
Mid
|
40
|
Violet (color)
|
21,417
|
690
|
B
|
High
|
41
|
International Klein Blue
|
21,181
|
683
|
C
|
Low
|
42
|
Cyan
|
21,150
|
682
|
C
|
High
|
43
|
Pan-Arab colors
|
19,859
|
640
|
Start
|
Low
|
44
|
Color television
|
19,490
|
628
|
B
|
Mid
|
45
|
Lists of colors
|
19,411
|
626
|
List
|
Mid
|
46
|
Fitzpatrick scale
|
18,982
|
612
|
Start
|
Low
|
47
|
Color theory
|
18,883
|
609
|
C
|
Top
|
48
|
Pink
|
18,827
|
607
|
C
|
High
|
49
|
Human hair color
|
18,186
|
586
|
Start
|
Mid
|
50
|
Ochre
|
17,879
|
576
|
C
|
Mid
|
51
|
Black body
|
17,774
|
573
|
B
|
Mid
|
52
|
Complementary colors
|
17,669
|
569
|
Start
|
High
|
53
|
Light skin
|
17,507
|
564
|
B
|
High
|
54
|
ROYGBIV
|
17,147
|
553
|
Start
|
Mid
|
55
|
CIE 1931 color space
|
16,766
|
540
|
B
|
High
|
56
|
Chartreuse (color)
|
16,578
|
534
|
Start
|
Mid
|
57
|
NTSC
|
16,321
|
526
|
C
|
Low
|
58
|
Yellow
|
16,162
|
521
|
C
|
Top
|
59
|
Teal
|
15,664
|
505
|
C
|
High
|
60
|
Terracotta
|
14,920
|
481
|
Start
|
Low
|
61
|
Color temperature
|
14,869
|
479
|
B
|
High
|
62
|
Beige
|
14,854
|
479
|
C
|
Mid
|
63
|
CIELAB color space
|
14,843
|
478
|
C
|
High
|
64
|
Ultramarine
|
14,757
|
476
|
C
|
Mid
|
65
|
Orange (colour)
|
14,703
|
474
|
C
|
High
|
66
|
Shades of yellow
|
14,610
|
471
|
List
|
Mid
|
67
|
List of colors (alphabetical)
|
14,444
|
465
|
List
|
Low
|
68
|
Ultra-high-definition television
|
14,403
|
464
|
C
|
Low
|
69
|
Burgundy (color)
|
13,848
|
446
|
Start
|
Low
|
70
|
Mauve
|
13,822
|
445
|
Start
|
Mid
|
71
|
Paint
|
13,806
|
445
|
C
|
High
|
72
|
Grey
|
13,462
|
434
|
C
|
Top
|
73
|
Brown hair
|
13,270
|
428
|
C
|
Low
|
74
|
Dark skin
|
13,110
|
422
|
B
|
High
|
75
|
Shades of orange
|
13,051
|
421
|
List
|
Mid
|
76
|
Impossible color
|
13,041
|
420
|
Start
|
Mid
|
77
|
Khaki
|
12,986
|
418
|
Start
|
Mid
|
78
|
Fuchsia (color)
|
12,960
|
418
|
Start
|
Mid
|
79
|
Brilliant blue FCF
|
12,916
|
416
|
Start
|
Mid
|
80
|
Shades of white
|
12,662
|
408
|
List
|
Mid
|
81
|
List of colors: N–Z
|
12,576
|
405
|
List
|
High
|
82
|
Maroon
|
12,569
|
405
|
C
|
Mid
|
83
|
SRGB
|
12,534
|
404
|
C
|
High
|
84
|
Pantone 448 C
|
12,397
|
399
|
Stub
|
Low
|
85
|
Crimson
|
12,394
|
399
|
Start
|
Mid
|
86
|
Sky blue
|
12,372
|
399
|
Start
|
High
|
87
|
Brown
|
12,341
|
398
|
Start
|
High
|
88
|
Turquoise (color)
|
12,221
|
394
|
C
|
Mid
|
89
|
Chromatic aberration
|
12,185
|
393
|
B
|
Mid
|
90
|
List of colors by shade
|
12,112
|
390
|
List
|
Low
|
91
|
Skin whitening
|
12,059
|
389
|
B
|
Low
|
92
|
Cerulean
|
11,968
|
386
|
Start
|
Low
|
93
|
Azure (color)
|
11,877
|
383
|
Start
|
Mid
|
94
|
Color depth
|
11,687
|
377
|
C
|
Mid
|
95
|
Lavender (color)
|
11,638
|
375
|
C
|
Low
|
96
|
Tetrachromacy
|
11,579
|
373
|
C
|
High
|
97
|
Color photography
|
11,519
|
371
|
C
|
Low
|
98
|
Periwinkle (color)
|
11,382
|
367
|
Stub
|
Mid
|
99
|
Blue raspberry flavor
|
11,094
|
357
|
Stub
|
Unknown
|
100
|
Iridescence
|
11,016
|
355
|
Start
|
Mid
|
101
|
Color psychology
|
10,925
|
352
|
C
|
High
|
102
|
Pigment
|
10,855
|
350
|
B
|
Top
|
103
|
Chromesthesia
|
10,830
|
349
|
B
|
Low
|
104
|
Ishihara test
|
10,704
|
345
|
C
|
Mid
|
105
|
Food coloring
|
10,683
|
344
|
C
|
Mid
|
106
|
Carmine (color)
|
10,205
|
329
|
Stub
|
Low
|
107
|
Political colour
|
10,186
|
328
|
B
|
Low
|
108
|
Gold (color)
|
10,053
|
324
|
Start
|
Mid
|
109
|
Taupe
|
10,049
|
324
|
Start
|
Low
|
110
|
Color space
|
9,963
|
321
|
C
|
High
|
111
|
Cobalt blue
|
9,962
|
321
|
Start
|
Mid
|
112
|
Verdigris
|
9,941
|
320
|
Start
|
Low
|
113
|
List of colors: G–M
|
9,937
|
320
|
List
|
High
|
114
|
Hue
|
9,769
|
315
|
Start
|
High
|
115
|
Navy blue
|
9,715
|
313
|
C
|
Mid
|
116
|
Scarlet (color)
|
9,644
|
311
|
C
|
Mid
|
117
|
Visual perception
|
9,570
|
308
|
C
|
Mid
|
118
|
Stroop effect
|
9,543
|
307
|
B
|
Mid
|
119
|
Pastel (color)
|
9,319
|
300
|
Stub
|
Mid
|
120
|
Color vision
|
9,121
|
294
|
C
|
Top
|
121
|
Auburn hair
|
9,083
|
293
|
Start
|
Low
|
122
|
Spectrophotometry
|
9,016
|
290
|
C
|
High
|
123
|
Black-and-white
|
9,014
|
290
|
Start
|
Mid
|
124
|
YCbCr
|
8,859
|
285
|
Start
|
High
|
125
|
Cone cell
|
8,850
|
285
|
C
|
Mid
|
126
|
Phthalocyanine Green G
|
8,826
|
284
|
Start
|
Low
|
127
|
British racing green
|
8,765
|
282
|
Start
|
Low
|
128
|
Shades of black
|
8,740
|
281
|
List
|
Top
|
129
|
DCI-P3
|
8,657
|
279
|
C
|
Low
|
130
|
Color symbolism
|
8,586
|
276
|
Start
|
Mid
|
131
|
Freckle
|
8,580
|
276
|
Start
|
Low
|
132
|
X11 color names
|
8,505
|
274
|
Start
|
Mid
|
133
|
Blue–green distinction in language
|
8,478
|
273
|
Start
|
Mid
|
134
|
Royal blue
|
8,394
|
270
|
Start
|
Mid
|
135
|
Basic Color Terms
|
8,387
|
270
|
Start
|
Mid
|
136
|
Black hair
|
8,287
|
267
|
Start
|
Low
|
137
|
Hair coloring
|
8,279
|
267
|
Start
|
Low
|
138
|
Olive (color)
|
8,247
|
266
|
Start
|
High
|
139
|
Dye
|
8,117
|
261
|
C
|
High
|
140
|
Cosmic latte
|
8,114
|
261
|
Start
|
Low
|
141
|
Color motion picture film
|
8,101
|
261
|
B
|
Low
|
142
|
High-dynamic-range television
|
8,057
|
259
|
C
|
Mid
|
143
|
CIELUV
|
7,968
|
257
|
Start
|
Mid
|
144
|
Shades of violet
|
7,876
|
254
|
List
|
Mid
|
145
|
Monochrome
|
7,855
|
253
|
C
|
High
|
146
|
Grayscale
|
7,805
|
251
|
Start
|
High
|
147
|
Chroma subsampling
|
7,766
|
250
|
C
|
Low
|
148
|
Tiffany Blue
|
7,756
|
250
|
Start
|
Low
|
149
|
Y′UV
|
7,623
|
245
|
C
|
Low
|
150
|
Sepia (color)
|
7,620
|
245
|
Start
|
Mid
|
151
|
Secondary color
|
7,612
|
245
|
C
|
High
|
152
|
Amber (color)
|
7,477
|
241
|
C
|
Mid
|
153
|
Flame test
|
7,470
|
240
|
Start
|
Low
|
154
|
Munsell color system
|
7,362
|
237
|
B
|
High
|
155
|
Thomas Young (scientist)
|
7,333
|
236
|
C
|
Mid
|
156
|
Rec. 709
|
7,332
|
236
|
C
|
Low
|
157
|
Cyanometer
|
7,220
|
232
|
Stub
|
Low
|
158
|
Hermann von Helmholtz
|
7,141
|
230
|
C
|
Mid
|
159
|
Shades of magenta
|
7,140
|
230
|
List
|
Mid
|
160
|
Tincture (heraldry)
|
7,075
|
228
|
B
|
Mid
|
161
|
Ivory (color)
|
6,966
|
224
|
Stub
|
Low
|
162
|
Color rendering index
|
6,953
|
224
|
C
|
Mid
|
163
|
Blue-green
|
6,882
|
222
|
Start
|
Mid
|
164
|
Anaglyph 3D
|
6,868
|
221
|
C
|
Low
|
165
|
Prism (optics)
|
6,814
|
219
|
Start
|
Mid
|
166
|
Color in Chinese culture
|
6,790
|
219
|
Start
|
Mid
|
167
|
Bayer filter
|
6,770
|
218
|
C
|
Mid
|
168
|
Pan-African colours
|
6,769
|
218
|
Start
|
Low
|
169
|
Color difference
|
6,756
|
217
|
B
|
High
|
170
|
Color mixing
|
6,702
|
216
|
C
|
High
|
171
|
Color term
|
6,598
|
212
|
Start
|
High
|
172
|
Saffron (color)
|
6,449
|
208
|
Start
|
High
|
173
|
SECAM
|
6,443
|
207
|
C
|
Mid
|
174
|
Eigengrau
|
6,311
|
203
|
Start
|
Low
|
175
|
Halftone
|
6,291
|
202
|
C
|
Mid
|
176
|
Rec. 2020
|
6,288
|
202
|
C
|
Low
|
177
|
List of monochrome and RGB color formats
|
6,276
|
202
|
List
|
Mid
|
178
|
Knowledge argument
|
6,271
|
202
|
C
|
Low
|
179
|
List of people with red hair
|
6,199
|
199
|
List
|
Low
|
180
|
Lilac (color)
|
6,155
|
198
|
Stub
|
Low
|
181
|
Gamut
|
6,097
|
196
|
C
|
High
|
182
|
EnChroma
|
6,071
|
195
|
Start
|
Mid
|
183
|
Color of water
|
5,990
|
193
|
C
|
Low
|
184
|
List of video game console palettes
|
5,977
|
192
|
List
|
Low
|
185
|
Tint, shade and tone
|
5,972
|
192
|
Start
|
High
|
186
|
Darkness
|
5,951
|
191
|
C
|
Unknown
|
187
|
List of flags containing the color purple
|
5,889
|
189
|
List
|
Low
|
188
|
Sienna
|
5,821
|
187
|
Start
|
Mid
|
189
|
Shades of cyan
|
5,803
|
187
|
List
|
Mid
|
190
|
Baker–Miller pink
|
5,797
|
187
|
Start
|
Low
|
191
|
Egyptian blue
|
5,757
|
185
|
C
|
Mid
|
192
|
RAL colour standard
|
5,737
|
185
|
Start
|
Mid
|
193
|
Color grading
|
5,735
|
185
|
Start
|
Mid
|
194
|
Puce
|
5,708
|
184
|
Stub
|
Mid
|
195
|
Standard illuminant
|
5,701
|
183
|
B
|
High
|
196
|
Ermine (heraldry)
|
5,697
|
183
|
Stub
|
Low
|
197
|
False color
|
5,679
|
183
|
B
|
Mid
|
198
|
Autochrome Lumière
|
5,669
|
182
|
C
|
Low
|
199
|
RGBA color model
|
5,633
|
181
|
Start
|
Mid
|
200
|
Whitewash
|
5,595
|
180
|
Start
|
High
|
201
|
Photoreceptor cell
|
5,487
|
177
|
C
|
Mid
|
202
|
Film colorization
|
5,443
|
175
|
C
|
Low
|
203
|
Afterimage
|
5,400
|
174
|
C
|
High
|
204
|
YPbPr
|
5,380
|
173
|
Start
|
Mid
|
205
|
Electronic color code
|
5,350
|
172
|
Start
|
Low
|
206
|
Spring green
|
5,317
|
171
|
C
|
Low
|
207
|
Color scheme
|
5,260
|
169
|
Start
|
Mid
|
208
|
Colorfulness
|
5,252
|
169
|
Start
|
High
|
209
|
Marker pen
|
5,124
|
165
|
Start
|
Low
|
210
|
Spectral color
|
5,101
|
164
|
Start
|
High
|
211
|
Mummy brown
|
5,068
|
163
|
Start
|
Mid
|
212
|
Umber
|
4,978
|
160
|
Start
|
Low
|
213
|
Natural dye
|
4,971
|
160
|
C
|
Mid
|
214
|
Viridian
|
4,954
|
159
|
Start
|
Low
|
215
|
Theory of Colours
|
4,932
|
159
|
B
|
High
|
216
|
Lake pigment
|
4,916
|
158
|
Start
|
Low
|
217
|
Buff (colour)
|
4,878
|
157
|
Start
|
Low
|
218
|
Equine coat color
|
4,794
|
154
|
Start
|
Low
|
219
|
Congenital red–green color blindness
|
4,781
|
154
|
C
|
Mid
|
220
|
List of color palettes
|
4,703
|
151
|
List
|
Mid
|
221
|
Brightness
|
4,623
|
149
|
Start
|
Mid
|
222
|
Light-on-dark color scheme
|
4,612
|
148
|
Start
|
Low
|
223
|
Chromophore
|
4,537
|
146
|
Start
|
Mid
|
224
|
Contrast (vision)
|
4,512
|
145
|
Start
|
High
|
225
|
Grapheme–color synesthesia
|
4,437
|
143
|
C
|
Low
|
226
|
Ecru
|
4,407
|
142
|
Stub
|
Mid
|
227
|
Newton disc
|
4,394
|
141
|
C
|
Mid
|
228
|
Silver (color)
|
4,332
|
139
|
Start
|
Mid
|
229
|
List of international auto racing colours
|
4,321
|
139
|
List
|
Low
|
230
|
Tan (color)
|
4,302
|
138
|
Start
|
Mid
|
231
|
RYB color model
|
4,263
|
137
|
C
|
Mid
|
232
|
Rose (color)
|
4,237
|
136
|
C
|
Low
|
233
|
Lincoln green
|
4,222
|
136
|
C
|
Low
|
234
|
International orange
|
4,207
|
135
|
Stub
|
Low
|
235
|
Polychrome
|
4,189
|
135
|
C
|
Mid
|
236
|
Traditional colors of Japan
|
4,185
|
135
|
Start
|
Mid
|
237
|
Subtractive color
|
4,149
|
133
|
Start
|
High
|
238
|
List of colors
|
4,127
|
133
|
NA
|
High
|
239
|
Earth tone
|
4,031
|
130
|
Stub
|
Low
|
240
|
Haint blue
|
4,028
|
129
|
Start
|
Low
|
241
|
Mustard (color)
|
4,010
|
129
|
Stub
|
Low
|
242
|
Feldgrau
|
4,002
|
129
|
Start
|
Low
|
243
|
Wine (color)
|
3,974
|
128
|
Stub
|
Low
|
244
|
Pan-Slavic colors
|
3,850
|
124
|
Start
|
Low
|
245
|
Lime (color)
|
3,839
|
123
|
Start
|
Mid
|
246
|
School colors
|
3,837
|
123
|
Start
|
Mid
|
247
|
8-bit color
|
3,831
|
123
|
Start
|
Low
|
248
|
RGB color spaces
|
3,811
|
122
|
Start
|
Mid
|
249
|
Shades of chartreuse
|
3,799
|
122
|
List
|
Mid
|
250
|
Coral (color)
|
3,775
|
121
|
Stub
|
Low
|
251
|
Oklab color space
|
3,757
|
121
|
Start
|
Low
|
252
|
Gules
|
3,749
|
120
|
Start
|
Low
|
253
|
Von Luschan's chromatic scale
|
3,676
|
118
|
Start
|
Low
|
254
|
Dichromacy
|
3,654
|
117
|
Start
|
Mid
|
255
|
ICC profile
|
3,601
|
116
|
C
|
Low
|
256
|
Go Away Green
|
3,556
|
114
|
Start
|
Low
|
257
|
Cornflower blue
|
3,550
|
114
|
Stub
|
Low
|
258
|
List of color spaces and their uses
|
3,520
|
113
|
Start
|
High
|
259
|
Peach (color)
|
3,511
|
113
|
Stub
|
Low
|
260
|
Color model
|
3,505
|
113
|
B
|
High
|
261
|
Thermochromism
|
3,498
|
112
|
Start
|
Low
|
262
|
Chromostereopsis
|
3,490
|
112
|
C
|
Mid
|
263
|
Amaranth (color)
|
3,476
|
112
|
Start
|
Low
|
264
|
Electric blue (color)
|
3,466
|
111
|
Start
|
Low
|
265
|
YInMn Blue
|
3,456
|
111
|
B
|
Low
|
266
|
Shades of rose
|
3,403
|
109
|
List
|
Mid
|
267
|
Monochromacy
|
3,342
|
107
|
C
|
Mid
|
268
|
National colours
|
3,285
|
105
|
Start
|
Mid
|
269
|
Gendered associations of pink and blue
|
3,283
|
105
|
C
|
Mid
|
270
|
Structural coloration
|
3,267
|
105
|
GA
|
Mid
|
271
|
Midnight blue
|
3,259
|
105
|
Start
|
Low
|
272
|
Maya blue
|
3,241
|
104
|
C
|
Low
|
273
|
25-pair color code
|
3,226
|
104
|
Start
|
Low
|
274
|
Cerise (color)
|
3,215
|
103
|
Stub
|
Low
|
275
|
Trichromacy
|
3,209
|
103
|
C
|
High
|
276
|
Anti-flash white
|
3,205
|
103
|
Start
|
Mid
|
277
|
Demosaicing
|
3,199
|
103
|
Start
|
Low
|
278
|
Color analysis
|
3,179
|
102
|
Start
|
Mid
|
279
|
Color balance
|
3,172
|
102
|
Start
|
High
|
280
|
Argent
|
3,165
|
102
|
Start
|
Low
|
281
|
Aquamarine (color)
|
3,114
|
100
|
Stub
|
Low
|
282
|
Dodger blue
|
3,097
|
99
|
Start
|
Low
|
283
|
Chromotherapy
|
3,096
|
99
|
C
|
Low
|
284
|
Metamerism (color)
|
3,085
|
99
|
Start
|
High
|
285
|
Additive color
|
3,062
|
98
|
Start
|
High
|
286
|
Aqua (color)
|
3,052
|
98
|
Stub
|
Mid
|
287
|
Photographic print toning
|
3,048
|
98
|
Start
|
Mid
|
288
|
Autumn leaf color
|
2,967
|
95
|
C
|
Mid
|
289
|
Salmon (color)
|
2,965
|
95
|
Start
|
Low
|
290
|
Safety orange
|
2,948
|
95
|
Start
|
Low
|
291
|
Copper (color)
|
2,927
|
94
|
Stub
|
Low
|
292
|
Light blue
|
2,917
|
94
|
Stub
|
Low
|
293
|
Colored pencil
|
2,911
|
93
|
C
|
High
|
294
|
Chromaticity
|
2,884
|
93
|
Start
|
High
|
295
|
Kumkuma
|
2,884
|
93
|
Start
|
Mid
|
296
|
Champagne (color)
|
2,862
|
92
|
Stub
|
Low
|
297
|
Blue-gray
|
2,854
|
92
|
C
|
Low
|
298
|
Color of chemicals
|
2,801
|
90
|
C
|
High
|
299
|
Xanthochromia
|
2,742
|
88
|
Start
|
Low
|
300
|
Robin egg blue
|
2,723
|
87
|
Stub
|
Low
|
301
|
Rose madder
|
2,702
|
87
|
Start
|
Low
|
302
|
Opponent process
|
2,699
|
87
|
Start
|
High
|
303
|
Sage (color)
|
2,684
|
86
|
Stub
|
Low
|
304
|
Linguistic relativity and the color naming debate
|
2,666
|
86
|
Start
|
Mid
|
305
|
Colors of the day in Thailand
|
2,664
|
85
|
Stub
|
Low
|
306
|
Falu red
|
2,648
|
85
|
Start
|
Low
|
307
|
Colour banding
|
2,638
|
85
|
Stub
|
Low
|
308
|
Green in Islam
|
2,626
|
84
|
Stub
|
Low
|
309
|
Alice blue
|
2,604
|
84
|
Stub
|
Low
|
310
|
Alvy Ray Smith
|
2,552
|
82
|
Start
|
Low
|
311
|
Wilhelm Ostwald
|
2,545
|
82
|
C
|
Mid
|
312
|
List of inorganic pigments
|
2,523
|
81
|
List
|
Low
|
313
|
Chromophobia
|
2,519
|
81
|
Start
|
Mid
|
314
|
Sable (heraldry)
|
2,518
|
81
|
Stub
|
Low
|
315
|
Tawny (color)
|
2,514
|
81
|
Start
|
Low
|
316
|
Colorist
|
2,477
|
79
|
C
|
Low
|
317
|
Bronze (color)
|
2,460
|
79
|
Start
|
Mid
|
318
|
Color chart
|
2,457
|
79
|
Start
|
Mid
|
319
|
ColorChecker
|
2,426
|
78
|
Start
|
Mid
|
320
|
History of Crayola crayons
|
2,425
|
78
|
C
|
Low
|
321
|
Color gradient
|
2,411
|
77
|
Start
|
Low
|
322
|
Color blind glasses
|
2,391
|
77
|
B
|
Mid
|
323
|
Colorimetry
|
2,378
|
76
|
Start
|
High
|
324
|
Rosso corsa
|
2,366
|
76
|
Start
|
Low
|
325
|
Animal coloration
|
2,360
|
76
|
GA
|
Mid
|
326
|
Natural Color System
|
2,355
|
75
|
Start
|
High
|
327
|
Mountbatten pink
|
2,352
|
75
|
GA
|
Low
|
328
|
Chestnut (color)
|
2,338
|
75
|
Stub
|
Low
|
329
|
School bus yellow
|
2,265
|
73
|
Start
|
Low
|
330
|
Lightness
|
2,265
|
73
|
Start
|
High
|
331
|
Hypercolor
|
2,256
|
72
|
C
|
Low
|
332
|
Adobe RGB color space
|
2,254
|
72
|
Start
|
Mid
|
333
|
Diffuse sky radiation
|
2,239
|
72
|
C
|
Mid
|
334
|
Rec. 2100
|
2,230
|
71
|
Start
|
Low
|
335
|
Sapphire (color)
|
2,201
|
71
|
Stub
|
Low
|
336
|
Fawn (colour)
|
2,189
|
70
|
Stub
|
Low
|
337
|
Cream (colour)
|
2,188
|
70
|
Stub
|
Low
|
338
|
Azure (heraldry)
|
2,187
|
70
|
Start
|
Low
|
339
|
LED strip light
|
2,182
|
70
|
C
|
Low
|
340
|
Red pigments
|
2,166
|
69
|
C
|
Low
|
341
|
Solarized
|
2,165
|
69
|
Start
|
Low
|
342
|
Russet (color)
|
2,148
|
69
|
Stub
|
Low
|
343
|
Red-violet
|
2,145
|
69
|
Stub
|
Low
|
344
|
Carolina blue
|
2,135
|
68
|
Start
|
Mid
|
345
|
Color management
|
2,131
|
68
|
Start
|
Mid
|
346
|
Or (heraldry)
|
2,119
|
68
|
Stub
|
Low
|
347
|
Color-blocking
|
2,111
|
68
|
Start
|
Low
|
348
|
Analogous colors
|
2,108
|
68
|
Stub
|
Mid
|
349
|
Wine color
|
2,094
|
67
|
Start
|
Low
|
350
|
Air Force blue
|
2,073
|
66
|
Start
|
Low
|
351
|
Rust (color)
|
2,054
|
66
|
Stub
|
Low
|
352
|
Plum (color)
|
2,053
|
66
|
Start
|
Mid
|
353
|
Glare (vision)
|
2,048
|
66
|
Start
|
Low
|
354
|
Bleu de France (colour)
|
2,048
|
66
|
Start
|
Low
|
355
|
Persian blue
|
2,041
|
65
|
Stub
|
Low
|
356
|
Color vision test
|
2,028
|
65
|
B
|
High
|
357
|
Blood red
|
2,023
|
65
|
Stub
|
Low
|
358
|
Cambridge Blue (colour)
|
1,990
|
64
|
Start
|
Low
|
359
|
Ruby (color)
|
1,987
|
64
|
Start
|
Mid
|
360
|
Super black
|
1,981
|
63
|
Start
|
Mid
|
361
|
Johannes Itten
|
1,978
|
63
|
Start
|
Mid
|
362
|
Oxblood
|
1,968
|
63
|
Start
|
Low
|
363
|
Complexion
|
1,963
|
63
|
Start
|
Low
|
364
|
Forest green
|
1,960
|
63
|
Stub
|
Low
|
365
|
Optical brightener
|
1,953
|
63
|
Start
|
Mid
|
366
|
Han purple and Han blue
|
1,920
|
61
|
B
|
Mid
|
367
|
Columbia blue
|
1,909
|
61
|
Stub
|
Low
|
368
|
Hand-colouring of photographs
|
1,907
|
61
|
C
|
Mid
|
369
|
Mahogany (color)
|
1,906
|
61
|
Stub
|
Low
|
370
|
Color printing
|
1,902
|
61
|
C
|
High
|
371
|
Shades of azure
|
1,885
|
60
|
NA
|
NA
|
372
|
Lightfastness
|
1,883
|
60
|
Start
|
Mid
|
373
|
Glaucous
|
1,882
|
60
|
Stub
|
Low
|
374
|
Powder blue
|
1,880
|
60
|
Stub
|
Low
|
375
|
Sunset (color)
|
1,874
|
60
|
Start
|
Low
|
376
|
Black-and-white dualism
|
1,849
|
59
|
Start
|
Low
|
377
|
Lemon (color)
|
1,834
|
59
|
Stub
|
Low
|
378
|
Palette (computing)
|
1,832
|
59
|
C
|
Mid
|
379
|
Gamboge
|
1,825
|
58
|
Start
|
Low
|
380
|
List of dyes
|
1,821
|
58
|
List
|
Mid
|
381
|
New riddle of induction
|
1,819
|
58
|
Start
|
Low
|
382
|
Dinosaur coloration
|
1,816
|
58
|
C
|
Mid
|
383
|
Baby blue
|
1,793
|
57
|
Stub
|
Low
|
384
|
Byzantium (color)
|
1,792
|
57
|
Start
|
Low
|
385
|
Color constancy
|
1,755
|
56
|
Start
|
Mid
|
386
|
Chrominance
|
1,738
|
56
|
Start
|
Mid
|
387
|
Heliotrope (color)
|
1,724
|
55
|
Stub
|
Low
|
388
|
Slate gray
|
1,713
|
55
|
Stub
|
Low
|
389
|
Dracula (color scheme)
|
1,709
|
55
|
C
|
Low
|
390
|
St. Patrick's blue
|
1,696
|
54
|
Start
|
Low
|
391
|
Cordovan (color)
|
1,689
|
54
|
Stub
|
Low
|
392
|
Color science
|
1,688
|
54
|
Stub
|
Top
|
393
|
List of 16-bit computer color palettes
|
1,688
|
54
|
List
|
Low
|
394
|
High color
|
1,684
|
54
|
Start
|
Low
|
395
|
Color code
|
1,683
|
54
|
Start
|
Mid
|
396
|
National colours of Australia
|
1,677
|
54
|
Start
|
Low
|
397
|
Old gold
|
1,666
|
53
|
Start
|
Low
|
398
|
LMS color space
|
1,660
|
53
|
Start
|
Mid
|
399
|
Tooth discoloration
|
1,660
|
53
|
C
|
Low
|
400
|
Blue in culture
|
1,660
|
53
|
B
|
High
|
401
|
Color filter array
|
1,656
|
53
|
C
|
Low
|
402
|
Image gradient
|
1,641
|
52
|
Stub
|
Mid
|
403
|
Vair
|
1,639
|
52
|
Stub
|
Low
|
404
|
Planckian locus
|
1,633
|
52
|
C
|
Mid
|
405
|
Relative luminance
|
1,621
|
52
|
Start
|
Mid
|
406
|
Color correction
|
1,614
|
52
|
Start
|
Mid
|
407
|
Citrine (colour)
|
1,610
|
51
|
Stub
|
Low
|
408
|
Desert sand (color)
|
1,592
|
51
|
Start
|
Low
|
409
|
Cadet grey
|
1,589
|
51
|
Start
|
Low
|
410
|
International Commission on Illumination
|
1,584
|
51
|
Start
|
High
|
411
|
Alizarin crimson (color)
|
1,581
|
51
|
Stub
|
Mid
|
412
|
X-Rite
|
1,580
|
50
|
Start
|
Low
|
413
|
Indexed color
|
1,570
|
50
|
C
|
High
|
414
|
Apricot (color)
|
1,560
|
50
|
Stub
|
Low
|
415
|
Inverted spectrum
|
1,547
|
49
|
B
|
Low
|
416
|
Spectral power distribution
|
1,536
|
49
|
Start
|
High
|
417
|
Domain coloring
|
1,536
|
49
|
C
|
Low
|
418
|
Color quantization
|
1,523
|
49
|
C
|
High
|
419
|
Rich black
|
1,521
|
49
|
C
|
Mid
|
420
|
Colour trade mark
|
1,519
|
49
|
Start
|
High
|
421
|
Abnormal urine color
|
1,508
|
48
|
Start
|
Low
|
422
|
ISCC–NBS system
|
1,501
|
48
|
Start
|
High
|
423
|
Chrome yellow
|
1,494
|
48
|
Start
|
Mid
|
424
|
Payne's grey
|
1,490
|
48
|
Stub
|
Mid
|
425
|
Majorelle Blue
|
1,487
|
47
|
Stub
|
Low
|
426
|
ProPhoto RGB color space
|
1,482
|
47
|
Start
|
Low
|
427
|
Hyaline
|
1,474
|
47
|
Stub
|
Low
|
428
|
Line of purples
|
1,472
|
47
|
Start
|
Mid
|
429
|
Color appearance model
|
1,464
|
47
|
Start
|
Mid
|
430
|
Gray card
|
1,458
|
47
|
Start
|
Low
|
431
|
Mars surface color
|
1,452
|
46
|
B
|
Low
|
432
|
History of red
|
1,450
|
46
|
C
|
Mid
|
433
|
Young–Helmholtz theory
|
1,445
|
46
|
Stub
|
High
|
434
|
HCL color space
|
1,443
|
46
|
Start
|
Mid
|
435
|
Contrast effect
|
1,437
|
46
|
C
|
Mid
|
436
|
Rufous
|
1,431
|
46
|
Start
|
Low
|
437
|
Photochromism
|
1,425
|
45
|
C
|
Low
|
438
|
Sepia tone
|
1,421
|
45
|
NA
|
Mid
|
439
|
Xanthochromism
|
1,418
|
45
|
Stub
|
Low
|
440
|
Soil color
|
1,412
|
45
|
Start
|
Low
|
441
|
YIQ
|
1,407
|
45
|
Start
|
Low
|
442
|
List of historical sources for pink and blue as gender signifiers
|
1,391
|
44
|
List
|
Low
|
443
|
List of animals that can change color
|
1,369
|
44
|
List
|
Low
|
444
|
Metallic color
|
1,363
|
43
|
Start
|
Mid
|
445
|
Iron oxide red
|
1,360
|
43
|
Stub
|
Low
|
446
|
Day-Glo Color Corp.
|
1,360
|
43
|
Start
|
Mid
|
447
|
CMY color model
|
1,340
|
43
|
NA
|
High
|
448
|
Chocolate (color)
|
1,339
|
43
|
Start
|
Low
|
449
|
Color picker
|
1,329
|
42
|
Start
|
Low
|
450
|
Farnsworth–Munsell 100 hue test
|
1,325
|
42
|
C
|
Low
|
451
|
Correlated color temperature
|
1,322
|
42
|
C
|
Low
|
452
|
Tertiary color
|
1,312
|
42
|
NA
|
High
|
453
|
Harmony (color)
|
1,308
|
42
|
C
|
High
|
454
|
Bistre
|
1,301
|
41
|
Start
|
Mid
|
455
|
Coyote brown
|
1,295
|
41
|
Stub
|
Mid
|
456
|
Steel blue
|
1,293
|
41
|
Stub
|
Low
|
457
|
Color preferences
|
1,281
|
41
|
Stub
|
Mid
|
458
|
Cardinal (color)
|
1,270
|
40
|
Stub
|
Low
|
459
|
Lüscher color test
|
1,263
|
40
|
Start
|
Low
|
460
|
Orchid (color)
|
1,262
|
40
|
Stub
|
Low
|
461
|
List of people with color blindness
|
1,252
|
40
|
List
|
Low
|
462
|
Alcian blue stain
|
1,249
|
40
|
C
|
Low
|
463
|
Eggplant (color)
|
1,248
|
40
|
Stub
|
Low
|
464
|
Platinum (color)
|
1,248
|
40
|
Stub
|
Low
|
465
|
Coffee (color)
|
1,239
|
39
|
Start
|
Low
|
466
|
Coquelicot
|
1,236
|
39
|
Start
|
Low
|
467
|
Liver (color)
|
1,235
|
39
|
Stub
|
Low
|
468
|
Double cone (biology)
|
1,234
|
39
|
Start
|
Low
|
469
|
Selective yellow
|
1,230
|
39
|
C
|
Low
|
470
|
Blue light spectrum
|
1,222
|
39
|
C
|
Unknown
|
471
|
Colour fastness
|
1,218
|
39
|
Start
|
Low
|
472
|
Colour Index International
|
1,217
|
39
|
Start
|
Mid
|
473
|
History of spectroscopy
|
1,212
|
39
|
B
|
Mid
|
474
|
Spectral sensitivity
|
1,204
|
38
|
Start
|
Mid
|
475
|
Color of the day (police)
|
1,202
|
38
|
Start
|
Low
|
476
|
Channel (digital image)
|
1,201
|
38
|
C
|
Mid
|
477
|
Savoy blue
|
1,199
|
38
|
C
|
Low
|
478
|
Dandelion (crayon color)
|
1,199
|
38
|
Start
|
Low
|
479
|
Eton blue
|
1,192
|
38
|
Stub
|
Low
|
480
|
Gray
|
1,189
|
38
|
NA
|
NA
|
481
|
APHA color
|
1,180
|
38
|
Start
|
Low
|
482
|
Standard-dynamic-range video
|
1,179
|
38
|
C
|
Mid
|
483
|
White point
|
1,175
|
37
|
Start
|
High
|
484
|
Iris (color)
|
1,174
|
37
|
Stub
|
Low
|
485
|
Fulvous
|
1,172
|
37
|
Start
|
Low
|
486
|
Caput mortuum (pigment)
|
1,168
|
37
|
Start
|
Low
|
487
|
List of color film systems
|
1,167
|
37
|
List
|
Low
|
488
|
Rifle green
|
1,164
|
37
|
NA
|
Low
|
489
|
Camel (color)
|
1,146
|
36
|
Start
|
Low
|
490
|
Marian blue
|
1,113
|
35
|
Start
|
Low
|
491
|
Van Dyke brown
|
1,101
|
35
|
Stub
|
Low
|
492
|
Budgerigar colour genetics
|
1,100
|
35
|
Start
|
Low
|
493
|
CIECAM02
|
1,088
|
35
|
B
|
High
|
494
|
Non-photo blue
|
1,081
|
34
|
Start
|
Low
|
495
|
High Capacity Color Barcode
|
1,080
|
34
|
C
|
Low
|
496
|
Fire engine red
|
1,079
|
34
|
Stub
|
Low
|
497
|
Venetian red
|
1,069
|
34
|
Stub
|
Low
|
498
|
Orcein
|
1,068
|
34
|
Start
|
Mid
|
499
|
Aureolin
|
1,063
|
34
|
Stub
|
Low
|
500
|
HWB color model
|
1,047
|
33
|
Stub
|
Low
|
501
|
Yale Blue
|
1,036
|
33
|
Start
|
Low
|
502
|
Spot color
|
1,033
|
33
|
Start
|
High
|
503
|
Duotone
|
1,028
|
33
|
Start
|
Low
|
504
|
Flax (color)
|
1,024
|
33
|
Stub
|
Low
|
505
|
PAL-M
|
1,019
|
32
|
Start
|
Low
|
506
|
Wide-gamut RGB color space
|
1,015
|
32
|
Start
|
Mid
|
507
|
Illuminant D65
|
1,015
|
32
|
NA
|
Mid
|
508
|
Color gel
|
1,006
|
32
|
Start
|
Low
|
509
|
Mulberry (color)
|
992
|
32
|
Stub
|
Low
|
510
|
Electrochromism
|
987
|
31
|
C
|
Low
|
511
|
Federal Standard 595
|
978
|
31
|
Stub
|
Low
|
512
|
RG color models
|
974
|
31
|
C
|
Mid
|
513
|
Sakura Color Products Corporation
|
960
|
30
|
Stub
|
Low
|
514
|
Color solid
|
957
|
30
|
Start
|
High
|
515
|
Solvatochromism
|
944
|
30
|
Start
|
Low
|
516
|
Candy apple red
|
942
|
30
|
Start
|
Low
|
517
|
Palatinate (colour)
|
941
|
30
|
Start
|
Low
|
518
|
Raspberry (color)
|
936
|
30
|
Start
|
Low
|
519
|
Drab (color)
|
936
|
30
|
Stub
|
Low
|
520
|
Calcein
|
935
|
30
|
Start
|
Low
|
521
|
Cerebral achromatopsia
|
919
|
29
|
C
|
Low
|
522
|
Rose pink
|
918
|
29
|
Stub
|
Low
|
523
|
Marigold (color)
|
918
|
29
|
Stub
|
Low
|
524
|
Bleu celeste
|
912
|
29
|
Start
|
Low
|
525
|
Colorburst
|
905
|
29
|
Start
|
Low
|
526
|
Android green
|
904
|
29
|
Stub
|
Low
|
527
|
Vert (heraldry)
|
898
|
28
|
Start
|
Low
|
528
|
Goldenrod (color)
|
892
|
28
|
Start
|
Low
|
529
|
Purpure
|
888
|
28
|
Start
|
Low
|
530
|
Printing registration
|
877
|
28
|
C
|
Low
|
531
|
MacAdam ellipse
|
874
|
28
|
C
|
High
|
532
|
Visual processing
|
872
|
28
|
Start
|
Low
|
533
|
List of chicken colours
|
865
|
27
|
List
|
Low
|
534
|
Colourant
|
860
|
27
|
Stub
|
High
|
535
|
Marengo (color)
|
856
|
27
|
Start
|
Low
|
536
|
Color histogram
|
849
|
27
|
Start
|
Mid
|
537
|
Olive drab
|
832
|
26
|
NA
|
NA
|
538
|
Tenné
|
828
|
26
|
B
|
Low
|
539
|
Chromatic adaptation
|
827
|
26
|
Start
|
Mid
|
540
|
Sinopia
|
812
|
26
|
Start
|
Low
|
541
|
Citron (color)
|
803
|
25
|
Stub
|
Low
|
542
|
ICtCp
|
799
|
25
|
C
|
Mid
|
543
|
Vision science
|
796
|
25
|
Start
|
Mid
|
544
|
Evolution of color vision in primates
|
791
|
25
|
C
|
Mid
|
545
|
Color triangle
|
790
|
25
|
Start
|
High
|
546
|
Tricolour
|
788
|
25
|
NA
|
NA
|
547
|
Eggshell (color)
|
783
|
25
|
Stub
|
Low
|
548
|
Oren–Nayar reflectance model
|
771
|
24
|
C
|
Low
|
549
|
Dominant wavelength
|
768
|
24
|
Start
|
High
|
550
|
Unique hues
|
766
|
24
|
C
|
Mid
|
551
|
Albert Henry Munsell
|
764
|
24
|
Start
|
Mid
|
552
|
Jonquil (color)
|
758
|
24
|
Stub
|
Low
|
553
|
Abney effect
|
755
|
24
|
B
|
Mid
|
554
|
Kruithof curve
|
746
|
24
|
C
|
Mid
|
555
|
YCoCg
|
745
|
24
|
C
|
Mid
|
556
|
Murrey
|
727
|
23
|
Stub
|
Low
|
557
|
Magnolia (color)
|
726
|
23
|
Stub
|
Low
|
558
|
Color calibration
|
725
|
23
|
Start
|
Mid
|
559
|
ScRGB
|
723
|
23
|
Start
|
Mid
|
560
|
Philosophy of color
|
708
|
22
|
Start
|
High
|
561
|
On Vision and Colours
|
701
|
22
|
Start
|
Low
|
562
|
Synthetic colorant
|
701
|
22
|
C
|
Low
|
563
|
Mired
|
697
|
22
|
Start
|
Mid
|
564
|
Pearl (color)
|
695
|
22
|
Stub
|
Low
|
565
|
Composite artifact colors
|
695
|
22
|
C
|
Low
|
566
|
Lion (color)
|
691
|
22
|
Stub
|
Low
|
567
|
The Secret Lives of Colour
|
691
|
22
|
C
|
Low
|
568
|
Mexican pink
|
686
|
22
|
Start
|
Low
|
569
|
Dichroic filter
|
677
|
21
|
NA
|
NA
|
570
|
Arylide yellow
|
672
|
21
|
Stub
|
Low
|
571
|
Standard Reference Method
|
670
|
21
|
C
|
Low
|
572
|
Evolution of color vision
|
668
|
21
|
Start
|
Mid
|
573
|
Historic paint analysis
|
667
|
21
|
C
|
Low
|
574
|
Field-sequential color system
|
645
|
20
|
C
|
Low
|
575
|
Jungle green
|
644
|
20
|
C
|
Low
|
576
|
Fechner color
|
642
|
20
|
Start
|
Low
|
577
|
Hexachrome
|
630
|
20
|
Start
|
Low
|
578
|
Zinc white
|
621
|
20
|
C
|
Mid
|
579
|
Ostwald color system
|
620
|
20
|
C
|
High
|
580
|
Index of color-related articles
|
617
|
19
|
Start
|
Mid
|
581
|
Mysore Paints and Varnish
|
614
|
19
|
Start
|
Low
|
582
|
Colored smoke
|
612
|
19
|
Stub
|
Mid
|
583
|
Blush (color)
|
611
|
19
|
Stub
|
Low
|
584
|
Color organ
|
605
|
19
|
C
|
Low
|
585
|
Vanilla (color)
|
603
|
19
|
Start
|
Mid
|
586
|
Image color transfer
|
594
|
19
|
Start
|
Low
|
587
|
Tangerine (color)
|
588
|
18
|
Stub
|
Low
|
588
|
PALplus
|
586
|
18
|
C
|
Low
|
589
|
Maize (color)
|
586
|
18
|
Stub
|
Low
|
590
|
Color print film
|
584
|
18
|
Start
|
Low
|
591
|
Cinereous
|
583
|
18
|
Stub
|
Low
|
592
|
Erin (color)
|
576
|
18
|
Stub
|
Low
|
593
|
Gene therapy for color blindness
|
575
|
18
|
C
|
Low
|
594
|
XvYCC
|
568
|
18
|
Start
|
Low
|
595
|
Duke blue
|
567
|
18
|
Stub
|
Low
|
596
|
Straw (colour)
|
566
|
18
|
Stub
|
Low
|
597
|
CcMmYK color model
|
565
|
18
|
Stub
|
Low
|
598
|
Eyeborg
|
561
|
18
|
Start
|
Low
|
599
|
Capri (color)
|
560
|
18
|
Stub
|
Low
|
600
|
Navajo white
|
555
|
17
|
Stub
|
Low
|
601
|
HSV color space
|
552
|
17
|
NA
|
High
|
602
|
MERDC camouflage
|
551
|
17
|
Stub
|
Low
|
603
|
Beta movement
|
546
|
17
|
C
|
Low
|
604
|
Orange (heraldry)
|
543
|
17
|
Stub
|
Low
|
605
|
Acid green
|
539
|
17
|
Stub
|
Low
|
606
|
Tuscan red
|
538
|
17
|
Start
|
Low
|
607
|
Tristimulus colorimeter
|
536
|
17
|
Stub
|
Low
|
608
|
Zaffre
|
532
|
17
|
Stub
|
Mid
|
609
|
ColorADD
|
526
|
16
|
Start
|
Low
|
610
|
Wheat (color)
|
522
|
16
|
Stub
|
Low
|
611
|
Carnelian (color)
|
519
|
16
|
Stub
|
Low
|
612
|
Jasmine (color)
|
519
|
16
|
Stub
|
Low
|
613
|
Blue Wool Scale
|
514
|
16
|
Stub
|
Low
|
614
|
Utility location
|
511
|
16
|
Start
|
Mid
|
615
|
Grassmann's laws (color science)
|
505
|
16
|
Start
|
Mid
|
616
|
Mars Black (pigment)
|
504
|
16
|
Stub
|
Low
|
617
|
Pterobilin
|
504
|
16
|
Start
|
Low
|
618
|
Red in culture
|
500
|
16
|
C
|
High
|
619
|
Pompeian red
|
498
|
16
|
B
|
Low
|
620
|
International Color Consortium
|
488
|
15
|
Start
|
Mid
|
621
|
Bezold–Brücke shift
|
486
|
15
|
Stub
|
Low
|
622
|
Map coloring
|
485
|
15
|
Start
|
Low
|
623
|
Lava (color)
|
474
|
15
|
Stub
|
Low
|
624
|
Colour recovery
|
474
|
15
|
C
|
Low
|
625
|
Seal brown
|
471
|
15
|
Stub
|
Low
|
626
|
Persian red
|
467
|
15
|
Stub
|
Low
|
627
|
Color of clothing
|
466
|
15
|
Start
|
Mid
|
628
|
CIE 1960 color space
|
443
|
14
|
Start
|
Low
|
629
|
Azure spar
|
442
|
14
|
List
|
Low
|
630
|
Bastard color
|
435
|
14
|
Stub
|
Low
|
631
|
Ewald Hering
|
430
|
13
|
Start
|
Mid
|
632
|
Coventry blue
|
428
|
13
|
Stub
|
Low
|
633
|
Gardner color scale
|
421
|
13
|
Stub
|
Mid
|
634
|
On Colors
|
421
|
13
|
Start
|
Low
|
635
|
Floral color change
|
418
|
13
|
C
|
Low
|
636
|
Color cycling
|
417
|
13
|
Start
|
Low
|
637
|
Werner's Nomenclature of Colours
|
416
|
13
|
Stub
|
Low
|
638
|
Carnation (heraldry)
|
412
|
13
|
Stub
|
Low
|
639
|
Bole (color)
|
401
|
12
|
Start
|
Low
|
640
|
Bice
|
398
|
12
|
Stub
|
Low
|
641
|
Chromism
|
395
|
12
|
C
|
Low
|
642
|
Azurite (pigment)
|
393
|
12
|
Stub
|
Low
|
643
|
Colorpuncture
|
389
|
12
|
C
|
Low
|
644
|
Fallow (color)
|
387
|
12
|
Stub
|
Low
|
645
|
Rg chromaticity
|
385
|
12
|
Stub
|
Low
|
646
|
Burnt sienna
|
380
|
12
|
NA
|
Mid
|
647
|
Colour cast
|
378
|
12
|
Start
|
Mid
|
648
|
Sanguine (heraldry)
|
365
|
11
|
Stub
|
Low
|
649
|
Color war
|
363
|
11
|
Stub
|
Low
|
650
|
Reseda green
|
362
|
11
|
Stub
|
Low
|
651
|
IT8
|
361
|
11
|
Start
|
Low
|
652
|
Cream (color)
|
350
|
11
|
NA
|
Low
|
653
|
Margaret Hayden Rorke
|
350
|
11
|
C
|
Low
|
654
|
Brunswick green
|
349
|
11
|
NA
|
Low
|
655
|
Color reproduction
|
348
|
11
|
Stub
|
High
|
656
|
Color rendering
|
344
|
11
|
Start
|
Mid
|
657
|
Marrs green
|
337
|
10
|
Stub
|
Low
|
658
|
Harvest gold
|
336
|
10
|
Stub
|
Low
|
659
|
Local color (visual art)
|
335
|
10
|
Stub
|
Low
|
660
|
Cerulean blue
|
330
|
10
|
NA
|
NA
|
661
|
Continuous tone image
|
330
|
10
|
Start
|
Low
|
662
|
CIE 1964 color space
|
320
|
10
|
Stub
|
Low
|
663
|
Cyclamen (color)
|
318
|
10
|
NA
|
Low
|
664
|
Spring bud
|
315
|
10
|
C
|
Low
|
665
|
Seashell (color)
|
302
|
9
|
Stub
|
Low
|
666
|
American Association of Textile Chemists and Colorists
|
298
|
9
|
Stub
|
Mid
|
667
|
Hunter Lab
|
298
|
9
|
Start
|
Low
|
668
|
Titanium yellow
|
296
|
9
|
Stub
|
Low
|
669
|
HKS (colour system)
|
295
|
9
|
Stub
|
Low
|
670
|
Colors (Ken Nordine album)
|
295
|
9
|
Start
|
Low
|
671
|
Color Association of the United States
|
292
|
9
|
Start
|
Mid
|
672
|
Spring green (color)
|
284
|
9
|
NA
|
NA
|
673
|
Color phi phenomenon
|
280
|
9
|
Start
|
Low
|
674
|
Cynthia Brewer
|
280
|
9
|
Start
|
Low
|
675
|
Rose (heraldic tincture)
|
276
|
8
|
Start
|
Low
|
676
|
Halochromism
|
274
|
8
|
Stub
|
Low
|
677
|
Memory color effect
|
274
|
8
|
C
|
Mid
|
678
|
Burnt umber
|
268
|
8
|
NA
|
Mid
|
679
|
Cendrée
|
268
|
8
|
Stub
|
Low
|
680
|
ColorZilla
|
266
|
8
|
Stub
|
Low
|
681
|
ASC CDL
|
265
|
8
|
Start
|
Low
|
682
|
Specifications for Web Offset Publications
|
264
|
8
|
Start
|
Low
|
683
|
Color suite
|
262
|
8
|
Start
|
Low
|
684
|
French gray
|
261
|
8
|
Stub
|
Low
|
685
|
Ruddy
|
256
|
8
|
NA
|
NA
|
686
|
International Colour Day
|
256
|
8
|
Start
|
Mid
|
687
|
Jacob Christoph Le Blon
|
253
|
8
|
Start
|
Low
|
688
|
Bipack color
|
252
|
8
|
C
|
Low
|
689
|
Ao (color)
|
250
|
8
|
NA
|
Low
|
690
|
Dark blue (color)
|
249
|
8
|
NA
|
Low
|
691
|
Icterine
|
241
|
7
|
Stub
|
Low
|
692
|
Iron ochre
|
238
|
7
|
List
|
Low
|
693
|
Tyros (nymph)
|
236
|
7
|
C
|
Low
|
694
|
TSL color space
|
234
|
7
|
Stub
|
Low
|
695
|
National colours of Portugal
|
233
|
7
|
Start
|
Low
|
696
|
Bondi blue
|
219
|
7
|
NA
|
NA
|
697
|
Mikado yellow
|
217
|
7
|
Stub
|
Low
|
698
|
PAL-S
|
217
|
7
|
Start
|
Low
|
699
|
Standard Color Reference of America
|
215
|
6
|
Start
|
Low
|
700
|
Jade (color)
|
212
|
6
|
NA
|
Low
|
701
|
Coloroid
|
211
|
6
|
Stub
|
Low
|
702
|
Polka-dot paint
|
207
|
6
|
Start
|
Low
|
703
|
Whiteness (colorimetry)
|
206
|
6
|
Start
|
Low
|
704
|
Color Naming System
|
205
|
6
|
Start
|
Low
|
705
|
ColorCode 3-D
|
202
|
6
|
Start
|
Low
|
706
|
Grey component replacement
|
201
|
6
|
Stub
|
Low
|
707
|
YDbDr
|
199
|
6
|
Start
|
Low
|
708
|
Teal (color)
|
195
|
6
|
NA
|
NA
|
709
|
Amethyst (color)
|
190
|
6
|
NA
|
NA
|
710
|
Hunt effect (color)
|
190
|
6
|
Stub
|
Low
|
711
|
Golden ochre
|
190
|
6
|
C
|
Low
|
712
|
Color Marketing Group
|
188
|
6
|
Stub
|
Low
|
713
|
Oil droplet
|
188
|
6
|
Start
|
Low
|
714
|
Color wheel (optics)
|
185
|
5
|
Stub
|
Low
|
715
|
Coloured Book protocols
|
183
|
5
|
C
|
Low
|
716
|
Color reaction
|
183
|
5
|
Stub
|
Mid
|
717
|
Multi-primary color display
|
182
|
5
|
Stub
|
Low
|
718
|
Rail Blue
|
180
|
5
|
NA
|
NA
|
719
|
Zinzolin
|
179
|
5
|
B
|
Low
|
720
|
Alumina effect pigment
|
172
|
5
|
Start
|
Low
|
721
|
Color coding in data visualization
|
170
|
5
|
NA
|
High
|
722
|
Moss green
|
169
|
5
|
NA
|
Low
|
723
|
Color normalization
|
169
|
5
|
Start
|
Mid
|
724
|
True Blue (color)
|
167
|
5
|
NA
|
Low
|
725
|
Moses Harris
|
166
|
5
|
Start
|
Mid
|
726
|
Portland Orange
|
166
|
5
|
Stub
|
Unknown
|
727
|
Harlequin (color)
|
165
|
5
|
NA
|
NA
|
728
|
Color task
|
164
|
5
|
B
|
Mid
|
729
|
Coloured hat
|
162
|
5
|
Start
|
Low
|
730
|
OSA-UCS
|
160
|
5
|
Stub
|
Low
|
731
|
British Colour Council
|
152
|
4
|
Start
|
Mid
|
732
|
Leaf Color Chart
|
151
|
4
|
Stub
|
Low
|
733
|
International Colour Association
|
149
|
4
|
C
|
Mid
|
734
|
Visual weight
|
145
|
4
|
Stub
|
Low
|
735
|
Postage stamp color
|
144
|
4
|
C
|
Low
|
736
|
International Colour Authority
|
141
|
4
|
Stub
|
Low
|
737
|
Practical Color Coordinate System
|
141
|
4
|
Stub
|
Low
|
738
|
Neugebauer equations
|
138
|
4
|
Stub
|
Mid
|
739
|
Attic ochre
|
138
|
4
|
C
|
Low
|
740
|
Principle of univariance
|
131
|
4
|
Stub
|
Low
|
741
|
Raisin black
|
131
|
4
|
Stub
|
Low
|
742
|
Windows Color System
|
129
|
4
|
Start
|
Mid
|
743
|
Society of Dyers and Colourists
|
123
|
3
|
Stub
|
Mid
|
744
|
Splash of color
|
123
|
3
|
Stub
|
Low
|
745
|
Bernice Kentner
|
123
|
3
|
Start
|
Low
|
746
|
Adams chromatic valence color space
|
120
|
3
|
Start
|
Mid
|
747
|
Battleship grey
|
119
|
3
|
NA
|
NA
|
748
|
Sinople
|
115
|
3
|
NA
|
NA
|
749
|
Hansa yellow
|
115
|
3
|
NA
|
Low
|
750
|
Color quality scale
|
113
|
3
|
Stub
|
Mid
|
751
|
Lead ochre
|
112
|
3
|
List
|
Low
|
752
|
Emerald (color)
|
110
|
3
|
NA
|
Low
|
753
|
Lusty gallant
|
110
|
3
|
Stub
|
Low
|
754
|
Colorway
|
106
|
3
|
NA
|
Low
|
755
|
Absolute color space
|
104
|
3
|
NA
|
Mid
|
756
|
Charcoal (color)
|
104
|
3
|
NA
|
NA
|
757
|
Liquid color
|
101
|
3
|
C
|
Low
|
758
|
David MacAdam
|
98
|
3
|
Start
|
Mid
|
759
|
Skyscope
|
98
|
3
|
Stub
|
Unknown
|
760
|
Colorimeter
|
97
|
3
|
NA
|
NA
|
761
|
Burned (image)
|
97
|
3
|
Start
|
Mid
|
762
|
Von Kries coefficient law
|
92
|
2
|
C
|
Low
|
763
|
The Color Association of the United States
|
90
|
2
|
NA
|
Mid
|
764
|
ICAM (color appearance model)
|
89
|
2
|
Start
|
Low
|
765
|
UCLA Blue
|
88
|
2
|
NA
|
Low
|
766
|
Lemon chiffon
|
87
|
2
|
NA
|
Low
|
767
|
Army green
|
87
|
2
|
NA
|
NA
|
768
|
Colour look-up table
|
85
|
2
|
NA
|
Low
|
769
|
European Color Initiative
|
83
|
2
|
Start
|
Low
|
770
|
Pinchin Johnson & Associates
|
81
|
2
|
Start
|
Low
|
771
|
Color Light Output
|
81
|
2
|
Start
|
Low
|
772
|
Monochromatic colors
|
76
|
2
|
NA
|
Mid
|
773
|
Munsell Color Company
|
75
|
2
|
Stub
|
Mid
|
774
|
Klaer Lightende Spiegel der Verfkonst
|
72
|
2
|
Stub
|
Low
|
775
|
Carnation pink
|
70
|
2
|
NA
|
Low
|
776
|
Antimony ochre
|
70
|
2
|
List
|
Low
|
777
|
Peach black
|
68
|
2
|
Stub
|
Low
|
778
|
Sea green
|
65
|
2
|
NA
|
Low
|
779
|
Cycolor
|
64
|
2
|
Stub
|
Low
|
780
|
Registration black
|
63
|
2
|
NA
|
Mid
|
781
|
Brandeis blue
|
63
|
2
|
NA
|
NA
|
782
|
Tristimulus value
|
61
|
1
|
NA
|
Mid
|
783
|
EciRGB
|
60
|
1
|
Stub
|
Low
|
784
|
Deane B. Judd
|
57
|
1
|
Start
|
Low
|
785
|
Flame (color)
|
55
|
1
|
NA
|
NA
|
786
|
Corn (color)
|
54
|
1
|
NA
|
Low
|
787
|
Myrtle (color)
|
54
|
1
|
NA
|
Low
|
788
|
Differential phase
|
54
|
1
|
Start
|
Low
|
789
|
Under color addition
|
52
|
1
|
Stub
|
Low
|
790
|
Lavender pink
|
52
|
1
|
NA
|
NA
|
791
|
Pine green
|
51
|
1
|
NA
|
Low
|
792
|
Tekhelet in Judaism
|
50
|
1
|
NA
|
Low
|
793
|
Inter-Society Color Council
|
50
|
1
|
Start
|
Low
|
794
|
Green-yellow
|
49
|
1
|
NA
|
Mid
|
795
|
Forensic colorimetry
|
49
|
1
|
Start
|
Low
|
796
|
Descriptive Color Names Dictionary
|
47
|
1
|
Stub
|
Low
|
797
|
Color engraving
|
46
|
1
|
Stub
|
Low
|
798
|
The Colour Group
|
46
|
1
|
Stub
|
Low
|
799
|
Ada Aline Urban
|
46
|
1
|
C
|
Low
|
800
|
Peach-yellow
|
45
|
1
|
NA
|
Low
|
801
|
Tufts Blue
|
45
|
1
|
NA
|
Low
|
802
|
Two-color system
|
43
|
1
|
Stub
|
Low
|
803
|
Upsdell red
|
43
|
1
|
Stub
|
Low
|
804
|
Vantage theory
|
43
|
1
|
Start
|
Low
|
805
|
Papaya whip
|
41
|
1
|
NA
|
Low
|
806
|
Augusto Garau
|
40
|
1
|
Start
|
Low
|
807
|
Autotype (printing)
|
40
|
1
|
NA
|
NA
|
808
|
Salmon pink
|
38
|
1
|
NA
|
Low
|
809
|
Ghost white
|
38
|
1
|
NA
|
NA
|
810
|
Theostein
|
38
|
1
|
NA
|
NA
|
811
|
Sap green
|
37
|
1
|
NA
|
Low
|
812
|
Charles Albert Keeley
|
37
|
1
|
Start
|
Low
|
813
|
Robert Birmelin
|
34
|
1
|
C
|
Low
|
814
|
Hooker's green
|
33
|
1
|
NA
|
NA
|
815
|
Rendering intent
|
32
|
1
|
NA
|
Mid
|
816
|
Pinkish
|
32
|
1
|
NA
|
NA
|
817
|
Nardo gray
|
30
|
0
|
NA
|
Low
|
818
|
Pumpkin (color)
|
28
|
0
|
NA
|
NA
|
819
|
Deep sky blue
|
26
|
0
|
NA
|
Low
|
820
|
Sophie Wuerger
|
26
|
0
|
Start
|
Unknown
|
821
|
Wenge (colour)
|
25
|
0
|
NA
|
Low
|
822
|
Dark purple
|
25
|
0
|
NA
|
Low
|
823
|
Davy's grey
|
24
|
0
|
NA
|
Low
|
824
|
Variations of gray
|
24
|
0
|
NA
|
NA
|
825
|
Dark-on-light color scheme
|
23
|
0
|
NA
|
Low
|
826
|
Spray booth
|
23
|
0
|
NA
|
NA
|
827
|
Redwood (color)
|
23
|
0
|
NA
|
NA
|
828
|
Jorrit Tornquist
|
23
|
0
|
Stub
|
Low
|
829
|
Hermann Alfred Tanner
|
23
|
0
|
GA
|
Low
|
830
|
Bright green
|
22
|
0
|
NA
|
NA
|
831
|
Fluorescence intensity decay shape microscopy
|
22
|
0
|
Start
|
Low
|
832
|
Truecolor
|
21
|
0
|
NA
|
Mid
|
833
|
Magic Pink
|
21
|
0
|
NA
|
Low
|
834
|
Lavender blush
|
21
|
0
|
NA
|
NA
|
835
|
Old lace (color)
|
19
|
0
|
NA
|
Low
|
836
|
Amber shift
|
18
|
0
|
Stub
|
Low
|
837
|
Pear (color)
|
17
|
0
|
NA
|
Low
|
838
|
Asparagus (color)
|
16
|
0
|
NA
|
NA
|
839
|
Fern green
|
16
|
0
|
NA
|
Low
|
840
|
Persian orange
|
16
|
0
|
NA
|
NA
|
841
|
Alexis Spectral Data
|
16
|
0
|
Stub
|
Low
|
842
|
George Palmer (colour theorist)
|
15
|
0
|
C
|
Low
|
843
|
Pastel green
|
14
|
0
|
NA
|
Low
|
844
|
Tea green
|
14
|
0
|
NA
|
Low
|
845
|
Hal Glicksman
|
14
|
0
|
Start
|
Low
|
846
|
Gray-asparagus
|
13
|
0
|
NA
|
Low
|
847
|
Cool grey
|
13
|
0
|
NA
|
NA
|
848
|
Color in Informatics and Media Technology
|
13
|
0
|
Start
|
Low
|
849
|
Process blue
|
13
|
0
|
NA
|
NA
|
850
|
Sandy brown
|
12
|
0
|
NA
|
NA
|
851
|
Henry Hemmendinger
|
12
|
0
|
Start
|
Mid
|
852
|
Blue Violet
|
12
|
0
|
NA
|
NA
|
853
|
Visible frequency
|
12
|
0
|
NA
|
NA
|
854
|
Value (colorimetry)
|
9
|
0
|
NA
|
Mid
|
855
|
Mint cream
|
9
|
0
|
NA
|
NA
|
856
|
Color volume
|
8
|
0
|
NA
|
NA
|
857
|
Non-spectral color
|
8
|
0
|
NA
|
NA
|
858
|
Saffron in Hinduism
|
7
|
0
|
NA
|
Low
|
859
|
Ash grey
|
6
|
0
|
NA
|
Low
|
860
|
(255, 0, 0)
|
5
|
0
|
NA
|
NA
|
861
|
Geru
|
4
|
0
|
NA
|
Low
|
862
|
Camouflage green
|
4
|
0
|
NA
|
NA
|
863
|
Pale brown
|
3
|
0
|
NA
|
Low
|
864
|
Raw umber (color)
|
3
|
0
|
NA
|
Low
|
865
|
Boysenberry (color)
|
3
|
0
|
NA
|
NA
|
866
|
Aramanth purple
|
3
|
0
|
NA
|
NA
|
867
|
Blaze Orange
|
2
|
0
|
NA
|
Mid
|
868
|
Color Matching Method
|
2
|
0
|
NA
|
Low
|
869
|
CG Red
|
2
|
0
|
NA
|
NA
|
870
|
LED ribbon
|
2
|
0
|
NA
|
Low
|
871
|
Wisteria (colour)
|
2
|
0
|
NA
|
NA
|
872
|
Ford Blue
|
2
|
0
|
NA
|
NA
|
873
|
Peach-orange
|
1
|
0
|
NA
|
Low
|
874
|
Alice-Blue (color)
|
0
|
0
|
NA
|
Low
|
875
|
Cobalt ochre
|
0
|
0
|
List
|
Low
|