Jump to content

Paço de São Cristóvão

Coordinates: 22°54′20″S 43°13′33″W / 22.90556°S 43.22583°W / -22.90556; -43.22583
From Wikipedia, the free encyclopedia
Paço de São Cristóvão
The building on 3 September 2018,
the day after the fire
Paço de São Cristóvão is located in Rio de Janeiro
Paço de São Cristóvão
Location in Rio de Janeiro
Alternative namesMuseu Nacional
General information
StatusRuin
TypePalace
Architectural styleNeoclassical
LocationAv. Pedro II, s/n
São Cristóvão
Rio de Janeiro - RJ
20940-040, Brazil
AddressQuinta da Boa Vista
Town or cityRio de Janeiro
CountryBrazil
Coordinates22°54′20″S 43°13′33″W / 22.90556°S 43.22583°W / -22.90556; -43.22583
Elevation26 m
Current tenantsNational Museum of Brazil
Construction started1803
Completed1862
Inaugurated1893
Closed3 September 2018
Destroyed2 September 2018
OwnerFederal University of Rio de Janeiro
Height
Roof23 m
Technical details
Structural systemRuin
MaterialBrick, Stucco
Lifts/elevators0
Grounds5920 m²
Design and construction
Architect(s)Pedro José Pezerát
Services engineerConcrejato
Known forMuseum
Designated99
Reference no.1938

Paço de São Cristóvão (Portuguese pronunciation: [ˈpasu dʒi sɐ̃w kɾisˈtɔvɐ̃w]; English: Palace of Saint Christopher; also known as Palácio Imperial or Palácio Imperial de São Cristóvão) was an imperial palace located in the Quinta da Boa Vista park in the Imperial Neighbourhood of São Cristóvão, Rio de Janeiro, Brazil. It served as residence to the Portuguese royal family and later to the Brazilian imperial family until 1889, when the country became a republic through a coup d'état deposing Emperor Pedro II. The palace briefly served as a public building by the provisional government for the constituent assembly of the first republican constitution. It housed the major part (92.5%) of the collections of the National Museum of Brazil, which, together with the building, were largely destroyed by a fire on 2 September 2018.[1][2]

History

[edit]

Background

[edit]
Historical affiliations

Portuguese royalty 1818–1822
Empire of Brazil Brazilian royalty 1822–1889
Brazil Brazilian government 1889–1892
National Museum 1892–present

When it was the museum

In the 16th and 17th centuries, the area where the palace is currently located was part of a Jesuit farm in the outskirts of Rio de Janeiro. With the expulsion of the Order in 1759, the property was dismembered and passed into private ownership. In the early 19th century, the area known as Quinta da Boa Vista (Good View Estate), because could be seen from there the Tijuca Forest, the Corcovado Hill and the Cajú Beach, belonged to the Portuguese-Lebanese slave merchant, Elie Antun Lubbus, (Elias Antônio Lopes in Portuguese language),[3] who had erected, around 1803, a manor house on top of a hill, from which one had a good view of the Guanabara Bay – which gave rise to the current name of the region. When the Portuguese court was transferred to Brazil, in 1808, Elias António Lopes donated his farm to the prince regent John VI. John VI appreciated the gift and stayed for long periods in the manor house. Before belonging to the monarchy, the residence had nothing special. It was just one of many colonial-style mansions scattered throughout the country. With the arrival of John VI to Brazil, who had left Lisbon fleeing Napoleon in 1808, countless houses in Rio were expropriated to house the Portuguese of the royal entourage. Before his Quinta da Boa Vista was confiscated, the merchant Elias Antônio Lopes hastened to donate it to the king. In thanks for his mime, João VI granted Lopes titles of nobility and a fat indemnity. The mansion underwent countless renovations over the decades. An imposing masonry and cast iron gate was set there. It was built a side tower in Moorish style. There was a semicircular staircase to enter the residence on the second floor. Later, another tower rose, at the opposite end, in neoclassical style. The ladder was destroyed, and the entrance turned to the first floor. The third floor was built. The Moorish tower was rebuilt, which became also neoclassical. The purpose of the changes was to leave the Palace of São Cristóvão to the height of the power of the Brazilian Empire. In 1847, Parliament approved a government bill that would allocate 240 contos de reis to the completion of the reforms. The works seemed to have no end. For Senator Clemente Pereira (PA), Pedro II had to leave Sao Cristóvão, Pereira's proposal was approved, but the government did not even design a new imperial palace.[4]

Royal residence

[edit]
View of the palace in 1817 before the neoclassical intervention

Prince Regent John and his family had been living in the Paço Imperial since their arrival in Rio de Janeiro in 1808. The prince regent felt very honored by Elias's gift of the best house in Rio and rewarded Elias with another property, not quite as grand. He began transforming the manor into a royal residence. At the time, the area of the farm was still surrounded by mangroves and communication by land with the city was difficult. Later, the wetlands were drained and the roads improved.

To better accommodate the royal family, the manor house, though vast and comfortable, needed to be adapted. The most important renovation was begun at the time of the nuptials of Prince Pedro with the Archduchess Maria Leopoldina of Austria, in 1819, and finished 1821. The renovation was directed by English architect John Johnston. In front of the palace, Johnston installed a decorative portico, a gift sent from England to Brazil by Hugh Percy, 2nd Duke of Northumberland. The gate, inspired by Robert Adams' porch for the "Sion House", the nobleman's residence in England, is shaped in "Coade stone" manufactured by the English company Coade & Sealy.

The architectural line of the palace is similar to that of the Ajuda Palace which, left behind in Lisbon, was never finished. The Palace of São Cristóvão won deserved prominence as the new state palace of the United Kingdom of Portugal, Brazil and the Algarves and, subsequently, of the Portuguese Empire.

Imperial residence

[edit]
The Imperial Palace after the Neoclassical intervention, in 1862

After the declaration of independence of Brazil in 1822, the palace became the residence of Emperor Pedro I. The remodelling and expansion of the palace continued under Portuguese architect Manuel da Costa (1822–1826), followed by French architect Pedro José Pezerát (1826–1831), credited as the author of the definitive Neoclassical project of the building. He added a new tower to the left of the main façade and added a third floor to the palace. The works were continued after 1847 by Brazilian artist Manuel de Araújo Porto-alegre, who harmonised the style of the façades, followed by the German Theodore Marx (1857–1868). Italian painter Mario Bragaldi decorated many of the rooms of the palace, including the Throne Room and the Ambassadors' Room, with paintings in trompe-l'œil.

After the marriage of Pedro I and Archduchess Maria Leopoldina of Austria in 1817, the imperial couple resided in the palace. The future Queen of Portugal, Maria II, and the future Emperor of Brazil Pedro II were born here. Empress Maria Leopoldina died in the palace in 1826. Pedro II, future Emperor, grew up and was educated in the palace, and in 1869 ordered the remodelling of the gardens. French garden designer Auguste François Marie Glaziou was put in charge of the project, which included artificial lakes, bridges, caves and fake ancient temples, all following the Romantic trend of the time. Pedro II's children were also born in the palace, including Princess Isabel, famous for having abolished slavery from Brazil in 1888. After the Proclamation of the Republic in 1889, the Imperial family left the country and the palace and its surrounding gardens became empty.

Republican period

[edit]
Rear of the palace in 2015 showing evidence of the neglect of recent years

In 1891, the building was used by Brazilian politicians writing the first Republican Constitution of the country.

In 1892, the director of the National Museum of Rio de Janeiro managed to transfer the institution from the Campo de Santana to the palace. The inner decoration of the palace was dispersed, but part of it can still be found in other museums, like the Imperial Museum of Petrópolis, in which the Throne Room was reassembled.

National Museum

[edit]
Main article: National Museum of Brazil
Palace after the 2018 fire
Throne Room

Founded in 1818 by King John VI of Portugal, the National Museum was transferred to the old Imperial Palace of São Cristóvão in 1892. During its long history, its collections have been greatly expanded by acquisitions and donations, including by Emperor Pedro II, a great sponsor of the sciences. The collections included Astronomy (mostly meteorites), Palaeontology, Natural history, Ethnology (including many interesting works by Brazilian indigenous peoples) and Archaeology (mostly antiquities from ancient Egypt).

Much of the art collection displayed by the museum still consisted of what was gathered by Emperor Pedro II himself. In this manner, it reflects 19th-century views of anthropology, archeology and sciences in general.

Visitors could also see a few rooms of the ancient palace with its original painted and stucco decoration, like the Throne Room, the Ambassadors' Room and the room of Empress Teresa Cristina. These rooms still displayed a couple original pieces but were overall empty.

On 2 September 2018, the palace was devastated by an extensive fire. The damage to heritage assets have been reported to be "incalculable". One of the few known surviving major artifacts is the Bendegó meteorite.[5][6][7] After the fire, a metallic roof covering 5,000 m2 upper the debris was built.[8]

[edit]

Historic timeline of construction

[edit]
  • Palace in the early 19th century, before the Neoclassical intervention
    Palace in the early 19th century, before the Neoclassical intervention
  • Painting of the Imperial Palace (1835–1840)
    Painting of the Imperial Palace (1835–1840)
  • Antique illustration of the palace, by Jean-Baptiste Debret (1768–1848)
    Antique illustration of the palace, by Jean-Baptiste Debret (1768–1848)
  • 1858–1861
    1858–1861
  • The Palace in the end of the 19th century
    The Palace in the end of the 19th century
  • Emperor Pedro I's coffin arrives at the palace for exposition, 1972
    Emperor Pedro I's coffin arrives at the palace for exposition, 1972
  • The Imperial Palace after the Neoclassical intervention. Old pink paint
    The Imperial Palace after the Neoclassical intervention. Old pink paint
  • The palace in flames during the night of 2 September 2018, leaving it in ruin
    The palace in flames during the night of 2 September 2018, leaving it in ruin

Exterior before the 2018 fire

[edit]
  • Gates of the former main entrance
    Gates of the former main entrance
  • Imperial coat of arms
    Imperial coat of arms
  • View from parking lot
    View from parking lot
  • Facade
    Facade
  • The palace seen from the garden
    The palace seen from the garden
  • Side front view
    Side front view
  • Central view
    Central view
  • The palace with Maracanã Stadium in the background
    The palace with Maracanã Stadium in the background
  • One of the many doors
    One of the many doors
  • Detail of a door bearing the imperial cypher of Emperor Pedro II
    Detail of a door bearing the imperial cypher of Emperor Pedro II

Interior before the 2018 fire

[edit]
  • Ceiling detail
    Ceiling detail
  • Internal details
    Internal details
  • Walls and ceiling
    Walls and ceiling
  • Ceiling
    Ceiling
  • Ceiling
    Ceiling
  • Ceiling
    Ceiling
  • Ceiling
    Ceiling
  • Ceiling
    Ceiling
  • Ceiling
    Ceiling
  • Room
    Room
  • Throne of King John VI
    Throne of King John VI
  • The former Throne Room
    The former Throne Room
  • Throne Room details and a bust of Emperor Pedro II. On the wall at the right side of the picture, a portrait of King John VI
    Throne Room details and a bust of Emperor Pedro II. On the wall at the right side of the picture, a portrait of King John VI

Grounds

[edit]
  • Statue of Empress Maria Leopoldina with two of her children
    Statue of Empress Maria Leopoldina with two of her children
  • Monument to Emperor Pedro II in front of the palace
    Monument to Emperor Pedro II in front of the palace
  • Canto das Sereias sculpture by Nicolina Vaz de Assis
    Canto das Sereias sculpture by Nicolina Vaz de Assis
  • Quinta's bandstand, known as the Chinese pagoda
    Quinta's bandstand, known as the Chinese pagoda
  • "Temple of Apollo" after restoration work in 2022
    "Temple of Apollo" after restoration work in 2022
  • Street
    Street
  • Frontal garden before restoration work
    Frontal garden before restoration work
  • Internal garden before restoration work
    Internal garden before restoration work
  • Garden fountain
    Garden fountain
  • Bird's-eye view
    Bird's-eye view
  • Quinta da Boa Vista park lake
    Quinta da Boa Vista park lake
  • Lake and the palace in the background
    Lake and the palace in the background
  • Palace grounds
    Palace grounds
  • Kayaking
    Kayaking
  • The palace rear and trees before the 2018 fire.
    The palace rear and trees before the 2018 fire.
  • Vegetation
    Vegetation
  • Fire-damaged facade of the palace completely restored, September 2022. View from the new garden
    Fire-damaged facade of the palace completely restored, September 2022. View from the new garden

Investigations

[edit]

The fire that destroyed the National Museum began in the air-conditioning equipment of auditorium on the ground floor. One of the three devices did not have external grounding, there was no individual circuit breaker for each of them and a wire was without insulation in contact with metal.[9]

See also

[edit]

References

[edit]
  1. ^ "Museu Nacional Fire in Rio de Janeiro Natural History". G1. Archived from the original on September 3, 2018. Retrieved 2018-09-07.
  2. ^ "Incêndio de grandes proporções destrói o Museu Nacional, na Quinta da Boa Vista". G1. Retrieved 2018-09-02.
  3. ^ "Genealogia Fluminense – Cantagalo". www.genealogiabrasileira.com. Retrieved 2016-09-29.
  4. ^ "Prédio do Museu Nacional preocupava Senado do Império". www12.senado.leg.br (in Portuguese). Retrieved 2018-10-01.
  5. ^ "Bendegó: el meteorito que resistió las llamas del incendio del Museo Nacional de Brasil". BioBioChile - La Red de Prensa Más Grande de Chile (in Spanish). 3 September 2018. Retrieved 3 September 2018.
  6. ^ Phillips, Dom (3 September 2018). "Brazil museum fire: 'incalculable' loss as 200-year-old Rio institution gutted". The Guardian. Retrieved 3 September 2018.
  7. ^ Phillips, Dom (3 September 2018). "'200 years of knowledge lost': fire engulfs Brazil's national museum". The Guardian. Retrieved 3 September 2018.
  8. ^ "Museu Nacional é liberado para ações de prevenção e estabilização". UOL (in Portuguese). 14 September 2018. Retrieved 15 September 2018.
  9. ^ "Incêndio que destruiu o Museu Nacional começou no ar-condicionado do auditório, diz laudo da PF". G1 (in Portuguese). 4 April 2019. Retrieved 4 April 2019.
[edit]
Wikimedia Commons has media related to Paço de São Cristóvão.
Retrieved from "http://en.wiki.x.io/w/index.php?title=Paço_de_São_Cristóvão&oldid=1253436471"