Plutarch

Not to be confused with Plutarchy.

For other uses, see Plutarch (disambiguation).

Plutarch
2nd century AD bust from Delphi sometimes identified as Plutarch
Born	c. AD 46 Chaeronea, Boeotia
Died	after AD 119 (aged 73–74) Delphi, Phocis
Occupation(s)	Biographer, essayist, philosopher, priest, ambassador, magistrate
Notable work	Parallel Lives Moralia
Era	Hellenistic philosophy
Region	Ancient philosophy
School	Middle Platonism
Main interests	Epistemology, ethics, history, metaphysics

Plutarch (/ˈpluːtɑːrk/; Ancient Greek: Πλούταρχος, Ploútarchos; Koinē Greek: [ˈplúːtarkʰos]; c. AD 46 – after AD 119) was a Greek Middle Platonist philosopher, historian, biographer, essayist, and priest at the Temple of Apollo in Delphi. He is known primarily for his Parallel Lives, a series of biographies of illustrious Greeks and Romans, and Moralia, a collection of essays and speeches. Upon becoming a Roman citizen, he was possibly named Lucius Mestrius Plutarchus (Λούκιος Μέστριος Πλούταρχος).

Life

Plutarch was born to a prominent family in the small town of Chaeronea, about 30 kilometres (19 mi) east of Delphi, in the Greek region of Boeotia. His family was long established in the town; his father was named Autobulus and his grandfather was named Lamprias. His brothers, Timon and Lamprias, are frequently mentioned in his essays and dialogues, which speak of Timon in particular in the most affectionate terms. Plutarch studied mathematics and philosophy in Athens under Ammonius from AD 66 to 67. He attended the games of Delphi where the emperor Nero competed and possibly met prominent Romans, including future emperor Vespasian. At some point, Plutarch received Roman citizenship. His sponsor was Lucius Mestrius Florus, who was an associate of the new emperor Vespasian, as evidenced by his new name, Lucius Mestrius Plutarchus. As a Roman citizen, Plutarch would have been of the equestrian order, he visited Rome some time c. AD 70 with Florus, who served also as a historical source for his Life of Otho. Plutarch was on familiar terms with a number of Roman nobles, particularly the consulars Quintus Sosius Senecio, Titus Avidius Quietus, and Arulenus Rusticus, all of whom appear in his works.

Portrait of a philosopher and a hermaic stele at the Delphi Archaeological Museum

Plutarch lived most of his life at Chaeronea, and was initiated into the mysteries of the Greek god Apollo. He probably took part in the Eleusinian Mysteries. During his visit to Rome, he may have been part of a municipal embassy for Delphi: around the same time, Vespasian granted Delphi various municipal rights and privileges. Some time c. AD 95, Plutarch was made one of the two sanctuary priests for the temple of Apollo at Delphi; the site had declined considerably since the classical Greek period. Around the same time in the 90s, Delphi experienced a construction boom, financed by Greek patrons and possible imperial support. There was a portrait bust dedicated to Plutarch for his efforts in helping to revive the Delphic shrines. The portrait of a philosopher exhibited at the exit of the Archaeological Museum of Delphi, dates to the 2nd century; due to its inscription, in the past it had been identified with Plutarch. The man, although bearded, is depicted at a relatively young age: His hair and beard are rendered in coarse volumes and thin incisions. The gaze is deep, due to the heavy eyelids and the incised pupils. A fragmentary hermaic stele next to the portrait probably did once bear a portrait of Plutarch, since it is inscribed, "The Delphians, along with the Chaeroneans, dedicated this (image of) Plutarch, following the precepts of the Amphictyony" ("Δελφοὶ Χαιρωνεῦσιν ὁμοῦ Πλούταρχον ἔθηκαν | τοῖς Ἀμφικτυόνων δόγμασι πειθόμενοι").

In addition to his duties as a priest of the Delphic temple, Plutarch was also a magistrate at Chaeronea and he represented his home town on various missions to foreign countries during his early adult years. Plutarch held the office of archon in his native municipality, probably only an annual one which he likely served more than once. Plutarch was epimeletes (manager) of the Amphictyonic League for at least five terms, from 107 to 127, in which role he was responsible for organising the Pythian Games. He mentions this service in his work, Whether an Old Man Should Engage in Public Affairs (17 = Moralia 792f). The Suda, a medieval Greek encyclopedia, states that Trajan made Plutarch procurator of Illyria; most historians consider this unlikely, since Illyria was not a procuratorial province.According to the 8th/9th-century historian George Syncellus, late in Plutarch's life, Emperor Hadrian appointed him nominal procurator of Achaea – which entitled him to wear the vestments and ornaments of a consul.

Plutarch and his wife, Timoxena, had at least four sons and one daughter, although two died in childhood. A letter is still extant, addressed by Plutarch to his wife, bidding her not to grieve too much at the death of their two-year-old daughter, who was named Timoxena after her mother, which also mentions the loss of a young son, Chaeron. Two sons, named Autoboulos and Plutarch, appear in a number of Plutarch's works; Plutarch's treatise on Plato's Timaeus is dedicated to them. It is likely that a third son, named Soklaros after Plutarch's confidant Soklaros of Tithora, survived to adulthood as well, although he is not mentioned in Plutarch's later works; a Lucius Mestrius Soclarus, who shares Plutarch's Latin family name, appears in an inscription in Boeotia from the time of Trajan. Traditionally, the surviving catalog of Plutarch's works is ascribed to another son, named Lamprias after Plutarch's grandfather; most modern scholars believe this tradition is a later interpolation. His family remained in Greece down to at least the fourth century, producing a number of philosophers and authors. Apuleius, the author of The Golden Ass, made his fictional protagonist a descendant of Plutarch.

Works

Parallel Lives

Main article: Parallel Lives

Plutarch's best-known work is the Parallel Lives, a series of biographies of illustrious Greeks and Romans, arranged in pairs to illuminate their common moral virtues and vices, thus it being more of an insight into human nature than a historical account. The surviving Lives contain 23 pairs, each with one Greek life and one Roman life, as well as four unpaired single lives. As is explained in the opening paragraph of his Life of Alexander, Plutarch was not concerned with history so much as the influence of character, good or bad, on the lives and destinies of men. Whereas sometimes he barely touched on epoch-making events, he devoted much space to charming anecdote and incidental triviality, reasoning that this often said far more for his subjects than even their most famous accomplishments. He sought to provide rounded portraits, likening his craft to that of a painter; indeed, he went to tremendous lengths (often leading to tenuous comparisons) to draw parallels between physical appearance and moral character. In many ways, he must be counted amongst the earliest moral philosophers.

Some of the Lives, such as those of Heracles, Philip II of Macedon, Epaminondas, Scipio Africanus, Scipio Aemilianus and possibly Quintus Caecilius Metellus Numidicus no longer exist; many of the remaining Lives are truncated, contain obvious lacunae or have been tampered with by later writers. Extant Lives include those on Solon, Themistocles, Aristides, Agesilaus II, Pericles, Alcibiades, Nicias, Demosthenes, Pelopidas, Philopoemen, Timoleon, Dion of Syracuse, Eumenes, Alexander the Great, Pyrrhus of Epirus, Romulus, Numa Pompilius, Coriolanus, Theseus, Aemilius Paullus, Tiberius Gracchus, Gaius Gracchus, Gaius Marius, Sulla, Sertorius, Lucullus, Pompey, Julius Caesar, Cicero, Cato the Elder, Mark Antony, and Marcus Junius Brutus.

Life of Alexander

"It is not histories I am writing, but lives; and in the most glorious deeds there is not always an indication of virtue or vice, indeed a small thing like a phrase or a jest often makes a greater revelation of a character than battles where thousands die."

Life of Alexander

Plutarch's Life of Alexander, written as a parallel to that of Julius Caesar, is one of five extant tertiary sources on the Macedonian conqueror Alexander the Great. It includes anecdotes and descriptions of events that appear in no other source, just as Plutarch's portrait of Numa Pompilius, the putative second king of Rome, holds much that is unique on the early Roman calendar. Plutarch devotes a great deal of space to Alexander's drive and desire, and strives to determine how much of it was presaged in his youth. He also draws extensively on the work of Lysippos, Alexander's favourite sculptor, to provide what is probably the fullest and most accurate description of the conqueror's physical appearance. When it comes to his character, Plutarch emphasizes his unusual degree of self-control and scorn for luxury: "He desired not pleasure or wealth, but only excellence and glory." As the narrative progresses, the subject incurs less admiration from his biographer and the deeds that it recounts become less savoury. The murder of Cleitus the Black, which Alexander instantly and deeply regretted, is commonly cited to this end.

Life of Caesar

Together with Suetonius's The Twelve Caesars, and Caesar's own works de Bello Gallico and de Bello Civili, the Life of Caesar is the main account of Julius Caesar's feats by ancient historians. Plutarch starts by telling of the audacity of Caesar and his refusal to dismiss Cinna's daughter, Cornelia. Other important parts are those containing his military deeds, accounts of battles and Caesar's capacity of inspiring the soldiers.

Plutarch's life shows few differences from Suetonius' work and Caesar's own works (see De Bello Gallico and De Bello Civili). Sometimes, Plutarch quotes directly from the De Bello Gallico and even tells us of the moments when Caesar was dictating his works. In the final part of this life, Plutarch recounts details of Caesar's assassination. It ends by telling the destiny of his murderers, just after a detailed account of the scene when a phantom appeared to Brutus at night.

Life of Pyrrhus

Plutarch's Life of Pyrrhus is a key text because it is the main historical account on Roman history for the period from 293 to 264 BCE, for which both Dionysius' and Livy's texts are lost.

Moralia

Main article: Moralia

The remainder of Plutarch's surviving work is collected under the title of the Moralia (loosely translated as Customs and Mores). It is an eclectic collection of seventy-eight essays and transcribed speeches, including "Concerning the Face Which Appears in the Orb of the Moon" (a dialogue on the possible causes for such an appearance and a source for Galileo's own work), "On Fraternal Affection" (a discourse on honour and affection of siblings toward each other), "On the Fortune or the Virtue of Alexander the Great" (an important adjunct to his Life of the great king), and "On the Worship of Isis and Osiris" (a crucial source of information on ancient Egyptian religion); more philosophical treatises, such as "On the Decline of the Oracles", "On the Delays of the Divine Vengeance", and "On Peace of Mind"; and lighter fare, such as "Odysseus and Gryllus", a humorous dialogue between Homer's Odysseus and one of Circe's enchanted pigs.

Spartan lives and sayings

Since Spartans wrote no history prior to the Hellenistic period – their only extant literature is fragments of 7th-century lyrics – Plutarch's five Spartan lives and "Sayings of Spartans" and "Sayings of Spartan Women", rooted in sources that have since disappeared, are some of the richest sources for historians of Lacedaemonia. While they are important, they are also controversial. Plutarch lived centuries after the Sparta he writes about (and a full millennium separates him from the earliest events he records); and even though he visited Sparta, many of the ancient customs he reports had been long abandoned, so he never actually saw what he wrote about.

Plutarch's sources themselves can be problematic. As the historians Sarah Pomeroy, Stanley Burstein, Walter Donlan, and Jennifer Tolbert Roberts have written, "Plutarch was influenced by histories written after the decline of Sparta and marked by nostalgia for a happier past, real or imagined." Turning to Plutarch himself, they write, "the admiration writers like Plutarch and Xenophon felt for Spartan society led them to exaggerate its monolithic nature, minimizing departures from ideals of equality and obscuring patterns of historical change." Thus, the Spartan egalitarianism and superhuman immunity to pain that have seized the popular imagination are likely myths, and their main architect is Plutarch. While flawed, Plutarch is nonetheless indispensable as one of the only ancient sources of information on Spartan life. Pomeroy et al. conclude that Plutarch's works on Sparta, while they must be treated with skepticism, remain valuable for their "large quantities of information" and these historians concede that "Plutarch's writings on Sparta, more than those of any other ancient author, have shaped later views of Sparta", despite their potential to misinform. He was also referenced in saying unto Sparta, "The beast will feed again."

Works on Greek and Roman religion

Book IV of the Moralia contains the Roman and Greek Questions (Αἰτίαι Ῥωμαϊκαί and Αἰτίαι Ἑλλήνων). The customs of Romans and Greeks are illuminated in little essays that pose questions such as "Why were patricians not permitted to live on the Capitoline?" (no. 91),and then suggests answers to them.

Plutarch's priestly duties connected part of his literary work with the Pythian oracle at Delphi: one of his most important works on this subject is the "Why Pythia does not give oracles in verse" ("Περὶ τοῦ μὴ χρᾶν ἔμμετρα νῦν τὴν Πυθίαν"). Even more important is the dialogue "On the 'E' at Delphi" ("Περὶ τοῦ Εἶ τοῦ ἐν Δελφοῖς"), which features Ammonius, a Platonic philosopher and teacher of Plutarch, and Lambrias, Plutarch's brother.According to Ammonius, the letter E written on the temple of Apollo in Delphi originated from the Seven Sages of Greece, whose maxims were also written on the walls of the vestibule of the temple and were not seven but actually five: Chilon, Solon, Thales, Bias, and Pittakos. The tyrants Cleobulos and Periandros used their political power to be incorporated in the list. Thus, the E, which was used to represent the number 5, constituted an acknowledgement that the Delphic maxims actually originated from only five genuine wise men.

"On the Malice of Herodotus"

A bust of the early Greek historian Herodotus, whom Plutarch criticized in "On the Malice of Herodotus"

In "On the Malice of Herodotus", Plutarch criticizes the historian Herodotus for all manner of prejudice and misrepresentation. It has been called the "first instance in literature of the slashing review". The 19th century English historian George Grote considered this essay a serious attack upon the works of Herodotus, and speaks of the "honourable frankness which Plutarch calls his malignity".

Plutarch makes some palpable hits, catching Herodotus out in various errors, but it is also probable that it was merely a rhetorical exercise, in which Plutarch plays devil's advocate to see what could be said against so favourite and well-known a writer. According to Barrow (1967), Herodotus' real failing in Plutarch's eyes was to advance any criticism at all of the city-states that saved Greece from Persia. Barrow concluded that "Plutarch is fanatically biased in favor of the Greek cities; they can do no wrong."

Other works

• Symposiacs (Συμποσιακά);
• Convivium Septem Sapientium.
• Dialogue on Love (Ερωτικος); Latin name = Amatorius.

Pseudepigrapha

Main article: Pseudo-Plutarch

Some editions of the Moralia include several works now known to have been falsely attributed to Plutarch. Among these are the Lives of the Ten Orators, a series of biographies of the Attic orators based on Caecilius of Calacte; On the Opinions of the Philosophers, On Fate, and On Music. These works are all attributed to a single, unknown author, referred to as "Pseudo-Plutarch". Pseudo-Plutarch lived sometime between the third and fourth centuries AD. Despite being falsely attributed, the works are still considered to possess historical value.

Lives of the Roman emperors

Plutarch's first biographical works were the Lives of the Roman Emperors from Augustus to Vitellius. These early emperors' biographies were probably published under the Flavian dynasty or during the reign of Nerva (AD 96–98). Of these, only the Lives of Galba and Otho survive. The Lives of Tiberius and Nero are extant only as fragments, provided by Damascius as well as Plutarch himself, respectively. There is reason to believe that the two Lives still extant, those of Galba and Otho, "ought to be considered as a single work." Therefore, they do not form a part of the Plutarchian canon of single biographies – as represented by the Life of Aratus of Sicyon and the Life of Artaxerxes II (the biographies of Hesiod, Pindar, Crates and Daiphantus were lost). Galba-Otho can be found in the appendix to Plutarch's Parallel Lives as well as in various Moralia manuscripts, most prominently in Maximus Planudes' edition where Galba and Otho appear as Opera XXV and XXVI. Thus it seems reasonable to maintain that Galba-Otho was from early on considered as an illustration of a moral-ethical approach.

Lost works

The lost works of Plutarch are determined by references in his own texts to them and from other authors' references over time. Parts of the Lives and what would be considered parts of the Moralia have been lost. The 'Catalogue of Lamprias', an ancient list of works attributed to Plutarch, lists 227 works, of which 78 have come down to us. The Romans loved the Lives. Enough copies were written out over the centuries so that a copy of most of the lives has survived to the present day, but there are traces of twelve more Lives that are now lost. Plutarch's general procedure for the Lives was to write the life of a prominent Greek, then cast about for a suitable Roman parallel, and end with a brief comparison of the Greek and Roman lives. Currently, only 19 of the parallel lives end with a comparison, while possibly they all did at one time. Also missing are many of his Lives which appear in a list of his writings: those of Hercules, the first pair of Parallel Lives, Scipio Africanus and Epaminondas, and the companions to the four solo biographies, as well as biographies of important figures such as Augustus, Claudius and Nero. Lost works that would have been part of the Moralia include "Whether One Who Suspends Judgment on Everything Is Condemned to Inaction", "On Pyrrho's Ten Modes", and "On the Difference between the Pyrrhonians and the Academics".

Philosophy

"The soul, being eternal, after death is like a caged bird that has been released. If it has been a long time in the body, and has become tame by many affairs and long habit, the soul will immediately take another body and once again become involved in the troubles of the world. The worst thing about old age is that the soul's memory of the other world grows dim, while at the same time its attachment to things of this world becomes so strong that the soul tends to retain the form that it had in the body. But that soul which remains only a short time within a body, until liberated by the higher powers, quickly recovers its fire and goes on to higher things."

Plutarch ("The Consolation", Moralia)

Plutarch was a Platonist, but was open to the influence of the Peripatetics, and in some details even to Stoicism despite his criticism of their principles. He rejected only Epicureanism absolutely. He attached little importance to theoretical questions and doubted the possibility of ever solving them. He was more interested in moral and religious questions.

In opposition to Stoic materialism and Epicurean atheism he cherished a pure idea of God that was more in accordance with Plato. He adopted a second principle (Dyad) in order to explain the phenomenal world. This principle he sought, however, not in any indeterminate matter but in the evil world-soul which has from the beginning been bound up with matter, but in the creation was filled with reason and arranged by it. Thus it was transformed into the divine soul of the world, but continued to operate as the source of all evil. He elevated God above the finite world, and thus daemons became for him agents of God's influence on the world. He strongly defends freedom of the will, and the immortality of the soul.

Platonic-Peripatetic ethics were upheld by Plutarch against the opposing theories of the Stoics and Epicureans. The most characteristic feature of Plutarch's ethics is its close connection with religion. However pure Plutarch's idea of God is, and however vivid his description of the vice and corruption which superstition causes, his warm religious feelings and his distrust of human powers of knowledge led him to believe that God comes to our aid by direct revelations, which we perceive the more clearly the more completely that we refrain in "enthusiasm" from all action; this made it possible for him to justify popular belief in divination in the way which had long been usual among the Stoics.

His attitude to popular religion was similar. The gods of different peoples are merely different names for one and the same divine Being and the powers that serve it. The myths contain philosophical truths which can be interpreted allegorically. Thus, Plutarch sought to combine the philosophical and religious conception of things and to remain as close as possible to tradition. Plutarch was the teacher of Favorinus.

Plutarch was a vegetarian, although how long and how strictly he adhered to this diet is unclear. He wrote about the ethics of meat-eating in two discourses in Moralia.

Influence

Plutarch in the Nuremberg Chronicle

Modern portrait at Chaeronea, based on the bust from Delphi

There are multiple translations of Parallel Lives into Latin, most notably the one titled "Pour le Dauphin" (French for "for the Prince") written by a scribe in the court of Louis XV of France and a 1470 Ulrich Han translation. In 1519, Hieronymus Emser translated De capienda ex inimicis utilitate (wie ym eyner seinen veyndt nutz machen kan, Leipzig). The biographies were translated by Gottlob Benedict von Schirach (1743–1804) and printed in Vienna by Franz Haas (1776–1780). Plutarch's Lives and Moralia were translated into German by Johann Friedrich Salomon Kaltwasser.

France and England

Plutarch's writings had an enormous influence on English and French literature.

Montaigne's Essays draw extensively on Plutarch's Moralia and are consciously modelled on the Greek's easygoing and discursive inquiries into science, manners, customs and beliefs. Essays contains more than 400 references to Plutarch and his works.

Jacques Amyot's translations brought Plutarch's works to French readers. He went to Italy and studied the Vatican text of Plutarch, from which he published a French translation of the Lives in 1559 and Moralia in 1572, which were widely read by educated Europe. Amyot's translations had as deep an impression in England as France, because Sir Thomas North later published his English translation of the Lives in 1579 based on Amyot's French translation instead of the original Greek. Shakespeare paraphrased parts of Thomas North's translation of selected Lives in his plays, and occasionally quoted from them verbatim.

The complete Moralia was first translated into English from the original Greek by Philemon Holland in 1603. In 1683, John Dryden began a life of Plutarch and oversaw a translation of the Lives by several hands and based on the original Greek. This translation has been reworked and revised several times, most recently in the 19th century by the English poet and classicist Arthur Hugh Clough (first published in 1859). One contemporary publisher of this version is Modern Library. Another is Encyclopædia Britannica in association with the University of Chicago, ISBN 0-85229-163-9, 1952, LCCN 55-10323. In 1770, English brothers John and William Langhorne published "Plutarch's Lives from the original Greek, with notes critical and historical, and a new life of Plutarch" in 6 volumes and dedicated to Lord Folkestone. Their translation was re-edited by Archdeacon Wrangham in the year 1813.

Jean-Jacques Rousseau quotes from Plutarch in the 1762 Emile, or On Education, a treatise on the education of the whole person for citizenship. Rousseau introduces a passage from Plutarch in support of his position against eating meat: "'You ask me', said Plutarch, 'why Pythagoras abstained from eating the flesh of beasts...'"

James Boswell quoted Plutarch on writing lives, rather than biographies, in the introduction to his own Life of Samuel Johnson.

Ralph Waldo Emerson and the transcendentalists were greatly influenced by the Moralia and in his glowing introduction to the five-volume, 19th-century edition, he called the Lives "a bible for heroes". He also opined that it was impossible to "read Plutarch without a tingling of the blood; and I accept the saying of the Chinese Mencius: 'A sage is the instructor of a hundred ages. When the manners of Loo are heard of, the stupid become intelligent, and the wavering, determined.'"

Other admirers included Ben Jonson, Alexander Hamilton, John Milton, Edmund Burke, Joseph De Maistre, Mark Twain, Louis L'amour, and Francis Bacon, as well as such disparate figures as Cotton Mather and Robert Browning. Plutarch's influence declined in the 19th and 20th centuries, but it remains embedded in the popular ideas of Greek and Roman history.

See also

• 6615 Plutarchos
• Plutarchia (wasp)
• Plutarchia (plant)

Bibliography

• Blackburn, Simon (1994). Oxford Dictionary of Philosophy. Oxford, UK: Oxford University Press.
• Dillon, J.M. (1996). The Middle Platonists: 80 B.C. to A.D. 220. Ithaca, NY: Cornell University Press. ISBN 978-0-8014-8316-5.
• Duff, Timothy (2002) [1999]. Plutarch's Lives: Exploring Virtue and Vice. Oxford, UK: Oxford University Press. ISBN 978-0-19-925274-9.
• Hamilton, Edith (1957). The Echo of Greece. W. W. Norton & Company. p. 194. ISBN 0-393-00231-4.
• Honigmann, E.A.J. (1959). "Shakespeare's Plutarch". Shakespeare Quarterly. 10 (1): 25–33. doi:10.2307/2867020. JSTOR 2867020.
• Jones, C.P. (1971). Plutarch and Rome. Oxford, UK: Oxford University Press. ISBN 978-0-19-814363-5.
• Pelling, Christopher (2002). Plutarch and History: Eighteen studies. Swansea, UK: Classical Press of Wales. ISBN 0-7156-3128-4. OCLC 50552352.
• Russell, D.A. (2001) [1972]. Plutarch. Duckworth Publishing. ISBN 978-1-85399-620-7.
• Russell, Donald (2012). "Plutarch". In Hornblower, Simon; Spawforth, Antony; Eidinow, Esther (eds.). The Oxford Classical Dictionary (4th ed.). Oxford, UK: Oxford University Press. pp. 1165–1166. doi:10.1093/acrefore/9780199381135.013.5141. ISBN 978-0-19-954556-8. OCLC 959667246.
• Stadter, Philip A. (2014). "Plutarch and Rome". In Beck, Mark (ed.). A Companion to Plutarch. Blackwell Companions to the Ancient World. Wiley Blackwell. pp. 13–31. ISBN 978-1-4051-9431-0. LCCN 2013028283.
• Wardman, Alan (1974). Plutarch's Lives. Elek. p. 274. ISBN 0-236-17622-6.

Further reading

• Beck, Mark (1996). "Anecdote and the representation of Plutarch's ethos". In van der Stockt, Luc (ed.). Rhetorical theory and praxis in Plutarch. The IVt International Congress of the International Plutarch Society. Collection d'Études Classiques. Vol. 11. Leuven, Belgium: Peeters (published 2000). pp. 15–32.
• Beck, Mark, ed. (2014). A Companion to Plutarch. Blackwell Companions to the Ancient World. Malden, MA / Oxford, UK: Blackwell.
• Beneker, Jeffrey (2012). The passionate Statesman: Eros and politics in Plutarch's Lives. Oxford, UK: Oxford University Press.
• Brenk, Frederick E.; Roig Lanzillotta, Lautaro (2023). Plutarch on literature, Graeco-Roman religion, Jews and Christians. Leiden; Boston: Brill. ISBN 9789004531956.
• Georgiadou, Aristoula (1992). "Idealistic and realistic portraiture in the Lives of Plutarch". In Haase, Wolfgang (ed.). Aufstieg und Niedergang der römischen Welt: Geschichte und Kultur Roms im Spiegel der neueren Forschung. Sprache und Literatur: Allgemeines zur Literatur des 2. Jahrhunderts und einzelne Autoren der trajanischen und frühhadrianischen Zeit. Vol. 2.33.6. Berlin, DE / New York, NY: Walter de Gruyter. pp. 4616–4623.
• Gill, Christopher (1983). "The question of character-development: Plutarch and Tacitus". Classical Quarterly. 33 (2): 469–487. doi:10.1017/S0009838800034741. S2CID 170532855.
• Ginestí Rosell, Anna (2023). Dialogpoetik der Quaestiones Convivales von Plutarch. Göttingen: Vandenhoeck & Ruprecht. ISBN 9783525361566.
• Guerrier, Olivier (2023). Visages singuliers du Plutarque humaniste. Autour d'Amyot et de la réception des Moralia et des Vies à la Renaissance. Paris: Les Belles Lettres. ISBN 9782251454344.
• Humble, Noreen, ed. (2010). Plutarch's Lives: Parallelism and purpose. Swansea, UK: Classical Press of Wales.
• McInerney, Jeremy (2003). "Plutarch's manly women". In Rosen, Ralph M.; Sluiter, Ineke (eds.). Andreia: Studies in manliness and courage in classical Athens. Mnemosyne, Bibliotheca Classica Batava, Supplementum. Vol. 238. Leiden, NL / Boston, MA: Brill. pp. 319–344.
• Mossman, Judith (2015). "Dressed for success? Clothing in Plutarch's Demetrius". In Ash, Rhiannon; Mossman, Judith; Titchener, Frances B. (eds.). Fame and infamy: Essays for Christopher Pelling on characterization and Roman biography and historiography. Oxford, UK: Oxford University Press. pp. 149–160.
• Nikolaidis, Anastasios G., ed. (2008). The unity of Plutarch's work: Moralia themes in the Lives, features of the Lives in the Moralia. Berlin, DE / New York, NY: Walter de Gruyter.
• Roskam, Geert (2021). Plutarch. Cambridge: Cambridge University Press. ISBN 978-1-009-10822-5.
• Scardigli, Barbara, ed. (1995). Essays on Plutarch's Lives. Oxford, UK: Clarendon.
• Stadter, Philip (26–28 May 1994). "Anecdotes and the thematic structure of Plutarchean biography". Written at Salamanca, ES. In Fernández Delgado, José Antonio; Pordomingo Pardo, Francisca (eds.). Estudios sobre Plutarco: Aspectos formales. IV Simposio español sobre Plutarco. Madrid, ES: Ediciones Clásicas (published 1996). pp. 291–303.
• Stadter, Philip A. (2015). "The rhetoric of virtue in Plutarch's Lives". Plutarch and his Roman Readers. Oxford, UK: Oxford University Press. pp. 231–245.
• Titchener, Frances B.; Zadorojnyi, Alexei V., eds. (2023). The Cambridge companion to Plutarch. Cambridge New York, NY: Cambridge University Press. ISBN 9780521766227.
• van Hoof, Lieve (2010). Plutarch's Practical Ethics: The social dynamics of philosophy. Oxford, UK: Oxford University Press.
• Wardman, Alan E. (1967). "Description of personal appearance in Plutarch and Suetonius: The use of statues as evidence". Classical Quarterly. 17 (2): 414–420. doi:10.1017/S0009838800028512. S2CID 170633095.
• Zadorojnyi, Alexei V. (2012). "Mimesis and the (plu)past in Plutarch's Lives". In Grethlein, Jonas; Krebs, Christopher B. (eds.). Time and Narrative in Ancient Historiography: The "plupast" from Herodotus to Appian. Cambridge, UK: Cambridge University Press. pp. 175–198.

External links

Plutarch's works

• Works by Plutarch at Project Gutenberg
• Works by or about Plutarch at the Internet Archive
• Works by Plutarch at LibriVox (public domain audiobooks)
• Perseus Digital Library
• Plutarch on LacusCurtius
• Didot edition of Plutarch's works in Greek, with Latin translation (1857–1876): vol. 1 (Lives, pt. 1), vol. 2 (Lives, pt. 2), vol. 3 (Moralia, pt. 1), vol. 4 (Moralia, pt. 2), vol. 5 (fragmenta et spuria) (also via BNF)

Secondary material

• Karamanolis, George. "Plutarch". In Zalta, Edward N. (ed.). Stanford Encyclopedia of Philosophy.
• Plutarch of Chaeronea by Jona Lendering at Livius
• The International Plutarch Society Archived 11 May 2008 at the Wayback Machine
• The relevance of Plutarch's book De Defectu Oraculorum for Christian Theology (Ploutarchos, Journal of the International Plutarch Society) Archived 8 October 2018 at the Wayback Machine