Jump to content

The Tortured Poets Department

This is a good article. Click here for more information.
Page semi-protected
From Wikipedia, the free encyclopedia
(Redirected from Imgonnagetyouback)

"TTPD" redirects here. For the title track, see The Tortured Poets Department (song).
The Tortured Poets Department
A monochrome image of Swift lying on a bed. The album title is displayed on the image. The image is surrounded by a thick white border.
Standard cover
Studio album by
Taylor Swift
ReleasedApril 19, 2024 (2024-04-19)
Recorded2022–2024
Studio
  • Audu (Brooklyn)
  • Big Mercy (New York City)
  • Conway Recording (Hollywood)
  • The Dwelling (New York City)
  • Electric Lady (New York City)
  • Electric Feel (Los Angeles)
  • Esplanade (New Orleans)
  • Hutchinson Sound (Brooklyn)
  • Long Pond (Hudson Valley)
  • Miloco (London)
  • Narwhal (Chicago)
  • Pleasure Hill (Portland)
  • Prime Recording (Nashville)
  • Rue Boyer (Paris)
  • Smilo Sound (Orcas Island)
  • Tiny Telephone (Oakland)
  • Unknown locations (Biarritz, Los Angeles, Paris)
Genre
Length
  • 65:08
LabelRepublic
Producer
Taylor Swift chronology
1989 (Taylor's Version)
(2023) 		The Tortured Poets Department
(2024)
The Tortured Poets Department: The Anthology
Against a dark background, Swift strikes an artistic pose, bending her torso and holding her head.
Digital double album cover
Singles from The Tortured Poets Department
  1. "Fortnight"
    Released: April 19, 2024
  2. "I Can Do It with a Broken Heart"
    Released: July 2, 2024

The Tortured Poets Department[a] is the eleventh studio album by the American singer-songwriter Taylor Swift, released on April 19, 2024, through Republic Records. It was expanded into a double album two hours after its release, subtitled The Anthology, containing a second volume of songs.

Swift began writing The Tortured Poets Department shortly after finishing her tenth studio album, Midnights (2022), and continued developing it during the Eras Tour in 2023. She conceived The Tortured Poets Department as a "lifeline" songwriting project amidst the heightened fame and media scrutiny ensuing from the tour. The songs introspect on her public and private lives, detailing tumult and sorrow via motifs of self-awareness, mourning, anger, humor, and delusion. Produced with Jack Antonoff and Aaron Dessner, the album is a minimalist synth-pop, folk-pop, and chamber pop effort with rock and country stylings. The composition is largely mid-tempo, driven by a mix of synthesizers and drum machines with piano and guitar, whereas the visual aesthetic draws mainly from dark academia.

The album broke various sales and streaming records, regionally and globally. It achieved the highest single-day and single-week streams for an album on Spotify, and topped the charts across Europe, Asia-Pacific, and the Americas. In the United States, The Tortured Poets Department opened with first-week 2.6 million album-equivalent units, including 1.9 million pure sales—Swift's biggest sales week and record-extending seventh album to open with over a million units. It topped the Billboard 200 chart for a career-best 15 weeks, while its tracks made Swift the only artist to monopolize the Billboard Hot 100's top 14 spots, with the single "Fortnight" leading. The album received six nominations at the 67th Annual Grammy Awards, including a record seventh Album of the Year nomination for Swift.

Upon the album's release, critical reception was polarized. The majority of reviews were positive, praising Swift's cathartic songwriting for its emotional resonance and wit, but some found the album lengthy and lacking profundity. Subsequent assessments appreciated the album's musical and lyrical nuances that emerged upon further listens, and disputed the credibility of the initial critique for allegedly focusing on Swift's public image rather than artistic merit. Swift performed songs from the album in the revamped set list of the Eras Tour, starting in May 2024.

Background and conception

Swift released her tenth studio album, Midnights, on October 21, 2022, to critical praise and commercial success.[1][2] In 2023, she released two re-recorded albums, Speak Now (Taylor's Version) and 1989 (Taylor's Version), as part of her "Taylor's Version" re-recording project after a dispute over the ownership of her first six studio albums.[3][4] Both re-recordings were released amidst Swift's sixth headlining concert tour, the Eras Tour.[5][6] At the 66th Annual Grammy Awards on February 4, 2024, Swift won Best Pop Vocal Album and Album of the Year for Midnights. During her acceptance speech for the former category, she announced The Tortured Poets Department as a new original studio album that she had worked on since 2022.[7] This announcement was met with surprise from her fans, who had anticipated her to announce the re-recording of her 2017 album, Reputation, based on her social media clues.[8][9]

Swift began conceiving the album immediately after submitting Midnights to her record label, Republic Records, and continued working on it in secret throughout the U.S. leg of the Eras Tour in 2023.[10] While she was creating the album, her dating life continued to be a widely covered topic in the press, who reported on Swift's relationships with Joe Alwyn, Matty Healy, and Travis Kelce.[11][12] At the Eras Tour concerts in Melbourne in February 2024, Swift said that The Tortured Poets Department was a "lifeline" for her and an album that she "really needed" to make,[13] reflecting on how it made her confirm that songwriting was an integral part of her life.[14] In an Instagram post, Swift described the album as "an anthology of new works that reflect events, opinions and sentiments from a fleeting and fatalistic moment in time—one that was both sensational and sorrowful in equal measure".[15]

Themes and lyrics

Man in a hat
Post Malone (pictured, left) features on "Fortnight", and Florence and the Machine (frontwoman Florence Welch pictured, right) features on "Florida!!!".

The standard edition consists of 16 songs; Swift wrote three of them herself and co-wrote the rest mostly with Jack Antonoff and Aaron Dessner. Post Malone featured on and co-wrote "Fortnight", and Florence and the Machine featured on "Florida!!!", which was co-written by the band's frontwoman Florence Welch.[16] Swift produced all tracks with Antonoff and Dessner.[17]

The album is rooted in personal songwriting, exploring Swift's introspections on the events in her private and public lives.[18][19] She was inspired by her tumultuous relationships[20] and the public perception of her celebrity[21][22] to create lyrical narratives that were messy, unbridled, and unguarded,[19][23][24] containing meta-references to her personal life through allusions and name-dropping.[25][26] Heartbreak is the primary topic,[27][28][29][30] expressed via themes such as delusion, anger, mourning, and death.[31][32][33][34] While the lyrics evoke vulnerable and devastating sentiments, they also incorporate humor and hyperbole.[23][27][32] Critics found them either self-aware[32] or self-conscious.[35] Swift considered the album a cathartic exercise[36] and described the content as "fatalistic" with overarching themes of "longing, pining, lost dreams".[21]

Critics characterized The Tortured Poets Department as a post-breakup album.[19][37][38] Ann Powers wrote in NPR that throughout the record, "Swift is trying to work out how emotional violence occurs."[39] In The Conversation, the music professor Samuel Murray opined that the album uses melodrama as a narrative device to "celebrate emotional vulnerability as she shares her innermost thoughts".[40] Business Insider's Callie Ahlgrim described the album's content as Swift's "messiest, horniest, and funniest".[41] In The Independent, Helen Brown suggested that Swift's songwriting draws on her country music roots to explore detail-heavy narratives.[42]

While the album is rooted in autobiographical songwriting with confessional narratives and first-person perspectives, some songs are not strictly self-referential and employ fictional elements.[43] According to the literary critic Stephanie Burt, the album title evokes the European poète maudit ("cursed poet") archetype of self-destructive poets who suffered from love, such as Arthur Rimbaud, Charles Baudelaire, or Dylan Thomas. Burt argued that Swift both embraces and rejects this archetype by acknowledging her most intense emotions from heartbreak but also making fun of them with "barbed words, sharp hooks, and sarcastic replies".[44]

Production and music

"Fortnight"
The predominantly synth-pop sound of the album's first volume is exemplified by the opening track, "Fortnight", which features a pulsing synth bassline and backing vocals by Post Malone.
Problems playing this file? See media help.

Mainly produced by Swift and Antonoff, the album's standard portion is primarily synth-pop,[b] with a mid-tempo production incorporating subdued synths and sparse drum machines.[c] Critics found the production minimalist[d] and compared this synth-based sonic approach to the sound of Midnights.[e] PopMatters's Igor Bannikov described it as "simplistic, indie-ish, and almost muted",[55] The Guardian's Alexis Petridis wrote that it additionally features "the glossy 80s-influenced pop-rock" of Swift's 2014 album 1989,[53] and The Times' Will Hodgkinson described the album as an amalgam of synth-pop and 1980s power ballads.[56] Swift mostly sings in her lower vocal register to deliver rap-like, conversational verses.[26][35][39] As per Murray's analysis, the album uses some of Swift's familiar devices such as one-note melodies and recitative delivery with a conversational rhythm.[40] The music is "downcast", departing from danceable pop, as per The Economist.[57]

Several tracks feature a more stripped-down instrumentation, driven by piano[39][29] or guitar,[58] with stylings of varied genres; "But Daddy I Love Him" and "Guilty as Sin?" incorporate live drums and influences of country and rock,[59] "Down Bad" evokes R&B in its dynamic shifts and cadences,[22][59] "Fresh Out the Slammer" features Western-rock electric guitars,[41] and "I Can Fix Him (No Really I Can)", "Florida!!!", and "Who's Afraid of Little Old Me?" experiment with Southern gothic.[54] Tyler Foggart of The New Yorker dubbed The Tortured Poets Department a mix of dream pop and Southern gothic infused with some "country-ish vibes",[60] while Josh Kurp of Uproxx thought that the album was genre-less.[18]

The second part of the double album, subtitled The Anthology, mostly consists of chamber pop[61] and folk-pop[55] piano ballads.[62] Swift and Dessner produced the majority of the second volume, which has an acoustic, folk-oriented sound[63] instrumented by picked acoustic guitar, soft piano, and subtle synths,[46] which critics likened to the sound of Swift's 2020 albums Folklore and Evermore.[f] Neil McCormick of The Daily Telegraph argued that this mellower sound allows for more subtlety in the lyrics, which explore Swift's character studies ("Cassandra", "Peter", "Robin") and self-reflection ("The Albatross", "The Bolter", "I Look in People's Windows", "I Hate It Here").[46]

Marketing

Aesthetic

The album's official logo features its abbreviated title.

The lack of an apostrophe in the official title, as in The Tortured Poets' Department, was the subject of a debate over grammatical correctness. Scholars stated that Swift employed Tortured Poets as an attributive noun, as in the case with the 1989 drama film Dead Poets Society, and not as a possessive noun that warrants an apostrophe.[65] The cover artwork, photographed by Beth Garrabrant, is a black-and-white glamor photo shot of Swift lying on a bed wearing black lingerie: a see-through top and high waist shorts,[66][67][68] from the Row and Yves Saint Laurent.[67][69] Both the artwork and title were parodied by numerous brands, organizations, sports teams, and franchises, and inspired numerous memes.[70][71][72] Media outlets described the album's visual aesthetic as gothic, especially dark academia.[73][74][75][76]

Promotion and release

After the Grammy announcement, Swift revealed the standard track listing via social media on February 6, 2024.[16] Swift announced four physical editions that were each titled after a corresponding bonus track: "The Manuscript", "The Bolter", "The Albatross", and "The Black Dog"; she announced the latter three editions during the Australian and Singaporean shows of the Eras Tour.[77] She partnered with Target for an exclusive "Phantom Clear" collector's vinyl edition.[78]

The album was promoted on digital platforms like Apple Music, Spotify, YouTube, Instagram, and Threads, prompting Swifties to search for Easter eggs.[79] It included five Swift-curated Apple Music playlists containing her old songs inspired by the five stages of grief;[80] a pop-up library of curated articles at The Grove, Los Angeles, hosted by Spotify;[81] QR code murals in various cities worldwide that led to unlisted YouTube shorts on Swift's channel;[82][83] a countdown to the album's release revealed upon refreshing Swift's Instagram profile; and special shimmer effects on Threads posts tagged with hashtags related to Swift and the album.[84] iHeartRadio and Sirius XM announced special programs with exclusive content from Swift to celebrate the album's release; the former temporarily rebranded as "iHeartTaylor".[85][86]

Swift changed the setlist of the Eras Tour (2024) to include a new act for the album.

The Tortured Poets Department was released on April 19, 2024. A double album edition, subtitled The Anthology and containing 15 bonus tracks, was surprise-released digitally two hours later.[87] Two days earlier, the standard edition of the album was leaked,[88] which resulted in the phrase "Taylor Swift leak" being temporarily banned from searches on the social media platform X (formerly Twitter).[89] The Tortured Poets Department was available in 19 physical variants—nine CD, six vinyl, and four cassette variants, with deluxe CDs and cassettes being exclusive to Swift's official website.[90] Physical copies of the album included an original poem by the American singer-songwriter Stevie Nicks.[91] "Fortnight" was released as the lead single in conjunction with the album, accompanied by a music video.[92] Universal Music released "I Can Do It with a Broken Heart" to Italian radio on July 2.[93] The Anthology will be released on vinyl and CD formats beginning on November 29.[94]

From May 2024, starting with the Paris shows, Swift revamped the set list of the Eras Tour to include songs from The Tortured Poets Department in a new act, which she informally described as "Female Rage the Musical".[95][96][g] She released live versions of certain songs as bonus tracks on the physical album via her website exclusively to US customers.[100] Other limited editions of the physical album included acoustic versions of five tracks.[101] Limited digital variants contained first draft phone demo recordings of four tracks, and the Eras Tour live recordings of some tracks from the Paris, Stockholm, Lyon and London shows.[102][103][104] The release of bonus-track versions was a way for Swift and her fans to maintain the album's number-one position on the charts, a method Swift and other artists have previously utilized to boost album sales and chart positions.[105][106][107][108]

Critical reception

Reviews

The Tortured Poets Department ratings
Aggregate scores
SourceRating
AnyDecentMusic?7.5/10[109]
Metacritic76/100[h]
Review scores
SourceRating
AllMusic[112]
Clash8/10[113]
The Daily Telegraph[i]
The Guardian[53]
The Independent[42]
NME[45]
Pitchfork6.6/10[j]
Rolling Stone[k]
Slant Magazine[50]
The Times[114]

Upon release, The Tortured Poets Department divided music critics;[115][116] secondary sources described the critical consensus as either positive[117][118] or mixed.[119] According to the review aggregator Metacritic, The Tortured Poets Department received "generally favorable reviews" based on a weighted average score of 76 out of 100 from 24 critic scores.[110] Its second part, The Anthology, scored 69 from six critic scores on the website.[111]

A number of critics regarded the album a landmark in Swift's discography. Reviews from The Independent's Helen Brown,[42] The Arts Desk's Ellie Roberts,[23] The Times' Dan Cairns,[114] PopMatters's Jeffrey Davies,[52] and Will Harris of Q praised the album as one of Swift's most solid outputs, considering the musical composition, vocal stylings and lyrical tonality as ambitious and tastefully experimental.[120] Others, including Variety's Chris Willman,[29] the i's Ed Power,[73] and The Observer's Kitty Empire, called it a quintessential Swift album containing some of the best songs of her career.[121]

Swift's songwriting was a source of compliment. The Line of Best Fit's Paul Bridgewater dubbed it her most cohesive body of work to-date, finding the music sophisticated and the lyricism symbolic.[33] To Ludovic Hunter-Tilney of the Financial Times, the album is a stylistic evolution for Swift, with writing that marks a "characteristically appealing turn" into moody melodrama.[30] Alexis Petridis of The Guardian and Alex Hopper of American Songwriter thought that the album has Swift's wittiest lyrics, featuring nuanced musical choices that show Swift is "willing to take risks in a risk-averse era for pop" and "constantly evolving and pushing her limits", respectively.[53][122] In a more measured review, Olivia Horn of Pitchfork felt the lyrics did not "distill an overarching emotional truth, tending to smother rather than sting."[48] Others, such as The New York Times' Lindsay Zoladz, Slant Magazine's Jonathan Keefe, and Exclaim!'s Alex Hudson, described some lyrics as weak and overwritten; Hudson claimed that many of its tracks "mistake verbosity for poetry".[123][50][63]

The tumultuous mood and unconstrained emotion of the lyrics were also highlighted. Multiple reviews complimented the album's heavy, unfiltered emotion;[73][19][29][124] Clash's Lauren Webb described it as "a spell-binding, toxic, chaotic illustration" of deteriorating mental sanity.[113] Powers opined that The Tortured Poets Department shows Swift's newfound freedom, with a "lack of concern about whether these songs speak to and for anyone but herself".[39] In a similar perspective, rave reviews from Rolling Stone's Rob Sheffield and Variety's Chris Willman described the album as Swift's "gloriously chaotic" and "audacious, transfixing" project, respectively.[27][29] To Willman, the album combines "cleverness with catharsis".[29] Consequence's Mary Siroky, on the other hand, found this style of lyricism jarring and "outright bizarre" at times, and felt the album was an attempt at self-parody rather than a showcase of Swift's songwriting acumen.[49]

Many critics, including Zoladz,[123] NME's Laura Molloy,[45] and Stereogum's Tom Breihan, argued that Swift and Antonoff's collaboration on The Tortured Poets Department was uninventive due to a sonic similarity to their past collaborations.[26][125] The New Yorker's Amanda Petrusich rather favored Dessner's input to the album as "gentler, more tender, and more surprising".[126] Horn and the BBC's Mark Savage felt the melodies were sonically monotonous and "staid",[36][48] but others argued that the minimalistic approach complemented Swift's hyper-personal lyrics;[50][121][53] Hopper opined that "Swift's confidence as an artist is at a peak" with The Tortured Poets Department.[122] According to Mary Kate Carr of The A.V. Club, the album is "perfectly good" but arrived at a time when Swift has "nothing to prove" anymore, resulting in a stagnant point in her artistry;[127] this idea was shared by an anonymous, negative Paste review that criticized the album as rushed, hollow, and unrelatable.[25]

Post-review commentary

Various peer journalists and columnists cross-examined the album's critical reception. Publications considered The Tortured Poets Department a polarizing album;[32][117][128] The Ringer's Nathan Hubbard deemed it Swift's most controversial release since Reputation (2017).[129] Journalists from The New York Times[130] and Vox attributed this phenomenon to Swift's heightened fame and associated media "overexposure" between 2020 and 2024, including eight album releases, the influential Eras Tour, and her relationship with Travis Kelce.[12] Paste's anonymous review was singled out by other publications as "scathing";[117][131] Sumnima Kandangwa of the South China Morning Post opined that they hid their reviewer's identity because Swifties "can become quite spirited when it comes to protecting their favourite singer".[132] The album's Pitchfork score is Swift's lowest from the website. Sputnikmusic published reviews with three different ratings in a short period of time, each lower than the one before; Minh Anh of L'Officiel found this to be a confusing way to rate music.[133] Swift shared the album's positive reviews on her social media, tagging the respective authors, which some considered as a response to Paste and other unfavorable reviews.[134][135]

A number of commentators opined that the initial reviews demonstrated a flawed approach of mainstream music criticism.[12][136][137] Bloomberg News' Jessica Karl wrote that the "lengthy" duration of the album made the reviewers "[stay] up until dawn to finish listening to an album" to publish, contributing to some reviews that were hasty, criticizing both the "exclamation-pointed digs" at Swift in Paste and the "instant classic" review by Rolling Stone.[136] In The Ringer, Nora Princiotti attributed the polarized reviews to the unexpected double album release, and Nathan Hubbard argued that some "cooler-than-thou" critics from sites like The New Yorker, The New York Times, and Paste used Swift's billionaire status to downplay the personal issues she detailed in the album.[129] Karl opined that some "reputable publications" catered gossip instead of a serious artistic analysis,[136] while Anh highlighted that reviews mentioned aspects of Swift's public image instead of focusing on the music.[133] The New Yorker's Sinéad O'Sullivan asserted that Swift's albums contain multiple layers of self-referential "lore", writing that the unfavorable reviews were due to critics not taking that into account or not allotting enough listening time.[138]

Some early critics of the album recanted and declared they were "hasty" in reviewing it, as per Slate's Chris Molanphy, who opined it has become a "widely agreed point" in later critical commentary that The Tortured Poets Department "grows on you" after more listens; Molanphy stated he liked the album better than he did a week before.[139] CNN's Oliver Darcy said he had judged The Tortured Poets Department quickly, stating that he reviewed it keeping in the mind its mixed critical reception, and found the album overlong and unimpressive in agreement with other critics, but a week later, "after spending more time with the two-hour sonic feast, more methodically touring through its subtleties and nuances, I am ready to declare that it is one of Swift's best works yet." Darcy opined that the album cannot be fully digested at "the speed of TikTok", and criticized reviewers who do not let music albums "marinate" and instead expect "instant satisfaction".[137]

Commercial performance

The Tortured Poets Department broke numerous consumption records, leading The Guardian to comment that it "cemented Swift as the biggest pop star this century by many metrics".[140] On Spotify, it became the most pre-saved album of all time; the most streamed album in a single day, surpassing 200 million and then 300 million streams and breaking the all-time record previously held by Swift's Midnights; and the first album to accumulate one billion streams in a single week, doing so in five days.[141][142] The album also became the most streamed album in a single day on Amazon Music[143] and the most streamed pop album in a single day on Apple Music.[141] It amassed 1.76 billion streams globally within its first week of availability, an all-time record.[144] Republic Records reported global first-week consumption of four million units.[118]

In the United States, the album accumulated 1.6 million album-equivalent units in four days,[145] selling 700,000 vinyl LPs to break the record for the highest single-week vinyl sales previously held by Swift's 1989 (Taylor's Version) (2023).[141] It broke the single-week streaming record previously held by Drake's Scorpion (2018), amassing 799 million on-demand streams in six days.[141] After a full week of availability, The Tortured Poets Department debuted atop the Billboard 200 with 2.61 million units, including 1.914 million pure copies and 891.34 million on-demand streams. It became Swift's 14th number-one album, tying her with Jay-Z for the most chart toppers among soloists. The album also registered the second-largest week by overall units and the third-largest week by pure sales in Billboard history.[90] The album continued to chart at number one on the Billboard 200 for 15 total non-consecutive weeks, becoming the longest-leading chart topper in Swift's career,[146] and contributed to the number-two peaks of albums such as Billie Eilish's Hit Me Hard and Soft,[147][148] ¥$'s Vultures 2,[149][150] and Chappell Roan's The Rise and Fall of a Midwest Princess.[151][152] It is also the third album in history and first by a female artist to spend its first 12 weeks atop the chart.[153][l]

All 31 songs from The Anthology debuted on the Billboard Hot 100, occupying the entire top 14 simultaneously for the first time in chart history. Swift set the record for most simultaneous entries by a female artist (32) and became the first woman to surpass 50 career top-10 songs.[154] By July 2024, The Tortured Poets Department has sold 2.47 million pure sales and accumulated 5.30 million units in the United States.[155] Sales were boosted by multiple variants of the album, with double-digit variants in digital and CD mediums.[156]

The Tortured Poets Department broke chart records in other countries. In Germany, it recorded the largest streaming day for an album and debuted atop the chart with the highest sales week for an international solo artist in seven years.[157] In the United Kingdom, it became the fastest-selling album by any artist in seven years and by a non-British artist in 18 years, and it tied Swift with Madonna for the most female number-one albums on the UK Albums Chart (12).[158] It became the fastest-selling vinyl album since 1994 and Swift's album with the most weeks at number one (8).[159][160] On the Australian ARIA Charts, The Tortured Poets Department became Swift's 13th number-one album, a record among female artists; its songs set records for the most simultaneous entries by a single artist in the top 10 (10), top 50 (29), and top 100 (31) of the singles chart.[161] Debuting atop the Canadian Albums Chart as Swift's 14th consecutive chart topper, the album registered the highest single-week vinyl sales and streaming figures in chart history.[162] Ten tracks from the album debuted on the Billboard Brasil Hot 100.[163]

Accolades

Awards and nominations for The Tortured Poets Department
Organization Year Category Result Ref.
Nickelodeon Kids' Choice Awards 2024 Favorite Album Nominated [164]
Los 40 Music Awards 2024 Best International Album Pending [165]
ARIA Music Awards 2024 Best International Artist Pending [166]
Grammy Awards 2025 Album of the Year Pending [167]
Best Pop Vocal Album Pending

Track listing

The Tortured Poets Department track listing
No.TitleWriter(s)Producer(s)Length
1."Fortnight" (featuring Post Malone)
3:48
2."The Tortured Poets Department"
  • Swift
  • Antonoff
  • Swift
  • Antonoff
4:53
3."My Boy Only Breaks His Favorite Toys"Swift
  • Swift
  • Antonoff
3:23
4."Down Bad"
  • Swift
  • Antonoff
  • Swift
  • Antonoff
4:21
5."So Long, London"
  • Swift
  • Dessner
4:22
6."But Daddy I Love Him"
  • Swift
  • Dessner
  • Swift
  • Dessner
  • Antonoff
5:40
7."Fresh Out the Slammer"
  • Swift
  • Antonoff
  • Swift
  • Antonoff
3:30
8."Florida!!!" (featuring Florence and the Machine)
  • Swift
  • Antonoff
3:35
9."Guilty as Sin?"
  • Swift
  • Antonoff
  • Swift
  • Antonoff
4:14
10."Who's Afraid of Little Old Me?"Swift
  • Swift
  • Antonoff
5:34
11."I Can Fix Him (No Really I Can)"
  • Swift
  • Antonoff
  • Swift
  • Antonoff
2:36
12."Loml"
  • Swift
  • Dessner
  • Swift
  • Dessner
4:37
13."I Can Do It with a Broken Heart"
  • Swift
  • Antonoff
  • Swift
  • Antonoff
3:38
14."The Smallest Man Who Ever Lived"
  • Swift
  • Dessner
  • Swift
  • Dessner
4:05
15."The Alchemy"
  • Swift
  • Antonoff
  • Swift
  • Antonoff
3:16
16."Clara Bow"
  • Swift
  • Dessner
  • Swift
  • Dessner
3:36
Total length:65:08
The Tortured Poets Department: The Anthology extended track listing
No.TitleWriter(s)Producer(s)Length
17."The Black Dog"Swift
  • Swift
  • Antonoff
3:58
18."Imgonnagetyouback"
  • Swift
  • Antonoff
  • Swift
  • Antonoff
3:42
19."The Albatross"
  • Swift
  • Dessner
  • Swift
  • Dessner
3:03
20."Chloe or Sam or Sophia or Marcus"
  • Swift
  • Dessner
  • Swift
  • Dessner
3:33
21."How Did It End?"
  • Swift
  • Dessner
  • Swift
  • Dessner
3:58
22."So High School"
  • Swift
  • Dessner
  • Swift
  • Dessner
3:48
23."I Hate It Here"
  • Swift
  • Dessner
  • Swift
  • Dessner
4:03
24."Thank You Aimee"
  • Swift
  • Dessner
  • Swift
  • Dessner
  • Antonoff
4:23
25."I Look in People's Windows"
  • Swift
  • Antonoff
  • Patrik Berger
  • Swift
  • Antonoff
  • Berger
2:11
26."The Prophecy"
  • Swift
  • Dessner
  • Swift
  • Dessner
4:09
27."Cassandra"
  • Swift
  • Dessner
  • Swift
  • Dessner
4:00
28."Peter"Swift
  • Swift
  • Dessner
4:43
29."The Bolter"
  • Swift
  • Dessner
  • Swift
  • Dessner
3:58
30."Robin"
  • Swift
  • Dessner
  • Swift
  • Dessner
4:00
31."The Manuscript"Swift
  • Swift
  • Dessner
3:44
Total length:122:21

Notes

  • ^[a] signifies a vocal producer
  • "Loml" and "Imgonnagetyouback" are stylized in all lowercase.
  • "Thank You Aimee" is stylized as "thanK you aIMee" or "thank You aimEe".
  • Physical editions of the standard album include either "The Black Dog", "The Albatross", "The Bolter" or "The Manuscript" as a bonus track.

Personnel

Musicians

  • Taylor Swift – vocals (all tracks), piano (tracks 3, 17), background vocals (17)
  • Jack Antonoff – synthesizer (tracks 1–4, 6–11, 13, 15, 17, 18, 25), programming (1–4, 6–11, 13, 15, 17, 18, 24, 25), drums (1, 3, 4, 7–10, 13, 15, 17, 18, 24), electric guitar (1, 3, 6–11, 15, 17, 24), acoustic guitar (1, 6–9, 11, 17, 18, 25), piano (2, 4, 8, 10, 13, 17, 18), cello (2, 6, 8, 10, 15, 17, 24, 25), background vocals (2, 6, 15, 24), bass (3, 6, 8–11, 17), percussion (4, 7, 9, 11, 13, 15, 18, 24), Mellotron (6, 8, 10, 11, 17), organ (7), Rhodes (17), keyboards (18)
  • Sean Hutchinson – drums (1, 6, 10, 15, 17), percussion (4)
  • Post Malone – vocals (track 1)
  • Mikey Freedom Hart – acoustic guitar, bass, electric guitar, Hammond B3 (track 2); Mellotron (3), synthesizer (4, 6, 10), percussion (10)
  • Evan Smith – synthesizer (tracks 2, 6, 10), saxophone (4)
  • Zem Audu – synthesizer (tracks 2, 6, 10), saxophone (4)
  • Michael Riddleberger – drums (track 2), percussion (10)
  • Aaron Dessner – piano (tracks 5, 10, 12, 16, 19–23, 26–31), synthesizer (5, 12, 14, 16, 19–24, 26–28, 30, 31), drum programming (5, 14, 16, 19–24, 26, 28–30), electric guitar (5, 14, 19–23, 26, 27, 29, 30), acoustic guitar (6, 19, 20, 23, 24, 26, 29), keyboards (12, 19–22, 24, 26–28, 30), bass (14, 16, 20, 22, 28–30), percussion (16, 19, 20, 22–24, 26, 27, 29, 30), mandolin (20, 23, 24), synth bass (21, 22, 24, 27, 31), banjo (23, 24), drums (30)
  • Benjamin Lanz – synthesizer (tracks 5, 19–23, 27, 30), trombone (20, 22, 27), sequencer (22)
  • Bobby Hawk – strings (tracks 6, 9, 17)
  • Emily Jean Stone – oddities (track 8)
  • Florence Welch – vocals, drums, percussion, piano (track 8)
  • Glenn Kotche – drums, percussion (tracks 12, 16, 19–21, 23, 24, 26, 29, 30); snare drum, vibraphone (27)
  • Oli Jacobs – background vocals, percussion, spoken word (track 13)
  • James McAlister – synthesizer (tracks 14, 16, 21–23, 26, 27, 30), percussion (14, 16, 23, 26, 27, 29, 30), drums (14, 21, 22), electric guitar (14, 22), keyboards (16, 21, 26, 27), drum programming (19, 22, 26, 27, 31); acoustic guitar, synth bass (23); zither (26)
  • Rob Moose – viola, violin (tracks 14, 20)
  • Jason Slota – percussion (track 14)
  • Abi Hyde-Smith – cello (tracks 16, 19, 21, 23, 24, 26, 27, 29–31)
  • Brian O'Kane – cello (tracks 16, 19, 21, 23, 24, 26, 27, 29–31)
  • Max Ruisi – cello (tracks 16, 19, 21, 23, 24, 26, 27, 29–31)
  • Reinoud Ford – cello (tracks 16, 19, 21, 23, 24, 26, 27, 29–31)
  • Robert Ames – conductor (tracks 16, 19, 21, 23, 24, 26, 27, 29–31)
  • Chris Kelly – double bass (tracks 16, 19, 21, 23, 24, 26, 27, 29–31)
  • Dave Brown – double bass (tracks 16, 19, 21, 23, 24, 26, 27, 29–31)
  • Sophie Roper – double bass (tracks 16, 19, 21, 23, 24, 26, 27, 29–31)
  • Elisa Bergersen – viola (tracks 16, 19, 21, 23, 24, 26, 27, 29–31)
  • Matthew Kettle – viola (tracks 16, 19, 21, 23, 24, 26, 27, 29–31)
  • Morgan Goff – viola (tracks 16, 19, 21, 23, 24, 26, 27, 29–31)
  • Nicholas Bootiman – viola (tracks 16, 19, 21, 23, 24, 26, 27, 29–31)
  • Akiko Ishikawa – violin (tracks 16, 19, 21, 23, 24, 26, 27, 29–31)
  • Cara Laskaris – violin (tracks 16, 19, 21, 23, 24, 26, 27, 29–31)
  • Iona Allan – violin (tracks 16, 19, 21, 23, 24, 26, 27, 29–31)
  • Kirsty Mangan – violin (tracks 16, 19, 21, 23, 24, 26, 27, 29–31)
  • Nicole Crespo O'Donoghue – violin (tracks 16, 19, 21, 23, 24, 26, 27, 29–31)
  • Ronald Long – violin (tracks 16, 19, 21, 23, 24, 26, 27, 29–31)
  • Sophie Mather – violin (tracks 16, 19, 21, 23, 24, 26, 27, 29–31)
  • Dan Oates – violin (tracks 16, 19, 21, 23, 24, 26, 27, 29, 30)
  • Eloisa-Fleur Thorn – violin (tracks 16, 19, 21, 23, 24, 26, 27, 29, 30)
  • Emily Holland – violin (tracks 16, 19, 21, 23, 24, 26, 27, 29, 30)
  • Anna de Bruin – violin (tracks 16, 19, 23, 24, 26, 27, 29–31)
  • Galya Bisengalieva – violin (tracks 16, 19, 21, 24, 26, 30)
  • Agata Daraskaite – violin (tracks 16, 19, 26, 27, 30)
  • Julian Azkoul – violin (tracks 16, 19, 26, 27, 30)
  • Amy Swain – viola (tracks 16, 19, 26, 27, 30)
  • J.T. Bates – drums (tracks 16, 20, 21, 26)
  • Thomas Barlett – synthesizer (tracks 16, 21, 23, 24, 26, 29–31); keyboards, piano (16, 21, 23, 24, 26, 29, 30)
  • Marianne Haynes – violin (tracks 16, 21, 23, 24, 29–31)
  • Jack Manning – piano (track 18)
  • George Barton – percussion (tracks 19, 23, 24, 26, 27, 31), timpani (30)
  • David McQueen – French horn (tracks 21, 23, 24, 26, 27, 29–31)
  • Alicia Berendse – violin (tracks 21, 24, 29–31)
  • Meghan Cassidy – viola (tracks 23, 29, 31)
  • Natasha Humphries – violin (tracks 23, 29, 31)
  • Jonathan Farey – French horn (tracks 24, 26, 27, 29–31)
  • Paul Cott – French horn (tracks 24, 26, 27, 29–31)
  • Patrik Berger – acoustic guitar (track 25)
  • Max Welford – bass clarinet (tracks 26, 29)
  • Vicky Lester – harp (track 30)
  • Bryce Dessner – drum programming, piano, synthesizer (track 31)

Technical

  • Randy Merrill – mastering
  • Ryan Smith – mastering
  • Serban Ghenea – mixing
  • Bryce Bordone – mix engineering
  • Laura Sisk – engineering (tracks 1–4, 6–11, 13, 15, 17, 18, 24, 25), vocal engineering (7, 9, 11, 12, 14, 15)
  • Oli Jacobs – engineering (tracks 1–4, 6–11, 13, 15, 17, 18, 24, 25)
  • Sean Hutchinson – engineering (tracks 1, 2, 4, 6, 10, 15, 17)
  • Michael Riddleberger – engineering (tracks 1, 2, 4, 6, 10, 17)
  • David Hart – engineering (tracks 2, 6, 10)
  • Evan Smith – engineering (tracks 2, 6, 10)
  • Mikey Freedom Hart – engineering (tracks 2, 6, 10)
  • Zem Audu – engineering (tracks 2, 6, 10)
  • Bella Blasko – engineering (tracks 5, 6, 10, 11, 14, 27, 28, 31), additional engineering (16, 19–24, 26, 29, 30)
  • Jonathan Low – engineering (tracks 5, 6, 10, 11, 16, 19–24, 26–30)
  • Aaron Dessner – engineering (tracks 5, 14)
  • Benjamin Lanz – engineering (tracks 5, 19, 20, 22, 23, 26, 27, 30)
  • Ben Loveland – engineering (track 8)
  • Joey Miller – engineering (track 10), engineering assistance (13)
  • James McAlister – engineering (tracks 14, 16, 19, 21–23, 26, 27, 29, 30)
  • Rob Moose – engineering, recording arrangement (track 14)
  • Jeremy Murphy – engineering (tracks 16, 19, 21, 23, 24, 26, 27, 29, 30)
  • Thomas Bartlett – engineering (tracks 16, 21, 23, 24, 26, 29, 30)
  • Maryam Qudus – engineering (tracks 20, 23, 24, 30)
  • Jack Antonoff – engineering (track 24)
  • Pat Burns – engineering (track 27)
  • Louis Bell – vocal engineering (track 1)
  • Christopher Rowe – vocal engineering (tracks 7, 9, 11, 12, 15, 20)
  • Beau Sorenson – additional engineering (track 14)
  • Bryce Dessner – recording arrangement (tracks 16, 19, 21, 23, 24, 26, 27, 29–31)
  • Jack Manning – engineering assistance (tracks 1–4, 6–11, 13, 15, 17, 18, 25)
  • Jon Sher – engineering assistance (tracks 1–4, 6–11, 13, 15, 17, 18, 25)
  • Lauren Marquez – engineering assistance (tracks 1, 13)
  • Jesse Snider – engineering assistance (tracks 7, 8, 10)
  • Joe Caldwell – engineering assistance (tracks 10, 13, 18, 24)
  • Rḗmy Dumelz – engineering assistance (track 11)
  • Laura Beck – engineering assistance (tracks 16, 19, 21, 23–27, 29–31)

Charts

Certifications

Certifications for The Tortured Poets Department
Region Certification Certified units/sales
Australia (ARIA)[202] 2× Platinum 140,000‡
Austria (IFPI Austria)[203] Gold 7,500‡
Brazil (Pro-Música Brasil)[204] Gold 20,000‡
Denmark (IFPI Danmark)[205] Platinum 20,000‡
France (SNEP)[206] Platinum 100,000‡
Germany (BVMI)[207] Platinum 150,000‡
Italy (FIMI)[208] Platinum 50,000‡
New Zealand (RMNZ)[209] 3× Platinum 45,000‡
Poland (ZPAV)[210] Platinum 20,000‡
Portugal (AFP)[211] Platinum 7,000‡
Spain (PROMUSICAE)[212] Platinum 40,000‡
Switzerland (IFPI Switzerland)[213] Gold 10,000‡
United Kingdom (BPI)[214] 2× Platinum 600,000‡

‡ Sales+streaming figures based on certification alone.

Release history

Release dates and formats for The Tortured Poets Department
Initial release date Edition(s) Format(s) Ref.
April 19, 2024
  • Standard
[215]
  • The Manuscript
  • The Bolter
  • The Albatross
  • The Black Dog
[216][217]
The Anthology
  • Digital download
  • streaming
 [87]
November 29, 2024
  • CD
  • vinyl LP
 [94]

Notes

  1. ^ Also shortened to Tortured Poets or abbreviated as TTPD
  2. ^ As discussed by Variety's Chris Willman,[29] NME's Laura Molloy,[45] and The Daily Telegraph's Neil McCormick[46]
  3. ^ As discussed by NPR's Ann Powers,[39] the New Statesman's Anna Leszkiewicz,[35] the Irish Independent's John Meagher,[47] Pitchfork's Olivia Horn,[48] and Consequence's Mary Siroky[49]
  4. ^ As discussed by Slant Magazine's Jonathan Keefe,[50] Sputnikmusic's Hugh G. Puddles,[51] and PopMatters's Jeffrey Davies[52]
  5. ^ As discussed by The Guardian's Alexis Petridis and Laura Snapes,[53][54] the BBC's Mark Savage,[36] and Rolling Stone's Rob Sheffield[27]
  6. ^ As discussed by the BBC's Mark Savage,[36] The A.V. Club's Mary Kate Carr,[64] The New Yorker's Tyler Foggart,[60] and Exclaim!'s Alex Hudson.[63]
  7. ^ The said concert technically took place in Nanterre, but a preponderance of media outlets reported the location as Paris.[97][98][99]
  8. ^ According to Metacritic, the standard edition received a score of 76/100, while The Anthology volume received a score of 69/100.[110][111]
  9. ^ Neil McCormick from The Daily Telegraph rated the standard edition and The Anthology volume each with a 4/5 rating.[46]
  10. ^ Pitchfork critics rated the standard edition 6.6/10 and The Anthology volume 6.0/10.[48]
  11. ^ Rob Sheffield from Rolling Stone rated the standard edition 5/5[27] and The Anthology volume 4/5.[62]
  12. ^ After Stevie Wonder's Songs in the Key of Life (1976) and Morgan Wallen's One Thing at a Time (2023).

References

  1. ^ McIntosh, Steven (October 21, 2022). "Taylor Swift: Midnights Praised by Critics Despite Lack of Radio Hits". BBC. Archived from the original on October 21, 2022. Retrieved May 12, 2024.
  2. ^ Unterberger, Andrew (October 31, 2022). "Five Reasons Why Taylor Swift Was Able to Make Chart History With Her Midnights Debut Week". Billboard. Archived from the original on October 31, 2022. Retrieved May 12, 2024.
  3. ^ Wickman, Kase (February 4, 2024). "Taylor Swift Arrives at the Grammys 2024". Vanity Fair. Archived from the original on February 5, 2024. Retrieved February 5, 2024.
  4. ^ Parkel, Inga; O'Connor, Roisin (April 15, 2024). "Why Taylor Swift Is Re-Recording Her Old Albums". The Independent. Archived from the original on May 12, 2024. Retrieved May 12, 2024.
  5. ^ Adamczyk, Alicia (November 7, 2023). "Taylor Swift's Latest Master Stroke Could Reshape the Music Industry As We Know It". Fortune. Archived from the original on April 19, 2024. Retrieved May 12, 2024.
  6. ^ Spangler, Todd (December 8, 2023). "Taylor Swift's 'Eras' Tour Hits Record-Setting $1 Billion in 2023, Projected to Top $2 Billion Total". Variety. Archived from the original on December 8, 2023. Retrieved May 12, 2024.
  7. ^ West, Bryan (February 4, 2024). "Taylor Swift Announces Brand-New Album at Grammys: Tortured Poets Department". USA Today. Archived from the original on February 5, 2024. Retrieved February 6, 2024.
  8. ^ Smyth, Tom (February 4, 2023). "The Ties Were Black, the Lies Were White... and Now So Is Taylor Swift's Profile Picture". Variety. Archived from the original on February 5, 2024. Retrieved February 4, 2023.
  9. ^ Martoccio, Angie (February 5, 2024). "Taylor Swift Announces New Album Tortured Poets Department at Grammys". Rolling Stone. Archived from the original on May 12, 2024. Retrieved May 12, 2024.
  10. ^ Blistein, Jon (February 7, 2024). "Taylor Swift Reveals Tortured Poets Department Back Up Plan In Case She Didn't Win a Grammy". Rolling Stone. Archived from the original on February 7, 2024. Retrieved February 7, 2024.
  11. ^ Sisario, Ben (April 19, 2024). "Taylor Swift's Tortured Poets Arrives With a Promotional Blitz". The New York Times. Archived from the original on April 22, 2024. Retrieved April 19, 2024.
  12. ^ a b c Abad-Santos, Alex (April 19, 2024). "It's Impossible to Be Neutral About Taylor Swift". Vox. Archived from the original on April 22, 2024. Retrieved April 29, 2024.
  13. ^ Wilkes, Emma (February 19, 2024). "Taylor Swift Says Writing New Album The Tortured Poets Department Was a 'Lifeline'". NME. Archived from the original on May 12, 2024. Retrieved May 12, 2024.
  14. ^ Dailey, Hannah (February 16, 2024). "Taylor Swift Unveils 'The Bolter' Edition of Tortured Poets Department With Exclusive Bonus Track". Billboard. Archived from the original on February 16, 2024. Retrieved February 16, 2024.
  15. ^ Nanji, Noor (April 20, 2024). "Taylor Swift: The Tortured Poets Department Broke Spotify Record". BBC. Archived from the original on April 23, 2024. Retrieved April 24, 2024.
  16. ^ a b Garcia, Thania (February 5, 2024). "Taylor Swift Shares Tracklist for The Tortured Poets Department, Featuring Post Malone and Florence + Machine". Variety. Archived from the original on February 6, 2024. Retrieved February 5, 2024.
  17. ^ Jones, Damian (April 19, 2024). "Taylor Swift's The Tortured Poets Department: Here are the full album credits". NME. Archived from the original on May 3, 2024. Retrieved June 1, 2024.
  18. ^ a b Kurp, Josh (April 19, 2024). "Taylor Swift's The Tortured Poets Department Is Another Classic". Uproxx. Archived from the original on April 20, 2024. Retrieved April 20, 2024.
  19. ^ a b c d Lipshutz, Jason (April 19, 2024). "Taylor Swift's The Tortured Poets Department Is Messy, Unguarded And Undeniably Triumphant: Critic's Take". Billboard. Archived from the original on April 19, 2024. Retrieved April 19, 2024.
  20. ^ Wilson, Carl (April 19, 2024). "The Problem With Taylor Swift's New Album". Slate. Archived from the original on April 22, 2024. Retrieved April 22, 2024.
  21. ^ a b Shafer, Ellise (April 22, 2024). "Taylor Swift Reveals Meaning of 'Fortnight,' 'Clara Bow,' 'Florida!!!' and More 'Tortured Poets Department' Tracks in Amazon Music Commentary". Variety. Archived from the original on April 22, 2024. Retrieved April 22, 2024.
  22. ^ a b Jenkins, Craig (April 23, 2024). "The Performative Poets Department". Vulture. Archived from the original on April 23, 2024. Retrieved April 24, 2024.
  23. ^ a b c Roberts, Ellie (April 20, 2024). "Album: Taylor Swift – The Tortured Poets Department: The Anthology". The Arts Desk. Archived from the original on April 21, 2024. Retrieved April 21, 2024.
  24. ^ Light, Alan (April 22, 2024). "With The Tortured Poets Department, Taylor Swift Makes One for Herself". Esquire. Archived from the original on April 22, 2024. Retrieved April 22, 2024.
  25. ^ a b "Taylor Swift Strikes Out Looking on The Tortured Poets Department". Paste. April 19, 2024. Archived from the original on April 20, 2024. Retrieved April 20, 2024.
  26. ^ a b c Breihan, Tom (April 19, 2024). "Premature Evaluation: Taylor Swift The Tortured Poets Department". Stereogum. Archived from the original on April 19, 2024. Retrieved April 20, 2024.
  27. ^ a b c d e Sheffield, Rob (April 19, 2024). "Come For the Torture, Stay For the Poetry: This Might Be Taylor Swift's Most Personal Album Yet". Rolling Stone. Archived from the original on April 19, 2024. Retrieved April 19, 2024.
  28. ^ Perez, Lexy (April 19, 2024). "Taylor Swift Chronicles Stages of Heartbreak in New Album The Tortured Poets Department". The Hollywood Reporter. Archived from the original on May 9, 2024. Retrieved May 9, 2024.
  29. ^ a b c d e f g Willman, Chris (April 19, 2024). "Taylor Swift Renews Her Vows With Heartbreak in Audacious, Transfixing Tortured Poets Department: Album Review". Variety. Archived from the original on April 19, 2024. Retrieved April 19, 2024.
  30. ^ a b Hunter-Tilney, Ludovic (April 19, 2024). "Taylor Swift: The Tortured Poets Department Review—Heartbreak Inspires Anguish, Anger and A Career Highlight". Financial Times. Archived from the original on April 20, 2024. Retrieved April 20, 2024.
  31. ^ Kelly, Caroline (April 25, 2024). "Album Review: Taylor Swift, The Tortured Poets Department". Hot Press. Archived from the original on May 9, 2024. Retrieved May 9, 2024.
  32. ^ a b c d Ahlgrim, Callie (April 26, 2024). "Taylor Swift New Album The Tortured Poets Department Is Getting Mixed Reviews—Here's What Critics Are Saying". Business Insider. Archived from the original on April 26, 2024. Retrieved April 26, 2024.
  33. ^ a b Bridgewater, Paul (April 19, 2024). "Taylor Swift: The Tortured Poets Department Review – Sophisticated Pop and Her Most Personal Record". The Line of Best Fit. Archived from the original on April 19, 2024. Retrieved April 19, 2024.
  34. ^ Olivier, David (April 19, 2024). "Taylor Swift's Tortured Poets Department and When Lyrics about Dying, Grief, Heartbreak Trigger You". USA Today. Archived from the original on April 21, 2024. Retrieved April 21, 2024.
  35. ^ a b c Leszkiewicz, Anna (April 19, 2024). "The Tortured Taylor Swift". New Statesman. Archived from the original on April 22, 2024. Retrieved April 22, 2024.
  36. ^ a b c d Savage, Mark (April 19, 2024). "Review: Taylor Swift's Tortured Poets Department Finds the Star Vulnerable But Vicious". BBC. Archived from the original on April 19, 2024. Retrieved April 19, 2024.
  37. ^ Snapes, Laura (April 19, 2024). "Taylor Swift's New Album Is About a Reckless Kind of Freedom. If Only It Sounded As Uninhibited". The Guardian. Archived from the original on June 7, 2024. Retrieved May 9, 2024.
  38. ^ Pip, Andy Von (April 20, 2024). "Taylor Swift: The Tortured Poets Department". Under the Radar. Archived from the original on April 28, 2024. Retrieved May 9, 2024.
  39. ^ a b c d e Powers, Ann (April 19, 2024). "Taylor Swift's Tortured Poets Is Written in Blood". NPR. Archived from the original on April 20, 2024. Retrieved April 19, 2024.
  40. ^ a b Murray, Samuel (April 22, 2024). "Taylor Swift's The Tortured Poets Department And the Art of Melodrama". The Conversation. Archived from the original on April 23, 2024. Retrieved April 27, 2024.
  41. ^ a b Ahlgrim, Callie (April 19, 2024). "Taylor Swift's The Tortured Poets Department Is the Messiest, Horniest, and Funniest Album She's Ever Made". Business Insider. Archived from the original on April 20, 2024. Retrieved April 19, 2024.
  42. ^ a b c Brown, Helen (April 19, 2024). "Taylor Swift, The Tortured Poets Department Review: Irresistible, Country-Hued Tales of Relationships Past and Present". The Independent. Archived from the original on April 19, 2024. Retrieved April 19, 2024.
  43. ^ Zaleski 2024, p. 234.
  44. ^ Burt, Stephanie (April 19, 2024). "Taylor Swift's Complicated Embrace of Tortured Poets". Time. Retrieved October 2, 2024.
  45. ^ a b c Molloy, Laura (April 19, 2024). "Taylor Swift – The Tortured Poets Department Review: A Rare Misstep". NME. Archived from the original on April 19, 2024. Retrieved April 19, 2024.
  46. ^ a b c d McCormick, Neil (April 19, 2024). "Taylor Swift, The Tortured Poets Department: A Sharp, Savage Attack on Her British Exes". The Daily Telegraph. Archived from the original on April 20, 2024. Retrieved April 19, 2024.
  47. ^ Meagher, John (April 19, 2024). "Taylor Swift's The Tortured Poets Department Review". Irish Independent. Archived from the original on April 19, 2024. Retrieved April 20, 2024.
  48. ^ a b c d Horn, Olivia (April 22, 2024). "Taylor Swift: The Tortured Poets Department / The Anthology Album Review". Pitchfork. Archived from the original on April 25, 2024. Retrieved April 22, 2024.
  49. ^ a b Siroky, Mary (April 19, 2024). "Taylor Swift Gets Lost in Her Own Shadow on The Tortured Poets Department". Consequence. Archived from the original on April 20, 2024. Retrieved April 20, 2024.
  50. ^ a b c d Keefe, Jonathan (April 22, 2024). "Taylor Swift The Tortured Poets Department Review". Slant Magazine. Archived from the original on April 22, 2024. Retrieved April 22, 2024.
  51. ^ Puddles, Hugh G. (April 22, 2024). "Review: Taylor Swift – The Tortured Poets Department". Sputnikmusic. Archived from the original on April 25, 2024. Retrieved April 24, 2024.
  52. ^ a b Davies, Jeffrey (April 25, 2024). "Taylor Swift's 'The Tortured Poets Department' Is Ambitious". PopMatters. Archived from the original on April 27, 2024. Retrieved April 27, 2024.
  53. ^ a b c d e Petridis, Alexis (April 19, 2024). "Taylor Swift: The Tortured Poets Department Review – Fame, Fans and Former Flames in the Line of Fire". The Guardian. Archived from the original on April 19, 2024. Retrieved April 19, 2024.
  54. ^ a b Snapes, Laura (April 19, 2024). "Breakups, Fantasies and Her Most Cutting Lyrics: Inside Taylor Swift's The Tortured Poets Department". The Guardian. Archived from the original on April 22, 2024. Retrieved May 3, 2024.
  55. ^ a b Bannikov, Igor (April 23, 2024). "Taylor Swift Overcomes Breakup on The Tortured Poets Department". PopMatters. Archived from the original on April 23, 2024. Retrieved April 24, 2024.
  56. ^ Hodgkinson, Will (April 19, 2024). "Love, Men and the Story Behind Each Song on Taylor Swift's New Album". The Times. Archived from the original on April 19, 2024. Retrieved April 19, 2024.
  57. ^ "Has Taylor Swift peaked?". The Economist. May 31, 2024. ISSN 0013-0613. Archived from the original on May 31, 2024. Retrieved May 31, 2024.
  58. ^ Exposito, Suzy (April 19, 2024). "Taylor Swift's The Tortured Poets Department – And Its Surprise Companion, The Anthology – Mine The Darkness To Pop Perfection". British Vogue. Archived from the original on April 19, 2024. Retrieved April 20, 2024.
  59. ^ a b Kornhaber, Spencer (April 19, 2024). "Taylor Swift Is Having Quality-Control Issues". The Atlantic. Archived from the original on April 22, 2024. Retrieved April 23, 2024.
  60. ^ a b Foggart, Tyler (April 19, 2024). "It's Taylor Swift Day, Again". The New Yorker. Archived from the original on May 3, 2024. Retrieved May 3, 2024.
  61. ^ Lancia, Claudio (April 21, 2024). "Taylor Swift – The Tortured Poets Department". Ondarock (in Italian). Archived from the original on May 8, 2024. Retrieved May 8, 2024.
  62. ^ a b Sheffield, Rob (April 19, 2024). "Taylor Swift Busts Out the Quill Pen and Delivers an Epic Double Album with TTPD: The Anthology". Rolling Stone. Archived from the original on April 19, 2024. Retrieved April 20, 2024.
  63. ^ a b c Hudson, Alex (April 22, 2024). "Taylor Swift's The Tortured Poets Department Is Full of Sound and Fury, Signifying Nothing". Exclaim!. Archived from the original on April 22, 2024. Retrieved April 23, 2024.
  64. ^ Carr, Mary Kate (April 19, 2024). "Taylor Swift Releases Surprise Double Album TTPD: The Anthology". The A.V. Club. Archived from the original on April 21, 2024. Retrieved April 21, 2024.
  65. ^ Sources on the apostrophe:
    1. Mather, Victor (February 7, 2024). "Tortured Poets' or Poets? Taylor Swift Meets the Apostrophe Police". The New York Times. Archived from the original on February 15, 2024. Retrieved February 19, 2024.
    2. Rutigliano, Olivia (February 6, 2024). "Is the phrase The Tortured Poets Department grammatically correct?". Literary Hub. Archived from the original on February 19, 2024. Retrieved February 19, 2024.
    3. Chang, Joshua (February 8, 2024). "Why Taylor Swift's new album name is (probably) grammatically correct". National Post. Archived from the original on March 4, 2024. Retrieved February 19, 2024.
    4. Menon, Vinay (February 8, 2024). "The apostrophe debate over Taylor Swift's 'The Tortured Poets Department' proves why we must never defund the grammar police". Toronto Star. Archived from the original on February 19, 2024. Retrieved February 19, 2024.
  66. ^ Sen, Mallika (February 4, 2024). "Taylor Swift announces new album: The Tortured Poets Department". Associated Press. Archived from the original on February 5, 2024. Retrieved February 5, 2024.
  67. ^ a b Morin, Alyssa (February 5, 2024). "How Mary-Kate and Ashley Olsen Played a Role in Taylor Swift's Tortured Poets Department Cover". E!. Archived from the original on February 5, 2024. Retrieved February 6, 2024.
  68. ^ Vasquez, Ingrid (February 5, 2024). "Taylor Swift Shares the Sexy Cover of New Album The Tortured Poets Department: 'All's Fair in Love and Poetry'". People. Archived from the original on February 10, 2024. Retrieved February 6, 2024.
  69. ^ Dailey, Hannah (February 6, 2024). "Everything We Know About Taylor Swift's New Album 'The Tortured Poets Department' So Far". Billboard. Archived from the original on February 6, 2024. Retrieved February 6, 2024.
  70. ^ Ahlgrim, Callie. "All the best reactions to Taylor Swift's surprise album announcement at the Grammys". Business Insider. Archived from the original on February 7, 2024. Retrieved February 7, 2024.
  71. ^ Leishman, Rachel (February 5, 2024). "Did Taylor Swift Know Her New Album Name Would Inspire This Many Memes?". The Mary Sue. Archived from the original on February 7, 2024. Retrieved February 7, 2024.
  72. ^ Follett, Gillian (February 7, 2023). "See How Brands Recreated Taylor Swift's New Album Cover". Advertising Age. Archived from the original on February 7, 2024. Retrieved February 7, 2023.
  73. ^ a b c Power, Ed (April 19, 2024). "If You Expected a Taylor Swift Revenge Album, You Were Wrong". i. Archived from the original on April 22, 2024. Retrieved April 22, 2024.
  74. ^ Madden, Emma (February 6, 2024). "What Tortured Poets Think About Taylor Swift's Album Title". The New York Times. Archived from the original on April 22, 2024. Retrieved April 24, 2024.
  75. ^ Gibson, Kelsie (April 18, 2024). "10 Ways Taylor Swift Teased Tortured Poets Department with Her Outfits". People. Archived from the original on May 2, 2024. Retrieved May 2, 2024.
  76. ^ Green, Matthew J. A. (July 19, 2024). "Why Taylor Swift's gothic work is as important as the novels of Mary Shelley or Bram Stoker". The Conversation. Archived from the original on July 20, 2024. Retrieved July 22, 2024.
  77. ^ Hughes, Amy (March 4, 2024). "'The Black Dog': Taylor Swift Announces Final Variant of Upcoming Tortured Poets Department". Q. Archived from the original on May 12, 2024. Retrieved May 12, 2024.
  78. ^ Gibson, Kelsie (February 6, 2024). "Everything to Know About Taylor Swift's New Album, The Tortured Poets Department". People. Archived from the original on February 5, 2024. Retrieved February 6, 2024.
  79. ^ Murray, Conor (April 19, 2024). "Taylor Swift's New Album Rollout Has Spotify, Social Media Companies And More Fighting For Swiftie Attention". Forbes. Archived from the original on May 7, 2024. Retrieved May 12, 2024.
  80. ^ Millman, Ethan (April 6, 2024). "Taylor Swift Soundtracks the Five Stages of Grief With New Apple Music Playlists". Rolling Stone. Archived from the original on May 11, 2024. Retrieved May 12, 2024.
  81. ^ Dailey, Hannah (April 15, 2024). "Taylor Swift to Launch Tortured Poets Department Spotify Library Installation in Los Angeles". Billboard. Archived from the original on April 15, 2024. Retrieved April 15, 2024.
  82. ^ Christ, Giovana (April 17, 2024). "Taylor Swift escolhe loja em Pinheiros para divulgar seu novo álbum" [Taylor Swift chooses store in Pinheiros to promote her new album]. CNN Brazil. Archived from the original on April 17, 2024. Retrieved April 17, 2024.
  83. ^ West, Bryan (April 15, 2024). "'Error 321': Chicago QR Code Mural Links to Tortured Poets and Taylor Swift". USA Today. Archived from the original on April 17, 2024. Retrieved April 16, 2024.
  84. ^ Aniftos, Rania (April 15, 2024). "Instagram & Threads Are Celebrating Taylor Swift's Upcoming Album With Easter Eggs for Swifties". Billboard. Archived from the original on April 15, 2024. Retrieved April 15, 2024.
  85. ^ "Everything To Know About Taylor Swift Week On iHeartRadio". iHeartMedia. Archived from the original on April 17, 2024. Retrieved April 17, 2024.
  86. ^ Dailey, Hannah (April 2, 2024). "Taylor Swift Is Getting Her Own SiriusXM Radio Channel: Here's How to Tune In for Free". Billboard. Archived from the original on April 18, 2024. Retrieved April 18, 2024.
  87. ^ a b Zemler, Emily (April 19, 2024). "Taylor Swift Unveils Double Album The Tortured Poets Department: The Anthology". Rolling Stone. Archived from the original on April 19, 2024. Retrieved April 19, 2024.
  88. ^ Nanji, Noor (April 18, 2024). "Taylor Swift: Fans react as new album is apparently leaked". BBC. Archived from the original on April 19, 2024. Retrieved April 19, 2024.
  89. ^ Duran, Anagricel (April 18, 2024). "'Taylor Swift leak' banned from search on Twitter/X ahead of 'Tortured Poets Department' release". NME. Archived from the original on April 19, 2024. Retrieved April 19, 2024.
  90. ^ a b Caulfield, Keith (April 28, 2024). "Taylor Swift Makes Historic Debut at No. 1 on Billboard 200 With The Tortured Poets Department". Billboard. Archived from the original on April 28, 2024. Retrieved April 29, 2024.
  91. ^ "Taylor Swift: Fans and Critics React to New Album The Tortured Poets Department". The Guardian. April 19, 2024. Archived from the original on April 19, 2024. Retrieved April 19, 2024.
  92. ^ Mier, Tomás (April 19, 2024). "Taylor Swift Drops Dystopic, Post Malone-Featuring Trailer for 'Fortnight'". Rolling Stone. Archived from the original on April 19, 2024. Retrieved April 19, 2024.
  93. ^ Mompellio, Gabriel (July 2, 2024). "Taylor Swift – I Can Do It With a Broken Heart (Radio Date: 02-07-2024)". EarOne (Press release) (in Italian). Universal Music Group. Archived from the original on July 3, 2024. Retrieved October 27, 2023.
  94. ^ a b Kaufman, Gil (October 15, 2024). "Taylor Swift Releasing Eras Tour Book and Tortured Poets Department Anthology Vinyl/CD on Black Friday". Billboard. Retrieved October 16, 2024.
  95. ^ Dailey, Hannah (May 13, 2024). "Taylor Swift Says She's 'So Fired Up' to Play New Tortured Poets Set for the Rest of the Eras Tour". Billboard. Archived from the original on May 13, 2024. Retrieved May 13, 2024.
  96. ^ Paul, Larisha (May 13, 2024). "Taylor Swift Celebrates Tortured Poets Induction Into Eras Tour Set List: It's 'Female Rage the Musical'". Rolling Stone. Archived from the original on May 13, 2024. Retrieved May 13, 2024.
  97. ^ Davet, Stéphane (May 10, 2024). "Taylor Swift Adds 'Tortured' Chapter to Eras Tour Marathon Paris Show". Le Monde. Archived from the original on June 2, 2024. Retrieved June 2, 2024.
  98. ^ Allaire, Christian (May 9, 2024). "Taylor Swift Kicks Off Her European Eras Tour—With Two New Custom Looks". Vogue. Archived from the original on June 2, 2024. Retrieved June 2, 2024.
  99. ^ Shafer, Ellise (May 10, 2024). "Taylor Swift Masterfully Reinvents the Eras Tour for Its European Version: See All the Changes". Variety. Archived from the original on May 12, 2024. Retrieved June 2, 2024.
  100. ^ Caulfield, Keith (May 26, 2024). "Taylor Swift Scores Fifth Week Atop Billboard 200 With The Tortured Poets Department". Billboard. Archived from the original on May 27, 2024. Retrieved May 27, 2024.
  101. ^ "Taylor Swift pops into London to see Cara Delevigne in Cabaret". KS95. June 2, 2024. Archived from the original on June 2, 2024. Retrieved June 17, 2024.
  102. ^ Paul, Larisha (May 17, 2024). "Taylor Swift Expands Tortured Poets Department (Again) With Limited Edition First Draft Phone Memos". Rolling Stone. Archived from the original on May 27, 2024. Retrieved May 27, 2024.
  103. ^ "The Tortured Poets Department Standard Digital Album + "My Boy Only Breaks His Favorite Toys" (First Draft Phone Memo)". Taylor Swift Official Store. Archived from the original on August 3, 2024. Retrieved August 3, 2024.
  104. ^ Hernandez, Brian Anthony (May 24, 2024). "Taylor Swift Is Selling Live Versions of 3 Tortured Poets Department Surprise Songs for a Very Limited Time". People. Archived from the original on May 24, 2024. Retrieved May 27, 2024.
  105. ^ Romano, Aja (June 1, 2024). "Billie Eilish vs. Taylor Swift: Is the Feud Real? Who's Dissing Who?". Vox. Archived from the original on June 6, 2024. Retrieved June 20, 2024.
  106. ^ Murray, Conor (May 23, 2024). "Taylor Swift Could Block Billie Eilish From Debuting New Album At No. 1 As Fan Rivalry Grows". Forbes. Archived from the original on June 17, 2024. Retrieved June 20, 2024.
  107. ^ D'Souza, Shaad (June 14, 2024). "Taylor Swift May Have Captured the Charts, But Charli XCX Captured the Zeitgeist". The Guardian. Archived from the original on August 22, 2024. Retrieved June 20, 2024.
  108. ^ Sisario, Ben (June 3, 2024). "Taylor Swift Is No. 1 Again, With Little Competition on the Way". The New York Times. Archived from the original on June 21, 2024. Retrieved June 23, 2024.
  109. ^ "The Tortured Poets Department by Taylor Swift Reviews". AnyDecentMusic?. Archived from the original on April 19, 2024. Retrieved April 25, 2024.
  110. ^ a b "The Tortured Poets Department by Taylor Swift". Metacritic. Archived from the original on April 23, 2024. Retrieved April 23, 2024.
  111. ^ a b "The Tortured Poets Department: The Anthology by Taylor Swift". Metacritic. Archived from the original on April 23, 2024. Retrieved April 23, 2024.
  112. ^ Thomas, Fred. "The Tortured Poets Department by Taylor Swift". AllMusic. Archived from the original on April 25, 2024. Retrieved April 26, 2024.
  113. ^ a b Webb, Lauren (April 19, 2024). "Taylor Swift – The Tortured Poets Department". Clash. Archived from the original on April 19, 2024. Retrieved April 20, 2024.
  114. ^ a b Cairns, Dan (April 19, 2024). "Tortured Poets Department by Taylor Swift Review—A Five-Star Pleasure". The Times. Archived from the original on April 19, 2024. Retrieved April 19, 2024.
  115. ^ Lipshutz, Jason (October 4, 2024). "Jack Antonoff On Stepping Out of Pop's Center". Billboard. Retrieved October 4, 2024. The Tortured Poets Department was emotionally unguarded and knowingly messy, dividing critics and inspiring immediate fan devotion on its way to the biggest first-week debut of her career.
  116. ^ Harris, Raquel 'Rocky' (April 19, 2024). "Taylor Swift's 'Tortured Poets Department' Divides Critics: 'She Blurs the Lines Between Her Personas'". TheWrap. Retrieved October 4, 2024.
  117. ^ a b c May, Naomi (April 22, 2024). "Taylor Swift Just Responded To Reviews Of The Tortured Poets Department In The Best Possible Way". Elle. Archived from the original on April 23, 2024. Retrieved April 23, 2024.
  118. ^ a b Sisario, Ben (April 29, 2024). "Taylor Swift's Tortured Poets Breaks Records With Blockbuster Debut". The New York Times. Archived from the original on May 8, 2024. Retrieved May 8, 2024.
  119. ^ "Taylor Swift Hits Number One and Breaks Records". BBC. April 26, 2024. Archived from the original on April 26, 2024. Retrieved April 27, 2024.
  120. ^ Harris, Will (April 19, 2024). "First Impressions: Taylor Swift's The Tortured Poets Department Is Every Bit the Epic Affair It Was Expected to Be". Q. Archived from the original on April 21, 2024. Retrieved April 21, 2024.
  121. ^ a b Empire, Kitty (April 20, 2024). "Taylor Swift: The Tortured Poets Department Review – A Whole Lotta Love Gone Bad". The Observer. Archived from the original on April 20, 2024. Retrieved April 20, 2024.
  122. ^ a b Hopper, Alex (April 19, 2024). "The Gloves Are Off on Taylor Swift's Double Album, The Tortured Poets Department". American Songwriter. Archived from the original on April 21, 2024. Retrieved April 22, 2024.
  123. ^ a b Zoladz, Lindsay (April 19, 2024). "Taylor Swift's New Album, The Tortured Poets Department, Could Use an Editor: Review". The New York Times. Archived from the original on April 20, 2024. Retrieved April 20, 2024.
  124. ^ Ruggieri, Melissa (April 19, 2024). "Taylor Swift's 'Tortured Poets' is hauntingly brilliant, even the 15 surprise songs". USA Today. Archived from the original on April 19, 2024. Retrieved April 27, 2024.
  125. ^ Paul, Larisha (April 23, 2024). "Taylor Swift and Jack Antonoff Have Reached Their Limit". Rolling Stone. Archived from the original on May 11, 2024. Retrieved May 12, 2024.
  126. ^ Petrusich, Amanda (April 19, 2024). "The Tortured Poetry of Taylor Swift's New Album". The New Yorker. Archived from the original on April 19, 2024. Retrieved April 20, 2024.
  127. ^ Carr, Mary Kate (April 19, 2024). "Taylor Swift's The Tortured Poets Department Is Stuck in the Past". The A.V. Club. Archived from the original on April 19, 2024. Retrieved April 19, 2024.
  128. ^ Hiatt, Brian (April 25, 2024). "The Old Taylor Swift Is Dead – This Time for Real". Rolling Stone. Archived from the original on April 27, 2024. Retrieved April 27, 2024.
  129. ^ a b Princiotti, Nora; Hubbard, Nathan (April 21, 2024). "Is The Tortured Poets Department Taylor Swift's Most Controversial Album Ever?". The Ringer. Archived from the original on April 22, 2024. Retrieved April 27, 2024.
  130. ^ Stevens, Matt; Gonzalez, Shivani (April 22, 2024). "Taylor Swift Has Given Fans a Lot. Is It Finally Too Much?". The New York Times. Archived from the original on April 22, 2024. Retrieved April 22, 2024.
  131. ^ Chitwood, Adam (April 20, 2024). "Paste's Review of Taylor Swift's Tortured Poets Department Posts Anonymously". The Wrap. Archived from the original on April 22, 2024. Retrieved April 23, 2024.
  132. ^ Kandangwa, Sumnima (April 23, 2024). "'Cringeworthy?' 4 Scathing Reviews of Taylor Swift's New TTPD Album". South China Morning Post. Archived from the original on April 23, 2024. Retrieved April 23, 2024.
  133. ^ a b Anh, Minh (May 8, 2024). "What's going on with Taylor Swift?". L'Officiel. Archived from the original on May 13, 2024. Retrieved May 13, 2024.
  134. ^ Kaufman, Gil (April 22, 2024). "Taylor Swift Posts Responses to Tortured Poets Department Reviews Using Album Lyrics". Billboard. Archived from the original on April 22, 2024. Retrieved April 23, 2024.
  135. ^ Harding, Laura (April 22, 2024). "Taylor Swift Responds to Reviews of Latest Album Amid Mixed Reception". The Irish Times. Archived from the original on April 22, 2024. Retrieved April 23, 2024.
  136. ^ a b c Karl, Jessica (April 23, 2024). "Taylor Swift Is Proof That How We Critique Music Is Broken". Bloomberg News. Archived from the original on April 23, 2024. Retrieved April 23, 2024.
  137. ^ a b Darcy, Oliver (April 26, 2024). "I Judged Taylor Swift's Album Immediately After It Came Out. Here's Why I Was Wrong". CNN. Archived from the original on April 27, 2024. Retrieved April 27, 2024.
  138. ^ O'Sullivan, Sinéad (April 30, 2024). "Why Normal Music Reviews No Longer Make Sense for Taylor Swift". The New Yorker. Archived from the original on May 1, 2024. Retrieved May 4, 2024.
  139. ^ Molanphy, Chris (May 3, 2024). "Taylor Swift Is Doing Michael Jackson–Level Numbers, but Does She Have a 'Billie Jean'?". Slate. Archived from the original on May 3, 2024. Retrieved May 4, 2024.
  140. ^ Ahmed, Aneesa (May 9, 2024). "Taylor Swift Debuts New Tracks as She Returns to The Eras Tour". The Guardian. Archived from the original on June 8, 2024. Retrieved June 8, 2024.
  141. ^ a b c d Dailey, Hannah (May 2, 2024). "The Tortured Poets Department: All the Records Taylor Swift's New Album Has Broken (So Far)". Billboard. Archived from the original on April 23, 2024. Retrieved May 8, 2024.
  142. ^ Willman, Chris (April 20, 2024). "Taylor Swift's Record-Breaking First Day at Spotify With Tortured Poets Didn't Stop at 200 Million Streams—It Actually Surpassed 300 Million". Variety. Archived from the original on April 20, 2024. Retrieved April 20, 2024.
  143. ^ Ellis, Maddie (April 19, 2024). "Tortured Poets Department breaks another record". Today.com. Archived from the original on April 19, 2024. Retrieved April 19, 2024.
  144. ^ Frankenberg, Eric (May 2, 2024). "Taylor Swift's The Tortured Poets Department Breaks Global Streaming Record in Its First Week". Billboard. Archived from the original on May 2, 2024. Retrieved May 2, 2024.
  145. ^ Caulfield, Keith (April 21, 2024). "Taylor Swift Sells 1.4 Million Copies of The Tortured Poets Department on First Day of Release in U.S." Billboard. Archived from the original on April 21, 2024. Retrieved April 21, 2024.
  146. ^ Caulfield, Keith (August 18, 2024). "Taylor Swift's 'Tortured Poets Department' Hits 15th Week Atop Billboard 200". Billboard. Archived from the original on August 18, 2024. Retrieved August 18, 2024.
  147. ^ Coscarelli, Joe (May 23, 2024). "Billie Eilish and Taylor Swift Race for No. 1". The New York Times. Retrieved August 16, 2024.
  148. ^ Evans, Greg (May 27, 2024). "Billie Eilish Album 'Hit Me Hard And Soft' Debuts At #2 On Billboard 200". Deadline. Archived from the original on May 28, 2024. Retrieved August 29, 2024.
  149. ^ Garcia, Thania (August 12, 2024). "Taylor Swift's 'Tortured Poets Department' Ends Kanye West's Streak of No. 1 Albums as 'Vultures 2' Comes in Second on Billboard 200". Variety. Archived from the original on August 14, 2024. Retrieved August 16, 2024.
  150. ^ Trapp, Malcolm. "Ye And Ty Dolla Sign's 'VULTURES 2' Falls Short Of No. 1 Spot On 'Billboard' 200 Chart". Rap-Up. Archived from the original on August 24, 2024. Retrieved August 29, 2024.
  151. ^ Squires, Bethy (August 18, 2024). "Taylor Swift and Chappell Roan Race to Top of Album Chart". Vulture. Archived from the original on August 22, 2024. Retrieved August 29, 2024.
  152. ^ Willman, Chris (August 18, 2024). "Taylor Swift's 'Poets' Tops Album Chart for a 15th Week, as Chappell Roan Reaches a New High of No. 2". Variety. Archived from the original on August 21, 2024. Retrieved August 29, 2024.
  153. ^ Caulfield, Keith (July 14, 2024). "Taylor Swift Hits Career-Best 12th Week at No. 1 on Billboard 200 With Tortured Poets Department". Billboard. Archived from the original on July 14, 2024. Retrieved July 14, 2024.
  154. ^ Trust, Gary (April 29, 2024). "Taylor Swift Claims Record Top 14 Spots on Billboard Hot 100, Led by 'Fortnight' With Post Malone". Billboard. Archived from the original on April 29, 2024. Retrieved April 29, 2024.
  155. ^ Caulfield, Keith (July 16, 2024). "Taylor Swift's Tortured Poets Department & Benson Boone's Beautiful Things Lead Luminate's 2024 Midyear Charts". Billboard. Archived from the original on July 16, 2024. Retrieved July 16, 2024.
  156. ^ Aswad, Jem (July 16, 2024). "Taylor Swift, Olivia Rodrigo, K-Pop Acts See a Huge Boost in 2024 Sales With 'Variants': The Same Album in Different Packages". Variety. Retrieved July 17, 2024.
  157. ^ "Taylor Swift mit Rekordstart auf Platz 1 der Offiziellen Deutschen Charts" (in German). Offizielle Deutsche Charts. Archived from the original on April 26, 2024. Retrieved April 27, 2024.
  158. ^ Smith, Carl (April 26, 2024). "Taylor Swift's The Tortured Poets Department Secures UK's Biggest Opening Week In Seven Years". Official Charts Company. Archived from the original on April 26, 2024. Retrieved April 27, 2024.
  159. ^ Smith, Carl (May 1, 2024). "Record Store Day and Taylor Swift's The Tortured Poets Department Deliver Highest Weekly Vinyl Sales in 30 Years". Official Charts Company. Archived from the original on May 10, 2024. Retrieved May 10, 2024.
  160. ^ Smirke, Richard (July 16, 2024). "Taylor Swift Helps Lift UK Vinyl and CD Music Sales to Half-Year High". Billboard. Archived from the original on July 16, 2024. Retrieved July 16, 2024.
  161. ^ "Taylor Takes the Top 10". Australian Recording Industry Association. Archived from the original on April 26, 2024. Retrieved April 26, 2024.
  162. ^ Lapierre, Megan (May 4, 2024). "Taylor Swift Smashes Canadian Records with The Tortured Poets Department". Exclaim!. Archived from the original on May 1, 2024. Retrieved May 4, 2024.
  163. ^ Calazans, Bruna (April 30, 2024). "Taylor Swift emplaca 10 músicas de novo álbum entre as mais ouvidas do país" [Taylor Swift has 10 new album songs among the most heard in the country]. Billboard Brasil (in Brazilian Portuguese). Archived from the original on May 1, 2024. Retrieved May 28, 2024.
  164. ^ Grein, Paul (June 4, 2024). "Taylor Swift, Barbie Lead Nominations for 2024 Kids' Choice Awards (Full List)". Billboard. Archived from the original on June 6, 2024. Retrieved June 6, 2024.
  165. ^ Adrián, Córdoba (October 9, 2024). "LOS40 Music Awards Santander 2024: lista completa de nominados" [LOS40 Music Awards Santander 2024: complete list of nominees]. Diario AS (in Spanish). Retrieved October 10, 2024.
  166. ^ Brandle, Lars (September 26, 2024). "Royel Otis, Dom Dolla Lead Finalists for 2024 ARIA Awards". Billboard. Retrieved October 10, 2024.
  167. ^ Atkinson, Katie (November 8, 2024). "Grammy Nominations 2025: See the Complete List". Billboard. Retrieved November 8, 2024.
  168. ^ "Los discos más vendidos". Diario de Cultura (in Spanish). Argentine Chamber of Phonograms and Videograms Producers. Archived from the original on May 27, 2024. Retrieved May 27, 2024.
  169. ^ "Australiancharts.com – Taylor Swift – The Tortured Poets Department". Hung Medien. Retrieved May 10, 2024.
  170. ^ "Austriancharts.at – Taylor Swift – The Tortured Poets Department" (in German). Hung Medien. Retrieved May 1, 2024.
  171. ^ "Ultratop.be – Taylor Swift – The Tortured Poets Department" (in Dutch). Hung Medien. Retrieved April 28, 2024.
  172. ^ "Ultratop.be – Taylor Swift – The Tortured Poets Department" (in French). Hung Medien. Retrieved April 28, 2024.
  173. ^ "Taylor Swift Chart History (Canadian Albums)". Billboard. Retrieved April 30, 2024.
  174. ^ "Lista prodaje 17. tjedan 2024" (in Croatian). Top of the Shops. May 1, 2024. Archived from the original on April 30, 2024. Retrieved May 1, 2024.
  175. ^ "Czech Albums – Top 100". ČNS IFPI. Note: On the chart page, select 17.Týden 2024 on the field besides the words "CZ – ALBUMS – TOP 100" to retrieve the correct chart. Retrieved April 29, 2024.
  176. ^ "Danishcharts.dk – Taylor Swift – The Tortured Poets Department". Hung Medien. Retrieved May 10, 2024.
  177. ^ "Dutchcharts.nl – Taylor Swift – The Tortured Poets Department" (in Dutch). Hung Medien. Retrieved April 27, 2024.
  178. ^ "Taylor Swift: The Tortured Poets Department" (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved April 27, 2024.
  179. ^ "Lescharts.com – Taylor Swift – The Tortured Poets Department". Hung Medien. Retrieved May 10, 2024.
  180. ^ "Offiziellecharts.de – Taylor Swift – The Tortured Poets Department" (in German). GfK Entertainment Charts. Retrieved April 26, 2024.
  181. ^ "Official IFPI Charts – Top-75 Albums Sales Chart (Week: 19/2024)". IFPI Greece. Archived from the original on May 16, 2024. Retrieved May 17, 2024.
  182. ^ "Album Top 40 slágerlista – 2024. 17. hét" (in Hungarian). MAHASZ. Retrieved May 2, 2024.
  183. ^ "Tónlistinn – Plötur – Vika 17 – 2024" [The Music – Albums – Week 17 – 2024] (in Icelandic). Plötutíðindi. Archived from the original on April 27, 2024. Retrieved April 27, 2024.
  184. ^ "Official Irish Albums Chart Top 50". Official Charts Company. Retrieved April 26, 2024.
  185. ^ "Italiancharts.com – Taylor Swift – The Tortured Poets Department". Hung Medien. Retrieved May 10, 2024.
  186. ^ "Oricon Top 50 Albums: 2024-04-29" (in Japanese). Oricon. Retrieved April 24, 2024.
  187. ^ "Oricon Top 50 Combined Albums: 2024-04-29" (in Japanese). Oricon. Archived from the original on April 25, 2024. Retrieved April 25, 2024.
  188. ^ "Billboard Japan Hot Albums – Week of April 24, 2024". Billboard Japan (in Japanese). Archived from the original on April 24, 2024. Retrieved April 24, 2024.
  189. ^ a b "2024 17-os savaitės klausomiausi (Top 100)" (in Lithuanian). AGATA. April 26, 2024. Archived from the original on April 26, 2024. Retrieved April 26, 2024.
  190. ^ "Charts.nz – Taylor Swift – The Tortured Poets Department". Hung Medien. Retrieved May 10, 2024.
  191. ^ "Album 2024 uke 17". VG-lista. Retrieved April 27, 2024.
  192. ^ "OLiS - oficjalna lista sprzedaży - albumy" (in Polish). OLiS. Polish Society of the Phonographic Industry. Note: Change the date to April 19, 2024 under "zmień zakres od–do:". Retrieved May 2, 2024.
  193. ^ "Portuguesecharts.com – Taylor Swift – The Tortured Poets Department". Hung Medien. Retrieved May 1, 2024.
  194. ^ "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved April 27, 2024.
  195. ^ "SK – Albums Top 100" (in Czech). International Federation of the Phonographic Industry. Archived from the original on April 29, 2024. Retrieved April 29, 2024.
  196. ^ "Spanishcharts.com – Taylor Swift – The Tortured Poets Department". Hung Medien. Retrieved May 10, 2024.
  197. ^ "Swedishcharts.com – Taylor Swift – The Tortured Poets Department". Hung Medien. Retrieved May 10, 2024.
  198. ^ "Swisscharts.com – Taylor Swift – The Tortured Poets Department". Hung Medien. Retrieved April 28, 2024.
  199. ^ "Official Albums Chart Top 100". Official Charts Company. Retrieved April 26, 2024.
  200. ^ "Taylor Swift Chart History (Billboard 200)". Billboard. Retrieved April 30, 2024.
  201. ^ "Oricon Top 50 Albums: 2024-04" (in Japanese). Oricon. Archived from the original on May 8, 2024. Retrieved May 8, 2024.
  202. ^ "ARIA Charts – Accreditations – 2024 Albums" (PDF). Australian Recording Industry Association. Retrieved September 27, 2024.
  203. ^ "Austrian album certifications – Taylor Swift – The Tortured Poets Department" (in German). IFPI Austria. Retrieved May 29, 2024.
  204. ^ "Brazilian album certifications – Taylor Swift – The Tortured Poets Department" (in Portuguese). Pro-Música Brasil. Retrieved September 19, 2024.
  205. ^ "Danish album certifications – Taylor Swift – The Tortured Poets Department". IFPI Danmark. Retrieved June 3, 2024.
  206. ^ "French album certifications – Taylor Swift – The Tortured Poets Department" (in French). Syndicat National de l'Édition Phonographique. Retrieved July 8, 2024.
  207. ^ "Gold-/Platin-Datenbank (Taylor Swift; 'The Tortured Poets Department')" (in German). Bundesverband Musikindustrie. Retrieved August 14, 2024.
  208. ^ "Italian album certifications – Taylor Swift – The Tortured Poets Department" (in Italian). Federazione Industria Musicale Italiana. Retrieved July 15, 2024.
  209. ^ "New Zealand album certifications – Taylor Swift – The Tortured Poets Department". Recorded Music NZ. Retrieved August 30, 2024.
  210. ^ "OLiS - oficjalna lista wyróżnień" (in Polish). Polish Society of the Phonographic Industry. Retrieved July 3, 2024. Click "TYTUŁ" and enter The Tortured Poets Department in the search box.
  211. ^ "Portuguese album certifications – Taylor Swift – The Tortured Poets Department" (PDF) (in Portuguese). Associação Fonográfica Portuguesa. Retrieved August 1, 2024.
  212. ^ "Spanish album certifications – Taylor Swift – The Tortured Poets Department". El portal de Música. Productores de Música de España. Retrieved April 29, 2024.
  213. ^ "The Official Swiss Charts and Music Community: Awards ('The Tortured Poets Department')". IFPI Switzerland. Hung Medien. Retrieved June 17, 2024.
  214. ^ "British album certifications – Taylor Swift – The Tortured Poets Department". British Phonographic Industry. Retrieved August 9, 2024.
  215. ^ Citations for The Tortured Poets Department digital editions:
  216. ^ Citations for The Tortured Poets Department physical editions:
  217. ^ The Tortured Poets Department physical Japanese versions:

Source

Retrieved from "http://en.wiki.x.io/w/index.php?title=The_Tortured_Poets_Department&oldid=1256605336"