Allgemeine musikalische Zeitung: Difference between revisions
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The '''''Allgemeine Musikalische Zeitung''''' (translation of the German: "General music journal") was a journal of music published in the 19th century. There were two series: a weekly journal published between 1798 and 1848, and a revived version which lasted from 1866 to 1882.<ref>http://www.ripm.org/journals/AMZ.php#Hardcover</ref> The publisher was [[Breitkopf & Härtel]] in [[Leipzig]] for the first period of publication and for the first three years of the second period; for the remainder of the journal's history it was published by J. Reiter-Biedermann.<ref>http://www.ripm.org/journals/AMZ.php#Hardcover</ref> |
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Much important material appeared in the journal, including the serialized initial version of [[Georg August Griesinger]]'s biography of [[Joseph Haydn]], and articles by scholar [[Gustav Nottebohm]] and critic [[Eduard Hanslick]].<ref>http://www.ripm.org/journals/AMZ.php#Hardcover</ref> The the journal also published a series of anecdotes about [[Wolfgang Amadeus Mozart]], widely believed by modern scholars to have been fabricated, written by the journal's editor [[Friedrich Rochlitz]]; see [[Biographies of Mozart]]. |
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Revision as of 15:21, 8 May 2009
The Allgemeine Musikalische Zeitung (translation of the German: "General music journal") was a journal of music published in the 19th century. There were two series: a weekly journal published between 1798 and 1848, and a revived version which lasted from 1866 to 1882.[1] The publisher was Breitkopf & Härtel in Leipzig for the first period of publication and for the first three years of the second period; for the remainder of the journal's history it was published by J. Reiter-Biedermann.[2]
Much important material appeared in the journal, including the serialized initial version of Georg August Griesinger's biography of Joseph Haydn, and articles by scholar Gustav Nottebohm and critic Eduard Hanslick.[3] The the journal also published a series of anecdotes about Wolfgang Amadeus Mozart, widely believed by modern scholars to have been fabricated, written by the journal's editor Friedrich Rochlitz; see Biographies of Mozart.